Fable: A Chick Lit Wednesday Review

“We weren’t supposed to owe anyone anything, but that was just a lie we told to make ourselves feel safe. Really, we’d never been safe. And we never would be.”

Fable by Adrienne YoungFable’s father, Saint, has five rules for surviving in the Narrows. Only five.

  1. Keep your knife where you can reach it.
  2. Never, ever owe anyone anything.
  3. Nothing is free.
  4. Always construct a lie from a truth.
  5. Never, under any circumstances, reveal what or who matters to you.

The rules are even truer on Jeval, the island of thieves and cutthroats where Fable was abandoned when she was fourteen.

After four long years of constant fear and scrambling for every scrap she can scavenge, Fable is ready to escape Jeval and find her father. Saint said Fable could never survive in the Narrows if she couldn’t get off Jeval on her own. Now, with her departure so close, it is past time for Saint to answer for stranding her and give her everything he promised.

Throwing in her lot with a trade ship whose crew has secrets of their own, Fable may have finally found a way off Jeval but securing passage is only the first of her problems. As her  obligations mount, Fable will have to weigh her loyalties against her debts and decide if creating her own place in the Narrows can replace everything that has been stolen from her in Fable (2020) by Adrienne Young.

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Fable is the first book in a duology that concludes in Namesake.

Young subtly weaves magical elements into the dangerous and often cruel world of the Narrows–a home that pulls at Fable’s heart as much as she wishes she could deny it. . Fable’s first person narration is both deliberate and lyrical as she struggles to make a place for herself in this world determined to shut her out. Her resilience and persistence are admirable throughout the story and so relatable for readers trying to make it through this trying year

This nautical fantasy brims over with action and suspense as Fable tries to make sense of her father’s promises, her past, and her own place among the crew that has reluctantly given her passage–especially their enigmatic helmsman, West. Fable and West are described as white while other members of the crew are not including two male characters who are romantically involved.

A subtle thread of romance runs through this plot where themes of loyalty and vulnerability go hand in hand. Fable is a riveting adventure sure to appeal to readers looking for a swashbuckling fantasy filled with both well-drawn characters and surprises. Highly recommended.

Possible Pairings: Passenger by Alexandra Bracken, The Girl of Fire and Thorns by Rae Carson, To Kill a Kingdom by Alexandra Christo, All the Stars and Teeth by Adalyn Grace, Daughter of the Pirate King by Tricia Levenseller, Isle of Blood and Stone by Makiia Lucier, Bloody Jack by L. A. Meyer, The Merciful Crow by Margaret Owen, Song of the Current by Sarah Tolcser

The Midnight Lie: A Chick Lit Wednesday Review

“We had been taught not to want more than we had. I realized that wanting is a kind of power even if you don’t get what you want. Wanting illuminates everything you need, and how the world has failed you.”

“Wanting something doesn’t always mean it is owed to you.”

The Midnight Lie by Marie RutkoskiNirrim’s life in Herath is a prolonged exercise in survival. She is used to having little. She is used to keeping secrets. She has Raven who is almost like a mother. She has friends. She has the knowledge that she helps people even if it is dangerous.

It is the way it has always been. It has always been enough. Until the day Nirrim makes a terrible mistake. Arrested and jailed, Nirrim could be charged any tithe the authorities choose–her hair, her blood, something much harder to part with.

In prison Nirrim encounters Sid, a mysterious thief with a brash manner and numerous secrets. Speaking with Sid across the dark prison, Nirrim begins to wonder if things really do have to stay the way they are or if, perhaps, they can be changed.

As Nirrim and Sid search for answers about the secrets of the High Kith and Herath itself, Nirrim will have to decide if doing more than surviving is worth the risk–and the cost in The Midnight Lie (2020) by Marie Rutkoski.

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The Midnight Lie is the first book in a duology. It is set in the same world as Rutkoski’s Winner’s Curse trilogy.

As the title suggests, this book is full of lies both that Nirrim tells to other characters (and even readers) as well as the lies she tells herself to reconcile the privation and struggles she has endured to survive. After years of wanting nothing, because wanting is dangerous, Sid blows Nirrim’s small world apart and forces Nirrim to confront her wants and desires for the first time.

Lyrical, dreamlike prose lends a fairytale sensibility to this otherwise grim tale as both Nirrim and Sid face increasingly risky stakes in their search for answers. As an outsider with wealth and an air of mystery, Sid operates with a certain level of freedom and safety–things Nirrim has never even dreamed of–which lead to thoughtful discussions of privilege and power dynamics between the two characters. Sid’s gender identity and presentation therein also add another layer to the story.

The chemistry between Nirrim and Sid is palpable–especially in flirty dialog that adds needed levity to this story. The final act will leave readers with more questions than answers as secrets are revealed and decisions are made for better or worse.

The Midnight Lie is a meditative exploration of the power of memory and desire as well as presentation. Fans of this tense, sexy story will be eager to see what comes next in the conclusion to this series.

Possible Pairings: Girl, Serpent, Thorn by Melissa Bashardoust, Race the Sands by Sarah Beth Durst, The Once and Future Witches by Alix E. Harrow, For a Muse of Fire by Heidi Heilig, Forest of Souls by Lori M. Lee, Furyborn by Claire Legrand, Birthmarked by Caragh M. O’Brien, Strange the Dreamer by Laini Taylor

Eventide: A Review

Eventide by Sarah GoodmanSeventeen-year-old Verity Pruitt knows she is perfectly capable of caring for herself and her younger sister, Lilah. But after her father’s very public descent into madness, The Children’s Benevolent Society is far less certain.

In June, 1907 Verity and Lilah are sent west on an orphan train to Wheeler, Arkansas where eleven-year-old Lilah is quickly adopted and just as quickly begins to adapt to her new circumstances.

Verity does not. Desperate to stay close to her sister, Verity signs on as an indentured farmhand to an elderly couple where she soon learns that her aspirations of attending medical school have done little to prepare her for the manual labor of farm life despite her kind employers and their charismatic nephew, Abel. Worse, Verity’s plan to get herself and Lilah back to New York seems more impossible every day.

Folks in Wheeler are friendly enough but local superstitions, a strange aversion to the neighboring woods, and even Lilah’s mysterious new adoptive mother all suggest that something is wrong in this small town.

As Verity learns more about Wheeler and her own parents’ history with the place, long-buried secrets threaten to once again send Verity adrift–or worse in Eventide (2020) by Sarah Goodman.

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Eventide is Goodman’s debut novel.

Evocative prose and snippets of fairytale-like passages come together to bring both Wheeler and its mysterious past to life. Verity’s obstinate pragmatism contrasts well with this western gothic’s small town superstitions and secrets. While Verity is rash–often jumping to conclusions readers may realize are wrong before she does herself–her heart is in the right place and her compassion as she tries to protect her sister and her new friends shines through on every page.

Eventide is an atmospheric, spooky story filled with old secrets and ghosts. A meditative, melancholy story where nothing is quite what it seems. Recommended for readers looking to unearth old ghosts in an atmospheric and sometimes bittersweet setting.

Possible Pairings: Midnight at the Electric by Jodi Lynn Anderson, Blackfin Sky by Kat Ellis, Strange Grace by Tessa Gratton, All the Wind in the World by Samantha Mabry, 13 Doorways, Wolves Behind Them All by Laura Ruby, Midwinterblood by Marcus Sedgwick, All the Crooked Saints by Maggie Stiefvater, A Treason of Thorns by Laura E. Weymouth

*An advance copy of this title was provided by the publisher for review consideration*

The Invisible Life of Addie LaRue: A Review

“The old gods may be great, but they are neither kind nor merciful. They are fickle, unsteady as moonlight on water, or shadows in a storm. If you insist on calling them, take heed: be careful what you ask for, be willing to pay the price. And no matter how desperate or dire, never pray to the gods that answer after dark.”

The Invisible Life of Addie LaRue by V. E. Schwab1714, France: Adeline LaRue grows up learning about the old gods. She makes small offerings here and there, hoping for something bigger than the life she can see forming around herself in her small village. As she gets older, she begins to understand that the longer you walk, the fewer chances you have to change your path–something Addie is still desperate to do even as she feels time slipping through her fingers.

After offering everything she values, after praying far too long, one of the old gods finally answers long after dark. A bargain is struck.

A soul seems like a small thing to barter for more time but this deal has a catch. Addie will live forever but she cannot leave anything behind–no physical mark and, even more painful, no memory.

Over the centuries Addie learns the limits and loopholes of her bargain–her curse–ways to leave traces if not marks, inspiration if not memories, and ways to survive in a world that will always forget her. But even after three hundred years Addie is unprepared when she meets Henry–a young man in a secluded bookstore in New York City who remembers her name in The Invisible Life of Addie LaRue (2020) by V. E. Schwab.

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Schwab’s latest standalone fantasy may be her best work yet.

Through a multi-faceted narrative, The Invisible Life of Addie LaRue explores themes of creativity and the weight of expectation (or lack thereof). This book is filled with well-drawn characters and thoughtful commentary on art and inspiration and what it really means to leave a mark on your piece of the world.

Evocative prose and detailed descriptions bring both the cities of Addie’s past and New York City vividly to life and lend a strong sense of place to this story that spans centuries.

With her aggressive resilience and optimism, Addie is a timeless character readers will always want to cheer on and, especially now, she’s the exact kind of protagonist we all need and deserve. Despite the bargain she has struck, I can guarantee Addie is nothing if not memorable.

The Invisible Life of Addie LaRue is an empowering, perfectly plotted fantasy that subverts and defies expectations. A must read.

Possible Pairing: The Hazel Wood by Melissa Albert, Life After Life by Kate Atkinson, Tuck Everlasting by Natalie Babbitt, The Ten Thousand Doors of January by Alix E. Harrow, The Appearance of Annie Van Sinderen by Katherine Howe, Every Heart a Doorway by Seanan McGuire, The Night Circus by Erin Morgenstern

*An advance copy of this title was provided by the publisher for review consideration*

The Silvered Serpents: A Review

“What is magic but a science we cannot fathom?”

The Silvered Serpents by Roshani ChokshiMonths ago Séverin and his crew beat the remnants of the exiled Fallen House back into hiding. But the victory came at a steep cost. A loss that has left Séverin and his friends reeling and weakened the once unbreakable bonds between them.

Determined to never lose anything–or anyone–ever again, Séverin follows clues to the Fallen House’s Sleeping Palace in Russia. Once there he believes he can uncover their greatest treasure: The Divine Lyrics, a book that is said to bestow godlike powers to whoever uses it and may also unite the Babel Fragments spread across the globe that make Forging magic possible.

While Séverin chases invulnerability to protect those he cares about, Laila hopes the book might save her before time runs out. Historian Enrique thinks the high profile recovery will earn him the respect that eludes him. And scientist Zofia wants to prove that she can take care of herself even if she sometimes needs help understanding other people.

After so many years working together, so much time trying to prove themselves, Séverin and the others will all have to choose what matters most and how far they are willing to go in pursuit of it in The Silvered Serpents (2020) by Roshani Chokshi.

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The Silvered Serpents is the second book in Chokshi’s Gilded Wolves trilogy.

Chokshi expertly builds tension and suspense in this sequel as the team delves deeper into the mysteries surrounding the Fallen House, the secret of the Divine Lyrics, and the Lost Muses who may be able to tap into the artifact’s power. The theme of who is able and allowed to shape history continues to be a major underpinning of this series as all of the characters question how best to make their own voices heard in a world that often refuses to truly see them.

Chapters alternating between Séverin and the rest of the team explore their varied motivations and subplots offering many insights into each character while moving inexorably toward the novel’s shocking conclusion that will leave readers eagerly anticipating the final installment.

The Silvered Serpents is the sleeker, smarter, sharper, and bloodier sequel fans of this series deserve. Highly recommended.

You can also check out my exclusive interview with Roshani Chokshi discussing this book!

Possible Pairings: Six of Crows by Leigh Bardugo, The Lady Rogue by Jenn Bennett, The Cruel Prince by Holly Black, Three Dark Crowns by Kendare Blake, The City of Brass by S. A. Chakraborty, The Reader by Traci Chee, Into the Crooked Place by Alexandra Christo, The Bone Witch by Rin Chupeco, Forest of a Thousand Lanterns by Julie C. Dao, Truthwitch by Susan Dennard, For a Muse of Fire by Heidi Heilig, Grave Mercy by Robin LaFevers, There Will Come a Darkness by Katy Rose Pool, A Darker Shade of Magic by V. E. Schwab, Enchantée by Gita Trelease

*A more condensed version of this review appeared in the February 2020 issue of School Library Journal as a starred review*

The Queen of Nothing: A Review

*The Queen of Nothing is the second book in Black’s Folk of the Air trilogy. To avoid spoilers, start at the beginning with The Cruel Prince.*

“We have lived in our armor for so long, you and I. And now I am not sure if either of us knows how to remove it.”

The Queen of Nothing by Holly BlackJude has spent years learning strategy and how to survive as a mortal in the High Court of Faerie. She has spied, killed, and fought for every scrap of power. But taking power is easier than keeping it.

After trusting Cardan for one last gambit, Jude is the mortal Queen of Faerie–a title no one acknowledges and one that does her little good while exiled in the mortal world.

Betrayed and furious, Jude is keen to return to Faerie and reclaim what is hers by right, not to mention her sorely damaged dignity. The opportunity comes sooner than expected when Jude’s sister Taryn needs her identical twin’s help to survive the aftermath of her own betrayals and lies.

When Jude returns, war is brewing in Elfhame. After years teaching herself to be a warrior and a spy, Jude will now have to learn how to be a queen and embrace her humanity to save the only place that has ever felt like home in The Queen of Nothing (2020) by Holly Black.

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The Queen of Nothing is the final book in Black’s Folk of the Air trilogy. To avoid spoilers, start at the beginning with The Cruel Prince.

It’s always hard to talk about the end of a series without revealing too much. Black pulls no punches in this fast-paced conclusion filled with surprising twists, unexpected reunions, and even some redemption arcs.

Jude continues to be a dynamo narrator filling the story with grim observations and shrewd strategy as she tries to keep Elhame from falling into enemy hands. After watching Jude embrace her strength and ruthlessness, it’s a powerful shift as she is forced to instead embrace her mortality and compassion to succeed this time.

The Queen of Nothing is the perfect conclusion to a favorite series. Every character gets exactly what they deserve in the best possible way. A must read for fans, of course, and a trilogy not to be missed for anyone who enjoys their fantasy with healthy doses of strategy and fairies. Highly recommend.

Possible Pairings: Legendary by Stephanie Garber, Fire and Hemlock by Diana Wynne Jones, Winterspell by Claire Legrand, The Perilous Gard by Elizabeth Marie Pope, The Diabolic by S. J. Kincaid, Spinning Silver by Naomi Novik, An Enchantment of Ravens by Margaret Rogerson, Bring Me Their Hearts by Sara Wolf, Places No One Knows by Brenna Yovanoff, Dust Girl by Sarah Zettel

When We Left Cuba: A Chick Lit Wednesday Review

“In the end life always comes down to timing.”

When We Left Cuba by Chanel CleetonFlorida, 1960: The Perez family lost everything in the Cuban Revolution. Like many former sugar barons, Emilio Perez and his family had to flee their home, leaving everything behind, when Castro came into power.

Like the rest of her family, Beatriz assumes it will be a brief exile when the family first settles in Florida. As time passes and the weeks turn into months and years, Beatriz watches in dismay as her sisters and even her parents begin to make new lives for themselves in this new country.

Beatriz is much more interested in revenge. When she is recruited by the CIA, Beatriz jumps at the chance to choose a different path for herself trying to get close to Castro and reclaim everything his regime stole from her.

As she learns more about the means the CIA is willing to use to justify their ends and watches the Cold War threaten to warm, Beatriz also has to reconcile how she can let go of everything her family lost while embracing the new opportunities–and maybe even new love–available to her in the United States in When We Left Cuba (2019) by Chanel Cleeton.

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When We Left Cuba is a companion to Cleeton’s previous novel Next Year in Havana which tells the stories of Beatriz’s sister Elisa and grand-niece Marisol.

Beatriz narrates this story of heartache and longing primarily set in the 1960s with a framing story set in 2016. How you feel about this book may also depend heavily on how you react to one of Beatriz’s love interests. Without naming any names, I will say I could not stand him and that made a lot of the book a struggle for me.

While Elisa’s story explored the moments leading up to the Cuban revolution, When We Left Cuba is more concerned with the aftermath as Beatriz tries to come to terms with everything her family has lost.

As she rails against the Castro regime, Beatriz is also able to pursue a different life filled with espionage and, later, university studies and law school–things a sugar princess would have never been able to consider in Cuba.

Compared to the tantalizing glimpse readers get of Beatriz in Next Year in Havana, this book is in some ways underwhelming. Beatriz is still working on becoming that capable, independent woman–a transformation that unfortunately mostly happens off the page here.

When We Left Cuba is an excellent return to the Perez family. An empowering story of espionage, romance, and learning how to live on your own terms.

Possible Pairings: In the Time of the Butterflies by Julia Alvarez, The Shadow Land by Elizabeth Kostova, Telex From Cuba by Rachel Kushner, The Secrets We Kept by Laura Prescott, Green Island by Shawna Yang Ryan, Dreams of Joy by Lisa See, The Valley of Amazement by Amy Tan, The Girls at the Kingfisher Club by Genevieve Valentine

Next Year in Havana: A Chick Lit Wednesday Review

Next Year in Havana by Chanel CleetonMarisol Ferrera has grown up on stories of Cuba’s beauty, hearing her grandmother Elisa’s fond memories of growing up there again and again.

Elisa and her sisters were sugar queens, daughters of Emilio Perez one of Cuba’s infamous sugar barons. After years of walking the fine line between working with President Batista without ever angering his regime, the tides have turned. With Fidel Castro in power the only option the family has is to leave. At the airport in 1959 they think it will only be a short trip, a season abroad until Fidel is ousted.

In Miami in 2017 the family finally receives the news they have waited for. Fidel is dead. The Cuban exiles are free to return home. Elisa didn’t live long enough to see that day. Instead, it’s Marisol who will travel to Cuba for her grandmother.

Marisol is there to scatter Elisa’s ashes but she soon learns that Havana is not the city her family left behind decades ago. Poverty stands in harsh contrast to the island’s beauty. Political dissent is just as dangerous as it was before. And even Marisol’s grandmother still has secrets to reveal in the city of her birth.

As she discovers Cuba for herself Marisol will unearth old family secrets and define her own relationship with this country that has been the backdrop of all of her family’s hopes for decades in Next Year in Havana (2018) by Chanel Cleeton.

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Next Year in Havana alternates between Marisol’s story in 2017 as she travels to Havana for the first time and Elisa’s story of the month’s leading up to her family’s departure for Miami in 1958. This novel is a standalone but readers interested in learning more about the Perez family can also check out When We Left Cuba which is a companion novel about Elisa’s sister Beatriz.

Cleeton expertly balances two timelines as the stories intertwine with Marisol’s discoveries in Cuba. Seeing Cuba for the first time and learning more about her grandmother’s past, Marisol begins to understand that the Cuba she has always imagined pales in comparison to both the good and the bad of Cuba’s modern reality.

Elisa, meanwhile, learns that nothing about revolution is black and white–especially her own families role in it while her father tries to stay on Batista’s good side and Elisa herself begins an affair with a revolutionary.

While some reveals are far from surprising, the dual story line works well and is used to good effect to develop both protagonists. While some of the secondary characters lack definition Beatriz jumps off the page (in both storylines!) making her lead role in the companion book all the more exciting.

Next Year in Havana is as evocative as it is well-researched to bring Havana–both past and present–to life while hints of romance and mystery add urgency to this character-driven story. Ideal for readers looking to travel through the pages of a book and fans of sweeping family sagas. Recommended.

Possible Pairings: In the Time of the Butterflies by Julia Alvarez, The Shadow Land by Elizabeth Kostova, Telex From Cuba by Rachel Kushner, Green Island by Shawna Yang Ryan, Dreams of Joy by Lisa See, The Valley of Amazement by Amy Tan, The Girls at the Kingfisher Club by Genevieve Valentine

The Insomniacs: A Review

The Insomniacs by Marit WeisenbergMost of Ingrid Roth’s life is a mess. Her mother is barely home, always taking extra shifts at the hospital. Their house is rundown and falling apart. Ingrid hasn’t spoken to any of her friends in the neighborhood cul de sac in years. And, of course, Ingrid’s father is long gone. But Ingrid has always had diving under control.

Competitive diving is supposed to be a safe space–her ticket to a college scholarship, the way she’ll one day get her father’s attention. Diving is the one thing Ingrid always does right.

Until she doesn’t.

Ingrid doesn’t remember the accident. She knows she must have frozen up, lost control. She knows her head hit the board and she’s supposed to be resting to recover from the head trauma.

The only problem is Ingrid hasn’t been able to sleep in days.

Haunted by her lack of memory of the accident, as scared to return to the diving board as she is to fall behind in training, Ingrid spends her nights watching the neighborhood and Van–her neighbor, her former best friend, the boy she’s had a crush on forever.

Then Ingrid finds Van watching her.

Van and Ingrid start spending their sleepless nights together as they both try to find a way to rest. Will the promise of answers be the thing that brings Ingrid and Van back together? Or will it drive them apart once and for all? in The Insomniacs (2020) by Marit Weisenberg.

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The Insomniacs is a heady blend of the vague menace reminiscent of the Hitchcock classic Rear Window and the summery nostalgia and romance in The Summer I Turned Pretty. Ingrid’s narration is choppy and tense as she tries to put together the pieces to explain her accident.

While both Ingrid and Van are focused on fixing their insomnia, the lack of sleep soon becomes a stand in for other problems. After years of letting her athleticism and physicality shape her daily life, Ingrid is paralyzed in the face of so much introspection as she has to confront her feelings about diving and, worse, the memories she can’t quite summon of the moments leading up to the accident. Van, meanwhile, struggles to understand what secrets his girlfriend and best friends seem to have been keeping from him and what they have to do with the abandoned house on the cul de sac.

The Insomniacs is an atmospheric story filled with secrets and suspense. Ingrid and Van drive the story but their neighborhood is as much of a character in this tense story where both characters have to confront some hard truths–including acknowledging when they need to ask for help. Ideal for readers who like their protagonists to have a lot of chemistry and their suspense to have tension thick enough to cut with a knife. Highly recommended.

Possible Pairings: Serious Moonlight by Jenn Bennett, The Vast Fields of Ordinary by Nick Burd, The Summer I Turned Pretty by Jenny Han, The Last Time We Were Us by Leah Konen, The Sullivan Sisters by Kathryn Ormsbee, Tonight The Streets Are Ours by Leila Sales, How to Say Goodbye in Robot by Natalie Standiford, We Are the Wildcats by Siobhan Vivian, Rear Window (1954)

*An advance copy of this title was provided by the publisher for review consideration*

Now That I’ve Found You: A Chick Lit Wednesday Review

Now That I've Found You by Kristina ForestEvie Jones is about to be Hollywood’s next big thing when her chance at stardom blows up in her face. After a self-imposed exile for most of the summer, Evie might have one chance to get her career back on track.

Unfortunately for Evie that plan relies on her grandmother Gigi (AKA bonafide movie star and now notorious recluse Evelyn Conaway) making her first public appearance in years. Evie is certain she can convince Gigi right until the moment Gigi disappears rather than hear Evie’s pleas.

With only days before the big appearance, Evie is running out of options to find Gigi and save her career. She reluctantly teams up with Milo–a cute musician Evie isn’t sure she can trust no matter how much Gigi seems to like him–for a madcap search across New York City.

As Evie and Milo try to follow Gigi’s trail they’ll also learn a lot about how best to blaze their own in Now That I’ve Found You (2020) by Kristina Forest.

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Now That I’ve Found You is Forest’s second novel and includes a fun nod to her debut.

Forest delivers one charming ensemble cast in this story of celebrity, family, and letting people in. Positioning Conaway as Hollywood royalty and an Oscar winner for best actress in the 1970s also shifts the world in the book to give Black creators and their contributions in Hollywood the space and respect they deserve but didn’t receive in the form of Oscar recognition until decades later in real life.

Set over the course of a week this fast-paced story lets Evie and Milo shine as foils and, eventually, reluctant allies in the hunt for Gigi. Milo is a sweet contrast to cynical Evie and the ideal sidekick on their search. The story’s romance and humor set the perfect stage for Evie’s powerful arc as she learns that she is the only one who can determine her own worth.

Now That I’ve Found You is a gentle, perfectly paced romantic comedy with a protagonist learning to appreciate both her loved ones and herself. Highly recommended.

Possible Pairings: Permanent Record by Mary H. K. Choi, The Voting Booth by Brandy Colbert, Somewhere Only We Know by Maurene Goo, You Should See Me in a Crown by Leah Johnson, Tweet Cute by Emma Lord, Now a Major Motion Picture by Cori McCarthy, Lucky Caller by Emma Mills, The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid, Eliza and Her Monsters by Francesca Zappia

*An advance copy of this title was provided by the publisher for review consideration*