Ferryman: A (WIRoB) Review

This piece originally appeared in the Washington Independent Review of Books:

Ferryman by Claire McFallWhen Scottish teenager Dylan boards a train from Glasgow to Aberdeen to meet her estranged father for the first time in years she is certain that the momentous trip will change everything. What she won’t realize until later is that instead of meeting her father she will never complete her journey–dying when her train crashes.

Except Dylan wakes up inside her train car, alone and in the dark after the crash, where “Her imagination filled in the blanks, packing the route through the carriage with upturned seats, luggage, broken glass from the windows, and squishy, slick things that were solidifying in her mind’s eye into limbs and torsos.” Outside of the wreckage there is no sign of  disaster recovery; all Dylan sees is a solitary, sandy-haired teenage boy watching her.

It’s clear that something is different about this cobalt eyed boy who does not “stand or even smile when he [sees] her looking at him” and “just continue[s] to stare.” The only two people in an isolated area, Dylan reluctantly agrees to follow Tristan across the unwelcoming landscape away from the wreckage. Along the way Dylan begins to realize that she is not trekking across the Scottish highlands with a startlingly attractive teenage boy–the kind who always “made her nervous” because “they seemed so cool and confident, and she always ended up getting tongue-tied and feeling like a total freak.”

Dylan is dead, traveling through the aptly named wasteland alongside Tristan, her personal ferryman.

As a ferryman Tristan “guide[s] souls across the wasteland and protect[s] them from the demons” keen to devour new and pure souls like Dylan’s. Along the way he also “break[s] the truth to them, then deliver[s] them to wherever they’re going.” Tristan has shepherded more souls than he can count across the wasteland, a task that has become increasingly transactional as his journeys blend together into goodbyes. “Each soul that waved goodbye at the end of the journey had taken a small piece of him with them, torn off a tiny piece of his heart. After a while, he had hardened.” As he reminds Dylan, everyone has to cross the wasteland which he describes as “Their own personal wilderness. It’s a place to discover the truth that you have died and come to terms with it.”

The wasteland is not a place to make friends or fall in love. But as they learn more about each other, and themselves, Dylan and Tristan realize they are not prepared to admit that reaching the end of their path will also mean their inevitable separation as Dylan goes where Tristan cannot follow in Ferryman (2021) by Claire McFall.

Find it on Bookshop.

First published in the UK in 2013 and nominated for the 2014 Carnegie Medal, McFall’s acclaimed debut novel Ferryman has made its way to the US with the rest of the trilogy, Trespassers and Outcasts, slated to follow. A movie adaptation is also in the works. All characters are cued as white in this series with world building loosely inspired by the ancient Greek myth of Charon.

With a heavy focus on the drudgery of walking through the wasteland, McFall is slow to unpack Dylan and Tristan’s mutual attraction although both characters find something they lack in the other.

In spite of himself Tristan appreciates Dylan’s unique perspective and unexpected kindnesses to him when “Most souls, when they discovered what had happened to them, were too absorbed in their own sorrow and self-pity to show much interest in this road between the real world and the end” much less in the ferryman guiding them through it. After countless years changing himself to appear to “look appealing” and trustworthy to each of his souls, Tristan is shocked to have the space to define himself as more than his role as a ferryman and whatever the souls in his charge choose to project onto him.

Dylan, meanwhile, is used to feeling the limits of her agency as a teenage girl who is constantly concerned with doing and saying the right thing. “She was the shy, serious student. Quiet, diligent, but not particularly clever. All of her successes had to be earned through hard work, which was easy when you had no friends.” But in Tristan Dylan finally finds the appreciation she had previously lacked with Tristan who sees Dylan as “a soul worth protecting. A soul worth caring about. A soul that he wanted to give a piece of himself to.”

Although Tristan initially acknowledges some of the unequal power dynamics at play between himself–an ageless, supernatural being–and Dylan–a seemingly ordinary girl despite the high caliber of her soul–this aspect of the plot is never fully explored. Tristan’s initial hesitation since “as her protector, he would be taking advantage of her vulnerability if he acted on his feelings” shifts quickly to a heartfelt confession and both struggling with their looming separation.

With their slog through the wasteland and unspoken longing taking up much of the plot, Ferryman is slow to build to its dramatic conclusion. The novel’s final act offers tantalizing glimpses of world building surrounding what comes beyond the wasteland and what it will mean for both Dylan and Tristan. Readers new to this series will be excited to see these aspects more fully explored in later installments.

Possible Pairings: Ice by Sarah Beth Durst, Twilight by Stephenie Meyer, You Are the Everything by Karen Rivers, Shiver by Maggie Stiefvater, A Well-Timed Enchantment by Vivian Vande Velde

The Awakening Storm: A Graphic Novel Review

The Awakening Storm by Jaimal Yogis and Vivian TruongGrace is excited to move to Hong Kong with her mom and her new stepdad. Her father might be dead, but this is her chance to connect with his culture and the stories he always told her about dragons.

When an old woman thrusts a strange egg at Grace during a school trip, she begins to realize that her father’s stories might be more fact than fiction.

After the egg hatches Grace and her new friends will have to find a way to protect the baby dragon while trying to figure out the scope of the dragon’s powers–and who the shady organization is that wants to use those powers for ill in The Awakening Storm (2021) by Jaimal Yogis, illustrated by Vivian Truong.

Find it on Bookshop.

The Awakening Storm is the first graphic novel in Yogis and Truong’s City of Dragons series. The book includes full color illustrations. Grace’s mother is white and her father was Chinese. Grace’s friends at her international school come from a variety of cultures.

Yogis’s characters are presented with care and an excellent use of dialog–especially with Grace and her new group of friends–to showcase the character relationships at work. Truong’s full color illustrations are dynamic and translate the action of this story well into motion-filled panels. The vibrant colors and cartoon-like style work well for the story and make for one extremely cute dragon.

The Awakening Storm is an immediately engrossing adventure filled with fast friends, quick banter between characters, and an amazing blend of Chinese mythology in a modern story.

Possible Pairings: Caster by Elsie Chapman, Chasing Power by Sarah Beth Durst, City of Thieves by Alex London

*An advance copy of this title was provided by the publisher for review consideration*

Gods of Jade and Shadow: A Chick Lit Wednesday Review

“Words are seeds, Casiopea. With words you embroider narratives, and the narratives breed myths, and there’s power in the myth. Yes, the things you name have power.”

Gods of Jade and Shadow by Silvia Moreno GarciaCasiopea Tun’s quiet life in a small Mexican town is very far from the Jazz Age’s action and splendor. Her father taught her to love the stars. Sometimes, even without him, the stars are enough of a distraction from the drudgery of life in her grandfather’s house where she is more likely to be found cleaning than listening to jazz. Like her mother, she is used to suffering the petty digs of her family in silence. Their complaints that she is too dark, that she is a girl, can’t touch her. Not when she dreams of more.

Even her cousin Martín’s abuses are bearable because Casiopea refuses to believe this house will be her life forever. It can’t be in a world where there are stars and movies and automobiles.

Everything changes, as it sometimes does, in the blink of an eye when Casiopea opens a strange wooden box in her grandfather’s room. Instead of treasures or secrets, she finds bones and accidentally releases the spirit of Hun-Kamé, Lord of Xibalba, the Mayan god of death.

His kingdom has been stolen by his traitorous brother who left Hun-Kamé trapped in the box for years. Missing his one ear, one eye, one index finger, and the jade necklace that represents his power, Hun-Kamé cannot face his brother alone. With Casiopea’s help he can make himself whole and recover what was stolen from him. Tying herself to Hun-Kamé could be fatal for Casiopea if they fail. But success could bring her everything she has ever dreamed of.

Helping a god will bring Casiopea from the jungles of Yucatán to glittering Mexico City and beyond. Traveling with Hun-Kamé will also bring Casiopea closer to her truest self and to feelings she dare not name because the things you name always grow in power in Gods of Jade and Shadow (2019) by Silvia Moreno-Garcia.

Find it on Bookshop.

Gods of Jade and Shadow is a quiet, character driven story with a close focus on Casiopea through the lens of an omniscient third person narrator. This degree of separation lends a timeless, inevitable quality to the book as it moves toward the final confrontation between Hun-Kamé and his brother.

Fantastical world building and subtle characterization breathe new life into the Mayan mythology that scaffolds this story of a girl striving for more and, finally, having a chance to grasp it. Subtle conversations and nonverbal interactions between Casiopea and Hun-Kamé underscore the changing relationship (and chemistry) between these singular characters.

Gods of Jade and Shadow is, in my humble opinion, a perfect book. Come for the adventure and engrossing plot, stay for the well-realized characters and bittersweet ending that will linger long after the story is finished.

Possible Pairings: Lovely War by Julie Berry, The City of Brass by S. A. Chakraborty, The Star-Touched Queen by Roshani Chokshi, American Gods by Neil Gaiman, Fire and Hemlock by Diana Wynne Jones, The Night Circus by Erin Morgenstern, An Enchantment of Ravens by Margaret Rogerson, The Invisible Life of Addie LaRue by V. E. Schwab, A Well-Timed Enchantment by Vivian Vande Velde

Amber & Clay: A (WIRoB) Review

This piece originally appeared in the Washington Independent Review of Books:

Amber & Clay by Laura Amy Schlitz, illustrated by Julia IredaleThe god Hermes draws readers into “the tale of a girl as precious as amber, / the tale of a boy as common as clay” as he introduces Melisto, a pampered girl in Athens, and Rhaskos, a Thracian slave in Amber & Clay (2021) by Laura Amy Schlitz, illustrated by Julia Iredale. Find it on Bookshop.

Although close in age, the two “weren’t alike, but they fit together, / like lock and key.” In normal circumstances, they would never meet, but what is ever normal when the gods are watching?

Their stories begin when both are young children. In segments of verse, Rhaskos remembers his early years as a slave up to the night his mother tattoos him in the Thracian tradition, only to be sold before she can explain the markings to him. Renamed Thratta, Rhaskos’ mother joins Melisto’s household, where she is meant to tend the little girl and ease some of the child’s wildness.

While Rhaskos misses his mother and treasures small moments of beauty observing the horses in his master’s stables in Thessaly, Melisto has her own struggles in Athens. Her mother resents Melisto’s disobedience and willfulness. She also fears that she will “crack her skull / or black her eye, or shake her / so hard” that she will break her daughter’s neck.

Rhaskos’ lyrical, carefully structured blank verse provides contrast with Melisto’s prose passages as the story weaves in voices from Hermes and Hephaistos to Athena and Artemis, among other members of the Greek pantheon. A comprehensive author’s note explains the creative choices Laura Amy Schlitz made in drawing from Greek history and embracing the strophe-antistrophe technique common in Greek plays — as seen in the “Turn and Counterturn” poems, where two characters share their different perspectives on parts of the plot. The book also includes a helpful cast of characters at the beginning.

Archaeological images (illustrated by Julia Iredale) and exhibit-style captions add further dimension to this sprawling narrative. Artifacts that prove key to the story include an “unusually fine” amber gold necklace “found on the Athenian Akropolis, near the ruins of the Sanctuary of Artemis Brauronia”; Rhaskos’ first pottery casting; and others.

Everything changes for both children when Melisto is called on to serve as a Little Bear at the Sanctuary of Artemis in Brauron. As Hermes explains: “My point is: little is known. / What was meant to be a mystery / is still a mystery. / Except we’re going to lift the veil a little, / and peek. We’ll see Brauron / through Melisto’s eyes— / Melisto’s going to Brauron, / to serve as a Little Bear.”

At the sanctuary, Melisto enjoys unprecedented freedom, allowing her to explore nature, indulge her wildness, and finally thrive as she begins tending a bear cub reserved for a future sacrifice to honor Artemis. Back in Thessaly, Rhaskos’ world becomes even smaller under his abusive new master, Menon, inspiring Hephaistos, the god of fire, metalworking, and masonry, to form a plan to intervene on Rhaskos’ behalf to “send my boy to Athens / and wrest him away from Menon.”

While Melisto decides to honor what she knows is right at Brauron despite Artemis’ supposed wishes, and Rhaskos dreams of a life where he is free and able to make art, events are set in motion that will put the pair on a life-changing, utterly unexpected collision course.

Schlitz’s ambitious standalone middle-grade story is meticulously researched and brings ancient Greece to life as Hermes instructs readers on the country’s proper name (“Don’t call it Greece”), and Rhaskos is shown Athenian attractions like the Trojan Horse and the Akropolis, where “the stones of the temples were bathed in gold” for the first time.

What begins as a story about a spoiled girl and a common boy becomes, in the author’s capable hands, a much larger commentary on art, friendship, and identity as we watch Melisto and Rhaskos transform, becoming “the girl as electric as amber, the boy, indestructible as clay.”

Possible Pairings: The Inquisitor’s Tale by Adam Gidwitz, Stone River Crossing by Tim Tingle

Lore: A Chick Lit Wednesday Review

“It’s not always the truth that survives, but the stories we wish to believe. The legends lie. They smooth over imperfections to tell a good tale, or to instruct us how we should behave, or to assign glory to victors and shame those who falter.”

Lore by Alexandra BrackenEvery seven years Zeus punishes nine Greek gods by forcing them into the Agon. Warrior families have hunted the gods in every Agon for generations hoping to absorb their powers and receive blessings in the intervening years.

Lore always knew she was destined for greatness and glory in the Agon, meant to restore her family house’s honor. That was before Lore’s own disastrous mistake brought about the death of her entire family.

Now, seven years later, Lore thinks she’s finally made it out and started a new life. But the return of her childhood friend Castor and the goddess Athena appearing at Lore’s door prove she never escaped the brutality of the Agon. Not really.

After years of hiding and trying to forget, Lore will have to come out of the shadows and embrace her complicated past if she wants to live long enough to have a future in Lore (2020) by Alexandra Bracken.

Find it on Bookshop.

Lore is a standalone fantasy novel. Although the world building is heavily intertwined with Greeky mythology, the story itself includes enough information to make it approachable to those unfamiliar with the inspiration material. The book also includes a character list broken down by the family houses and lines. Lore and Castor are white although several members of the Agon families (including dark skinned Van and Iro) are from other racial backgrounds.

Lore is a fierce and often reluctant narrator. Most of her past is colored by trauma and regret over events that slowly unfold in flashbacks for readers as the novel builds to its explosive final act. Despite her desire to isolate herself and avoid further losses, Lore is surrounded by a strong group of friends and allies who add drama and levity to this potentially grim story. Lore’s best friend Miles Yoon–an outsider to the world of the Agon–is an especially fun addition to the cast and a steadfast friend to Lore.

Set over the course the week-long Agon this fast-paced story plays out against the backdrop of New York City as Lore and her allies search for a way to end the Agon forever. Lore’s efforts to find a place for herself as a young woman, both away from the Agon and within it, in a world all too quick to dismiss her is both timely and empowering.

Lore seamlessly blends elements from Greek mythology with a modern fantasy setting for a perfectly paced story of survival and fighting for what we deserve.

Possible Pairings: Antigoddess by Kendare Blake, Starling by Lesley Livingston, The Hidden Oracle by Rick Riordan, Sky in the Deep by Adrienne Young

Pandora’s Legacy: A Graphic Novel Review

The Panagakos family are descendants of Pandora. For generations the family has worked to protect Pandora’s box and guard against the dangerous monsters it contains.

Except no one ever told younger siblings Charlie, Janet, or Trevor about that. When the three of them find (and break) a mysterious jar in the wood near their grandparents’ house, they have no idea what they’ve unleashed.

Lacking their older siblings’ training, not to mention their weapons, Charlie, Janet, and Trevor will have to band together and think fast if they want save their family and stop the freed monsters from destroying everything in their path in Pandora’s Legacy (2018) by Kara Leopard, illustrated by Kelly Matthews and Nichole Matthews.

Pandora’s Legacy is a high action graphic novel. Although the story focuses on twins Janet and Trevor, their older sister Charlie also plays a large role as the three of them become unwitting heroes and the last defense against the monsters found within Pandora’s box.

The high action of Leopard’s fast-paced plot contrasts well with the Matthews’ finely detailed illustrations that seamlessly blend evocative backdrops and horrifying monsters.

Pandora’s Legacy is an adventurous ode to siblings and underdogs everywhere. Recommended.

Possible Pairings: Estranged by Ethan M. Aldridge, Aru Shah and the End of Time by Roshani Chokshi, Cucumber Quest by Gigi D. G., Mighty Jack by Ben Hatke, The Lightning Thief by Rick Riordan

*A copy of this title was provided for review consideration by the publisher at BookExpo 2019*

Star-Touched Stories: A Review

cover art for Star-Touched Stories by Roshani ChokshiStar-Touched Stories (2018) by Roshani Chokshi brings readers back to the world of the author’s first two novels  The Star-Touched Queen and A Crown of Wishes. This collection of three 100+ page novellas (one a previous preorder incentive for A Crown of Wishes and the other two previously unpublished) all contain spoilers for the novels in the series. Be sure you have read both if you want to avoid any ruined twists or surprises.

Find it on Bookshop.

“Death and Night” follows the Dharma Raja throughout his unlikely courtship of Night incarnate. The story alternates between Death and Night’s first person narration as they uneasily begin courting and contemplate how much they are willing to risk for a partnership and whether or not that includes their hearts. This novel stops short of the events of The Star-Touched Queen but many of the key players from that novel are present here along with an abundance of witty banter.

“Poison and Gold” is set shortly after the end of A Crown of Wishes. Aasha, a vishakanya whose very touch is deadly, earned her own wish in the Tournament of Wishes–the chance to choose to live as a human. But making a place for herself in the human world is harder than Aasha expected. As Gauri and Vikram prepare to unite their kingdoms, Aasha will have to embrace both her humanity and her vishakanya side while training under the fierce but fascinating Spy Mistress in an attempt to make a place for herself beside her friends in this new world.

Set after both novels in the series “Rose and Sword” recalls a well-known story in the Empire of Bharat-Jain where, long ago, a bride was poised to become a widow before her wedding henna had even dried. She will have to travel through Death and back to reclaim her husband’s last breath. But can she make it in time and, more importantly, will she want to? This was my favorite novella of the collection and a bittersweet farewell to a favorite series.

Chokshi is in top form with the lush world building and vivid language fans of this series have come to love. Each novella focuses on an ambitious heroine as she confronts not just her fears but also her desires. A must read for fans of the series and a charming introduction to both the author and her works.

*A more condensed version of this review was published in the June 2018 issue of School Library Journal*

The Library of Fates: A Review

Sikander, the emperor of Macedon, arrives in peaceful Shalingar after conquering Anatolia, Syria, Phoenicia, Judea, Bactria, and Persia. Sikander asks Princess Amrita to become his bride as part of a peaceful treaty between the two nations but the negotiations soon end in bloodshed and force Amrita to flee.

Haunted by the loss of her kingdom and everyone she loves Amrita helps Thala, an enslaved oracle, escape imprisonment. Together Thala is certain that she and Amrita can find the Library of All Things and convince the Keeper of the library to allow them to change their own fates.

As Amrita and Thala come closer to changing their fates, Amrita has to come to terms with the fact that her old life may be impossible to reclaim and a new life can only be found through sacrifice in The Library of Fates (2017) by Aditi Khorana.

Khorana’s sophomore novel is a standalone fantasy imbued with elements from Indian folklore and Hindu mythology combined with elements of the author’s own invention including a giant magical spider that allows characters to travel through time and space.

This story is hampered by anachronistic phrases and details that fail to coalesce into a coherent world or logical magic system. Basically all of background suggests that this story is set around 300BC which fits with the inclusion of Macedon and other countries that are mentioned. In spite of that Amrita and her friends continuously use words and phrases that have origins in the 1800s. Because of this the dialogue feels especially English/American which makes sense given the author being American but also rings untrue as the characters themselves are not (and in fact are probably speaking the fictitious Shalingarsh language throughout). Of course, The Library of Fates would always be read in English by English readers but the offhand linguistic choices often serve to draw readers out of the story.

As a narrator Amrita is an uneasy blend of naive and impetuous while also being seemingly the only character in the novel unaware of her true connection to a mythical goddess called Maya the Diviner. Every character Amrita knows in the palace has been aware of this connection since her birth and kept it from her. Literally. Every. Character.

Despite the inherent tension of an early love triangle, relationships remain underdeveloped save for the endearing if abrupt friendship between Amrita and Thala. As Amrita ponders her odious marriage arrangement with Sikander, she suddenly and completely falls for Arjun, her best friend since childhood. This forbidden love is dropped when Amrita is forced to leave Shalingar without him. A new love interest is introduced for a dramatic star-crossed love story that is largely toothless because the second love interest appears in about ten pages total of the entire book–and that only after the story hits the halfway mark.

Interesting concepts including the Library of All Things itself are bright spots in this otherwise unfocused story where many of the most exciting moments are related in asides or flashbacks. A serviceable if not well-realized fantasy that will appeal to fans of The Wrath and the Dawn and The Star-Touched Queen.

Possible Pairings: The Wrath and the Dawn by Renee Ahdieh, The Star-Touched Queen by Roshani Chokshi, Gravemaidens by Kelly Coon, Vessel by Sarah Beth Durst, The Shadow Behind the Stars by Rebecca Hahn, Cruel Beauty by Rosamund Hodge, A Thousand Nights by E. K. Johnston, Silver Phoenix by Cindy Pon

*A more condensed version of this review appeared as a review in the June 1, 2017 issue of School Library Journal*

Thick As Thieves: A Review

Kamet is a slave but he is also poised to become one of the most powerful men in the Mede Empire thanks to his master Nahuseresh’s close relationship with the Emperor. While he knows the limitations of his life as a secretary and slave, Kamet is ambitious and eager for the chance to help shape the Empire and wield his influence–a future that is almost certainly within reach until one whispered conversation changes everything.

No longer safe in his position, or even in his city, Kamet embarks on a journey that will take him farther than he once thought possible. Traveling across the country and away from the seat of the Mede Empire, Kamet finds an unlikely ally in an Attolian soldier far from home and discovers that sometimes choice and freedom can be much more important than power or influence in Thick as Thieves (2017) by Megan Whalen Turner.

Find it on Bookshop.

To call this book my most anticipated 2017 release would be a gross understatement. When I found out I was reviewing this book for School Library Journal (and thus getting to read it early as an ARC) I screamed and scared one of my coworkers. This series has gotten under my skin and been part of my life for almost two decades (the first book in the series, The Thief, just had its twentieth anniversary). I am so happy this series still has the love it deserves and that the series is not only in print but reissued this year (with new covers!) so that new people can discover it and love it as much as I do.

Turner returns to the world of Eugenides and her Queen’s Thief series in this fifth installment which moves beyond the familiar borders of the countries of Eddis, Attolia, and Sounis. Thick as Thieves is filled with characters readers will learn to love and want to return to again and again including several from earlier books in the series.

Kamet is analytical and pragmatic–traits which come across completely in his first person narration. He brings a fresh perspective to familiar places and people while expanding the world of this series with his knowledge of Mede culture and mythology including the wayward gods, Immakuk and Ennikar.

Turner expertly negotiates Kamet’s complicated feelings about his enslavement. Intellectually Kamet knows he lacks freedom. He knows his position as a slave is vulnerable in an empire that has a singular fear of its slave population. At the same time, Kamet allows himself to be blinded by his own ambitions and his narrow view of the world. Kamet’s journey from a circumspect and scholarly secretary to a man in control of his own fate is immensely satisfying as is the way Kamet’s story intertwines with other pieces of the series and helps smaller plot points come into focus.

This whip-smart book works equally well as an introduction for readers just discovering Turner’s characters and as a way to move the series forward to what promises to be a stirring conclusion for long-time fans. Thick as Thieves is a dazzling adventure and a truly charming story of unlikely friends. A must for fantasy readers seeking titles rich with intrigue and politics. Cannot recommend this book or this series highly enough.

Possible Pairings: The Wrath and the Dawn by Renee Ahdieh, The Candle and the Flame by Nafiza Azad, Plain Kate by Erin Bow, The Girl of Fire and Thorns by Rae Carson, Graceling by Kristin Cashore, Vessel by Sarah Beth Durst, The Lost Sun by Tessa Gratton, The Shadow Behind the Stars by Rebecca Hahn, Book of a Thousand Days by Shannon Hale, Seraphina by Rachel Hartman, A Thousand Nights by E. K. Johnston, Howl’s Moving Castle by Diana Wynne Jones, Finnikin of the Rock by Melina Marchetta, Dreamhunter by Elizabeth Knox, Grave Mercy by Robin LaFevers,Soundless by Richelle Mead, Sabriel by Garth Nix, The Winner’s Curse by Marie Rutkoski, The Scorpio Races by Maggie Stiefvater

*A more condensed version of this review appeared as a starred review in the April 1, 2017 issue of School Library Journal*

A Conspiracy of Kings: A (Reread) Review

Sophos has always known that he is too soft and too scholarly to be a proper heir to his uncle the king of Sounis. When he is exiled to the island of Letnos after parting ways with the magus and a thief who proved too clever for his own good, Sophos is free to spend his days reading poetry and contemplating philosophy even if it is in the company of an odious tutor.

All of that changes the moment Letnos is attacked and Sophos is abducted. Hidden away and rendered unrecognizable, Sophos has a chance to turn away from his responsibilities as Sounis’ heir.

It is not easy to become a king. But it turns out it’s even harder to forsake your own country. Navigating the murky waters of friendship and sovereignty, Sophos will have to decide if old friends can become new allies and whether or not honor, or freedom for that matter, have anything to do with ruling a country in A Conspiracy of Kings (2010) by Megan Whalen Turner.

Find it on Bookshop.

A Conspiracy of Kings is the fourth book in Turner’s Queen’s Thief series and continues Sophos’ story–a character first introduced as one of Gen’s travel companions back in The Thief. Sophos narrates this novel in the first person. Throughout most of the novel he is talking to someone as he relates the story of what brought him all the way to Attolia after a dangerous journey across Sounis. The second person is a hard tense to negotiate but it works well here and realizing who Sophos is talking to is a revelation in itself.

Perception always plays a role in Turner’s books and A Conspiracy of Kings is no exception. The manipulations here are even more subtle as Sophos tries to fit the present Eugenides as king of Attolia with his memories of Gen the thief. In addition to that, Sophos’ own self-perception also comes into play with a fascinating character study through his narration.

Sophos is a guileless character and he is very aware of his limitations throughout the story. He is sensitive, he blushes at the drop of a hat, he is not an experienced swordsman, the list goes on. Because of this, Sophos’ narration is refreshingly forthright and direct. Sophos is quick to explain his internal struggles and even some of his shortcomings as he tries to come to terms with the shocking reality that he is responsible for the fate of an entire country. Of course, that only tells part of the story as Sophos fails to notice the ways in which he himself has changed and grown on his journey to becoming a king in his own right.

Much of this series focuses on Eugenides’ journey from boy to man and by extension from his path from man to king. A Conspiracy of Kings is a slightly different story as Sophos acknowledges not only that he is a king but also that he might have been meant to be king all along.

This book has my favorite ending of the entire series. I love the dialogue that concludes this story and I especially enjoy tracing the path of Sophos and Gen’s friendship as they begin to meet each other on equal footing. A Conspiracy of Kings is another arresting story filled with evocative prose and characters that are guaranteed to resonate.

If you enjoy A Conspiracy of Kings, you can read more about Eugenides (and Eddis, Sounis, and Attolia) in The Thief, The Queen of AttoliaThe King of Attolia and Thick as Thieves.

Possible Pairings: The Wrath and the Dawn by Renee Ahdieh, The Candle and the Flame by Nafiza Azad, Plain Kate by Erin Bow, The Girl of Fire and Thorns by Rae Carson, Graceling by Kristin Cashore, Vessel by Sarah Beth Durst, The Lost Sun by Tessa Gratton, The Shadow Behind the Stars by Rebecca Hahn, Book of a Thousand Days by Shannon Hale, Seraphina by Rachel Hartman, A Thousand Nights by E. K. Johnston, Howl’s Moving Castle by Diana Wynne Jones, Finnikin of the Rock by Melina Marchetta, Dreamhunter by Elizabeth Knox, Grave Mercy by Robin LaFevers,Soundless by Richelle Mead, Sabriel by Garth Nix, The Winner’s Curse by Marie Rutkoski, The Scorpio Races by Maggie Stiefvater