Royals: A Chick Lit Wednesday Review

cover art for Royals by Rachel HawkinsDaisy doesn’t want to be a princess, or even in the limelight really, but it turns out that’s hard when her older sister is practically engaged to the Crown Prince of Scotland.

After one too many near-misses with the paparazzi Daisy is whisked off to Scotland with her sister to lay low. It’s not at all how Daisy wants to spend her summer but she doesn’t have much choice in the matter. Especially when Ellie announces her engagement.

In Scotland Daisy is supposed learn how to be regal while keeping a low profile. She even has help from the royal fixer and Miles, a close friend of the royal family. But it turns out keeping a low profile is hard when the prince’s younger brother, Sebastian, is an actual human dumpster fire–he and his friends (including Miles) are literally called the Royal Wreckers–and seems hellbent on dragging Daisy into as much trouble as he possibly can.

Daisy knows she doesn’t quite fit the royal rule book with her mermaid red hair, geeky interests, and no nonsense attitude. But no one ever said she couldn’t rewrite the rules herself in Royals (2018) by Rachel Hawkins.

Royals can be read as a standalone contemporary but it is also the start of a series–each following a different heroine.

Daisy is a delightful narrator. She is smart, witty, and she calls things as she sees them in this fast-paced story. Daisy struggles to mold herself in the image of her poised and elegant sister who seems to have been born to be a princess with hilarious results. But even royals have obligations and Daisy soon realizes that she isn’t the only one feeling pressure after her sister and the prince announce their engagement.

Daisy’s story is pure, escapist fun complete with an unexpected love interest, friend shenanigans, and many zany mishaps as Daisy learns the hard way that expectations can be misleading–especially when it comes to love.

Royals is an effervescent and cheery contemporary. I cannot wait to see what happens in book two.

Possible Pairings: Bookishly Ever After by Isabel Bandeira, What to Say Next by Julie Buxbaum, Words in Deep Blue by Cath Crowley, The Start of Me and You by Emery Lord, Now a Major Motion Picture by Cori McCarthy, Foolish Hearts by Emma Mills, Anna and the French Kiss by Stephanie Perkins, Tonight the Streets Are Ours by Leila Sales, Prince in Disguise by Stephanie Kate Strohm

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Beneath the Sugar Sky: A Review

“Elsewhere was a legend and a lie, until I came looking for you.”

cover art for Beneath the Sugar Sky by Seanan McGuireSumi died years before she could return home to her beloved Candy Corn farmer and start a family. Long before her prophesied daughter Rini would have been born.

But Confection is a nonsense world so Rini is born anyway. The only problem is that with Sumi’s premature death the world of Confection was never saved, the Queen of Candy never beaten.

Now the world itself is fighting to erase Rini and the Queen has returned. With time running out Rini hopes that her mother’s friends can help bring Sumi home in Beneath the Sugar Sky (2018) by Seanan McGuire.

Beneath the Sugar Sky is the third book in McGuire’s Wayward Children series of novellas which begins with Every Heart a Doorway. This novella is a direct sequel to the first.

Beneath the Sugar Sky returns to Eleanor West’s familiar home for wayward children who can no longer find their way back to the other worlds that claimed them. This installment returns to familiar characters including Nancy, Kade, and Christopher.

The bulk of the story is in the close third person perspective of Cora, the newest student at the school. Cora arrived after the events of Every Heart a Doorway and spends a lot of this story trying to reconcile her new circumstances with the story she is clearly joining mid-way and, more confusing for her, the fact that she seems welcome to find her own place in it.

Beneath the Sugar Sky is a thoughtful fantasy and a quest story. This novella is once again imbued with feminist themes. Through Cora, who is overweight but stronger than most people giver her credit for thanks to years of swimming (both in our world and elsewhere), this novella also confronts the damaging stereotypes surrounding body image and beauty.

Beneath the Sugar Sky is an empowering and original story about choosing your own path as Cora and her friends help Rini literally remake the world to save Sumi and herself.

Possible Pairings: The Hazel Wood by Melissa Albert, The Language of Thorns by Leigh Bardugo, Alice’s Adventures in Wonderland by Lewis Carroll, Labyrinth Lost by Zoraida Córdova, The Chronicles of Narnia by C. S. Lewis, The Perilous Gard by Mary Elizabeth Pope, Vassa in the Night by Sarah Porter, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, An Enchantment of Ravens by Margaret Rogerson, Frankenstein by Mary Shelley

Now a Major Motion Picture: A Chick Lit Wednesday Review

cover art for Now a Major Motion Picture by Cori McCarthyIris Thorne is dreading the movie adaptation of her grandmother’s Elementia books. Hailed as a feminist response to Tolkien’s Lord of the Rings the Elementia books are seen as classic fantasy and have the diehard fans to prove it. The fandom even has a name: Thornians.

The movie adaptation is only going to make that worse. Iris and her family already had to deal with a crazy fan trying to abduct her younger brother, Ryder. She can’t imagine what will happen with a bigger fan base. Nothing good, that much is obvious.

Iris hopes that spending the summer in Ireland observing the production with Ryder will give her the perfect chance to sabotage the production. After all, if the movie never gets made no one will be able to watch it.

When Iris’s sabotage schemes are thwarted by dreamy leading actor Eamon and the crew’s infectious enthusiasm she starts to wonder if the one thing she has been dreading might also be the one thing she desperately needs in Now a Major Motion Picture (2018) by Cori McCarthy.

Cori McCarthy’s latest standalone novel is a charming contemporary romance. Iris’s narration is razor sharp as she tries very hard to remain an outsider on the set even while the cast and crew do their best to befriend her.

Iris remembers the trauma her family has suffered because of the Elementia books and she is weary to let herself embrace that legacy even as she starts to learn more about its feminist themes and the director’s efforts to stay true to that in the adaptation. Iris is very much a fish out of water among the cast and crew and this is a charming story about how she starts to find her place there–and maybe even in her own family.

Now a Major Motion Picture has humor, a snarky narrator, and a swoony romance all set in a picturesque locale–in other words, all the makings of a perfect summer read.

Possible Pairings: Saint Anything by Sarah Dessen, Royals by Rachel Hawkins, Moxie by Jennifer Mathieu, I’ll Give You the Sun by Jandy Nelson, Carry On by Rainbow Rowell, Famous in Love by Rebecca Serle, Wild Swans by Jessica Spotswood, Eliza and Her Monsters by Francesca Zappia

Down Among the Sticks and Bones: A Review

“Every choice feeds every choice that comes after, whether we want those choices or no.”

cover art for Down Among the Sticks and Bones by Seanan McGuireIdentical twins Jack and Jill were seventeen when they found their way back home and were immediately sent off to Eleanor West’s Home for Wayward Children before they could bring disorder to their parents’ tidy life.

This is the story of what happened before they came back.

Jacqueline and Jillian were a matched set–identical. Perfect for their parents to split up and mold after themselves. Jacqueline wore pretty dresses and was polite and quite–her mother’s perfect daughter. Jillian was smart and loud, a tomboy through and through–not quite the son her father wanted but close.

They were five when they learned that grown ups can’t be trusted and sisters can’t always be close. They were twelve when they walked down an impossible staircase and found a world filled with death and horror where, for the first time, they can choose who they might want to be in Down Among the Sticks and Bones (2017) by Seanan McGuire.

Down Among the Sticks and Bones is the second book in McGuire’s Wayward Children series of novellas which begins with Every Heart a Doorway. This novella is a prequel to the series starter.

It is an interesting exercise in patience to read the followup to an exciting novella only to realize it is a prequel and will offer no hints of what comes after for the characters you’ve already met and started to care about. Despite desperately wanting to see what happens next at the school, Down Among the Sticks and Bones is an excellent addition to the series.

McGuire continues to develop this series with strong world building and thoughtful character development. Because of the prequel nature this story can be read out of order although that will dilute some of the impact of the character development across the series.

Down Among the Sticks and Bones plays with preconceived notions about heroes and villains in a world where, in the absence of a true hero, the lesser villain may unwittingly take on the position. The story is also a scathing commentary on absent and controlling parents. The usually powerful bond between sisters seen in fantasy novels is subverted here as Jack and Jill realize they are only able to come into their own when they are apart.

Down Among the Sticks and Bones is another excellent addition to this strange little series of novellas. Perfect for readers of both fantasy and horror. Fans of the series can only hope future installments will offer as much insight into other characters’ stories.

Possible Pairings: The Hazel Wood by Melissa Albert, The Language of Thorns by Leigh Bardugo, Alice’s Adventures in Wonderland by Lewis Carroll, Labyrinth Lost by Zoraida Córdova, The Chronicles of Narnia by C. S. Lewis, The Perilous Gard by Mary Elizabeth Pope, Vassa in the Night by Sarah Porter, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, An Enchantment of Ravens by Margaret Rogerson, Frankenstein by Mary Shelley

Every Heart a Doorway: A Review

“She was a story, not an epilogue.”

cover art for Every Heart a Doorway by Seanan McGuireEleanor West’s Home for Wayward Children is the last stop for the girls—because they are overwhelmingly girls—who managed to slip away unnoticed and pass through a magic door into another world.

They never find the same things in their worlds. Some are Nonsense while others thrive on the rules of Logic. Some are Wicked and others are high Virtue. But even with their differences the worlds all have something in common: for the children who find them they feel like home.

And for the Wayward Children the doors have closed to them—maybe forever. So now they have to learn to move on. If they can.

After her time in the Halls of the Dead, Nancy doesn’t think it’s so simple. Now that she’s surrounded by other exiles like herself the only certainty is that they are trapped together until their doors appear again. If they do.

When students at the school become victims of grisly murders Nancy seems the obvious suspect. She knows she isn’t the killer but she doesn’t know how convince anyone else of that—or to find the real culprit—anymore than she knows how to get back home in Every Heart a Doorway (2016) by Seanan McGuire.

Every Heart a Doorway is the start of McGuire’s Wayward Children series of novellas.

The Wayward Children are an inclusive group including the protagonist of this volume Nancy who is wary of the school partly because it is not her beloved Halls of the Dead and partly because she isn’t sure how the other students will react when she tells them she is asexual.

McGuire’s novella is well-realized and introduces readers to not just one fully-realized world but many, This story is an interesting exercise in form (as a completely contained novella) as well as genre. Within the portal fantasy framework McGuire leads her characters through a mystery, a horror story, and even a traditional coming-of-age story. And that’s just in this first installment.

Every Heart a Doorway is a wild ride and a thoughtful exploration of magic and its cost as well as a wry commentary on the mechanics of fairy tales. Highly recommended.

Possible Pairings: The Hazel Wood by Melissa Albert, The Language of Thorns by Leigh Bardugo, Alice’s Adventures in Wonderland by Lewis Carroll, Labyrinth Lost by Zoraida Córdova, The Chronicles of Narnia by C. S. Lewis, The Perilous Gard by Mary Elizabeth Pope, Vassa in the Night by Sarah Porter, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, An Enchantment of Ravens by Margaret Rogerson, Frankenstein by Mary Shelley

Midnight at the Electric: A Chick Lit Wednesday Review

“You become as strong as you have to be.”

cover art for Midnight at the Electric by Jodi Lynn AndersonKansas, 2065: Adri has been handpicked to live on Mars as a Colonist. With just weeks before her launch date, Adri is sent to acquaint herself with the only family she has left–an aging cousin named Lily that she’s never met before. While Adri trains for life on Mars and prepares to leave Earth behind forever she finds an old notebook about a different girl who lived in the house more than a hundred years ago. As she says her goodbyes to everything she’s ever known, can Adri find answers about the girl in the notebook and what happened to her with what little time she has left?

Oklahoma, 1934: Catherine dreams of a life away from the danger and severity of the Dust Bowl. She pines for her family’s farmhand, James, even as she knows must have eyes for someone else. Most of all she yearns for a way to help her younger sister before the dust finally kills her. A midnight exhibition at a strange traveling show called the Electric promises hopes and maybe a cure. When everything goes wrong will Catherine have the courage to leave everything she knows behind to save the person she loves most?

England, 1919: The Great War is over and things should be going back to normal. But Lenore isn’t sure what normal means when her brother died in battle. Desperate for a chance to start again, Lenore plans to sail to America and her childhood friend. In the days leading up to her departure Lenore keeps writing. As more days pass without a reply, Lenore wonders will the friend she remembers be the same one she meets? Will their reunion will be enough to help Lenore remember herself?

Three young women separated by miles and generations, three stories, one shocking moment of connection in Midnight at the Electric (2017) by Jodi Lynn Anderson.

Anderson’s latest standalone novel blends romance, science fiction, mystery, and historical fiction in three interconnected stories. Adri, Catherine, and Lenore’s stories unfold in alternating parts as their separate paths begin to connect and even intersect.

Adri’s story unfolds in close third person while Catherine story is presented through her diary and Lenore’s through letters she writes to her friend in America. These changing formats offer windows into each girl’s personality. Adri is clinical and detached while she prepares to become a Colonist. Catherine is more conversational and clings to optimism to try and make sense of her bleak possibilities in the Dust Bowl. Lenore is all bravado as she tries to chase away the shadows and grief left in the wake of WWI.

At its core this is a story about leaving. All three heroines are hoping for something more–an adventure, salvation, change–if only they can reach that next destination. But before they can pursue what comes next each girl, in their own way, has to make peace with what came before and let it go.

 

Midnight at the Electric is a brief book that packs a punch. This character driven story offers poignant vignettes about human connection, loneliness, and perseverance. This book just about broke my heart in half while I was reading it. But then it mended it too. If I had to rank the stories I would say my favorite–and the one at the core of the novel’s overarching plot–is Catherine’s, followed closely by Adri’s, then Lenore’s. While Catherine’s story was the most buoyant and hopeful, Adri’s story and her relationship with Lily just about wrecked me. I cried for the entire final part of the book and I doubt I’m the only one.

Anderson has outdone herself in this beautifully written novel with a clever premise that is truly high concept. Midnight at the Electric is a book about leaving and endings but also about origins and coming home—even if home isn’t the same place as where you started. I can’t recommend this one highly enough.

Possible Pairings: Jane, Unlimited by Kristin Cashore, Blackfin Sky by Kat Ellis, The Careful Undressing of Love by Corey Ann Haydu, All the Wind in the World by Samantha Mabry, Where Futures End by Parker Peeveyhouse, The Ghosts of Heaven by Marcus Sedgwick, All the Crooked Saints by Maggie Stiefvater, Selling Hope by Kristin O’Donnell Tubb, Dust Girl by Sarah Zettel

The Nowhere Girls: A Chick Lit Wednesday Review

cover art for The Nowhere Girls by Amy ReedGrace, Rosina, and Erin are used to being outsiders—nobodies. But as they get to know each other they realize they aren’t alone.

Grace is the new girl in town. The quiet daughter of a newly-minted radical liberal pastor who is so focused on building up her new church that she doesn’t have much time for Grace.

Rosina is a queer latina punk rocker. But she doesn’t have a band. And she isn’t out. Because most of her time is spent working in her family’s restaurant, taking care of her cousins, and avoiding her conservative Mexican immigrant relatives.

Erin knows everything there is to know about marine biology and Star Trek: The Next Generation. Both things help her add routine to her life–something Erin needs to cope with her autism. But even routine can’t help Erin forget what happened before or answer the question of whether or not she’s an android.

Grace is outraged by the lack of sympathy and subsequent fallout for Lucy Moynihan–a local girl who accused three popular guys at school of gang rape only to be run out of town. Soon, Grace draws Rosina and Erin into her efforts to get justice for Lucy and for so many other girls.

It starts with just the three of them but soon they are everywhere because they are everygirl. They are The Nowhere Girls (2017) by Amy Reed.

There’s a lot to love in Reed’s latest standalone novel. This ambitious story is a scathing indictment of misogyny and rape culture as well as an empowering introduction to feminism for teen readers. Written in close third person the novel alternates viewpoints between Grace, Rosina, and Erin for most of the novel. The Nowhere Girls also showcases brief chapters (entitled “Us”) following other girls in town as they navigate first-time sex, negotiate physical intimacy with romantic partners, gender identity, and more.

Reed makes a lot of headway toward erasing the separation and exclusion of the primarily white feminism of the 1960s (and 1990s) with these “us” chapters as well as situating Rosina at the center of the start of the Nowhere Girls movement. This step is a really important one, and something I was glad to see. However a coworker pointed out that despite these inroads, a lot of The Nowhere Girls remains focused on white feminism with many of the brown girls in the story only being seen as saying this isn’t feminism meant to include them. That’s a problem and one I wish had more of a conclusion by the end of the novel.

It also points to one of the main problems with The Nowhere Girls which is that there isn’t always a payoff for much of the novel’s potential. The “us” chapters introduce a transgender character who wonders if she would be welcome in the Nowhere Girls with open arms. Unfortunately there is no answer to that in the text anymore than there is for the girls of color besides Rosina. Another girl contends with being labeled a slut by her peers and most of the town but her arc is cut abruptly short and leaves her, sadly and predictably, in mean girl territory instead of reaching for something bigger. I’d like to think these girls all have outcomes where they are able to embrace their own agency and feminism. But because The Nowhere Girls takes on so much there isn’t time to spell everything out on the page.

Then there’s Erin. I’m very happy to see more neuro-atypical characters getting major page time but there are questions as to whether a neurotypical author can (or should) delve into that interiority for a character. I don’t have an answer to that. What I can say is that Erin begins the novel by describing herself as having Asperger’s Syndrome–a term that is no longer used as a standard diagnosis–and generally not accepting her autism in a healthy way. There is growth with this and by the end of the novel Erin is referring to herself as autistic rather than an “Aspy” but it’s not given quite enough time to have a satisfying conclusion.

The Nowhere Girls is an ambitious, gritty novel that pulls no punches as it addresses complicated issues of rape culture and misogyny as well as solidarity and feminism. The Nowhere Girls is a novel full of potential and a powerful conversation starter. Recommended.

Possible Pairings: In a Perfect World by Trish Doller, The Careful Undressing of Love by Corey Ann Haydu, The Outsiders by S. E. Hinton, Here We Are: Feminism for the Real World edited by Kelly Jensen, The Last Time We Were Us by Leah Konen, Wonder Women: 25 Innovators, Inventors, and Trailblazers Who Changed History by Sam Maggs, Saving Francesca by Melina Marchetta, Moxie by Jennifer Mathieu, Wild Swans by Jessica Spotswood, All the Rage by Courtney Summers