To Hold the Bridge: A Review

To Hold the Bridge by Garth NixTo Hold the Bridge (2015) by Garth Nix is a collection of some of Nix’s previously published science fiction and fantasy short stories as well as a new Old Kingdom novella. Although To Hold the Bridge collects previously published stories, many of them were new to me and will likely be new to other readers as well. I was especially pleased that some of the stories included were ones not easily found in US editions.

Like most short story collections, this one had its strengths and its weaknesses. Instead of trying to review the entire collection in a few sentences, I decided to give smaller reviews of each story:

To Hold the Bridge: An Old Kingdom Story–Morghan has few prospects when he arrives at The Worshipful Company of the Greenwash Field and Market Bridge. His training as a new cadet is quickly tested when he has to hold the bridge against a necromancer’s Free Magic attack. I’m not sure if this story is circa Clariel, Sabriel, or Abhorsen but I hope we eventually see more of the Bridge and Morghan in a future book.

Vampire Weather–Amos lives in a secluded community that does not hold with modern technology or vaccinations. When Amos meets an alluring girl near the mailbox in the thick fog of vampire weather his life is irrevocably changed. An odd little story. A bit like the movie The Village.

Strange Fishing in the Western Highlands–A strange story about Malcolm MacAndrew’s first encounter with Hellboy (yes, that Hellboy). I love how Dark Horse does such weird things with their properties and it was kind of fun reading a prose story about a character usually seen in comics. I would like to see the anthology where this was originally published just for curiosity’s sake.

Old Friends–This story skewed on the older end (adult character, adult themes as it were) and was excellent. An alien is making a home on the coast of a small town when he realizes his enemies are coming for him. Fantastic narrative voice.

The Quiet Knight–Tony embrace his LARPing character’s heroism to find his voice in the real world. Few things amuse me as much as stories about Live Action Role Playing. This story was a bit short but entertaining.

The Highest Justice–Princess Jess summons Elibet, a unicorn to dispense high justice after her mother the Queen is murdered. Previously seen in Zombies vs. Unicorns. This is a short, dark story.

A Handful of Ashes–Mari and Francesca are students at a private boarding school for witches. Unlike most of the rich students, Mari and Francesca work in the kitchens to afford their tuition. When an old bylaw is established that threatens their position at the school–and the very safety of the school grounds–Mari and Francesca will have to take matters in their own hands to save the day. A delightful story about never accepting your lot and doing your part to make the world better. Possibly my favorite story in the collection. More of these two please!

The Big Question–Full circle story about a young man named Avel who leaves his village seeking wisdom and answers from a wise woman only to realize he doesn’t need to seek answers from someone else. This one was interesting but because the story covers such a large scope of time (most of Avel’s life), it is a bit hard to connect with the characters.

Stop!–Creepy and suspenseful story. When a mysterious figure shows up an atomic bomb test site in the desert he leaves a trail of destruction in his wake. There are hints here that the figure in question is an alien or even a dragon. It’s just really creepy. Trust.

Infestation–Wow. Judas as an alien and first ever vampire hunter. At least that’s my interpretation. I loved this story. It was incredibly cinematic and richly detailed. I would love to see this picked up for television.

The Heart of the City–A rather tedious story set in seventeenth century (or thereabouts) France where agents of the king work to corral and harness a dangerous angel’s power. It doesn’t go according to plan, of course.

Ambrose and the Ancient Spirits of East and West–Ambrose is recovering from a wartime (World War I) injury in the English countryside and hoping his days as an agent are far behind him. When supernatural creatures and old colleagues come knocking, Ambrose realizes leaving his past behind may not be an option anymore. It may never have been an option. This story is spooky and excellent. I hope Ambrose survives whatever comes next and I’d love to see more of him.

Holly and Iron–A story that borrows elements from the plot of Robin Hood and King Arthur blended with a world where natural magic and iron magic oppose each other. The world building here is very detailed but the characters felt under-developed in comparison.

The Curious Case of the Moon Dawn Daffodil Murder–A messy, madcap story about Sherlock Holmes’ brother. Not Mycroft. The other one.

An Unwelcome Guest–What happens when a girl runs away from home and decides to move in with the local witch? Nothing good for the witch, that’s for sure. This was a fine reinterpretation of Rapunzel and a well-done fractured fairy tale in the fine tradition of Vivian Vande Velde.

A Sidekick of Mars–Everyone knows about John Carter’s adventures on Mars but now Lam Jones is here to tell you how it really went. He should know having been with John a good eighteen percent of the time. This was a funny story but I didn’t get as much out of it as I would have if I actually knew anything about John Carter.

You Won’t Feel a Thing–Blaaaaaah. This story is set in the world of Shade’s Children but ten years before the events of that book. Shade’s Children is the only book by Garth Nix that I have read that was so horrendously upsetting I couldn’t finish it. This story was about the same.

Peace in Our Time--A very grim and unsatisfying steampunk story. I tend to think of steampunk as a sci-fi subgenre with a generally lighter tone which was not at all true for this story.

Master Haddad’s Holiday–When Haddad is sent on a mission to earn his Master Assassin status, he knows his chances of success are slim. Still, he endeavors to succeed where others would likely fail. This story is set in the same universe as A Confusion of Princes and it is as delightfully high-action as that book.

To Hold the Bridge is a solid anthology although it is not quite as consistent as Nix’s earlier collection Across the Wall.

My favorite stories were definitely “A Handful of Ashes,” “Infestation,” “Ambrose and the Ancient Spirits of East and West,” and “Master Haddad’s Holiday.” I could read about those characters all day.

Nix became a favorite author of mine because of his fantasy and the fantasy stories are the strongest ones here. Although not all of the stories were stellar, this collection demonstrates Nix’s range as an author. Recommended for fans of the author, readers who enjoy short stories, and fans of speculative fiction.

Caraval: A Chick Lit Wednesday Review

Caraval by Stephanie GarberScarlett and her younger sister Tella grew up hearing their grandmother reminisce about visiting Caraval as a young woman. Scarlett writes to Legend every year hoping against hope that he might bring Caraval back to the small island of Trisda in the Conquered Isles.

When tickets to Caraval finally arrive, Scarlett knows she won’t be able to go. Not when being prepared for her upcoming arranged marriage, which can free Tell and herself from their abusive father, is far more pressing. Except impetuous Tella has other plans and recruits a disreputable sailor to help bring Scarlett to the magical show.

Caraval is meant to be a game and a decadent diversion for both players and spectators. But Tella’s disappearance is very real and, Scarlett soon realizes, central to this year’s game.

As Scarlett tries desperately to follow the clues to her sister, the dangers of the supposed show become very real. If she fails to find Tella and win the game, Scarlett risks losing her sister forever in Caraval (2017) by Stephanie Garber.

Caraval is Garber’s debut novel and the first book in a series. The book is written in close third person following Scarlett’s perspective. Although the epilogue promises  twists and adventures in future installments, this novel functions for the most part as a standalone.

Garber’s vibrant descriptions bring the whimsical and dangerous elements of Caraval to life as Scarlett begins to discover the wonders to be found in a place where secrets can become currency and time can be bought and sold.

Scarlett is a cautious and timid heroine for much of Caraval. She has spent years trying to shelter her sister from their father’s calculated abuse and manipulations. Scarlett’s primary concerns are safety and distance from her father. Love, adventure, and all of the things Tella craves feel secondary if not entirely superfluous in comparison.

Caraval features a varied array of characters and some romance but this novel remains surprisingly introspective in its focus on Scarlett’s own journey toward autonomy and agency. A few predictable twists and some unexpected turns serve as a strong backdrop for Scarlett’s growth as she realizes she is the victim of her father’s abuse, not the cause. As Scarlett moves deeper into the machinations of Caraval she begins to correct her earlier mistakes both in the game and in her own life while learning to trust her instincts.

Caraval is a thrilling and evocative fantasy sure to appeal to readers who enjoy stories imbued with magic and adventure. Intricate world building and the circus-like atmosphere of Caraval lend this novel an extra bit of flair that even Legend would admire.

Possible Pairings: The Wrath and the Dawn by Renee Ahdieh, A Crown of Wishes by Roshani Chokshi, Princess of the Midnight Ball by Jessica Day George, Fire and Hemlock by Diana Wynne Jones, The Night Circus by Erin Morgenstern, The Perilous Gard by Elizabeth Marie Pope, A Darker Shade of Magic by Victoria Schwab, The Scorpio Races by Maggie Stiefvater

*An advance copy of this title was provided by the publisher for review consideration at BEA 2016*

The Reader: A Chick Lit Wednesday Review

Sefia has been hiding and evading capture for most of her life. It started with the house  built on a hill filled with secret rooms and hidden passages meant to guard a dangerous secret. When her father is murdered, Sefia does what she has been trained to do. She hides. She grabs the thing that her parents spent their lives protecting. She goes to her aunt Nin and together they run away.

After Nin is kidnapped, Sefia vows to find her. Sefia turns to the strange rectangular object her father died to protect. As she examines the thing, Sefia slowly realizes it is a book.

The Book may hold secrets about Nin’s abduction and Sefia’s own parents if only she can master the symbols within and learn to read the words. In Sefia’s world, books are their own kind of magic–a dangerous power in the wrong hands. Sefia will need that power if she wants to rescue Nin and stop hiding in The Reader (2016) by Traci Chee.

The Reader is Chee’s first novel and the beginning of her Sea of Ink and Gold series. This book is a layered narrative filled with hidden messages and clues within the text (be sure to look at the page numbers for one of them). The depth and layers within The Reader are impressive and staggering to contemplate. However the hidden clues, messages, and intricate physical design of this novel are distracting at times. Readers willing to give this story time and a proper chance will enjoy the intricate layers and the unexpected ways Chee’s multiple narratives come together.

In the fantasy world Chee has created the written word doesn’t exist. While they have identifying symbols to label things like herbs and other items, this world relies more heavily on an oral tradition for their stories and history. Books and reading are magic in a very literal sense and so both things are closely guarded by mysterious powers and largely unknown to citizens like Sefia.

If you spend too much time scrutinizing the main conceit of this plot (reading doesn’t exist), it starts to crumble. How does electricity work in this otherwise non-industrial society? How do characters leave messages for each other without written words? Are glyphs used? Oral recordings? No one knows or at least no one shares.

Vocabulary that would be taken for granted in any other story also needs further clarification in a book like The Reader. How do characters know about pens or reading lamps? Why do they exist if, as the novel states, reading doesn’t exist? Furthermore, although Chee’s writing is rich and heady, there isn’t a particularly good way to show a character learning to read when that character doesn’t have the vocabulary to describe a book, letters, or words. It makes for plodding passages and very slow progress for the rest of the story.

Readers willing to ignore these niggling questions may find themselves drawn into Sefia’s story. The premise, the larger message about the written word, and particularly Sefia’s own growth is empowering. Chee’s descriptions are vivid and bring Sefia’s multi-faceted world to life.

The Reader is a slow-paced adventure story. Sefia embarks on a journey with unlikely allies and surprising foes. She discovers magic and her own inner strength. She also, strangely enough, learns to read. How you feel about that last one will largely influence how you feel about this story as a whole. Recommended for readers seeking an introspective fantasy with a slow payoff. (Go into this one willing to commit to the series as many of the big reveals come in final chapters.)

Possible Pairings: Shadow and Bone by Leigh Bardugo, Sorrow’s Knot by Erin Bow, Brightly Woven by Alexandra Bracken, Truthwitch by Susan Dennard, Vessel by Sarah Beth Durst, Book of a Thousand Days by Shannon Hale, A Thousand Nights by E. K. Johnston, Daughter of the Pirate King by Tricia Levenseller, The Keeper of the Mist by Rachel Neumeier, Uprooted by Naomi Novik, The Kiss of Deception by Mary E. Pearson, Vassa in the Night by Sarah Porter

Like a River Glorious: A Chick Lit Wednesday Review

*Like a River Glorious is the second book in Carson’s Gold Seer trilogy. This review contains spoilers for book one. If you’re new to the series start with book one Walk On Earth a Stranger*

“I thought my magic would save us all. But it turns out, all the magic in the world is rubbish compared to good people who take care of their own.”

Like a River Glorious by Rae CarsonOctober 1849: Leah “Lee” Westfall has made it to California along with her new family of misfits, outcasts, and unlikely friends that she met along the trail. But even with her best friend Jefferson and her family by her side, the path to gold and prosperity is not easy–even for a witchy girl like Lee who can sense gold.

Hiram, Lee’s uncle, is still desperate to use her powers for her own gain. Lee was helpless to stop Hiram from killing her parents, she’s determined that he won’t hurt anyone else she cares about.

Lee’s plan to best Hiram backfire leaving Lee vulnerable as her uncle’s captive. Separated from her friends, Lee will need every ounce of her witchy powers, her resilience, and the help of new allies if she wants to free herself from Hiram’s grasp once and for all in Like a River Glorious (2016) by Rae Carson.

Like a River Glorious is the second book in Carson’s Gold Seer trilogy. This review contains spoilers for book one. If you’re new to the series start with book one Walk On Earth a Stranger.

Like a River Glorious picks up shortly after the conclusion of book one (which ends right when Lee and her group arrive in California). Lee has found them a gold-rich area to claim and their settlement is well on its way to becoming a town called Glory. Then Uncle Hiram shows up, takes Lee captive, and everything goes to hell.

In order to read this book, it’s important to acknowledge that westerns are inherently problematic. As a genre the western often centers the experience of white characters while ignoring or diminish native experiences. Older westerns (and bad modern ones) romanticize expansion, systemic genocide, and white savior tropes while exoticizing, stereotyping or dehumanizing American Indians. If you want to see critiques of books through a Native lens, definitely check out Debbie Reese’s blog, especially her review of the first book in this series.

Reading Like a River Glorious with the above in mind, there are still some problems inherent to the genre. But in this second installment, Carson does the work on the page to constantly check Leah’s privilege as well as that of the other characters (male privilege for instance). This book also thoughtfully engages with a lot of the racism/biases/stereotypes that Lee encounters.

The scope of this book is much smaller, Lee spends a lot of the story held captive by her uncle. Her world narrows to securing survival and safety for herself and those she cares about. She see the atrocities her uncle is perpetrating in his mad search for gold and she feels helpless in the face of it. Understandably, that makes Like a River Glorious quite bleak but also very important as, through Lee’s first person narration, the novel the problems of westward expansion along with the wonder that pioneers felt as they sought opportunities at the expense of the indigenous populations.

Carson uses this shift in tone to create a more character driven story focused particularly on Lee and Jefferson as the two friends try to reconcile their lifelong friendship with what comes next when Jefferson wants more and Lee wants to maintain her autonomy.

Lee grows up a lot in this installment as she realizes she cannot (and should not) always be the hero. Jefferson remains a perfect counterpoint to Lee as male lead and an excellent character in his own right. Like a River Glorious is a well-researched work of historical fiction with a slow burn a slow burn romance and inclusive cast and a touch of fantasy. Highly recommended.

Possible Pairings: Vengeance Road by Erin Bowman, A Curse as Dark as Gold by Elizabeth C. Bunce, Under a Painted Sky by Stacey Lee, Every Hidden Thing by Kenneth Oppel, The Kiss of Deception by Mary E. Pearson, For Darkness Shows the Stars by Diana Peterfreund, The Crown’s Game by Evelyn Skye, Illusions of Fate by Kiersten White, Thirteenth Child by Patricia C. Wrede

Nemesis: A Review

Nemesis by Anna BanksPrincess Sepora of Serubel is the last Forger in the Five kingdoms. She is the only person alive who can create spectorium, a powerful element coveted for its energy and powerful properties.

When Sepora’s father weaponizes spectorium, Sepora chooses to leave her kingdom in secret and disappear rather than help him start a war. Across the border in Theoria, Sepora plans to live a quiet and anonymous life while hiding her Forging from prying eyes. Until she is captured and forced into service for Theoria’s king.

Tarik is young to be king and feels unready for the responsibilities that come with the title, especially as he has to deal with a mysterious plague sweeping through Theoria’s people with alarming speed. His efforts to track down a cure are complicated by a distracting new servant.

When Sepora and Tarik meet they form an immediate bond and an unlikely friendship could lead to much more. Sepora’s Forging could save Tarik’s kingdom but if her father finds her, it could also lead to war across the Five Kingdoms in Nemesis (2016) by Anna Banks.

Nemesis is the first book in Banks’ new duology which will conclude with Ally.

Nemesis introduces an interesting world filled with unique cultures that nod to ancient civilizations (Theoria places their dead in giant pyramids waiting for the day their scientists learn to conquer death) and science that comes close to magic. Unfortunately most of these elements are introduced through dense informational passages that make the opening of this novel feel clunky. And even worse, a lot of the world building in this book is just plain problematic.

The novel alternates between Sepora’s first person narration in a stilted style that rarely uses contractions and Tarik’s third person narrative. The transition from first to third person does little to differentiate between Sepora and Tarik’s narrative voices and instead creates a jarring transition between chapters.

Sepora is a thoughtful protagonist. She struggles with the choice to leave her home and what it will mean for her kingdom and beyond as spectorium disappears. Her moral dilemmas are portrayed throughout the book with careful thought and her growth throughout the novel is handled quite well.

Unfortunately some remarks about other kingdoms lack that same forethought. Throughout Nemesis the Wachuk kingdom is described as primitive because the people their have chosen to eschew verbal language because actions, as it were, speak louder. The Wachuks use sign language and some sounds described alternately as clicks, growls and grunts. The commonality for every descriptor is that they are described as primitive. Readers never see what Wachuk life actually looks like. The idea that being non-verbal makes the Wachuk’s primitive is never challenged or even explored in any meaningful way on the page. None of the characters have a teachable moment about it. Lingots, Theorians who are able to discern lies from truths and interpret languages, can understand the Wachuk but again that never leads to any deeper revelations.

This bias where different is equated with primitive/inferior is compounded with the portrayal of the Parani. In Serubel, parents tell their children about the Parani as a cautionary tale to keep them out of the dangerous water nearby. The Parani live underwater and are rumored to be able to kill a person in moments. They have tough skin, webbed fingers, and sharp teeth. Sepora also learns firsthand that they are humanoid in appearance and capable of comprehension, reasoning, and language (in the form of high pitched sounds that again do not resemble “typical” words and therefore must be “primitive”). Everyone else in the five kingdoms views the Parani as animals to be avoided or, if encountered, killed before they can attack. Or eaten. Again meaningful realizations that the Parani are people become sidelined by the Lingots’ magical ability to understand them despite the Parani being crucial to the story.

There is a lot in Nemesis that works well. Sepora is an engaging if sometimes misguided heroine and Tarik is an entertaining foil/love interest. The premise of the story is intriguing if not the most highly developed. Unfortunately the combination of stock secondary characters, poorly integrated world building details, and badly handled misconceptions about “primitive” or “other” characters take this potentially fun story and make it incredibly problematic and often painful.

Readers looking for a story with star-crossed lovers and/or nuanced fantasy would be better served elsewhere.

Possible Pairings: The Wrath and the Dawn by Renee Ahdieh, The Girl of Fire and Thorns by Rae Carson, The Impostor Queen by Sarah Fine, Rebel of the Sands by Alwyn Hamilton, The Keeper of the Mist by Rachel Neumeier, The Kiss of Deception by Mary E. Pearson, And I Darken by Kiersten White

*An advance copy of this title was provided by the publisher for review consideration*

The Apple Throne: A Chick Lit Wednesday Review

“It is by touching gods and godlings, elves and trolls and men and women, by starting a new story for ourselves and our names, that we reach into the future.

“That is how we thrive.”

The Apple Throne by Tessa GrattonAstrid Glynn traded her life as a talented prophet and seethkona to save the person she loves. Soren Bearstar struck a bargain in turn so that he would remember Astrid even as the rest of the world forgot her.

It has been two years since Astrid gave up her name, her prophetic dreams, and her life to become Idun the Young–the not-quite goddess who guards and distributes the apples of immortality. In those two years Soren’s bargain has allowed him to visit her every three months. Until he doesn’t come.

Certain that something terrible is keeping Soren away, Astrid goes against the gods to escape her hidden orchard and search for him. With unexpected help from one of Thor’s bastard sons, Astrid travels across New Asgard to find Soren and save him.

Astrid is no longer the seer she once was nor is she exactly a goddess. She will have to bridge the gap between her old life and new if she wants to save the people she loves and protect the world as they know it in The Apple Throne (2015) by Tessa Gratton.

The Apple Throne is the conclusion to Gratton’s Songs of New Asgard (United States of Asgard) series. It is preceded by The Lost Sun and The Strange Maid. All of the books function very well as stand-alone titles however, because of timeline and character overlap, The Apple Throne does include spoilers for the earlier books. These titles have all been reissued by the author through CreateSpace as paperbacks and eBooks.

The Apple Throne is a fantastic conclusion to one of my favorite fantasy series. This story starts soon after the conclusion of Soren’s story and references the events of Signy’s ascension to her title as Valkryie. Although Astrid’s story is removed from that of the other protagonists in this series, her arc culminates in a finish that neatly ties all three books together.

Astrid accepts her current role as Idun, a quasi-goddess, gladly. But the loss of her identity as young prophet Astrid Glynn and her separation from Soren still sting. More importantly, Astrid isn’t sure who she is without a place in the world and her dream visions to guide her. Throughout the story Astrid has to reconcile who she used to be with who she has become as she tries to correct past mistakes and protect the people she holds dear.

A feminist story literally about a young woman carving a place for herself in the world, The Apple Throne is another thoughtful fantasy filled with the intricate world building that Gratton’s fans will expect. Highly recommended.

Possible Pairings: Brightly Woven by Alexandra Bracken, Graceling by Kristin Cashore, Vessel by Sarah Beth Durst, The Curiosities by Tessa Gratton, Maggie Stiefvater and Brenna Yovanoff, Fire and Hemlock by Diana Wynne Jones, Dark Triumph by Robin LaFevers, The Outlaws of Sherwood by Robin McKinley, Soundless by Richelle Mead, Clariel by Garth Nix, Sisters Red by Jackson Pearce, Bone Gap by Laura Ruby, Song of the Sparrow by Lisa Ann Sandell, The Near Witch by Victoria Schwab, Midwinterblood by Marcus Sedgwick, The Thief by Megan Whalen Turner

Be sure to watch for my interview with Tessa about this book tomorrow!

You can also enter my giveaway to win ebooks of this trilogy!

Wayfarer: A Chick Lit Wednesday Review

*Wayfarer is the conclusion to Bracken’s Passenger duology. It contains major spoilers for book one. If you’re new to the series, start at the beginning with Passenger*

“All of us have had to come to terms with the fact that our loyalty is to time itself. It’s our inheritance, our nation, our history.”

“We can live in the past, but we cannot dwell there.”

Wayfarer by Alexandra BrackenEtta’s preparations for her debut as a concert violinist feel distant in the wake of revelations that she and her mother are part of a long line of time travelers who have drawn Etta into the center of a dangerous battle for power.

Etta has gone around the world and through time searching for a coveted astrolabe that can control and manipulate the timeline itself. She knows the astrolabe has to be destroyed. But she also knows she will need it herself if she hopes to save her mother.

Orphaned by a disastrous change to the timeline, Etta wakes up alone in another place and time separated from Nicholas, her partner throughout this journey. The future that she knows no longer exists. In this new timeline Etta finds unexpected help from Julian Ironwood–Cyrus’s heir, long presumed dead–and an unlikely ally from Etta’s own past.

Nicholas could do nothing to keep Etta with him when she was Orphaned. Now he and Sophia are following every lead–every passage–that they can to find the astrolabe and Etta. Their uneasy alliance is tested by the pursuers far too close behind and the mercenary who may be trying to help Nicholas and Sophia–or stop them.

Separated by time itself Nicholas and Etta will have to face impossible odds, familiar enemies, and a dangerous new power if they hope to reunite and keep the timeline safe in Wayfarer (2017) by Alexandra Bracken.

Wayfarer is the conclusion to Bracken’s latest duology which begins with Passenger. It contains major spoilers for book one. If you’re new to the series, start at the beginning.

Wayfarer picks up shortly after the dramatic conclusion of Passenger. Etta is injured and alone after she is Orphaned while Nicholas is left behind in Nassau where he is forced to rely on Sophia’s knowledge of the passages to hopefully find Etta and the astrolabe before time runs out.

This novel once again alternates close third person narration between Etta and Nicholas (possibly with slightly more time given to Nicholas). Although they are separated at the start of the novel both Etta and Nicholas remain true to each other and confident in each other amidst rampant mistrust and doubts from their allies. The steadfastness of their belief in each other is heartening as almost everything else these characters hold true is thrown into doubt over the course of the story as all of the characters face difficult choices once the full threat of the astrolabe becomes clear.

Bracken expands the world of the travelers in Wayfarer with new characters (be sure to watch out for mercenary Li Min), and new backstory about the origins of the travelers and the four families. Sophia, happily, also plays a bigger role in this story after previously being an antagonist to both Nicholas and Etta. Sophia remains ambitious, angry, and delightfully unapologetic even as she begins to make new choices. The focus of this story also shifts from romance to relationships of a different sort as friendships, partnerships, and other alliances form.

One of the constant themes in this series is trust. In Passenger Etta and Nicholas have to learn how to trust each other and, to some extent, their abilities as travelers (albeit inexperienced ones). Wayfarer, meanwhile, finds both Etta and Nicholas having to form new bonds in order to survive. These changing relationships lend depth and substance to a story that is already rich with historical detail and fully developed characters.

Wayfarer is a brilliant novel about trust, choices, and time travel (of course) filled with romance, action, and more than a few memorable moments. This series is a great introduction to time travel and also ideal for fans of the sub-genre. The perfect conclusion to one of my favorite duologies. Highly recommended.

Possible Pairings: Loop by Karen Akins, Until We Meet Again by Renee Collins, The Infinity of You & Me by J. Q. Coyle, Truthwitch by Susan Dennard, Revolution by Jennifer Donnelly, Chasing Power by Sarah Beth Durst, The Glass Sentence by S. E. Grove, The Girl From Everywhere by Heidi Heilig, Hourglass by Myra McEntire, The Shadow Society by Marie Rutkoski, Passenger by Alexandra Bracken, Into the Dim by Janet B. Taylor, All Our Yesterdays by Cristin Terrill, Pivot Point by Kasie West

*An advance copy of this title was sent by the publisher for review consideration*