“Being a good Diabolic meant being a hideous person.”
Nemesis barely remembers the time before she was bonded to Sidonia. Anything that came before is irrelevant. Now Nemesis will do whatever is necessary to ensure that Sidonia survives and flourishes. As long as Sidonia is safe and secure everything else, including Nemesis’s own well-being, becomes irrelevant.
When news of her senator father’s heresy reaches the seat of the Empire, Sidonia is summoned to the Imperial Court as a hostage. There is no way for Nemesis to strike against the Emperor. No way for her to shelter Sidonia when she is summoned. This time the only way Nemesis can protect Sidonia is to become her.
At the Imperial Court, Nemesis has to hide her superior strength, cunning intellect, and her ruthless lack of humanity. Greedy senators, calculating heirs, and the Emperor’s mad nephew Tyrus are all keen to use Nemesis for their own ends. But she has little interest in the politics at Court or the rebellion that is beginning to foment.
Nemesis knows that she is not human. She knows the matters of the Imperial Court are not her concern. But she also soon realizes that saving Sidonia may involve saving not just herself but the entire Empire in The Diabolic (2016) by S. J. Kincaid.
The Diabolic was written as a standalone sci-fi novel. After its release Kincaid signed a book deal for two additional novels making The Diabolic the start of a trilogy.
Kincaid has built a unique world layered with complex alliances and difficult questions about what it means to be human which play out against a galactic power struggle. Nemesis’s performative identity as Sidonia contrasts well against the Emperor’s son, Tyrus, a Hamlet-like figure who may or may not be putting on an act of his own in a bid for the throne. Nemesis’s character growth as she learns to choose herself beyond any loyalty she feels to Sidonia or others is fascinating and thoughtfully done.
The Diabolic is a sprawling space opera that brings Nemesis and other characters across the galaxy in a story filled with double crosses, twists, and intrigue so thick you could cut it with a knife. Nemesis narrates the novel with a tone that is as pragmatic as it is chilling–unsurprising for a character who has been told constantly throughout her life that she will never be human. Whether Nemesis will prove her detractors correct or exceed her supposed Diabolic limitations remains to be seen.
The combination of ambiguous morality, lavish settings, and a cast of provocative characters make The Diabolic an utterly satisfying sci-fi adventure. Highly recommended.
Possible Pairings: The Scorpion Rules by Erin Bow, Incarceron by Catherine Fisher, Proxy by Alex London, Legend by Marie Lu, A Confusion of Princes by Garth Nix, Birthmarked by Caragh M.O’Brien, For Darkness Shows the Stars by Diana Peterfreund, The Winner’s Curse by Marie Rutkoski, This Savage Song by Victoria Schwab, And I Darken by Kiersten White
*An advance copy of this title was provided by the publisher for review consideration at BEA 2016*
To Hold the Bridge (2015) by Garth Nix is a collection of some of Nix’s previously published science fiction and fantasy short stories as well as a new Old Kingdom novella. Although To Hold the Bridge collects previously published stories, many of them were new to me and will likely be new to other readers as well. I was especially pleased that some of the stories included were ones not easily found in US editions.
Like most short story collections, this one had its strengths and its weaknesses. Instead of trying to review the entire collection in a few sentences, I decided to give smaller reviews of each story:
To Hold the Bridge: An Old Kingdom Story–Morghan has few prospects when he arrives at The Worshipful Company of the Greenwash Field and Market Bridge. His training as a new cadet is quickly tested when he has to hold the bridge against a necromancer’s Free Magic attack. I’m not sure if this story is circa Clariel, Sabriel, or Abhorsen but I hope we eventually see more of the Bridge and Morghan in a future book.
Vampire Weather–Amos lives in a secluded community that does not hold with modern technology or vaccinations. When Amos meets an alluring girl near the mailbox in the thick fog of vampire weather his life is irrevocably changed. An odd little story. A bit like the movie The Village.
Strange Fishing in the Western Highlands–A strange story about Malcolm MacAndrew’s first encounter with Hellboy (yes, that Hellboy). I love how Dark Horse does such weird things with their properties and it was kind of fun reading a prose story about a character usually seen in comics. I would like to see the anthology where this was originally published just for curiosity’s sake.
Old Friends–This story skewed on the older end (adult character, adult themes as it were) and was excellent. An alien is making a home on the coast of a small town when he realizes his enemies are coming for him. Fantastic narrative voice.
The Quiet Knight–Tony embrace his LARPing character’s heroism to find his voice in the real world. Few things amuse me as much as stories about Live Action Role Playing. This story was a bit short but entertaining.
The Highest Justice–Princess Jess summons Elibet, a unicorn to dispense high justice after her mother the Queen is murdered. Previously seen in Zombies vs. Unicorns. This is a short, dark story.
A Handful of Ashes–Mari and Francesca are students at a private boarding school for witches. Unlike most of the rich students, Mari and Francesca work in the kitchens to afford their tuition. When an old bylaw is established that threatens their position at the school–and the very safety of the school grounds–Mari and Francesca will have to take matters in their own hands to save the day. A delightful story about never accepting your lot and doing your part to make the world better. Possibly my favorite story in the collection. More of these two please!
The Big Question–Full circle story about a young man named Avel who leaves his village seeking wisdom and answers from a wise woman only to realize he doesn’t need to seek answers from someone else. This one was interesting but because the story covers such a large scope of time (most of Avel’s life), it is a bit hard to connect with the characters.
Stop!–Creepy and suspenseful story. When a mysterious figure shows up an atomic bomb test site in the desert he leaves a trail of destruction in his wake. There are hints here that the figure in question is an alien or even a dragon. It’s just really creepy. Trust.
Infestation–Wow. Judas as an alien and first ever vampire hunter. At least that’s my interpretation. I loved this story. It was incredibly cinematic and richly detailed. I would love to see this picked up for television.
The Heart of the City–A rather tedious story set in seventeenth century (or thereabouts) France where agents of the king work to corral and harness a dangerous angel’s power. It doesn’t go according to plan, of course.
Ambrose and the Ancient Spirits of East and West–Ambrose is recovering from a wartime (World War I) injury in the English countryside and hoping his days as an agent are far behind him. When supernatural creatures and old colleagues come knocking, Ambrose realizes leaving his past behind may not be an option anymore. It may never have been an option. This story is spooky and excellent. I hope Ambrose survives whatever comes next and I’d love to see more of him.
Holly and Iron–A story that borrows elements from the plot of Robin Hood and King Arthur blended with a world where natural magic and iron magic oppose each other. The world building here is very detailed but the characters felt under-developed in comparison.
The Curious Case of the Moon Dawn Daffodil Murder–A messy, madcap story about Sherlock Holmes’ brother. Not Mycroft. The other one.
An Unwelcome Guest–What happens when a girl runs away from home and decides to move in with the local witch? Nothing good for the witch, that’s for sure. This was a fine reinterpretation of Rapunzel and a well-done fractured fairy tale in the fine tradition of Vivian Vande Velde.
A Sidekick of Mars–Everyone knows about John Carter’s adventures on Mars but now Lam Jones is here to tell you how it really went. He should know having been with John a good eighteen percent of the time. This was a funny story but I didn’t get as much out of it as I would have if I actually knew anything about John Carter.
You Won’t Feel a Thing–Blaaaaaah. This story is set in the world of Shade’s Children but ten years before the events of that book. Shade’s Children is the only book by Garth Nix that I have read that was so horrendously upsetting I couldn’t finish it. This story was about the same.
Peace in Our Time--A very grim and unsatisfying steampunk story. I tend to think of steampunk as a sci-fi subgenre with a generally lighter tone which was not at all true for this story.
Master Haddad’s Holiday–When Haddad is sent on a mission to earn his Master Assassin status, he knows his chances of success are slim. Still, he endeavors to succeed where others would likely fail. This story is set in the same universe as A Confusion of Princes and it is as delightfully high-action as that book.
To Hold the Bridge is a solid anthology although it is not quite as consistent as Nix’s earlier collection Across the Wall.
My favorite stories were definitely “A Handful of Ashes,” “Infestation,” “Ambrose and the Ancient Spirits of East and West,” and “Master Haddad’s Holiday.” I could read about those characters all day.
Nix became a favorite author of mine because of his fantasy and the fantasy stories are the strongest ones here. Although not all of the stories were stellar, this collection demonstrates Nix’s range as an author. Recommended for fans of the author, readers who enjoy short stories, and fans of speculative fiction.
- Teach Me to Forget: A Review
- Author Interview: Corey Ann Haydu on The Careful Undressing of Love
- The Careful Undressing of Love: A Chick Lit Wednesday Review
- Setting Up a Mock Printz Program at Your Library: (This Month at TSU)
This week I had a lot of fun on Valentine’s Day exchanging gifts with my mom (the best Valentine) and bringing lots of heart cookies to work which were very well-received. It’s time to start planning for the spring new books presentation so I also had a committee meeting–lots of fun stuff happening. On Friday I spent the morning at Simon and Schuster for their 2017 Summer preview. I’ll have a recap of that up soon but in the interim you can also check out my photos on twitter to see some of the things I’m excited about.
Also: The days are finally getting longer and it’s not pitch dark when I leave work now!
Here’s my latest from Instagram:
If you you want to see how my month in reading is shaking out be sure to check out my February Reading Tracker.
How was your week? What are you reading? Who is your Valentine or Galentine? Let’s talk in the comments.
This month at Teen Services Undergound I have a post up about how to go about setting up a Mock Printz program at your library (for professional development or patrons).
If you have a YA bookclub, it might be something you want to consider for next year yourselves.
“I’ve been waiting for one thing, but love can be anything.”
“When there’s nothing left to salvage, we have to save ourselves.”
Everyone knows that Devonairre Street in Brooklyn is cursed. Being loved by a Devonairre Street girl ends in tragedy. Just look at the number of war widows on the street or the concentration of Affected families left without husbands and fathers after the Times Square Bombing in 2001.
Lorna Ryder and her mother have never put much stock in the curse even though they pretend to play along. Lorna celebrates a shared birthday along with Cruz, his sister Isla, Charlotte, and Delilah. She keeps her hair long and wears a key around her neck. She does everything she is supposed to just the way Angelika has advised since Lorna was a child.
But none of it seems to be enough when Delilah’s boyfriend Jack is killed in the wake of the grief and confusion surrounding another terrorist attack across the country. Lorna and her friends are shocked by Jack’s sudden death. Grieving and shaken, Lorna has to decide what this new loss means about the veracity of the curse and her own future as a part of Devonairre Street and away from it in The Careful Undressing of Love (2017) by Corey Ann Haydu.
The Careful Undressing of Love is Haydu’s latest standalone YA novel. Lorna narrates this novel with a breezy nonchalance that soon turns to fear and doubt as everything she previously believed about love and the curse on Devonairre Street is thrown into question. The style and tone work well with Haydu’s world building to create an alternate history that is simultaneously timeless and strikingly immediate.
Haydu’s characters are realistically inclusive and diverse. An argument could be made that it’s problematic that Delilah and Isla (the Devonairre Street girls who are not white) are the ones who suffer more over the course of this novel filled with loss and snap judgements by an insensitive public. But the same argument could be made that privilege makes this outcome sadly inevitable–a contradiction that Lorna notes herself when she begins to unpack her own privileges of being white contrasted with the burdens she has under the weight of the supposed curse and living as one of the Affected.
This story is complicated and filled with philosophical questions about grief and fear as well as love and feminism. While there is room for a bit more closure, the fate of Devonairre Street and its residents ultimately becomes irrelevant compared with Lorna’s need to break away to protect herself and her own future.
A quiet, wrenching story about the bonds of love and friendship and the ways in which they can break; a commentary on the stresses and pressures of being a girl in the modern world; and a story about self-preservation first. The Careful Undressing of Love is smart and strange, frank and raw, and devastating. Highly recommended.
Possible Pairings: The Accident Season by Moïra Fowley-Doyle, The Midnight Dress by Karen Foxlee, Practical Magic by Alice Hoffman, The Truth Commission by Susan Juby, We Were Liars by E. Lockhart, I’ll Give You the Sun by Jandy Nelson, Bone Gap by Laura Ruby, Saint Death by Marcus Sedgwick, Wild Swans by Jessica Spotswood, The Walls Around Us by Nova Ren Suma, The Sun is Also a Star by Nicola Yoon
Corey Ann Haydu is one of the smartest, most thoughtful authors I’ve had the pleasure to get to know through both her books and her online persona (by which I mean Twitter). Life By Committee remains one of the most personally important books I’ve read so I was, of course, pretty excited when I heard Corey had a new YA novel coming out. The Careful Undressing of Love is a haunting story about self-preservation, magic, and the dangerous bonds of friendship and love. I read this book in early January and I haven’t stopped thinking about it since. I’m delighted to have Corey here today to answer some questions about her latest YA novel.
Miss Print (MP): Can you tell me a bit about your path as a writer? How did you get to this point?
Corey Ann Haydu (CAH): I was always a big journaler and someone who loved writing, but for a long time it was my secondary passion. I was originally an actress and about five years out of college realized I was on the wrong path. I quit acting and took an internship with a literary agency that happened to represent children’s literature. It had never occurred to me to write YA and MG, but I fell in love while working that job. I eventually went to grad school for writing for children and was lucky to sell my first book, OCD LOVE STORY, at that time. It’s been an interesting journey since then, with a LOT of ups and downs, but I’ve been really lucky that I’ve been able to work with people who support me growing and taking on new challenges in my work. THE CAREFUL UNDRESSING OF LOVE is really representative of that– it is a project that pushed me and I learned from and I’m so pleased that even though publishing can be very rocky, I’ve been able to explore new, complicated ideas like this one.
MP: What was the inspiration for The Careful Undressing of Love?
CAH: When I was younger, a woman working at a bakery took one look at me and told me I’d be a “heartbreaker”. She sounded angry when she said it, and I really internalized the moment. I carried that feeling with me and I wondered what it would be like if a proclamation like that was taken very literally. As I got further into the idea, it became clear it was a place where I could really explore the roles girls play and the impossible expectations we put on them. I was also influenced by 9/11 and the experience of living in New York City during the terrible period of time. I wasn’t interested in writing about that experience in particular, but I felt I could draw on some of those memories and some of the feelings that time brought up for me.
MP: Unlike your previous YA novels, this one is not a straight contemporary. Instead, The Careful Undressing of Love includes elements of (possible) magic on the shortest street in Brooklyn and an eerie alternate history for New York City–both of which work to create a very distinct sense of place. Which came first during your drafting: the setting or the story?
CAH: They actually really happened in tandem. When I started working on this story I had just moved from Manhattan to Brooklyn, and after nine years in Manhattan that was a HUGE change for me. I was really inspired by that move, so it was natural for me to use that inspiration for this story. I can’t start writing anything at all without a setting, so the story didn’t come into focus until I decided where it would be set.
MP: A lot of Lorna’s development as a character centers on the growing rift between Lorna and her friends. There’s a question of belief as Lorna moves between doubt and fear about the curse. How did you go about integrating these threads into the novel while keeping the story focused on your plot and characters rather than any specific answers (for Lorna or for readers)?
CAH: I think this book was really written in layers. I wrote SO many drafts of it over the years that I was able to uncover many different elements through all those drafts. I had to play with how much belief or lack of belief was in the story, and honestly different drafts had different choices. Lorna’s journey with belief was one of the hardest things to pin down, and I had to get to know her very intimately before figuring out what made sense for her as a character. With so much of this book, it was only through making mistakes that I learned what would actually work for the story I wanted to tell. Sometimes you have to enter the story from a lot of different angles before you find the right starting point.
MP: The Careful Undressing of Love features the poem “Valentine” by Carol Ann Duffy at the beginning of the book (and the title also references a line in the poem of course). At what point did you connect this poem to your novel? How did the title come about?
CAH: I have to give credit to my amazing editor, Andrew Karre, for so much of this novel, and that includes the title. I had written Lorna’s father as a poetry-loving man and at one point Andrew asked me what poems he might have had in his collection. I loved the question and built a list that included “Valentine” as one of his favorite poems. As soon as we both read the poem a few times, we knew the title was in there. It’s got so many beautiful, unusual lines that really speak to what I wanted to explore.
MP: Were any of the locations you mention in The Careful Undressing of Love inspired by actual places? (I ask this after doing some online searches to confirm that Devonairre Street isn’t a real feature of Brooklyn because it felt so real!)
CAH: I’m so glad Devonairre felt real! It feels real to me at this point too. The neighborhood in general was inspired a little bit by South Slope. Bistro is based a little bit on a bistro I love in the East Village, Jules. the bakery is based a little on a coffee place I used to go every single morning for the most incredible chocolate croissants I’d ever eaten. It was called Parco. And Julia’s was loosely based on a coffee house turned bar in Cobble Hill that I wrote a lot of the book in.
MP: The Careful Undressing of Love is very focused on characters. Did you have a favorite character to write in this novel? What about one you most resemble (or wish you did)? Anyone you’re especially excited for readers to meet?
CAH: I tend to write main characters who feel somewhat close to me, so I would say Lorna is the closest to me. But there’s a bit of me in every character. Delilah was probably my favorite to write because she goes on a huge journey and that’s always exciting to tackle. I love her playfulness with language and I think her experience of grief is unique. I also really loved writing Angelika, because you so rarely get to write an older character in YA. It took me a long time to get a handle on her, but when I did– after watching a documentary about someone who cultivated a real devotion and belief from his followers– it was thrilling.
MP: I can’t say too much because it’s near the end, but one of my absolute favorite scenes in your book includes the line “When there’s nothing left to salvage, we have to save ourselves.” Do you have a favorite scene or a scene you are excited for readers to discover?
CAH: There’s a scene with a male teacher at school that I’m really proud of. In many of my books there are scenes where I let the main characters really experience the flawed humanity of the adults around them. I enjoy writing those scenes, because they feel real to me. I’m not interested in perfect characters or perfect authority figures or perfect love or anything perfect really. And I think the scene with the male teacher at school encompasses a lot of what the book is about– fear and grief and gender roles and sexuality and the unfairness of being a girl in the world.
MP: Can you tell me anything about your next project?
CAH: My next book THE SOMEDAY SUITCASE comes out in June. It’s a MG project that I’m very excited about. It’s about a girl named Clover and her best friend Danny. When Danny gets a mysterious illness, Clover takes it on herself to figure out how to fix him. It’s also a book that straddles the line between realism and magic.
MP: Do you have any advice to offer aspiring authors?
CAH: The best advice is always to keep going. There will be rejections. I never got a piece published in my high school literary magazine. I got rejected the first time I applied to my college’s creative writing workshop. I get rejected still, we all do! So you have to find the love and the joy in the midst of that, and not give up, Keep going, keep challenging yourself, and try to locate the joy as best you can.
Thanks again to Corey for this great interview!
You can also check out my review of The Careful Undressing of Love.