A Season of Sinister Dreams: A Chick Lit Wednesday Review

A Season of Sinister Dreams by Tracy BanghartStill grieving the death of his son and heir during the Sickness years earlier, the elderly king of Tyne forces all magic workers to the capital where they can prolong his life and protect the castle while the rest of the kingdom suffers.

Annalise has spent years in the castle secretly using her unwieldy magic to weave a web of influence around the king, his grandson (and her cousin) Prince Kendrik, and the king’s advisors. Annalise hopes to exact revenge against the king for her mother’s death–a plan that is close to fruition when Annalise accidentally uses her magic on Kendrik leaving him hidden and monstrously transformed while Annalise becomes the new heir.

Meanwhile, Evra’s quiet country life is ruined when her magic manifests years later than expected making her the first girl ever to become a Clearsee. As magical prophets Clearsees (usually men) use their magic to interpret visions meant to guide and protect the kingdom. While Annalise prepares for her coronation, Evra reluctantly arrives at the capital where she sees cryptic visions hinting at danger. But is the danger a threat to Tyne’s rulers or is it the rulers themselves? in A Season of Sinister Dreams (2021) by Tracy Banghart.

Find it on Bookshop.

This plot-driven standalone fantasy alternates chapters between Annalise and Evra’s first person narrations. All characters are presumed white.

With Annalise used to hiding the scope of her powers and Evra newly invested with magic, both narrations are claustrophobic leaving readers and characters floundering. Themes of agency as both heroines try to defy expectations are undermined by extremely limited world building and backstories that never fully explain character motivations or actions–particularly Annalise’s.

Fans of Banghart’s Grace and Fury will appreciate this book’s strong female leads, fast-paced action, and the focus on Evra and Tam’s friendship despite other shortcomings.

Possible Pairings: Girls Made of Snow and Glass by Melissa Bashardoust, Truthwitch by Susan Dennard, Forest of Souls by Lori M. Lee, The Orphan Queen by Jodi Meadows, There Will Come a Darkness by Katy Rose Pool, The Queen’s Rising by Rebecca Ross

*A more condensed version of this review appeared as a review in an issue of School Library Journal*

Broken Web: A Review

Broken Web by Lori M. LeeThe Soulless is awake and recovering in the Dead Wood. The long peace between the nations of Thiy might be crumbling. And Sirscha and her best friend Saengo still have no idea how to fix any of it.

The world believes that Sirscha is a rare soulguide but she and Saengo know that Sirscha is actually a soulrender–just like The Soulless. Despite the dangers, Sirscha is determined to stop The Soulless and, if she can, save Saengo from the rot he infected her with that is slowly killing her.

With powerful allies and even more powerful enemies circling, Sirscha will have to risk everything to find–and fight–the most immediate danger in Broken Web (2021) by Lori M. Lee.

Find it on Bookshop.

Broken Web is the second book in Lee’s Shamanborn trilogy which begins with Forest of Souls.

Set two weeks after the explosive conclusion of book one, Sirscha and Saengo are still trying to understand Sirscha’s new powers and Saengo’s role in nurturing them as a familiar. Treachery is a constant threat hanging over the girls and their allies as they try to learn more about the Soulless and how to stop him once and for all.

Lee has created a nuanced and compelling world in this series although this book focuses more on action to move the series toward what promises to be a shocking conclusion.

Broken Web is a fast-paced, exciting installment in a singular fantasy series. A must read for fans of book one; a recommended series for readers seeking a new friendship focused fantasy adventure.

Possible Pairings: Hunted by the Sky by Tanaz Bhatena, The Reader by Traci Chee, Race the Sands by Sarah Beth Durst, For a Muse of Fire by Heidi Heilig, Furyborn by Claire Legrand, Truthwitch by Susan Dennard, Into the Heartless Wood by Joanna Ruth Meyer, Fireborne by Rosaria Munda, Uprooted by Naomi Novik, Crown of Feathers by Nicki Pau Preto, The Midnight Lie by Marie Rutkoski, Star Daughter by Shveta Thakrar, Realm of Ruins by Hannah West, The Guinevere Deception by Kiersten White

*An advance copy of this title was provided by the publisher for review consideration*

Mayhem: A Review

Mayhem by Estelle LaureCalifornia, 1987: Mayhem Brayburn and her mother have never been like everyone else. May can see it in her mother Roxy’s constant pain, her pull to the water, the gaping hole of her father’s absence in the wake of his suicide years ago.

When her step-father goes too far, Roxy and Mayhem make their way back to the beach town–and the family history–that Roxy left behind when May was a baby. Santa Maria is everything May always hoped it would be. She meets her aunt’s foster kids, finds the family she always wanted and, amazingly, discovers her own connection to the Brayburn family’s long line of magic.

But not everything is magical in Santa Maria. Girls are going missing. Soon, Mayhem’s own efforts to find the culprit draw her into a strange world of vigilante justice and revenge as she learns more about the town–and her family’s–darker secrets in Mayhem (2020) by Estelle Laure.

Find it on Bookshop.

If this standalone fantasy sounds a lot like the 1987 film The Lost Boys, that’s because it is. While Laure imbues Mayhem with its own magic and world building, the story stays close to the original plot of the classic vampire film complete with brief appearances by the iconic Frog brothers. Laure also brings more diversity to the cast in her update–the Brayburns are white but May’s farther was Brazilian and Jason and Kidd are biracial (Black and white).

Questions of why this story had to be set in 1987 instead of modernized are also inevitable and not well answered by any authorial choices.

How you feel about this book might depend on your familiarity with the film and your feelings about it. Mayhem includes a lot of nods to the original film but shifts in surprising ways to make space for the Brayburn’s family history as seen in a mysterious diary Mayhem finds upon exploring her new home. Unfortunately these two storylines don’t always mesh well feeling more like two separate stories than one, cohesive plot.

Mayhem is ideal for readers who like their witches fierce and their vampire references vintage.

Possible Pairings: The Wicked Deep by Shea Earnshaw, Harrow Lake by Kat Ellis, The Devouring Gray by Christine Lynn Herman, Sawkill Girls by Claire Legrand, The Lost Boys

Piranesi: A Review

Piranesi by Susanna ClarkeThe rooms in the House are infinite. Connected by endless corridors and Vestibules with walls lined with thousands of Statues–each unique in both appearance and in name. Water moves through these Halls, waves flooding and draining according to the changing of the Tides.

Piranesi understands the House and its ways intimately. He can navigate the Halls and track the Tides. He visits his favorite Statues and, most importantly, he tends to the House as he explores its vast spaces.

There is one other living person in The House: The Other, a man searching for A Great and Secret Knowledge that Piranesi suspects he may never find.

The Beauty of the House is immeasurable; its Kindness infinite. It provides everything that Piranesi needs. But even with his intimate knowledge of the House and its workings, Piranesi doesn’t know what it means when evidence of another Person emerges.

Will they be friend as Piranesi hopes? Foe as The Other warns? As Piranesi comes closer to answering these questions he will also unravel an awful truth as vast and immeasurable as the House itself in Piranesi (2020) by Susanna Clarke.

Find it on Bookshop.

Piranesi is Clarke’s deceptively slim followup to her blockbuster novel Jonathan Strange & Mr. Norrell. There is simultaneously a lot to talk about here and very little that can be said without revealing spoilers (which I have avoided here).

Clarke is an excellent writer. Despite the quirks of Piranesi’s first-person narration and the idiosyncrasies of the book’s structure, readers are immediately drawn into this strange and layered story.

The intricate unfolding of the plot contrasts sharply with mounting urgency as The Other tries to find the mysterious new person and kill them while Piranesi tries to save them. Even the meandering, stream of consciousness style of much of the book can’t diminish the tension as the novel builds inexorably to its climax.

Unfortunately, the actual ending is not as compelling as the buildup; no one is settled or even okay by the end, nothing is resolved. For a story that starts so big, with so many vast possibilities, the final outcome feels like the least compelling direction Piranesi could have taken.

Piranesi is a fascinating exercise in craft as Clarke expertly manages both the narrative and plot with well-timed reveals and twists. These notable elements underscore how little actually happens throughout the novel, especially in terms of characterization or growth.

Possible Pairings: The Ocean at the End of the Lane by Neil Gaiman, Slade House by David Mitchell, The Strange Library by Haruki Murakami, The Starless Sea by Erin Morgenstern, Midwinterblood by Marcus Sedgwick, Or What You Will by Jo Walton

A Deadly Education: A Review

“It’s always mattered a lot to me to keep a wall up round my dignity, even though dignity matters fuck-all when the monsters under you bed are real. Dignity was what I had instead of friends.”

A Deadly Education by Naomi NovikScholomance is a school for magically gifted students and a solid way to avoid the deadly monsters intent on eating tasty young magicians until you can form a strong alliance, learn the proper spells, and build out your arsenal of magical supplies. All of this is complicated for Galadriel “El” Higgins, whose powerful dark magic means that the school would much rather teacher her deadly incineration spells than simple spells for cleaning her room.

El has a good plan for surviving her junior year at Scholomance and coming out of it with a solid alliance to survive her senior year and the literal gauntlet that is graduation. A plan that goes out the window when Orion Lake saves her life for the second time.

Now instead of biding her time waiting for a chance to demonstrate her own immense powers, El has to waste her time convincing everyone she isn’t another of Orion’s lost causes. She also has to do this while adhering to strict mana–fueling magic with her own effort–lest she accidentally become a maleficer unleashing the full scope of her deadly magical potential.

No one has ever liked El and that’s made it easy to observe the inner workings of the school. It’s also left El prepared for the school’s cutthroat atmosphere and isolation. What El is not prepared for her is Orion’s continued efforts to save her, befriend her, and maybe date her.

Sticking with Orion could be the answer to all of El’s fears about surviving senior year. But with more monsters prowling the school than ever, El has to figure out to keep Orion from sacrificing himself for the greater good and how to avoid accidentally killing any other students while surviving her junior year in A Deadly Education (2020) by Naomi Novik.

Find it on Bookshop.

A Deadly Education is the first book in Novik’s Scholomance trilogy. The series started life as a Harry/Draco fan fic before being rewritten to be its own book. While I enjoyed this book a lot, it does have some problems including one correction to the text and some possibly racist portrayals/imagery (opinions vary widely so if you’re concerned, I’d read reviews before you pick up the book).

In the first print run a scene in the middle of the book (page 186) singled out the locs hairstyle as being targeted by some of the monsters in the school. This evokes racist stereotypes about Black hair and was a late addition to the book that was not present during sensitivity reads. It was a hurtful addition and Novik has issued an apology including actions being taken moving forward with the series. Reading the book as a white woman, this was the most obvious concern and I am glad it’s being addressed (removed from future printings and digital editions) and glad Novik issued an apology including next steps.

Asma’s review on Goodreads was one of the first to raise these concerns while sharing others about racist portrayals in the book. I’m not equipped (or entitled) to comment on any of these concerns but will say a lot of the textual issues pointed out do make sense with the worldbuilding. The Mary Sue calls the book’s problems a lack of “authentic representation” which feels like a more accurate statement.

El’s mother is Welsh and her father is Indian. El is only raised by her mother after her father dies making sure El’s pregnant mother survives graduation. Readers learn early on that El is also the subject of an incredibly dark prophecy which makes her paternal relatives want to kill her as a small child. So El, understandably, has no interactions with them. While there are many issues surrounding white authors (like Novik) writing non-white or biracial characters (like El), it’s always a balancing act. BookRiot has a post discussing this and also discussing why it’s okay for a character like El to be disconnected from the Indian half of her identity. This is a thread Nickie Davis also explores.

Lastly I want to direct you to the very thoughtful review from Thea at The Book Smugglers who helped me figure out how to approach my own review (and direct to the links above as well) and also this review from A Naga of the Nusantara which offers another response to some of the concerns about this book.

So that’s a lot. I absolutely understand and respect those who will choose to avoid this book after hearing about the initial error and fallout. That’s a fair and valid choice. I’m not sure what I would have done if I had heard about it all before I had bought and started reading my copy. That said, after disliking Uprooted and being impressed but not dazzled by Spinning Silver, I loved a lot of this book. I felt like A Deadly Education was exactly my speed.

El is an exhausting narrator. Her prose is snappy with a clipped cadence that makes the novel very fast-paced and makes the world building daunting as readers are introduced to El and her world. This choice feels fitting as the Scholomance itself is incredibly daunting and intimidating to students who can be (and are) eaten or killed at every turn by monsters attracted to their untapped magic.

A Deadly Education introduces readers to a sprawling, high stakes world set at a magical school where mistakes are deadly. A strong series starter that, I hope, will improve with later installments (and learning experiences). A Deadly Education is a dark, smart fantasy filled with a snarky, anti-hero protagonist, reluctant friendships, and surprisingly funny dark humor. Recommended with reservations (do your homework before you pick this one up).

Possible Pairings: The Hazel Wood by Melissa Albert; The Cruel Prince by Holly Black; All of Us Villains by Amanda Foody and Christine Lynn Herman; Magic for Liars by Sarah Gailey; An Unkindness of Magicians by Kat Howard; Killing November by Adriana Mather; The Left-Handed Booksellers of London by Garth Nix; Deadly Class by Rick Remender, Wes Craig, Lee Loughridge; Carry On by Rainbow Rowell; And I Darken by Kiersten White; Fable by Adrienne Young

The Kingdom of Back: A Chick Lit Wednesday Review

“Speak for the ones who will come after you, looking to you for guidance. Stay true, daughter. One day you will see it all go up in flames.”

The Kingdom of Back by Marie LuThis is a story you already know. But listen carefully, because within it is one you have never heard before:

Nannerl Mozart has one wish that she guards close, no matter how hopeless it might be; she wants to be remembered forever.

A talented musician and performer, Nannerl entrances audiences with her playing which is masterful for one so young. But the older Nannerl becomes, the less brilliant her prowess. Especially compared to her younger brother Wolfgang who has already begun to overshadow Nannerl’s achievements with his own musicality and compositions.

Watching her younger brother, it is increasingly clear that it will be Wolfgang who receives the bulk of their strict father’s praise. It will be Wolfgang living the life Nannerl desperately wants. No amount of talent is enough to allow a young girl in eighteenth-century Austria to compose her own music. Not publicly.

Working in secret by day Nannerl begins creating her own compositions beside her brother. At night she waits for a mysterious visitor from a kingdom that should be little more than a bedtime story she shares with Wolfgang. The stranger has untold powers, and he knows Nannerl’s secret wish. But wishes have a price and the cost of securing her legacy might be greater than Nannerl can bear in The Kingdom of Back (2020) by Marie Lu.

Find it on Bookshop.

The Kingdom of a Back is a standalone novel that blends evocative historical fiction with fantasy elements. As Lu explains in her author’s note, this book was inspired by the real Mozart siblings as well as the eponymous imaginary world they created together as children.

In a departure from her earlier novels, Lu stays close to historical events centering the story in Austria and the Mozart family’s tour through Europe while fantasy elements set in the Kingdom of Back take a secondary role.

Nannerl’s first person narration is introspective and thoughtful as she tries to balance her fierce affection for her brother with her growing frustrations that, merely because of her gender, she will never be able to claim the same praise and recognition that is lavished on Wolfgang. Although jealousy is certainly a factor in Nannerl’s choices throughout the novel, The Kingdom of Back is grounded firmly in the love and friendship between the siblings.

The Kingdom of Back is a meditative story about ambition and achievement, as well as the chasm that can develop between the two. While real life events lend a melancholy tone to this story, it also makes the novel all the more powerful as a rallying cry and a hopeful reminder that there is always room to strive for more. Highly recommended.

Possible Pairings: Seraphina by Rachel Hartman, Heartless by Marissa Meyer, The Invisible Life of Addie LaRue by V. E. Schwab, The Glass Town Game by Catherynne M. Valente, And I Darken by Kiersten White

An Unkindness of Magicians: A Chick Lit Wednesday Review

An Unkindness of Magicians by Kat HowardFortune’s Wheel has begun its Turning. When it ceases rotation, all will be made new.

So begins every Turning in the Unseen World. Letters, emails, and other missives are sent to every House throughout New York City–a warning to prepare.

Some like Laurent Beauchamps–an outsider as a Black man and a new initiate to magic–hope to establish their own Houses. Others like Laurent’s best friend Grey Prospero–a legacy to magic despite being disinherited–see this Turning as a chance to prove themselves and reclaim what should rightfully be theirs no matter the cost.

The Turning is also a chance for established Houses like the Merlins to maintain their position at the top ruling over the Unseen World. While leaders of larger Houses like Miranda Prospero hope to grasp at this chance to shake things up.

Houses can represent themselves in the Turning or hire out help. Miranda doesn’t know what to make of Ian Merlin choosing to represent her House instead of his own father’s but she knows she can’t afford to turn down Ian’s offer if she wants to finally wrest power away from Miles Merlin.

What no one at the Turning counted on was Sydney: the mysterious champion Laurent hires. An outsider herself, Sydney knows how magic works and she knows it is breaking. If she has her way, the entire magic system underpinning the Unseen World will be destroyed before she’s finished.

Fortune’s Wheel is turning. Some will rise, some will fall. But at the end of this one, everything will change and it will be time for the world to be remade in An Unkindness of Magicians (2017) by Kat Howard.

Find it on Bookshop.

An Unkindness of Magicians is a standalone urban fantasy with a shifting close third person narration. The story unfolds in different directions as the narratives shifts between Sydney, Miranda, Ian and other key players in both the Unseen World and the Turning itself.

Against the backdrop of the Turning and its magical competitions Howard builds out the Unseen World, its archaic hierarchies, and the iniquities at the center of how magic is used and distributed in a sharp examination of privilege and legacy. Unsolved murders throughout the Unseen World add another dimension to this already rich story.

An Unkindness of Magicians is a nuanced and intricate novel with a slow build as plots and characters begin to intersect in advance of a sensational conclusion. Howard populates this story with a group of fiercely determined and clever characters–especially women–looking for justice and victory in a world that would willingly to cast them aside. Highly recommended.

Possible Pairings: All the Birds in the Sky by Charlie Jane Anders, The Gilded Wolves by Roshani Chokshi, All of Us Villains by Amanda Foody and Christine Lynn Herman, Magic For Liars by Sarah Gailey, The Magicians by Lev Grossman, The Devouring Gray by Christine Lynn Herman, A Criminal Magic by Lee Kelly, Middlegame by Seanan McGuire, The Night Circus by Erin Morgenstern, A Deadly Education by Naomi Novik, Vicious by V. E. Schwab, A Treason of Thorns by Laura E. Weymouth

City of Villains: A Chick Lit Wednesday Review

City of Villains by Estelle LaureMary Elizabeth Heart remembers when magic left Monarch City with the sudden and complete disappearance of the Scar’s newest skyscraper two years ago. It couldn’t compare to the murder of her parents and sister, but this loss is much bigger for Monarch City.

Now Mary is a high school intern with the police. Tensions are always high between the Scar’s Legacy residents with magic and the wealthy Narrows encroaching on the land for cheap real estate and not caring about the area’s magical legacy. But now a killer is taunting the police sending gift boxes of body parts.

When Mally Saint, the daughter of one of the city’s richest residents, goes missing Mary Elizabeth is as surprised as anyone to be put on the case with rookie officer Bella Loyola. As the unlikely duo delves deeper into the case, Mary Elizabeth will have to decide what to do when she discovers uncomfortable truths about the culprit, her home, and her friends in City of Villains (2021) by Estelle Laure.

Find it on Bookshop.

City of Villains is the first book in a trilogy that re-imagines the origins of some of Disney’s most iconic villains in a fantasy noir setting. Think Veronica Mars meets CW’s Nancy Drew but make it Disney.

Laure brings a lot of dimension to familiar territory as she ages down familiar characters like The Queen of Hearts (Mary Elizabeth), Captain Hook (Mary Elizabeth’s boyfriend), Ursula (Mary Elizabeth’s best friend) and more from all areas of the Disney morality spectrum. Disney fans will enjoy hunting down all of the Easter egg references to iconic characters. Those less familiar with the Disney-verse might wonder at the one-dimensionality of some characters who feel more like caricatures when distilled down to their key traits for brief appearances in the novel.

Monarch City as a setting owes a lot to Batman’s Gotham City with its sinister shadows and political unrest. Unfortunately, Gotham City does not translate well to prose. Part of why it works in Batman is because that series is presented as comics or films—mediums with very different world building requirements than novels.

While the premise of a teen investigating a high profile case pushes the limit for plausibility, Mary Elizabeth’s persistence and grit more than make up for this shortcoming. City of Villains is a lot of potential that isn’t always allowed to fully blossom because of the marks it has to hit as a Disney property. A must-read for Disney fans and worth a look for readers who enjoy fantasy noir.

Possible Pairings: The Hazel Wood by Melissa Albert, The Brokenhearted by Amelia Kahaney, Vassa in the Night by Sarah Porter

The Night Circus: A Review

The Night Circus by Erin MorgensternThe circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. It is called Le Cirque des Rêves, and it is only open at night.

Long before its inception, the circus was destined to be something special. Visitors are charmed by the magical performances and the wondrous exhibits found in each black and white tent. Behind the scenes the circus is the site of a fierce competition between two magicians.

Celia and Marco have been trained for this competition from a young age as their instructors pit them against each other determined to see which magician (and which trainer) is superior. Both are warned to avoid the other, to keep their identity secret, but soon enough Celia and Marco crash into each other and into a dangerous love that threatens the contest.

All things must end and if this competition doesn’t have a clear victor it could have devastating consequences for Celia, Marco, and everyone who has come to call the circus home in The Night Circus (2011) by Erin Morgenstern.

Find it on Bookshop.

Morgenstern’s debut novel hardly needs any introduction. I came late to this one after attempting (and, quite honestly, failing) to enjoy the author’s second novel The Starless Sea.

The Night Circus is a nonlinear story told across decades as our protagonists first begin their training through to the explosive conclusion of their competition. The sprawling story jumps back and forth in time while following multiple characters in close third person and spanning the globe as Le Cirque des Rêves travels to different locations.

Compared to such an elaborate setting and complex world, some of the characters fail to become fully realized. The story very clearly centers Celia and Marco while introducing others who become integral either to the circus or the contest–or both in some cases–although some feel closer to a deus ex machina than true characters in the story. The book also falls short of giving every character their due when it comes to a true ending.

It’s also worth mentioning that the only characters who are not white fall dangerously close to stereotypes with Tsukiko the inscrutable and enigmatic Japanese contortionist and Chandresh the eccentric and boisterous circus founder who is half Indian.

Morgenstern’s background as a visual artist is obvious in her prose which is extremely evocative and immediately draws readers into the circus as well as each and every one of Celia and Marco’s elaborate illusions. Intervals throughout the novel also pull readers into the story with sections told in second person that position the reader as a vital participant in the circus.

Much like the timeless Le Cirque des Rêves itself, The Night Circus is visually stunning, immediately clever, and often bittersweet. Recommended for readers looking for a fantasy with a setting in which they can luxuriate.

Possible Pairings: Jonathan Strange & Mr. Norrell by Susanna Clarke, The Museum of Extraordinary Things by Alice Hoffman, A Criminal Magic by Lee Kelly, Caraval by Stephanie Garber, Gods of Jade and Shadow by Silvia Moreno-Garcia, The Invisible Life of Addie LaRue by V. E. Schwab, Daughter of Smoke and Bone by Laini Taylor

Tales From the Hinterland: A Chick Lit Wednesday Review

Tales From the Hinterland by Melissa AlbertTales From the Hinterland (2021) by Melissa Albert presents Althea Proserpine’s  notorious collection of dark and twisted short stories that form the backbone of the world building in both The Hazel Wood and its sequel The Night Country. For the first time the stories that protagonists Alice and Ellery encounter in Albert’s previous novels are presented in their entirety.

Readers familiar with Albert’s oeuvre will recognize many of the tales and characters here notably including Alice, Ilsa, and Hansa. Albert aptly channels classic fairy tale sensibilities into eerie and brutal tales that would have the Brothers Grimm reaching for an extra candle at night. Centering female characters in each story Albert explores the facets of girl-and-womanhood in a world dominated and usually shaped by men.

Standouts in the collection include “The House Under the Stairwell,” where sisterhood wins the day as Isobel seeks help from the Wicked Wife before she is trapped in a deadly betrothal; “The Clockwork Bride,” a richly told story where a girl hungry for enchantment carelessly promises her first daughter to a sinister toymaker who, when he tries to claim his prize, instead finds a girl who wishes only to belong to herself; and “Death and the Woodwife,” where a princess uses her wits and her mother’s unusual gifts to outwit Death and his heir.

With stories fueled by feminist rage, the frustration of being underestimated, and the insatiable longing to experience more Tales From the Hinterland is a collection that is both timely and universal.

You can also check out my interview with Melissa to hear more about this book and the companion novels.

Possible Pairings: The Language of Thorns by Leigh Bardugo, The City of Brass by S. A. Chakraborty, Caster by Elsie Chapman, Into the Crooked Place by Alexandra Christo, The Eyre Affair by Jasper Fforde, Fire and Hemlock by Diana Wynne Jones, The Ten Thousand Doors of January by Alix E. Harrow, Sender Unknown by Sallie Lowenstein, Every Heart a Doorway by Seanan McGuire, Vassa in the Night by Sarah Porter, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, An Enchantment of Ravens by Margaret Rogerson, The Invisible Life of Addie LaRue by V. E. Schwab, The Raven Boys by Maggie Stiefvater, Realm of Ruins by Hannah West, The Light Between Worlds by Laura E. Weymouth

*A more condensed version of this review appeared as a review in an issue of School Library Journal*