Remember Me: A Review

Remember Me by Estelle LaureSomething is not right on Blue Owens’ seventeenth birthday. Her art teacher seems mad at her. Her grandmother and best friends are oddly gentle, timid. Her backpack is filled with orange juice which everyone keeps reminding her to drink.

Then there’s the note to meet someone on a little shuttle bus outside of her small ski town Owl Nook, New Mexico.

When a stranger named Adam gets on the bus, Blue starts to put the pieces together. The boyfriend–Adam Mendoza–she doesn’t remember, the painful loss she’s desperate to forget.

Following the clues brings Blue to a doctor to who can help her get back the memories she asked to have removed. But Blue will have to move through the memories herself–process the joys and the sorrows that have been erased–if she wants to get back to herself in Remember Me (2022) by Estelle Laure.

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Blue and her family are white. Adam’s family is Latinx and one of Blue’s best friends, Jack, is nonbinary. The linear story includes a larger story within the story as Blue rediscovers her lost memories making for an interesting structure and unique reading experience.

Laure’s prose is imbued with a deep and abiding love for Blue’s New Mexico landscape and its natural wonders. The speculative fiction framework is used well to tell Blue’s story although the greater ramifications of memory erasures are not fully explored in the story outside of Blue’s immediate circle.

Blue moves inexorably toward the memories she’s tried to forget as she and readers put together the pieces of Blue’s past. Moments of sweetness with Adam and her friends contrast against the sharper loss–and grief–as Blue understands everything that has been lost.

Set in 2031 Remember Me is an eerie and powerful story about moving through grief and making it to the other side.

Possible Pairings: The Leaving by Tara Altebrando, No One Here is Lonely by Sarah Everett, Loud Awake and Lost by Adele Griffin, Edited by Barry Lyga, The Program by Suzanne Young, Eternal Sunshine of the Spotless Mind

Edited: A WIRoB Review

This piece originally appeared in the Washington Independent Review of Books:

Edited by Barry LygaAs the title suggests, this book is an edited down version of a story–a story about Mike. And a story about Mike and Phil (Philomel). As author Lyga explains in a note that starts the novel: “This story you’re about to read is actually a partial version or an iteration, pieces of a larger whole, stitched together to cover the surgical trauma. You can read it on its own or as the companion to a grander, more epic work–and I’ve provided you the tools to do so, embedded in the text itself.”

The story begins as Mike realizes he can edit reality leading to fundamental changes in the world that only he perceives like changing the color of his now ex-girlfriend Phil’s party dress between red and blue–the latter of which better compliments Phil’s naturally teal hair and begins a journey for both characters through a series of world-shifting changes to their individual lives and their relationship with each other and reality in Edited (2022) by Barry Lyga.

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In Edited, Lyga inserts himself into the story as a quasi-character sharing notes on his creative process and authorial choices both in the narrative and in footnotes throughout the novel referencing points in Unedited–the 794 page companion to Edited–where readers can find more information on different areas like “a deeper dive into George’s miserable childhood” in chapter two of Unedited which is instead a brief paragraph in Edited.

Edited is a high concept story with a hook that will appeal to fans of meta-narratives in the vein of the films Stranger Than Fiction and Eternal Sunshine of the Spotless Mind. In Mike’s world children’s and YA literature is instead known as “nonadult” and Mike’s best friend George loves the author Gayl Rybar (an acronym for Barry Lyga) creating many tongue-in-cheek moments that don’t quite coalesce into meaningful world building or in-depth characterization while keeping the narrative voice impersonal as seen in Mike’s dissection of his friendship with George: “All of this leads me to believe and to understand that a best friend is perhaps best defined as someone whose upbringing sucked vastly more than your own . . . and yet steadfastly contends that your upbringing was just as bad, if not worse.” Clinical observations like this lend themselves to provocative realizations from Mike (“By this particular logic George is my best friend, but I can never be his.”) and interesting quandaries for readers but rarely lead to a larger impact on the story or characters.

Phil–the only female character of note in this book–comes with another set of programs as for most of the novel she serves as an object of Mike’s pining without becoming a fully developed character in her own right. Lyga notes this problem himself writing that Phil comes across as “paper-thin, a caricature more than a character” as she explains herself in the only chapter narrated by Phil where she breaks the fourth wall to discuss with readers the “Creator’s advantage” of the author and the multitudinous nature of characters who can be many things–both good and bad.

What Mike experiences throughout the novel is “as simple and as complex as ink on paper” in this self-referential, process-driven story where creativity trumps everything.

The First Thing About You: A WIRoB Review

This piece originally appeared in the Washington Independent Review of Books:

The First Thing About You by Chaz Hayden

Moving from California to New Jersey is a great chance for 15-year-old Harris Jacobus to reinvent himself. After growing up surrounded by inaccessible beaches and being defined by his wheelchair, he’s ready for some more traditional high-school experiences. Having spinal muscular atrophy means he’ll never be able to do some things the way other people do, but it doesn’t mean he can’t use this move to try to become more popular, go to parties, and maybe find a girlfriend.

Honestly, he’d settle for finding any real friends.

Unfortunately, using a wheelchair in a school that’s supposedly accessible is still hard. And working with the school on an individualized plan for his disability is met with resistance; a lot of people need to understand that “inclusivity was not making someone feel uncomfortable for the enrichment of others.”

Instead of finding a cool crowd, Harris finds himself sitting at the loser table with Zander, a freshman who turns to “Mean Girls” for wisdom since the film “provides all the answers to our adolescent questions. How do I determine the cliques? What will it take to become popular? When do I wear pink? You see, it’s not just a movie, but a guide for the weak and afraid. Not to mention a great resource for devastating comebacks.”

Then there’s Nory, the cute girl who refreshingly treats Harris like any other guy who blocks her locker or flirts badly. (In his defense, have you ever tried to flirt while your mom — saying she’s your executive assistant — accompanies you to school?)

Harris has a foolproof strategy for gauging whether he’ll get along with someone: Ask their favorite color. “I thought about colors a lot, actually,” he explains. “Especially when I was about to meet anyone new. It was always the first question I asked them. A person’s favorite color says a lot about who they are.”

A blue himself, Harris knows that greens and purples are too close on the color wheel to make good friends, while yellows like Zander can encourage a more outgoing nature. But Nory won’t tell Harris her favorite color, leaving him unsure if it’s worth pursuing her.

After struggling to find a nurse young enough to blend in around school (and that insurance will cover), Harris’ family hires Miranda, a nursing student as eager for the work experience as she is to help Harris on his mission of reinvention. She seems perfect. Her favorite colors are orange and red, and she even graduated from Harris’ new school.

With Miranda’s help, Harris figures out how to flirt with Nory, starts sitting with the popular kids, and even gets invited to his first party. But as she pushes him to try newer, riskier things, it becomes clear that having complementary favorite colors might not be enough for a lasting relationship in The First Thing About You (2022) by Chaz Hayden.

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Hayden channels his own experiences growing up with spinal muscular atrophy into this contemporary debut. Harris’s wry, matter-of-fact narration clearly outlines how Harris navigates the world with his disability including daily nebulizer treatments to clear his lungs, using a laptop to complete all of his classwork, and how he eats: “My disability makes it difficult for me to life my arms and feed myself. Even small things like a piece of cereal or a plastic spoon pose a challenge. I used to have the muscles to eat independently, but over time I’ve lost them.”

This narrative lens hints at how the rest of the Jacobus family adjusts to the move, with Harris’ father balancing a big promotion with a long commute, and his mother taking on more work than ever before as Harris’ de facto nurse both at home and (later in the story) at school. Meanwhile, Harris’ older brother, Ollie, is trying to fit in at his own new school, where his lacrosse teammates resent his rising-star status and his willingness to speak out against their ableist comments.

As Harris learns more about Miranda and her history — which includes the death of a close friend and an abusive relationship — he begins to realize that growing closer to her might mean losing his friendships with Nory and Zander. It’s a loss he must weigh against Miranda’s ability to pull him out of his shell and toward the kinds of encounters he thinks he wants.

While Hayden teases out the complicated dynamic between these two characters, the questionable nature of Miranda’s behavior as an adult working with a teen — she not only encourages Harris to take risks but fosters an inappropriate bond between them, such as when she climbs into his bed after he gets sick — is never fully addressed.

Despite this plot hole, The First Thing About You presents a well-rounded story about first love, friendship, and high school with disability representation that will serve as a much needed window (or mirror) for all readers.

Only a Monster: A Review

Only a Monster by Vanessa LenSixteen-year-old Joan Chang-Hunt has a lot to look forward to this summer. She is once again staying with her mother’s eclectic family in London but this year is even better. Not only does she have a dream job at the historic Holland House–she gets to work alongside fellow nerd and crush Nick.

Going on a date with Nick is truly a dream come true. Or at least it should be. Unfortunately, the day of the date does not go as planned.

Instead of the start of a perfect summer, Joan finds herself in a nightmare as she learns more about her family–and their secrets.

Joan comes from a long line of monsters. Actual monsters with horrifying powers. Powers Joan might have herself.

Monsters are the least of Joan’s problems when she realizes that Nick is a hero–a monster hunter from the stuff of legend whose only goal is destroying monsters like Joan. And her family.

Desperate to protect her loved ones, Joan is willing to do anything even if it means working with a snobby stranger who happens to be the equivalent of monster royalty. Aaron Oliver is insufferable but he also knows how to navigate a world of actual monsters and heroes and maybe, just maybe, how to help Joan survive it too.

Joan is a monster. Nick is a hero. Everyone knows how that story ends. But Joan also knows that if she wants to keep her family safe it’s time for a rewrite in Only a Monster (2022) by Vanessa Len.

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Only a Monster is Len’s debut novel and the start of a trilogy. Joan is biracial (her mother is white and her father Chinese Malaysian) with other main characters assumed white although there is diversity among the monster families and secondary characters.

Distinct world building including a sprawling network of monster families and magical powers ranging from perfect memory to time travel create a rich landscape for Joan’s adventures as she struggles against enemies and even time itself to try to save her family. Ethical questions of what separates so-called heroes and villains inform Joan’s character arc. These moral questions also lend nuance to male leads Aaron and Nick as as their own backgrounds and development factor into the plot.

Readers will appreciate Len’s eye for detail as she brings both present and 1993 London to life while also expanding Joan’s knowledge of the monster world. In a community where everything from clothes to mannerisms carry loaded meaning Joan is doubly aware of her status as a biracial teen and–more dangerously in her current circumstances–as a half-human, half-monster girl in a world that usually sticks to strict binaries.

Only a Monster is a fascinating urban fantasy where nothing is as it seems. Well-drawn characters, action, and numerous surprises make Only a Monster an unforgettable read. Highly recommended.

Possible Pairings: In Every Generation by Kendare Blake, Passenger by Alexandra Bracken, The Book Eaters by Sunyi Dean, The Ten Thousand Doors of January by Alix E. Harrow, This Savage Song by V. E. Schwab, Daughter of Smoke and Bone by Laini Taylor

Seoulmates: A Review

Seoulmates by Susan LeeHannah Cho’s dreams of perfect summer before senior year go up in smoke when her boyfriend dumps her. Nate, like most of their friend group, is obsessed with K-pop and K-dramas. While Hannah is Korean American, she has no use for Korean pop culture. After years of leaning into the American parts of her identity to better fit in, Hannah doesn’t know how to handle this shift. Especially when it leaves her suddenly single.

As a rising K-drama star, Jacob Kim struggles with questions of whether he’s committed enough–and Korean enough–to succeed. After years of training, he isn’t sure how much longer he can deal with the pressure to make himself constantly available to his publicity team, his costars, and the press. When a press junket leads to Jacob needing some down time, he’s excited. Until he finds out his mom plans to have them stay with the Chos.

Jacob and Hannah used to be inseparable as kids. But that was before everything soured between them. The two strike an uneasy bargain–and an even more tenuous truce–when Hannah enlists Jacob’s help to win back her boyfriend and Jacob, in turn, asks Hannah to help him complete his summer bucket list of all the things he’s missed in San Diego over the years.

As Hannah and Jacob get to know each other again they’ll have to decide if new memories are enough to make up for old hurts and whether they’re headed for a happy ending or some K-drama level tears in Seoulmates (2022) by Susan Lee.

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Seoulmates is Lee’s debut novel. The novel alternates close third person perspective between Hannah and Jacob with some fun vignettes from their mothers’ points of view along the way. All principle characters are Korean or Korean American.

Hannah’s relationship with K-dramas and K-pop is partially inspired by the author’s own journey to embrace her heritage and cultural identity. As such, Seoulmates is lovingly filled with as many zany adventures and heart-string tugs as K-drama fans would expect. While Hannah starts the novel bitter and angry at Jacob, her hurt is clearly defined on the page never leaving readers in doubt of the long history between these characters and the difficult conversations they have in order to get back to each other.

Their hate to love relationship plays out against the backdrop of a summer filled with big questions. Hannah has to figure out what it means to be Korean American when, at last, being Korean finally seems to make her cool enough without trying to change herself. Jacob, meanwhile, has to figure out if continuing as an actor is worth the lack of privacy and the pressure–a stressful question to consider when he’s also been supporting his family since his father’s death years ago.

Lee balances these different plot threads well leaving room for the characters to realistically learn and grow as they reconnect while also delivering gasp-worthy twists in the rocky road of Hannah and Jacob’s relationship.

Seoulmates is a fun and breezy summer romance where finding love is tempered well with finding yourself.

Possible Pairings: The Charmed List by Julia Abe, 29 Dates by Melissa de la Cruz, Somewhere Only We Know by Maurene Goo, When Dimple Met Rishi by Sandhya Menon, Drizzle, Dreams, and Lovestruck Things by Maya Prasad, It All Comes Back to You by Farah Naz Rishi

You can also check out my exclusive interview with Susan Lee here on the blog.

*An advance copy of this title was provided by the publisher for review consideration*

The Ballad of Never After: A Chick Lit Wednesday Review

The Ballad of Never After by Stephanie GarberSince coming to the Magnificent North, Evangeline Fox has married a prince and become part of a prophecy to open the infamous Valory Arch and the dangers–or wonders–it holds. All thanks to Jacks, the Prince of Hearts, and his machinations to manipulate said prophecy in his favor ensuring that Jacks and Jacks alone will receive the supposed boon the arch holds.

Evangeline has learned her lesson, repeatedly, about what happens when she trusts Jacks. But with no resources and few allies, Evangeline realizes that working with Jacks might be the fastest way to get her own story back on track. As the two search for the magic stones to open the arch, Evangeline can feel herself becoming part of the stories that are told throughout the North–history still being formed. But everyone knows stories in the North are cursed, the true endings–happy or tragic–impossible to know.

Finding the stones brings Evangeline closer to her hopefully happy ending while hinting at Jacks’ mysterious history in the North before he became a magical and ruthless Fate. But nothing with Jacks is ever as it seems and Evangeline knows she’ll have to keep her wits about her to stay one step ahead of Jacks. Even if her heart has other plans.

Happy endings can be caught, but they’re not easy to hold; they need to be constantly chased or they will get away. The closer Evangeline gets to opening the Valory Arch, the farther away her own happy ending seems in The Ballad of Never After (2022) by Stephanie Garber.

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The Ballad of Never After is the second book in Garber’s series which begins with Once Upon a Broken Heart. Set in the same world as Garber’s Caraval trilogy, this series can be read on its own but does include minor spoilers for the Caraval trilogy. Evangeline and Jacks are white, there is diversity among other characters.

While Evangeline’s unfailing optimism remains intact in this second installment, she is much more aware of her limitations–and vulnerabilities–while navigating tricky bargains with those keen to use her for their own ends. Whether that optimism will be her greatest strength or her greatest weakness remains to be seen for much of the story.

After coming to the Magnificent North filled with wonder and a desire to connect to her own past, Evangeline spends more time exploring her new surroundings and trying to understand her place in them. Garber seamlessly expands the world as readers and Evangeline are introduced to more of the Magnificent North and its history including tantalizing hints about the truth behind Evangeline’s favorite northern fairytale The Ballad of the Archer and the Fox as well as the strange history of the North’s lost royal family, the Valors. In a story that plays with the concept of lost history (thanks to the Magnificent North’s story curse) and a new history being formed, the urgency is obvious even with a more character-driven plot.

Frothy descriptions, chaotic adventure, and surprisingly poignant moments of introspection come together to make The Ballad of Never After a delightful story about both literal magic and the magic of belief–in oneself and otherwise.

The Ballad of Never After is a dramatic story where nothing is as it seems and sometimes even an ending can be a new beginning. An excellent addition to a highly recommended series.

Possible Pairings: Where Dreams Descend by Janella Angeles, The Selection by Kiera Cass, A Crown of Wishes by Roshani Chokshi, Ace of Shades by Amanda Foody, Princess of the Midnight Ball by Jessica Day George, Havenfall by Sara Holland, Raybearer by Jordan Ifueko, Six Crimson Cranes by Elizabeth Lim, The Girl Who Fell Beneath the Sea by Axie Oh, The Scorpio Races by Maggie Stiefvater

*An advance copy of this title was provided by the publisher for review consideration*

A Disaster in Three Acts: A Review

A Disaster in Three Acts by Kelsey RodkeyEighteen-year-old Saine Sinclair prides herself on her ability to shape a narrative on film. Her eye for storytelling is why she knows her friendship with Holden Michaels has been over for some time now. As if him publicly rejecting her during a middle school game of spin-the-bottle wasn’t enough, Holden has also dated and broken up with Saine’s current best friend Corinne. In other words, both loyalty and pride dictate that Saine never speak to Holden again.

Which is what makes it so awkward when Saine needs Holden’s help to complete her documentary for a prestigious filmmaking program at Temple University after her original subject drops out. Her preliminary application has already been submitted and approved which means that Saine has to stick to her original topic–following a contestant through a series of live action gaming competitions to win a prototype virtual reality headset–which is where Holden comes in.

Following her ex-best-friend around to film everything he does while thinking she’s telling a familiar tale about a white boy getting what he wants is hard. Doing that while worrying if her current best friend is jealous is even harder.

Saine’s fixation on the success of her film makes it easy to put her growing feelings for Holden and crumbling relationships on hold while she tries to figure out how to shape real life to make sure her documentary wins a spot at Temple by inventing financial problems as motivation and even resorting to sabotage. As her lies and manipulations grow, Saine faces a reality check when she realizes that sometimes narrative growth hurts–especially when it comes to facing the consequences her actions in A Disaster in Three Acts (2022) by Kelsey Rodkey.

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Saine and Holden, like most main characters, are white with some secondary characters cued as BIPOC based on names/skin tones including Saine’s other best friend Kelsey and Holden’s best friend Taj. The cast also includes characters across the LGBTQ+ spectrum and a cute side plot romance between two girls in Saine’s friend group. Saine is self-described as fat and she and her mother are lower income both of which play into the plot.

While A Disaster in Three Acts has a well-rounded and nuanced cast of supporting characters, Saine remains deeply flawed throughout the story. Her fixation on the documentary seems to be excused by her grief over her grandmother’s sudden death and the confusing process of moving on alongside her divorced mother as they process the loss and try to move on. Unfortunately that’s a poor excuse for Saine’s choices to make up numerous plots for her documentary (notably manipulating footage and interviews to imply that Holden’s family is struggling financially and that he wants to win the competition to sell the prize), interview subjects without their consent while pretending her camera is turned off, and even outright sabotage when Holden needs her help during a competition.

As the story progresses Saine does have to contend with the consequences of her manipulative, self-centered behavior and her multiple lies to all of her friends. Unfortunately her contrition–even at the end of the book–seems to stem more from being caught behaving badly than from her actual bad behavior.

Saine spends a lot of the documentary lamenting that if Holden wins the competition his success in her documentary will not feel “earned” because he’s just another white boy succeeding. The irony of this is that, by the end of the novel, Saine’s own redemption arc feels similarly unearned and–compared to her egregious behavior–unjustified.

A Disaster in Three Acts is a fast paced story that is often humorous albeit with a main character whose singular focus often works against her character development.

Possible Pairings: A Show For Two by Tashie Bhuiyan, Jasmine Zumideh Needs a Win by Susan Azim Boyer, Lucky Caller by Emma Mills, The Field Guide to the North American Teenager by Ben Philippe, Late to the Party by Kelly Quindlen, My So-Called Bollywood Life by Nisha Sharma, Field Notes on Love by Jennifer E. Smith, It’s Not Like It’s a Secret by Misa Sugiura

*A more condensed version of this review appeared as a review in an issue of School Library Journal*

The Perfect Escape: A Review

The Perfect Escape by Leah KonenNew friends Sam, Margaret, and Diana bonded over their messy divorces–different trajectories that all ended in the same place. Now they’re all single, ready to move on, and maybe in Sam’s case still just a little bitter.

A road trip out of New York City is exactly what all three of them need.

Which makes it even more of a bummer when their car breaks down in the Catskills and puts the trip on hold while their car is being repaired. It’s the same place Sam’s ex–Harry–chose to move in with his other woman, the one he left Sam to go back to. But that doesn’t have to mean anything. They can still have fun at a bar. Unless maybe Sam can use the opportunity to get Harry back.

Margaret is nervous about the trip, the expenses, her ex-husband’s increasingly erratic behavior in the apartment they’re still sharing because neither can afford to move out. But she’s also ready for a break and a distraction. Which she finds when sparks start to fly with a younger man at the bar.

When a night promising fresh starts instead leads to bad decisions, both Sam and Margaret aren’t sure what their night out means for the rest of the trip–or their futures. Then they realize that Diana never made it back from the bar. Then things get worse.

It should have been the perfect trip. None of them expected it to include a body count in The Perfect Escape (2022) by Leah Konen.

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Konen’s latest thriller is a wild ride through secrets and lies set in upstate New York. All main characters are cued as white.

As the story alternates between first person narrations, it’s clear that all of the characters are keeping their secrets close. Konen slowly teases out Sam, Margaret, and Diana’s backstories as this pressure cooker of a story builds to a twist-filled conclusion and doubts begin to rise between the close-but-new friends.

The Perfect Escape is the kind of book that you’ll enjoy the most with no expectations and minimal information. Konen continues to hone her craft with this smart and suspenseful story where she strikes the perfect balance between dropping clues and foreshadowing future events while also leaving space for truly surprising reveals.

Descriptive prose and well-realized backstories for both Sam and Margaret add substance to this stylish thriller.

Possible Pairings: The Weekend Away by Sarah Alderson, We Were Never Here by Andrea Bartz, Rock Paper Scissors by Alice Feeney, The Guest List by Lucy Foley, Then She Was Gone by Lisa Jewell

*An advance copy of this title was provided by the publisher for review consideration*

Last Things: A Review

Last Things by Jacqueline WestEveryone in town has heard of Anders Thorson and his band, Last Things. The metal group has made a place for themselves on the local scene and as their–especially Anders’–reputation grows there’s no reason to doubt that the band is going to be big way beyond the town and even beyond Minnesota. With comparisons to Opeth and talent scouts circling, it’s clear that Anders is prodigiously talented.

But Anders isn’t sure if he wants to pay the price for all that fame. Especially when everyone is increasingly interested in Anders and only Anders. The band started as a project between friends. Leaving them behind isn’t an option. Is it?

Thea Malcom has been keeping an eye on Anders for a while now. They haven’t spoken, he may not even know her, but Thea is there at the back of every show. She’s always watching. She says she’s trying to protect Anders. But is she really? Or could she be the reason both his cat and his sort-of girlfriend have disappeared?

Things are changing. Anders will have to decide if he wants to let them and if he can trust Thea and her promises to keep him safe in Last Things (2019) by Jacqueline West.

Find it on Bookshop.

Last Things is a suspenseful and atmospheric story with all characters assumed white. Vivid descriptions of the woods surround town and Anders’ musical endeavors pull readers into this page-turner. Chapters alternate between Anders and Thea which works well to increase the tension in the plot as it becomes clear that Thea (and readers) know more about the strange occurrences at work around Anders than the guitar prodigy himself.

Thea’s mysterious past and Anders’ own reluctance to remember exactly what he promised away to get to this point raise further questions that move the narrative along to its dramatic finish. With Faustian bargains and palpable menace Last Things is an ideal choice for both fantasy and horror/suspense.

Possible Pairings: The Darkest Part of the Forest by Holly Black, War for the Oaks by Emma Bull, The Accident Season by Moïra Fowley-Doyle, The Replacement by Brenna Yovanoff

Rock Paper Scissors: A Review

Rock Paper Scissors by Alice FeeneyBehind closed doors something has been wrong with Mr. and Mrs. Wright for a long while. First it’s the things they don’t talk about it, then there’s the time they spend apart.

Adam has always been a workaholic, happy to toil away adapting best-selling novels into screenplays while neglecting his own creative projects. Amelia has built her whole world around Adam but she knows their marriage is becoming more and more fragile. Most people can see the writing on the wall even if they can’t read it.

Amelia also knows that the right move can set them back on course, so when she wins a trip to Scotland it feels like fate.

Except someone is lying. And someone else never planned for both of them to come back from this trip in one piece in Rock Paper Scissors (2021) by Alice Feeney.

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Rock Paper Scissors is a standalone thriller. Most chapters alternates point of view between Adam and Amelia. Letters for each wedding anniversary are interspersed throughout offering a glimpse into the past with letters thematically tied to traditional wedding gifts (starting with paper) as well as so-called words of the year (including rock). I can’t say much more about the book’s structure without giving away some of the key twists but if you want an atmospherically creepy reading experience, do check out the audiobook narrated by Richard Armitage and Stephanie Racine.

Feeney presents a satisfying and troubling story that is part thriller and part marriage post-mortem. Amelia’s mysterious past and Adam being face blind (unable to recognize anyone–even loved ones–and unable to read facial expressions accurately) add elements of unreliability and even more suspense to an already taut story.

Rock Paper Scissors is a fast-paced, surprising story about two toxic people who may or may not get the exact ending they both deserve. Come into this one knowing as little as possible for the biggest impact.

Possible Pairings: Gone Girl by Gillian Flynn, The Girl on the Train by Paula Hawkins, The Wife Between Us by Greer Hendricks, All the Broken People by Leah Konen, Best Day Ever by Kaira Sturdivant Rouda, Tell Me My Name by Erin Ruddy

*An advance listening copy of this title was provided by the publisher for review consideration through Libro.fm*