Aquicorn Cove: A Graphic Novel Review

cover art for Aquicorn Cove by Katie O'NeillLana isn’t sure what to expect when she and her father return to their seaside hometown. It can’t be the same–not when Lana’s mother is gone–but maybe helping her aunt and  the other locals clean up after the latest big storm can make it close to the way it was.

The last thing Lana expects to find while picking up debris on the beach is a magical seahorse. It turns out that the aquicorns have always lived near the village in the coral reef. But as the local fishermen take in larger and larger catches, the aquicorns aren’t sure how much longer they can stay.

The village is only a small one and Lana is only one small girl in it. But as she learns more about her family and the aquicorns she starts to realize that sometimes even small actions can turn into big changes in Aquicorn Cove (2018) by Katie O’Neill.

This standalone graphic novel blends fantasy elements with a strong message about environmental conservation and one girls efforts to move on after an unthinkable loss.

Aquicorn Cove is filled with cute characters and adorable creatures in equal measure. This story also has a very clearly defined arc giving the narrative a strong focus and a satisfying level of closure. Finished copies of Aquicorn Cove will also include back matter about ocean conservation.

O’Neill’s artwork is vibrant and whimsical. Bright colors and bold lines bring Lana’s village and the underwater home of the aquicorns to life. Rounded edges and a consistent palette also help to imbue the artwork with a soft and calm quality as well.

Aquicorn Cove is a sweet and gorgeously illustrated story. A unique premise, thoughtful fantasy elements, and a winning case of characters makes this one a winner. Recommended!

*An advance copy of this title was provided by the publisher for review consideration*

The Traitor’s Game: A Review

cover art for The Traitor's Game by Jennifer A. NielsenNo one knows where Kestra Dallisor has spent the last three years. It’s better that way. The longer she can hide, the longer she can avoid becoming a pawn in her father’s political machinations to strengthen his ties to the cruel Lord Endrick. But the time for hiding has ended and Kestra has been called home.

When Kestra is kidnapped en route she faces an impossible bargain: find the Olden Blade to spare the lives of her captive servants and herself.

Simon, one of her kidnappers, doesn’t know what to make of Kestra. She is not at all like the girl he expects, certainly nothing not the girl he remembers from his childhood. But she’s also the only hope he and his people have of finding the Olden Blade and reclaiming their freedom.

There are no winners in the traitor’s game. But that won’t stop Kestra or Simon playing for all they’re worth in The Traitor’s Game (2018) by Jennifer A. Nielsen.

The Traitor’s Game is the first book in Nielsen’s new YA series. The book alternates between Kestra and Simon’s first person narrations.

Nielsen delivers high action, political machinations and the intrigue readers of her middle grade novels have come to expect. Despite some unique flourishes in the world building, this is a fairly familiar story as a lost heir tries to reclaim that which was taken by the conquerors.

Kestra and Simon are interesting foils but lack the chemistry needed for their tension and changing dynamic to sustain an entire book. Their voices in alternating chapters are often indistinguishable. The prose often feels sanitized as violence and danger is pushed off the page for readers to imagine instead of being vividly described–this choice means that the novel can work well for younger readers but also creates a stark contrast between the descriptions of the world and the actual reading experience.

The Traitor’s Game is a familiar addition to the fantasy genres. Sparse world building and under developed characters feel like missed opportunities in what could have been a far richer story. Recommended for fans of the author and readers seeking a strictly plot driven fantasy.

Possible Pairings: Grace and Fury by Tracy Banghart, Everless by Sarah Holland, The Orphan Queen by Jodi Meadows, The Kiss of Deception by Mary E. Pearson, Snow Like Ashes by Sarah Raasch, The Winner’s Curse by Marie Rutkoski, Ash Princess by Laura Sebastian

Muse of Nightmares: A Review

“It turned out that sometimes it’s enough to start doing thing differently now.”

Everything was taken from the city of Weep when the Mesarthim invaded. The blue-skinned gods stole the city’s children, its memories, and even its true names. No one knows where the gods came from. No one knows what happened to the thousands of children born in the citadel never to be seen again. No one speaks of what happened to the children left in the nursery the day that the Godslayer killed the gods and reclaimed the city.

Sarai was one of those children. She and the four other godspawn don’t speak of what happened either although they are haunted by the bloodshed of the massacre. No one knows that five children survived and still hide within the citadel. Waiting. Minya, the eldest, prepares for war while Sarai and the others dare to hope for acceptance.

Sarai never expected that she would die waiting–especially not after she met Lazlo Strange and saw that peace might be possible. Now Sarai is a ghost bound by Minya’s by iron will while Lazlo is a god–as much a child of the Mesarthim as Sarai and the others.

With Sarai unable to defy Minya or exist without her, Lazlo faces a horrible choice: Keep his love alive by helping Minya seek vengeance or protect the city while losing Sarai. Without her free will, without her moths traveling down to Weep to explore dreams, Sarai feels powerless. Is it possible for her to still be the muse of nightmares or did her powers die when her body did?

Old secrets and unanswered questions threaten the tentative bonds and even more fragile hope as Weep tries to heal. In a city where heroes had to do monstrous things and monsters might yet become heroes, Sarai will have to choose if she wants to slay her enemies or try to save them in Muse of Nightmares (2018) by Laini Taylor.

Muse of Nightmares is the conclusion of Taylor’s latest duology which begins with Strange the Dreamer.

I only started to truly love Strange the Dreamer months after reading it. I needed that long to process and appreciate everything Taylor had done. In contrast Muse of Nightmares was one of my most anticipated Fall 2018 releases and is holding strong as one of my favorite books of the year.

Muse of Nightmares picks up almost immediately where Strange the Dreamer left off as both Sarai and Lazlo try to grasp their dramatically changed circumstances.There isn’t time for grief or wonder, however, as Sarai and Lazlo have to figure out if there is a way to save both Weep and the godspawn.

The pacing of this story and its numerous surprises are flawless complete with a secondary story that artfully ties into the main arc of this duology. Of course, I can’t tell you too much about that because I want you to be just as shocked as I was when I started to understand how these pieces would come together.

Muse of Nightmares is a story about redemption and hope–things that all of the characters strive for and things that even the unlikeliest among them might find. Weep is a city filled with potential and, ultimately, with love as Taylor’s memorable characters learn how to forgive each other and themselves. Highly recommended. I can’t wait to see what Taylor does next.

Possible Pairings: Children of Blood and Bone by Tomi Adeyemi, The Reader by Traci Chee, The Star-Touched Queen by Roshani Chokshi, House of Many Ways by Diana Wynne Jones, Furyborn by Claire Legrand, Finnikin of the Rock by Melina Marchetta, Lirael by Garth Nix, A Darker Shade of Magic by Victoria Schwab, All the Crooked Saints by Maggie Stiefvater, The Queen of Attolia by Megan Whalen Turner

Children of Blood and Bone: A Chick Lit Wednesday Review

Eleven years ago magic disappeared. Maji throughout Orïsha were brutally killed, their magic torn away before it could save them. Zélie Adebola remembers the night of the Raid when her mother was murdered and her father broken.

Now the children of the maji, Divîners, and the magicless Kosidán now live at the mercy of King Saran who has Orïsha unrecognizable as the wondrous land it once was.

It’s been a long time since Zélie‘s people had any reason to hope. But after a chance encounter in the marketplace, Zélie crosses paths with Amari–a princess and now a fugitive. Amari has stolen a that could bring magic back. But only if Zélie and her brother Tzain can help Amari outwit their pursuers led by Amari’s brother the crown prince and retrieve the other items needed for a ritual to correct the damage of the Raid eleven years ago in Children of Blood and Bone (2018) by Tomi Adeyemi.

Children of Blood and Bone is Adeyemi’s debut novel. This fantasy is inspired by Nigerian culture and is the blockbuster start to a high fantasy trilogy.

Readers need more books inspired by African cultures, readers need more books with  characters of color in leading roles. Children of Blood and Bone is a huge leap in both areas and helping to the lay the groundwork for more to come. I loved a lot of the characters, I loved the rich settings, and I loved the fast-pacing for the first half of the story.

I was less impressed with some of the plotting and world building–both of which often came across as slapdash.

Children of Blood and Bone fits nicely into what I typically refer to as “fantasy lite”–a subgenre where stories take place in a fantasy setting with high action, some romance, and lots of adventure. These stories sometimes lack a cohesive internal logic particularly when it comes to world building and magic systems. Every time Zélie runs into a problem that her magic can’t solve, the rules change so that she suddenly can. Similarly when circumstances conspire to stop Zélie and Amari in their tracks a deux ex machina appears to help them along.

The dialogue in this novel is snappy and fun but often anachronistic. Interestingly, the novel includes first person narration chapters from Zélie, Amari, and Inan–the crown prince determined to destroy magic even as he fights his growing attraction to Zélie.

Character motivations, particularly in the final act, become muddled as Zélie and readers have to decide once and for all who can be called an ally and who is truly an enemy. Adeyemi populates this story with a vibrant cast of characters in everything from skin tone and body type to personality.

Children of Blood and Bone is an engrossing if overly long fantasy. Excellent characters and action balance out a sloppy ending and underdeveloped world building. Recommended for fantasy readers looking for their next splashy adventure.

Possible Pairings: Roar by Cora Carmack, Truthwitch by Susan Dennard, The Smoke Thieves by Sally Green, For a Muse of Fire by Heidi Heilig, Throne of Glass by Sarah J. Maas, Beasts Made of Night by Tochi Onyebuchi, Ash Princess by Laura Sebastian, Strange the Dreamer by Laini Taylor, Song of the Current by Sarah Tolcser

Witch Born: A Review

cover art for Witch Born by Nicolas BowlingEngland, 1577: Alyce can’t trust anyone after her mother is burned at the stake for practicing witchcraft. With only the barest instructions and a mommet doll to guide her, Alyce heads to London. She hopes it will be easy to follow her mother’s instructions to find the hangman.

Along the way Alyce has to dodge dangerous witch hunters and learn how to trust new friends and allies. But Alyce isn’t the only one in London with a mission. Queen Elizabeth I and Mary Queen of Scots are both searching intently for Alyce. Both queens want to use her, but only one of them for good in Witch Born (2018) by Nicholas Bowling.

Witch Born is a thoroughly researched historical fantasy. Bowling brings the squalor and wonder of the sixteenth century to life along with the near-constant terror of witchcraft. Genuinely frightening witch hunters and evocative settings make this slim novel a page turner.

Because of Alyce’s young age, this novel is also ideal for readers of all ages. Alyce is a winsome heroine sure to endear herself to readers in this gripping debut. Recommended for readers of both fantasy and historical fiction.

Possible Pairings: Tumble and Blue by Cassie Beasley, Savvy by Ingrid Law, Born Wicked by Jessica Spotswood

*An advance copy of this title was provided by the publisher for review consideration*

For a Muse of Fire: A Chick Lit Wednesday Review

“Didn’t I tell you earlier? You don’t have to trust someone to make a deal with them. You only have to have something you know they want.”

cover art for For a Muse of Fire by Heidi HeiligWith luck and determination, Jetta hopes that she and her parents can parlay their fame as shadow players in Chakrana into passage to Aquitan where shadow plays are in high demand.

There are rumors that the Mad King values nothing so much as shadow plays and Jetta hopes that garnering the king’s favor could also give her access to the spring that has cured the king’s madness–something Jetta desperately wants for her own malheur.

But notoriety of any kind is dangerous with so many secrets behind the scrim.

Jetta’s puppets move without string or stick. Instead she uses her blood to bind recently deceased souls into her puppets–one of the old ways that is now forbidden in the wake of La Victoire and the imprisonment of Le Trépas at the hands of the colonial army from Aquitan.

With danger lurking everywhere Jetta will have to confront uncomfortable truths and terrible choices as she considers how much she and her family have already sacrificed to get to Aquitan and how much more they still have to lose in For a Muse of Fire (2018) by Heidi Heilig.

For a Muse of Fire is the start of Heilig’s new trilogy. An author’s note explains that Jetta’s malheur is bipolar disorder–a mental illness she shares with Heilig.

This series starter is fast-paced and high-action while also offering readers a thoughtful commentary on the long lasting ramifications of war and colonization. Chakrana and Aquitan are inspired by Asian cultures as well as French colonialism which comes through in cultural touchstones including food, dress, and language.

Jetta’s first person narration is broken up with various ephemera including telegraph transcripts, flyers, songs, and play scenes featuring other characters. This technique works well to flesh out the novel by offering a wider view of the story and allowing other characters to take over the narrative action whenever Jetta’s focus becomes more internal as she tries to negotiate both a dangerous world and her own malheur.

For a Muse of Fire is as engrossing as it is violent. Heilig’s world building is richly imagined and carefully layered with nothing quite as it seems. Jetta’s malheur colors not only her perceptions throughout the story but many of her actions with reckless decisions during episodes of mania and listless lows with clarity and introspection often coming too late.

For a Muse of Fire is a dramatic story with an inclusive cast, high stakes, and an intense cliffhanger that will leave readers clamoring for the next installment. Recommended.

Possible Pairings: Children of Blood and Bone by Tomi Adeyemi, Shadow and Bone by Leigh Bardugo, The Bone Witch by Rin Chupeco, Forest of a Thousand Lanterns by Julie C. Dao, The Lie Tree by Frances Hardinge, Clariel by Garth Nix, An Ember in the Ashes by Sabaa Tahir

*A more condensed version of this review was published the July 2018 issue of School Library Journal as a Starred Review*

And the Ocean Was Our Sky: A Review

cover art for And the Ocean was Our Sky by Patrick Ness, illustrated by Rovina CaiAs a young whale Bathsheba was all too eager to join Captain Alexandra’s crew hunting men for both vengeance and the raw materials used in everyday whale life.

But after years spent working her way up to Third Apprentice on the fiercest crew in the sea and sailing down toward the air-filled Abyss to hunt men, Bathsheba has begun to question the raw hatred that drives hunters in their constant war.

Bathsheba’s weary narrative is heavy with foreshadow and circumspection as she relates the events that set her crew on a fateful hunt for the man Toby Wick–the devil known to both whale and man for his terrible deeds and his fierce white ship in And the Ocean Was Our Sky (2018) by Patrick Ness, illustrated by Rovina Cai.

If you haven’t guessed yet Ness’s latest standalone novel is a very loose retelling of Herman Melville’s classic Moby-Dick where harpoon-wielding whales are hunters every bit as fierce as men themselves.

Ness channels Melville’s original language well and uses the structure of Moby-Dick as a framework for this fast-paced and streamlined retelling filled with philosophical meditations and cautions against both the violence of war and the power of prophecy–especially self-fulfilling ones. Although Bathsheba’s warnings often lack subtlety they remain powerful and timely.

Cai’s accompanying illustrations interspersed throughout the book bring the depths of the ocean to life with jarring, full color artwork that calls back to the haunting setting and anguished tone of the narrative.

And the Ocean Was Our Sky is a stirring counterpoint to the original text, rife with questions about the inexorable nature of belief and violence.

*A more condensed version of this review was published the August 2018 issue of School Library Journal as a starred review*