If We Were Villains: A Review

If We Were Villains by M. L. RioSeptember 1997: Oliver Marks is finishing his fourth and final year at Dellecher Classical Conservatory in Broadwater, Illinois. After surviving the yearly cuts to his acting program as students fail to meet expectations, it feels like the world is laid at his feet. Everything is ahead of him. This year, it seems, anything can happen.

It will take months for Oliver to realize how right he is.

Ten years later Oliver is finishing the final days of his decade-long prison sentence when the man who arrested him arrives with a surprising ask. Detective Colborne is retiring, leaving his life with the police behind. But he wants answers first. He wants to know what happened at Dellecher all those years ago and, this time, he wants to know the truth.

Returning to the scene of the crime–of so many smaller crimes, if he’s being honest–Oliver sets the scene for Colborne as he remembers that final year with the players in this tale: Richard the tyrant, Alex the villain, James the hero, Wren the ingenue, Meredith the temptress, and Filippa–the one everyone always forgets, always to their disadvantage. And then there’s Oliver, never quite sure where he fits on stage or off.

After three years of settling into roles they seem to know by heart, everything changes during their final year. One of the seven is dead. More than one of them is guilty. One will take the blame. And, ten years later, Oliver will finally tell the truth in If We Were Villains (2017) by M. L. Rio.

Find it on Bookshop.

Rio’s debut novel is part atmospheric thriller, part suspenseful mystery all steeped in Shakespeare and the dangerous energy that can make relationships both exhilarating and toxic.

Structured as a play, the story unfolds over five acts as Oliver narrates key scenes with prologues before each act where he further sets the scene for Colborne. This character driven story is dynamite building slowly to an explosive and often surprising conclusion enhanced by Rio’s excellent foreshadowing and parallels to Shakespearean tragedies.

While If We Were Villains keeps a tight focus on Oliver and his fellow theater students, not all characters are created equal. Oliver and James in particular are so nuanced and so authentically flawed that the other characters often seem flat in comparison as they play to type (this may in part be due to Oliver’s own lens as narrator but still felt like something that could be explored more). Meredith and Wren are especially are disappointingly lacking in depth returning, again and again, to the same concerns and the same shortcomings while Filippa remains, in many ways, a mystery herself.

Set in 1997 and 2007, If We Were Villains is surprisingly hesitant to consider sexuality beyond binaries. While some characters are, understandably, hesitant to let themselves be labeled the novel as a whole refuses to even consider the possibility of both bisexuality and pansexuality as queer identities. This is not damaging to the story but it is erasure worth considering when deciding whether or not to consider this title.

If We Were Villains is a tense, thoughtfully executed story of love, obsession, and missed chances. Perfect for readers fascinated by all-consuming relationships, drama in the classic sense, and of course Shakespeare in every sense. Highly recommended.

Possible Pairings: Trust Exercise by Susan Choi, Fates and Furies by Lauren Groff, The Secret Keeper by Kate Morton, Vicious by V. E. Schwab, Macbeth by William Shakespeare, King Lear by William Shakespeare, The Secret History by Donna Tartt, Catherine House by Elisabeth Thomas

Foul is Fair: A Chick Lit Wednesday Review

Foul is Fair by Hannah CapinElle’s glittering life is torn to shreds when she and her friends crash a St. Andrew’s Prep party and the golden boys there choose Elle as their latest target.

Her best friends Mads, Jenny, and Summer get Elle out of there. They help her bandage the cuts, throw out the ruined dress, and most importantly change her appearance.

Because after that night, after what they did to her, Elle is gone.

She’s Jade now and she is going to make every single boy who hurt her pay.

Her parents are going to turn a blind eye. Her coven of best friends are going to help. And a boy named Mack is going to take the blame for all of it in Foul is Fair (2020) by Hannah Capin.

Find it on Bookshop.

Capin’s modern retelling of Macbeth is a gory revenge fantasy set against a world of luxury and decadence and LA’s upper echelon. (Readers can find a content warning at the front of the book as well as on the author’s website.)

Jade’s first person narration is sleek, sharp, and almost lyrical enough to call iambic pentameter to mind. While the story does little to develop any character beyond their designated role in this revenge fantasy, Jade’s coven of friends is diverse including bisexual Summer, Jenny who is Korean, and Mads–a trans girl and Jade’s oldest and best friend.

The accelerated timeline and copious murder both require a willing suspension of disbelief as Jade sets her revenge quest in motion–all over the course of one week.

Foul is Fair is as bloody as it is campy. Recommended for readers who prefer their revenge fantasies with justifiably angry girls and a healthy dose of gore.

Possible Pairings: Grace and Fury by Tracy Banghart, The Scapegracers by Hannah Abigail Clarke, Burn for Burn by Jenny Han and Siobhan Vivian, Anna K.: A Love Story by Jenny Lee, The Female of the Species by Mindy McGinnis, Wilder Girls by Rory Power, The Kingdom by Jessica Rothenberg, Daughter of Deep Silence by Carrie Ryan, The Mockingbirds by Daisy Whitney, Girls With Sharp Sticks by Suzanne Young

*An advance copy of this title was provided for review consideration*

Sadie: A Chick Lit Wednesday Review

cover art for Sadie by Courtney SummersThe only thing that has ever really mattered to Sadie is her little sister, Mattie. Sadie pins all of her hopes and dreams onto Mattie. She gives her the care and affection their mother can’t usually manage. Mattie is better and more and she deserves everything Sadie never thinks to want for herself.

But then Mattie is murdered.

The trail is cold and the police don’t care. After all, she’s just another dead girl.

But Sadie knows who did it. And she knows she is the only one who can make them pay–even if it means losing herself in the process.

Weeks later West McCray hears about Sadie while he’s recording a radio segment on small, forgotten towns in America. The police might not care, most of the town might not care, but West finds that he does. What starts as a podcast soon becomes a much larger project as West delves into Sadie’s past and tries to follow her trail before it’s too late in Sadie (2018) by Courtney Summers.

Find it on Bookshop.

Summers’ latest standalone alternates between Sadie’s first person narration and West’s podcast segments as he follows her trail.

Sadie is a brutal story about the disasters left in the aftermath of loss and poverty. Despite the violence surrounding Mattie’s murder and Sadie’s own revenge quest, the prose never sensationalizes it. Through West, Summers makes a deliberate choice to never make Mattie into a plot point and never to appeal to the lowest common denominator by glamorizing violence.

Sadie is a calculating and singular narrator. Her shrewd narration contrasts sharply with dialog as she navigates the world with a severe stutter (a speech impediment that could have been fixed when Sadie was a child if her mother had bothered to pursue treatment). That contrast in particular highlights the way that Sadie explores poverty and privilege–particularly as West begins to unpack his own privilege in being able to initially dismiss Sadie’s disappearance as too common and not interesting enough for a podcast.

Nothing here is neat or simple–including Sadie herself. While the ending leaves readers with a lot of questions it also places the decision of how her story will unfold, back in her own hands–a freedom that was impossible to imagine at the beginning of the novel. Sadie is an incisive story about agency and feminism as well as an utterly engrossing thriller. Highly recommended.

Possible Pairings: Monday’s Not Coming by Tiffany D. Jackson, A Fierce and Subtle Poison by Samantha Mabry, The Female of the Species by Mindy McGinnis, Two Can Keep a Secret by Karen M. McManus, The Nowhere Girls by Amy Reed, Suicide Notes From Beautiful Girls by Lynn Weingarten, Girls With Sharp Sticks by Suzanne Young

*An advance copy of this title was provided by the publisher for review consideration at BookExpo 2018*

Four Dead Queens: A Review

cover art for Four Dead Queens by Astrid ScholteFour queens rule Quadara. Together, yet apart just like the country’s four quadrants: Archia, Eonia, Ludia, and Toria.

Keralie is one of the best thieves in all of Toria stealing missives, technology, and  contraband from other quadrants that her employer Mackiel can sell in his black market auctions. It isn’t the life Keralie’s parents’ ever imagined for her, but it is the one she’s been groomed for since she was ten.

Even Keralie’s skills prove insufficient when her latest target–a messenger from Eonia–discovers her theft. If he can’t make his delivery, Varin’s life could be forfeit leaving him with little choice but to follow Keralie to retrieve his stolen goods.

What starts as a simple exchange soon escalates when Keralie and Varin discover a plot to assassinate all of Quadara’s queens. With no one else to trust, Keralie and Varin have to set aside their mutual distrust to form a reluctant alliance if they want to escape Mackiel and capture the assassin in Four Dead Queens (2019) by Astrid Scholte.

Four Dead Queen‘s is a standalone adventure that’s part mystery, part thriller, and part speculative fiction.

Quadara and the individual quadrants have the potential to be fascinating backdrops for this story. Unfortunately Quadara is never situated in a larger world making the tension between the quadrants and outside threats feel forced if not entirely contrived. The politics of succession and Queenly Law (the rules that dictate how the quadrants are divided and ruled) also make very little sense and further underscore the poor development of this world.

Keralie’s first-person narration gives depth to both herself and Varin who is simultaneously her foil and her love interest. Sadly both protagonists stumble through the story without anything resembling agency as they are repeatedly driven from one reactive position to the next. The rest of the characters are exceedingly flat–a problem that is especially obvious with Mackiel the supposedly charming criminal mastermind who never once manages to come across as anything but slimy and manipulative.

Four Dead Queens is suspenseful and well-paced with high action and a deep sense of urgency as Keralie and Varin hunt the assassin. In contrast, the mystery’s resolution is a bitter disappointment as much of the actual intrigue comes more from the author’s deliberate manipulation of the story’s timeline and perspective rather than true plot twists.

It’s no surprise that this story has a body count but it’s both disappointing and problematic that two of the only queer characters characters and two of the only dark-skinned characters (including one raised in secret in two small rooms) are among the first victims. Varin’s position as an Eonian with a premature death date is also troubling and surprising as he comes from a quadrant known for its medical advancements and life-prolonging technologies.

Four Dead Queens is an interesting if sometimes frustrating mystery but the fantasy world framework of Quadara is shoddily built at best. A high-concept story that fails to capitalize on a unique world and instead remains painfully predictable and opaque.

Possible Pairings: Three Dark Crowns by Kendare Blake, The Brilliant Death by Amy Rose Capetta, Into the Crooked Place by Alexandra Christo, The Hunger Games by Suzanne Collins, Rule by Ellen Goodlett, Defy the Stars by Claudia Gray, Last of Her Name by Jessica Khoury, Divergent by Veronica Roth, The Kingdom by Jess Rothenberg, The Light at the Bottom of the World by London Shah

Breaker: A Chick Lit Wednesday Review

Breaker by Kat EllisNaomi doesn’t want to board at Killdeer Academy but she can’t stay with her grandparents now that her grandmother has so much to do taking care of Naomi’s grandfather as his Alzheimer’s progresses.

Kyle hopes to be able to remake himself at Killdeer Academy with a new last name and a determination to forget all about his serial killer father. His mother’s decision that Kyle should board is a surprise. But he’s dealt with worse.

Kyle expects to have a completely blank slate at the Academy. The only problem is that he recognizes Naomi immediately. She was the daughter of his father’s last victim. Kyle wants to stay away from Naomi but he isn’t sure how to ignore when she seems to actually want to be his friend–and maybe even more. When people start dying on campus both Naomi and Kyle will have to confront their pasts to stop the murders in Breaker (2016) by Kat Ellis.

Find it on Bookshop.

The book alternates first person narration between Kyle and Naomi which makes both protagonists well-rounded. While other characters factor into the story in crucial ways, they remain decidedly secondary to Kyle and Naomi and are consequently somewhat less developed. Excerpts from ephemera related to Kyle’s father further complicate the story.

In a departure from her debut mystery fantasy, Blackfin Sky, Ellis delivers a much darker story here. Kyle is haunted by his father’s legacy as a serial killer, terrified that the stigma will cling to him forever and the thought that he could have turned out like his father. Naomi saw her mother’s murder and has spent the intervening years doing her best to not think about her mother at all to avoid the pain of that traumatic loss.

Kyle and Naomi are a completely unlikely pair but their chemistry in Breaker, not to mention their draw to each other is undeniable in this fast-paced thriller that is sure to appeal to fans of the genre. Breaker is a creepy and atmospheric story filled with choice details that bring Killdeer Academy to life in all of its eerie and dilapidated glory.

Possible Pairings: The Leaving by Tara Altebrando, With Malice by Eileen Cook, The Devil You Know by Trish Doller, The Night She Disappeared by April Henry, I Hunt Killers by Barry Lyga, The Book of Blood and Shadow by Robin Wasserman

You can also read my interview with Kat about Breaker!

*An advance copy of this title was provided by the publisher for review consideration*

Lock & Mori: A Chick Lit Wednesday Review

Lock & Mori by Heather W. PettyModern London can be a strange and dangerous place. For Miss James “Mori” Moriarty it can also be decidedly dull. Between school, where she knows all of the answers, and home, where life with her father can feel like stepping into a mine field, Mori’s only refuge is solitude.

After one especially bad day, Mori meets Sherlock “Lock” Holmes.

That night they meet again in Regent’s Park at the scene of a murder.

When Lock challenges Mori to solve the murder before him, she has no intention of participating in his game–particularly with the only rule being that they share all information. She has no intention of having anything to do with Lock at all.

Mori’s intentions quickly change when she is drawn into the investigation and realizes the truth might be closer than she could possibly imagine. Mori begins keeping secrets even as she finds herself drawn closer to Lock and to a revelation about the case that could change her life forever in Lock & Mori (2015) by Heather W. Petty.

Lock & Mori is Petty’s first novel and the start to a Lock and Mori trilogy.

Almost everyone knows what happens to these characters in the original Sherlock Holmes stories–it’s impossible not to when the struggle between Sherlock and Moriarty has become part of the public consciousness over the years.

Lock & Mori is an admirable homage to one of literature’s best villains and arguably the greatest of fictional detectives. It is also, thanks to a solid plot and some unique reinterpretations on Petty’s part, an excellent mystery in its own right. By imagining Moriarty as a girl, Petty complicates and adds new dimensions to Moriarty’s relationship with Holmes.

Lock and Mori are, of course, smart characters. Readers familiar with their inspirations would expect nothing less. Although both Mori and Lock are analytical in the extreme, they are never cold. Mori struggles with affection (both receiving and giving) while Lock is often mystified by basic human interaction. Even with those limitations, both characters have obvious moments of empathy and sincerity without any of the aloofness so often associated with a sharply deductive mind.

It is also fascinating to see these two characters when they are younger and less sure. Sherlock, so often beyond reproach, is still learning here. Mori, although the hero of this story, remains a mystery as readers wonder what path will unfold for her in future installments.

Lock & Mori is a fantastic series starter. A great read for mystery fans in general and Sherlock fans in particular. Highly recommended.

Possible Pairings: Loop by Karen Akins, Dial Em for Murder by Marni Bates, A Study in Charlotte by Brittany Cavallaro, Charlie, Presumed Dead by Anne Heltzel, The Body in the Woods by April Henry, Every Breath by Ellie Marney, It Wasn’t Always Like This by Joy Preble, I Am Princess X by Cherie Priest, Daughter of Deep Silence by Carrie Ryan, Hold Me Like a Breath by Tiffany Schmidt, Never Never by Brianna Shrum, Into the Dim by Janet B. Taylor, The Space Between Trees by Katie Williams

You can also read my exclusive interview with Heather!

Suicide Notes from Beautiful Girls: A Review

Suicide Notes from Beautiful Girls by Lynn WeingartenJune and Delia used to be friends. Best friends. Even when it felt like their home lives were falling apart, June knew she could count on Delia. She knew their secrets tied them together.

That was a while ago. Over a year. Before June started dating Ryan. Before Delia met Ryan and things got . . . weird.

June hasn’t spoken to Delia since.

Now Delia is dead. Burned to death in her step-father’s shed, they say. Suicide, they say.

June doesn’t believe it.

Certain that Delia was murdered, June sets out to uncover the truth. Instead of easy answers, she finds a complicated  tangle of secrets and lies that will change everything she thought she knew about her best friend in Suicide Notes from Beautiful Girls (2015) by Lynn Weingarten.

Find it on Bookshop.

Suicide Notes from Beautiful Girls is Weingarten’s fourth novel. It is a stand-alone title.

Suicide Notes from Beautiful Girls is a complicated novel. Weingarten employs varied narrative techniques and format choices throughout to create prose with as many twists as the plot.

Like June herself, readers never know exactly what to expect in this book. The plot is uneasy and often difficult as June unearths raw moments from her past with Delia. This story is partly the postmortem of a friendship with flashbacks and June’s memories detailing how the girls’ friendship began and, later, how it unraveled.

The rest of the novel focuses more closely on June’s investigation of Delia’s death and her increasing questions about what really happened. June is never certain who to trust, lending a sense of uncertainty and unease to a novel where allegiances–and even facts–are constantly shifting.

Suicide Notes from Beautiful Girls is a solid thriller with moments of genuine suspense, numerous shocks, and a powerful ending that demands to be discussed at length. A must-read for fans of thrillers in general and readers who like a novel that keeps them guessing.

Possible Pairings: The Leaving by Tara Altebrando, Shift by Jennifer Bradbury, With Malice by Eileen Cook, The Devil You Know by Trish Doller, The Graces by Laure Eve, Charlie, Presumed Dead by Anne Heltzel, Don’t You Trust Me? by Patrice Kindl, One of Us is Lying by Karen M. McManus, Consent by Nancy Ohlin, I Am Princess X by Cherie Priest, Amelia Anne is Dead and Gone by Kat Rosenfield, Daughter of Deep Silence by Carrie Ryan, Liars, Inc. by Paula Stokes, Imaginary Girls by Nova Ren Suma

*A copy this book was acquired from the publisher for review consideration at BEA 2015*

Whisper the Dead: A Chick Lit Wednesday Review

Whisper the Dead by Alyxandra HarveyCousins Gretchen, Penelope and Emma are still learning to control their new-found powers and understand what it means to be members of one of the oldest witching families, the Lovegroves, in 1814 London.

Penelope struggles with a familiar that frightens her and unwieldy powers that allow her to read the past in objects. Emma, on the other hand, now has antlers to conceal while trying to find a way to rescue her father from the underworld and convince her mother to assume her human form instead of  that of a deer.

Reluctant debutante Gretchen, meanwhile, is still not entirely sure of the full scope of her powers. Or what embroidery has to do with magic. Gretchen will have to harness her powers as a Whisperer who can hear the spells of dead witches if she wants to help stop the dark witches the Greymalkins from wreaking all manner of havoc in London and beyond.

She will also have to contend with the frustratingly proper Tobias Lawless and other Keepers tasked with keeping the cousins under surveillance. The only positive is that with so much danger and problems ranging from angry ghosts to werewolves, Gretchen will definitely be able to avoid any balls for the foreseeable future in Whisper the Dead (2014) by Alyxandra Harvey.

Whisper the Dead is the second book in the Lovegrove Legacy. It is preceded by A Breath of Frost.

Recaps and multiple viewpoints help summarize key events from the first book in this trilogy. The narrative focus also shifts from Emma to Gretchen in this volume. (Presumably the trilogy will conclude with a book focused on Penelope.) These facts make this volume approachable and only slightly confusing to new readers.

Rollicking action and mystery come together with humor and charm to make this a fast-paced and engrossing story. A well-developed romance and a cliffhanger ending help guarantee that Whisper the Dead will have high appeal and leave readers eager for the final installment.

Possible Pairings: A Great and Terrible Beauty by Libba Bray, Etiquette & Espionage by Gail Carriger, Clockwork Angel by Cassandra Clare, Hex Hall by Rachel Hawkins, The Paper Magician by Charlie N. Holmberg, The Physick Book of Deliverance Dane by Katherine Howe, The Woman Who Loved Reindeer by Meredith Ann Pierce, These Vicious Masks by Tarun Shanker and Kelly Zekas, Born Wicked by Jessica Spotswood, The Amulet of Samarkand by Johnathan Stroud, Illusions of Fate by Kiersten White, Sorcery and Cecelia by Patricia C. Wrede and Caroline Stevemer

*A more condensed version of this review appeared in the August 2014 issue of School Library Journal from which it can be seen in various sites online*

A Breath of Frost: A Review

A Breath of Frost by Alyxandra HarveyLondon, 1814: Emma, Gretchen and Penelope–three cousins and reluctant debutantes–discover their families have been hiding a host of secrets one snowy night at a dull party. It starts with a broken bottle and a fire. It ends with the cousins discovering they have magical powers and a girl found dead, her body covered in strange bruises and, stranger still, a coating of snow.

With their powers unbound, the gates of the underworld open to allow all manner of nasty creatures from the underworld including the feared ghosts of the Greymalkin warlocks–three dark witch sisters–to wreak further havoc across London. Worse, more debutantes are turning up dead.

While all three cousins try to understand and control their new powers, Emma has an added problem. Somehow she is connected to the murders; she keeps finding the bodies. With the authorities targeting her as a suspect, Emma will have to work with Cormac–an unlikely (and entirely too attractive) ally–in order to clear her name and find the real culprit before it’s too late in A Breath of Frost (2014) by Alyxandra Harvey.

A Breath of Frost is the first book in Harvey’s Lovegrove Legacy–a trilogy which will presumably allot one book to each cousin. The second book, Whisper the Dead, will be published in October 2014.

In this alternate historical London, magic runs rampant for the people who know where to look including the Order of the Iron Nail, Madcaps and various sundry characters and groups readers will have to sift through in the early pages of the novel. Patient readers will be rewarded with explanations of all of these names and a motley group of characters magical and otherwise.

Although the cousins often read more like sisters, Harvey still creates a romantic, adventurous novel with a strong familial bond at its core. The cousins are stronger together–something that is not often featured enough in literature. Magic and mystery come together here to create a suspenseful, if not always perfectly paced, adventure. Filled with wit, adventure, and just the right amount of romance, A Breath of Frost is a delightful start to what promises to be a superb trilogy.

Possible Pairings: A Great and Terrible Beauty by Libba Bray, Etiquette & Espionage by Gail Carriger, Clockwork Angel by Cassandra Clare, Hex Hall by Rachel Hawkins, The Paper Magician by Charlie N. Holmberg, The Physick Book of Deliverance Dane by Katherine Howe, The Woman Who Loved Reindeer by Meredith Ann Pierce, These Vicious Masks by Tarun Shanker and Kelly Zekas, Born Wicked by Jessica Spotswood, The Amulet of Samarkand by Johnathan Stroud, Illusions of Fate by Kiersten White, Sorcery and Cecelia by Patricia C. Wrede and Caroline Stevemer

The Book of Blood and Shadow: A Chick Lit Wednesday Review

“I should probably start with the blood.

. . .

“But beginning with that night, with the blood, means that Chris will never be anything more than a corpse, bleeding out all over his mother’s travertine marble, Adriane nothing but a dead-eyed head case, rocking and moaning, her clothes soaked in his blood, her face paper white with that slash of red razored into her cheek. If I started there Max would be nothing but a void.”

The Book of Blood and Shadow by Robin WassermanNora Kane never expected her independent study as a research assistant would lead to romance or murder much less a centuries-old conspiracy that started in 16th Century Prague.

And yet, after just a few months translating the letters of Elizabeth Weston, Nora finds herself in the middle of a nightmare tied to a mysteriously indecipherable book called the Voynich Manuscript and the forces who want to unravel its secrets in The Book of Blood and Shadow (2012) by Robin Wasserman.

The Book of Blood and Shadow is a thoroughly-researched blend of thriller and mystery that imagines what secrets the real Voynich Manuscript might hold. This story is dense with details of Prague’s history as well as morsels of truth about the real historical figures who feature in this work of fiction.

Although often long-winded with its extensive detail, this book is always extremely clever. The plotting is surprising and aptly executed even when it veers into the very, very unlikely.

Wasserman also does interesting things with characterization. Readers know early on exactly how bloody this story will be even though the inciting incident from the first page is not fully addressed until about one hundred pages into the story. Throughout the novel there is a push and pull dynamic between what is presented as fact and what is left to the imagination. (Is Max guilty? Is he unhinged or is it just being told that Max is unhinged that makes the difference?)

Sadly, not all books are for every reader either. The Book of Blood and Shadow brought up some particularly specific and personal bad memories that made it very difficult to finish. I also discovered, in reading page after page about it, that I have almost zero interest in Prague or its history. These were obstacles.

The bigger obstable, however, was Nora herself. Despite all of the things Wasserman does extremely well, Nora remains a very one-dimensional character. We see her through a few specific lenses (friend, girlfriend, researcher, daughter) but none of those pieces coalesce into a larger picture. Even as the narrator of the book, Nora’s story often felt more like a frame for the smaller story found in Elizabeth Weston’s letters.

While this book has a good story and raises a lot of interesting questions, it is very thin on closure. The treatment of Adriane is also problematic not just as the only other (not-centuries-dead) female character but also as Nora’s friend. No level of cleverness can distract from the problems surrounding Adriane’s character arc.

Recommended for readers who enjoy a surprising mystery and want to watch all of the puzzle pieces come together. Less recommended for readers with only a minimal interest in Prague. Not at all recommended for readers who might ask themselves what it means when the minority characters in a book are either murdered or complicit by the end of the story.

You can find more information about The Book of Blood and Shadows and the real stuff featured therein on Robin Wasserman’s website: http://www.robinwasserman.com/bloodshadow.html

Possible Pairings: What I Saw and How I Lied by Judy Blundell, The Diviners by Libba Bray, Breaker by Kat Ellis, Revolution by Jennifer Donnelly, I Hunt Killers by Barry Lyga,  Tamar by Mal Peet, The Demon’s Lexicon by Sarah Rees Brennan, The Archived by Victoria Schwab, All These Things I’ve Done by Gabrielle Zevin