Chosen Ones: A Review

Chosen Ones by Veronica RothTen years ago a prophecy predicted that one of five teenagers would become the Chosen One–the only person capable of defeating the Dark One and ending his reign of death and destruction.

Sloane was one of the five and together with Matt, Albie, Ines, and Esther they defeated the Dark One near Chicago.

Now everyone is supposed to move on and mourn and watch life return to normal.

Sloane can’t do that.

Haunted by memories and traumas from fighting the Dark One, Sloane feels adrift even with her friends to anchor her. When one of them turns up dead the day before the Ten Years Celebration of Peace, Sloane begins to realize she may not be the only one who hasn’t moved on in Chosen Ones (2020) by Veronica Roth.

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Chosen Ones is Roth’s adult debut and the start of a new duology.

While marketed as a story about young adults trying to move past their teenaged destinies, Chosen Ones is actually familiar dystopian fare for a slightly older audience. The scene is set for a story of acceptance and moving on only to shift rather abruptly to a new fight with a villain where the Earth’s fate is at stake.

Readers keen on high action and drama will appreciate this shift while others may be left wanting a book with a bit more focus on characters and a little less in the way of fantasy elements.

Chosen Ones is familiar fare aged up with sexier writing and edgier villainy. Recommended for readers looking to branch out beyond the familiar YA suspects in the genre, but not too far.

Possible Pairings: All the Birds in the Sky by Charlie Jane Anders, Soon I Will Be Invincible by Austin Grossman, The Magicians by Lev Grossman, The Hundred Thousand Kingdoms by N. K. Jemison, Every Heart a Doorway by Seanan McGuire, The Rest of Us Just Live Here by Patrick Ness, Carry On by Rainbow Rowell, The Light Between Worlds by Laura E. Weymouth

The Deceivers: A Chick Lit Wednesday Review

“Careful is a luxury you have when your baseline isn’t chaos.”

The Deceivers by Kristen SimmonsBrynn Hilder is willing to do whatever it takes to get out of her hardscrabble neighborhood in Chicago. Unfortunately, a poor kid from the wrong side of the tracks doesn’t have a lot of options when it comes to paying for college.

When her mom’s sleazy boyfriend finds out about Brynn’s low level cons and the money she’s already saved up, he steals all of it and gives Brynn an ultimatum: start running cons for him or start selling his drugs.

Enter Vale Hall, an elite boarding school that seems to be the answer to all of Brynn’s problems. The school promises a free ride to any college of her choice . . . for a price. Instead of earning good grades and building up her extracurriculars, Brynn and the other Vale students are expected to use their conning abilities to help the school with special projects.

Brynn knows she’s up to the task. But as she learns more about her first mark and the lines she’ll have to cross to entrap him, Brynn has to decide how far she’s willing to go to get what she wants in The Deceivers (2019) by Kristen Simmons.

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The Deceivers is the start of Simmons’ Vale Hall trilogy–a con filled story partially inspired by the story of Odin and his Valkyrie.

Brynn is a practical, calculating narrator. She has spent years hardening her heart and telling herself she can do whatever it takes to chase a better life without fully understanding the risks or the costs. After being the poorest person in the room for so long, her time at Vale Hall forces Brynn to confront the fact that she isn’t the only one facing hard choices and limited opportunities.

Used to depending on herself and no one else, Brynn slowly and reluctantly builds up a support system at Vale Hall as she gets to know the other students, especially her potential love interest Henry and his group of friends–part of a supporting cast of characters who are as varied as they are authentic.

The Deceivers is the perfect blend of action and suspense as Brynn delves deeper into Vale Hall’s underworld and the stakes continue to climb for her and the another students. Smart cons, snappy dialog, and pitch perfect pacing set this novel apart. Highly recommended.

Possible Pairings: The Fixer by Jennifer Lynn Barnes, Heist Society by Ally Carter, Truly Devious by Maureen Johnson, Don’t You Trust Me? by Patrice Kindl, Genuine Fraud by E. Lockhart, Killing November by Adriana Mather, Two Can Keep a Secret by Karen M. McManus, Daughter of Deep Silence by Carry Ryan, A Room Away From the Wolves by Nova Ren Suma, The Mockingbirds by Daisy Whitney

The Revolution of Birdie Randolph: A Chick Lit Wednesday Review

cover art for The Revolution of Birdie Randolph by Brandy ColbertBirdie has always been a good daughter. She works hard in school, she’s responsible. She listens to her parents even when it’s hard like when she had to give up soccer to focus on her classes and college prep.

But it’s hard to balance being a good daughter with dating Booker–the new boy in her life. Birdie’s parents would never approve of Booker with his bad reputation and his juvenile record. Rather than upset her parents Birdie does what seems like the best thing for everyone: she decides to keep Booker a secret for as long as possible.

Then there’s her estranged aunt Carlene who is back in Chicago, and Birdie’s life, after years of struggling with substance abuse. Birdie barely remembers her aunt but she’s eager to reconnect now–especially when Carlene seems willing to listen to Birdie in a way her mother hasn’t for years. As Birdie grows closer to Carlene and to Booker, the secrets mount. When Birdie finds out that she isn’t the only one who’s been keeping secrets  everything she thought she knew about her family will be thrown into question in The Revolution of Birdie Randolph (2019) by Brandy Colbert.

Colbert’s latest standalone is an introspective novel about family, secrets, and what it means to be true to yourself. Birdie is an open and honest narrator struggling with how to balance what she wants with what her parents expect of her. Her story unfolds across a vibrantly described Chicago that is immediately evocative.

Typical stressors of school and college prep are amplified as Birdie finds herself keeping more and more secrets as she tries to spend time with Booker. Their sweet and new romance is tempered by the knowledge that they’ll soon have to figure out how far their relationship can go–if it can go anywhere at all, in fact–while contending with disapproving parents on both sides. Birdie faces a similar push and pull with her aunt who soon becomes a confidant despite the strain it causes with her parents.

In a lot of ways, The Revolution of Birdie Randolph is a story about decisions. The course of Birdie’s life up to this point has been shaped by decisions her parents, and even her aunt, have made. As Birdie begins to understand the ramifications of those choices, she has to decide for herself how to move forward. But luckily for her, and readers, she has a lot of support along the way.

The Revolution of Birdie Randolph is a smart, nuanced story about learning to be true to yourself–even when the truth about your past might not be what you expect. Come for the swoony romance, stay for the authentic intersectional identities, complex relationships, and memorable characters. Highly recommended.

Possible Pairings: The Beauty of the Moment by Tanaz Bhatena, Suffer Love by Ashley Herring Blake, Tell Me Three Things by Julie Buxbaum, Past Perfect Life by Elizabeth Eulberg, The Field Guide to the North American Teenager by Ben Philippe, I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez, Windfall by Jennifer E. Smith; Loveboat, Taipei by Abigail Hing Wen, How to Save a Life by Sarah Zarr

*An advance copy of this title was provided by the publisher for review consideration at BookExpo 2019*

When We Caught Fire: A Chick Lit Wednesday Review

cover art for When We Caught Fire by Anna GodbersenChicago, 1871: Emmeline Carter is about to blast her way into Chicago’s high society, helping her father make good on his rise to wealth with her engagement to Chicago’s most eligible bachelor.

Living in luxury and the envy of so many society debutantes should be enough for Emmeline. It isn’t. Instead, as her engagement looms, Emmeline can’t stop thinking about her carefree days she used to share with her best friend Fiona Byrne and her sweetheart Anders Magnuson. Now Fiona is Emmeline’s maid and Anders a distant memory.

Fiona hopes that Emmeline’s engagement will bring her friend everything she wants–and allow Fiona to pursue Ander’s herself without guilt. Then Emmeline surprises everyone by risking everything she has gained to see Anders one last time.

As friendships are tested and bonds are broken, even the smallest spark might change everything for these three friends and the city they all call home in When We Caught Fire (2018) by Anna Godbersen.

This standalone novel plays out over the course of the summer as Emmeline, Fiona, and Anders move toward the cataclysmic Great Fire. The novel alternates between chapters following Emmeline and Fiona’s points of view.

Godbersen once again brings the past to life with evocative descriptions of the city (and, of course, the fashions) of the time. While the main focus is on the Great Fire, When We Caught Fire also explores the inequality and corruption that ran rampant through the Gilded Age.

At its core, When We Caught Fire is a story about a friendship and a love triangle. The relationships between the three characters remain the driving force of the story even as the events of the fire play out in the novel’s explosive final act.

An open ending and nuanced characters allow readers to draw their own conclusions while fleshing out the story. When We Caught Fire is frothy, slightly sensational, and utterly entertaining. Recommended for readers who want their historical fiction filled with all the gory details and juicy parts.

Possible Pairings: A Brief History of Montmaray by Michelle Cooper, Alex & Eliza by Melissa de la Cruz, Ten Cents a Dance by Christine Fletcher, Keeping the Castle by Patrice Kindl, Vixen by Jillian Larkin, Cinders and Sapphires by Leila Rasheed

*An advance copy of this title was provided by the publisher for review consideration at BookExpo 2018*

Tell Me No Lies: A (WIRoB) Review

This piece originally appeared in the Washington Independent Review of Books:

cover art for Tell Me No Lies by Adele GriffinIt’s October 1988, and Lizzy Swift is finally in 12th grade at her all-girls high school. She was promised glamor and excitement, certain that, at Argyll, “there was no bigger prize” than being a senior.

But now, all she feels is tricked.

So far, the year has been just like every other; she hasn’t taken part in any of the big moments that she always thought would make up her senior year. Instead, Lizzy is busy filling her transcript with items to add to her Princeton application.

She studies to stay on the honor roll, works on drawings for her AP art portfolio, and tries to convince her best friends and fellow nerds, Gage and Mimi, to step outside of their comfort zones with her. But athlete Gage is happy just marking time until college, while Mimi’s free time is spent chatting with her boyfriend.

Lizzy used to think all she wanted was to blend in, to make it easier to pretend no one knows about her epilepsy. It’s been years since she had a grand mal seizure during chorus class, after all.

Since then, Lizzy has managed to largely ignore her condition, never talking about her medication, the doctor, or the risk of seizures that makes her parents overprotective. But she’s constantly on guard, always waiting for her next seizure. And being dubbed “spaz” by popular Wendy Palmer hasn’t helped her social standing.

Lizzy is as shocked as anyone when new girl Claire Reynolds chooses to lavish attention on her, first with shared eyeliner and later with secret trips into the city. Claire is effortlessly cool in a way Lizzy desperately wants to emulate.

Of course, Claire has her own secrets about why she came to Argyll during her senior year, but Lizzy is so thrilled with the friendship that she’s willing to overlook Claire’s secrecy in Tell Me No Lies (2018) by Adele Griffin.

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(While Lizzy’s epilepsy plays a large role in her character arc, readers may lament that there is no author’s note included to detail the research and resources Griffin may have used to try to authentically portray the condition.)

She also keeps picking up the tab for Claire, despite the fact that Claire and her divorced mother now live with their extremely wealthy aunt and her 16 cats. These, Claire explains, “had the run of the house and could do anything they wanted, plundering like pirates, knocking over vases, scratching curtains and portraits, sleeping anywhere.”

Despite her misgivings about Claire, Lizzy treasures their friendship, as it allows her to present a new version of herself for the first time in years. Her newfound confidence even leads Lizzy to date a longtime crush, Matt Ashley.

But even with their obvious chemistry and affection, which Griffin sweetly shows on the page, every time Lizzy and Matt try to connect physically, it feels like something is off — especially during an awkward hand job that seems to push them further apart instead of bringing the couple closer together.

Is it because Lizzy skipped third grade and is the youngest in her class? Or is something else making Matt hold back every time they’re alone together?

While Lizzy’s focus for most of the novel is her relationship with Claire and Matt, she — and readers — come to appreciate the constant and familiar presence of her best friends, who support her even as they struggle to understand her changing tastes and attitude.

Attention from Mimi’s older brother, Theo, a college student and model described as a “Korean James Bond,” is a confusing addition to Lizzy’s rather overfilled senior year, as their once-easy friendship shifts to a more intense flirtation.

This YA novel about the excitement of new relationships and experiences plays out against the backdrop of fear and paranoia surrounding the AIDS crisis and the shifting norms and politics of the times.

Offhand references to Keith Haring, Joy Division, and other key figures of the period further help set a scene which may feel very remote for today’s teen readers. Plot threads, including sexual abuse by a teacher, closeted gay teens, and the constant fear of HIV, are timely given the setting, if somewhat unnecessary additions to this already jam-packed novel.

Still, Tell Me No Lies is an atmospheric ode to the joys of self-discovery and true friendships. It’s an ideal choice for anyone interested in the 1980s or looking for a compulsively readable piece of historical fiction.

Possible Pairings: Graffiti Moon by Cath Crowley, I’ll Give You the Sun by Jandy Nelson, The Astonishing Color of After by Emily X.R. Pan

I Am Not Your Perfect Mexican Daughter: A Review

Julia’s life is in freefall after her older sister is hit by a truck on her way home from work. Julia always knew her sister, Olga, was the favorite but watching her parents fall apart along with dealing with her own grief is overwhelming. Julia copes by looking into Olga’s life–something she was never very interested in when Olga was alive–but Julia ends up with more questions than answers and soon realizes that knowing the truth doesn’t always lead to closure in I Am Not Your Perfect Mexican Daughter (2017) by Erika L. Sánchez.

I am happy this book exists but I am 100% not the audience for it which I think influenced my lukewarm feelings about it. Julia is an interesting narrator–it’s still rare to see girls being unapologetic about being unhappy and being themselves, two things that come across immediately in Julia’s story. That Julia is Mexican American adds another dimension to the narrative and makes her voice even more badly needed.

Sánchez’s writing in this novel is authentic and literary without being neat. Sometimes Julia uses course language, sometimes she isn’t polished. But she’s always real and so is the Chicago neighborhood she inhabits–things that I am sure contributed to this book’s nod for the National Book Award long list.

In its review of this book, Kirkus points out that Julia isn’t likable. I don’t think she has to be and I don’t think we’re going to get very far as a society until we stop demanding female characters be likeable at all times. That said, sometimes Julia’s discontent felt a little vague. I wanted to know more about why she feels so unsatisfied and always has been. It’s never quite explained in the text.

There’s a lot going on in this book with side plots; some to good effect, some with unrealized potential. Julia is always striving and learning and while she isn’t always the nicest character, her growth over the course of the novel is all the more satisfying because of it.

I Am Not Your Perfect Mexican Daughter is a story about a first generation American trying to do the best she can. Give this to readers looking for a new story of the immigrant experience, readers who need their characters to be real rather than sweet, and above all give this to anyone looking for a character who loves art and words as much as they do.

Possible Pairings: Saints and Misfits by S. K. Ali, The Revolution of Birdie Randolph by Brandy Colbert, What Happened to Goodbye by Sarah Dessen, And We Stay by Jenny Hubbard, This Raging Light by Estelle Laure, Blood Water Paint by Joy McCullough, The Astonishing Color of After by Emily X.R. Pan, You Bring the Distant Near by Mitali Perkins, Gabi, A Girl in Pieces by Isabel Quintero, How to Save a Life by Sarah Zarr

Windfall: A Chick Lit Wednesday Review

Alice buys a lottery ticket for her best friend Teddy–the boy she has loved from afar since freshman year–for his eighteenth birthday. It’s a small gift and it’s not likely to finally make Teddy reciprocate Alice’s feelings or even notice them. But it seems like a fitting gift.

Everything changes when Alice’s silly gift wins Teddy a whopping $140 million dollars.

Alice’s life already changed once when her parents died and she moved in with her aunt, uncle, and her cousin Felix. She isn’t sure she wants everything to change again even if the money is exactly what Teddy and his mother need after years struggling to overcome his father’s gambling debts.

Teddy has always been a constant in Alice’s life but in the wake of his luck changing it starts to feel like Teddy is changing too. But as Alice learns more about herself she starts to realize that maybe they’re both changing. And maybe that isn’t always a bad thing in Windfall (2017) by Jennifer E. Smith.

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While Windfall is all about a big lottery win, this change of circumstance is often a backdrop in this character driven story. At eighteen, Alice is used to being an orphan and the stigma that sometimes comes from explaining her family history. What she isn’t used to, she realizes as she throws everything she has into her application to Standford, is defining herself without her parents.

Alice has always turned to the memory of her parents and their life in San Francisco as a guide for her own life which she has filled with tutoring and volunteering. But as Alice begins to make decisions about college and what comes next she realizes that modeling herself on her parents offers more questions than answers.

Alice’s confusion about her future and who she wants to be is complicated by Teddy’s lottery win. As questions of how to split, spend, and otherwise share the money come up Alice and Teddy’s previously breezy friendship becomes strained. In the midst of this Alice’s cousin Leo is dealing with the more concrete dilemma of what happens next when his boyfriend is in college in Michigan while Leo is still in Chicago.

Smith’s multifaceted story focuses on Alice and uses her grief and development as a lens for the rest of the story. Alice spends a lot of the novel viewing herself as an island set apart from the rest of her family–something that doesn’t always ring true when the loss of her parents is taken in the larger context of a familial loss affecting multiple people–but the ways she and her family come together by the end of Windfall is sweet and satisfying. Alice’s relationship with Teddy is similarly complex and a driving force of the plot.

Smith tackles questions of fate, privilege, and love in her latest standalone contemporary. Windfall is a smart and compulsively readable story about what happens when the impossible is suddenly not just possible but reality. A great choice for readers seeking a realistic romantic story with a healthy dose of escapism.

Possible Pairings: Tell Me Three Things by Julie Buxbaum, The Revolution of Birdie Randolph by Brandy Colbert, I Believe in a Thing Called Love by Maurene Goo, The Fashion Committee by Susan Juby, The Museum of Heartbreak by Meg Leder, When Dimple Met Rishi by Sandhya Menon, Bookish Boyfriends: A Date With Darcy by Tiffany Schmidt, Girl Against the Universe by Paula Stokes, Lucky in Love by Kasie West

*An advance copy of this title was provided by the publisher for review consideration*

Tell Me Three Things: A Chick Lit Wednesday Review

“Over email and text, though, I am given those few additional beats I need to be the better, edited version of myself.”

Tell Me Three Things by Julie BuxbaumJessie doesn’t want to live in California. She doesn’t want a new stepmother when her mother’s death two years earlier is still painfully fresh. She can definitely do without her snobby new stepbrother. She hates leaving her best friend behind in Chicago and wishes her dad would try to understand why she’s so upset.

Her new super fancy prep school in Los Angeles is filled with pretentious students, confusion, and very few potential friends. When she receives an email from someone, Somebody/Nobody to be more specific, offering to help her make sense of her perplexing new life Jessie isn’t sure what to think. Is his offer a genuine chance to get some help? Could it be an elaborate prank?

The potential of a new friend and some much-needed information win out. The more Jessie and SN email and text, the more she wants to meet him in person. But as she gets closer to discovering SN’s identity, Jessie also wonders if some mysteries should remain unsolved in Tell Me Three Things (2016) by Julie Buxbaum.

Jessie feels like a stranger in a very strange land when she is thrust into a higher income bracket at her predominantly white private school. This relative privilege is addressed and handled well over the course of the novel while Jessie tries to reconcile her middle class sensibilities with the new luxuries she is starting to enjoy. Jessie’s online friendship with SN and her real life struggles to befriend her classmates serve as another contrast in this story where perception can change everything.

This novel also ruminates on the nature of grief and moving on as Jessie struggles to hold onto memories of her mother while watching her father start a shiny new life. The awkward and often frustrating dynamics of becoming a (reluctantly) blended family add depth to this already absorbing story.

Tell Me Three Things is filled with humor and wit as a sweet romance unfolds. Jessie’s narration features a singular voice with a unique perspective on her surroundings and her new classmates. She is self-aware enough to acknowledge her shortcomings in struggling to reconcile herself to her new step-family and home while also harboring a healthy dose of naiveté about other aspects of her life.

Buxbaum breathes new life into a familiar premise in Tell Me Three Things. Readers may be quicker to guess SN’s identity than Jessie but that journey, like the rest of Jessie’s story, is all the more satisfying for the serendipity and potential near-misses along the way. Highly recommended.

Possible Pairings: The Queen of Bright and Shiny Things by Ann Aguirre; The Best Night of Your (Pathetic) Life by Tara Altebrando; Bookishly Ever After by Isabel Bandeira; Alex, Approximately by Jenn Bennett; Suffer Love by Ashley Herring Blake; A Week of Mondays by Jessica Brody; To All the Boys I’ve Loved Before by Jenny Han; Life by Committee by Corey Ann Haydu; Suffer Love by Ashley Herring Blake; Love and Other Perishable Items by Laura Buzo; The Revolution of Birdie Randolph by Brandy Colbert; The Museum of Heartbreak by Meg Leder; The Art of Holding On and Letting Go by Kristin Bartley Lenz; Tweet Cute by Emma Lord; In Real Life by Jessica Love; Foolish Hearts by Emma Mills; I’ll Give You the Sun by Jandy Nelson; Kissing in America by Margo Rabb; Tonight the Streets Are Ours by Leila Sales; Windfall by Jennifer E. Smith; Girl Against the Universe by Paula Stokes; P. S. I Like You by Kasie West; Eliza and Her Monsters by Francesca Zappia

Ten Cents a Dance: A Review

Ten Cents a Dance by Christine FletcherChicago, 1941: When her mother becomes too sick to work, Ruby Jacinski knows it’s her responsibility to look after the family and make sure money is coming in. Ruby doesn’t mind dropping out of school. But working in the factory just about kills her. Leave it to Ruby and her fiery temper to lose a sweet spot slicing bacon and end up working in Pig’s Feet.

When a local legend and all-around tough guy suggests that Ruby could use her talents as a dance teacher to earn some real dough, Ruby jumps at the offer. But teaching dancing is the last thing on the clients’ minds when Ruby begins working as a taxi dancer.

With no other choices, Ruby immerses herself into the world of taxi dancing and learns the fine art of drawing extra gifts in the form of meals, clothes and even cash from her clients. Soon, Ruby is making more money than she could have imagined. Soon Ruby realizes that the unsavory aspects of her work are starting to stick to her as much as the stink of pickled pig’s feet used to. With no one else to help, Ruby knows that it’s her choice to make another change for herself in Ten Cents a Dance (2009) by Christine Fletcher.

Ten Cents a Dance was partly inspired by one of the authors relatives as detailed in the author’s note at the end of the novel.

Fletcher offers a well-researched novel that brings the world of the Chicago Yards neighborhood to life. Ruby is a tough as nails heroine who isn’t afraid to make hard choices to get what’s coming to her. If Ruby is coarse or gritty during the story it is because she has to be to survive.

While Ruby’s decisions are often fueled by impulsive judgments of painfully naive notions, she is a very authentic heroine and one that readers will understand. Although Ruby makes mistakes again and again (and again) during the narrative she always owns up to the them. She always acknowledges what she did and works to make it right.

Ten Cents a Dance is a vivid story of the darker side of pre-war Chicago. Sure to appeal to readers looking for a noirish read they can sink their teeth into.

Possible Pairings: Strings Attached by Judy Blundell, The Luxe by Anna Godbersen, Vixen by Jillian Larkin, The Bride’s Farewell by Meg Rosoff, Belle Epoque by Elizabeth Ross, Out of the Easy by Ruta Sepetys, Bowery Girl by Kim Taylor

The Vanishing Season: A Chick Lit Wednesday Review

“This is my work. This is the one thing I have to do.

“I am looking for the things that are buried.”

The Vanishing SeasonMaggie Larsen doesn’t know what to expect when she and her parents move from Chicago to Door County. But then, it’s not like there is another choice with her mother having been laid off and money being tight.

Although Maggie is sorry to leave Chicago behind, it is surprisingly easy to find a new place for herself in the small town of Gill Creek. As the days turn into weeks their ramshackle house on Water Street starts to look like a home. As the weeks turn into months, Maggie realizes she has found friends here in carefree, beautiful Pauline and Liam who is as kind as he is introspective.

While Maggie lives her new life, girls in Gill Creek are disappearing. No one knows who the killer is. No one knows who might be next. No one knows if it will stop.

All the while, a ghost is tethered to the house on Water Street. She can see the danger circling. She can even see some of the pieces of the story–a scorched key, a love letter, a bracelet with a cherry charm. But even the ghost isn’t sure why she is still here watching the season unfold to its final, disastrous conclusion in The Vanishing Season (2014) by Jodi Lynn Anderson.

The Vanishing Season is a quiet, aching read that builds slowly to a conclusion that is both shocking and inevitable. Anderson expertly weaves together Maggie’s story with the first-person narration of the ghost to create a haunting puzzle of a story. Even readers who think they have predicted every plot point may well be surprised by the way everything fits together by the end.

This story has romance and suspense. There is a foolish girl who breaks things sometimes by accident and sometimes because she can. Vignettes of small town life are interspersed with thoughtful commentary on privilege and ownership.

Anderson’s pacing is spot-on as the story builds to the denouement which is handled both eloquently and cleverly. The Vanishing Season is a beautifully written and subtle story about friendship and love and even heartbreak as well as a meditation on what living a life, and living it well, really means. Highly recommended.

Possible Pairings: Thirteen Reasons Why by Jay Asher, Frost by Marianna Baer, The Great Gatsby by F. Scott Fitzgerald, If I Stay by Gayle Forman, The Fault in Our Stars by John Green, The Tragedy Paper by Elizabeth LaBan, We Were Liars by E. Lockhart, Tigers, Not Daughters by Samantha Mabry, Falling Through Darkness by Carolyn MacCullough, Fracture by Megan Miranda, Even in Paradise by Chelsey Philpot, Bone Gap by Laura Ruby, The Lovely Bones by Alice Sebold, Saint Death by Marcus Sedgwick, How to Say Goodbye in Robot by Natalie Standiford