The Forest of Stolen Girls: A Chick Lit Wednesday Review

The Forest of Stolen Girls by June HurJoseon (Korea), 1426: The year of the crown princess selection when young women like Hwani should be dreaming of entering the palace as a princess. Hwani has never been interested in marriage or the selection process.

Instead, she is crossing the sea to travel to Jeju, a penal island of political convicts. Her childhood home.

Months ago, Hwani’s father made the same journey. He didn’t return.

Detective Min went to the island investigating the disappearance of thirteen girls–disappearances that might be tied to the forest incident–an event so traumatic that Hwani has blocked out all but the barest details.

Coming back to the island will bring Hwani face to face with her estranged younger sister, Maewol, for the first time in years. In their search for the truth, both sisters will have to confront buried memories from their past and the island’s dark secrets in their search for the truth in The Forest of Stolen Girls (2021) by June Hur.

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Hwani’s efforts to find her missing father and solve his last case contrast well with the smaller story of her own difficulties in deciding how to balance societal conventions with her own dreams and goals. Hwani’s tentative reconnection with her sister–who has been left alone on the island for years to train with the local shaman–adds further depth and tenderness to this thoughtful story.

An author’s note at the end demonstrates Hur’s thoughtful research for this novel while contextualizing the story here into the larger context of Korean history.

The Forest of Stolen Girls is a tense and atmospheric mystery that is both well-plotted and nuanced. Recommended.

Possible Pairings: Mirage by Somaiya Daud, Splinters of Scarlet by Emily Bain Murphy, Wicked Like a Wildfire by Lana Popovic, The Beast is An Animal by Peternelle Van Arsdale, The Steep and Thorny Way by Cat Winters

*An advance copy of this title was provided by the publisher for review consideration*

An Emotion of Great Delight: A Chick Lit Wednesday Review

An Emotion of Great Delight by Tahereh MafiShadi means full of joy in Persian but Shadi’s life is filled with personal sorrows. Her brother Mehdi is dead–killed in a car accident. Her father is probably dying in the hospital after his second heart attack; Shadi privately thinks he is getting exactly what he deserves while her mother and older sister Shayda do everything they can to take care of him.

Shadi used to find refuge with her best friend, Zahra. But Zahra has dropped her. The way everyone seems to now.

Shadi knows there are bigger problems in the world. It’s 2003. Neighbors look at her askance because of her hijab. The United States has officially declared war on Iraq. The Muslim community is reeling from news of undercover FBI agents infiltrating local mosques.

But Shadi’s brother is still dead. Her best friend still hates her. She still misses the life she had before.

When it seems like nothing can ever get better, Shadi wonders if she’s found the way her story ends. Until Zahra’s older brother, Ali, makes an overture to renew their friendship. And maybe start a tentative romance.

Trapped in a morass of grief and isolation, Shadi will have to reclaim her right to happiness and peace if she wants to move forward in An Emotion of Great Delight (2021) by Tahereh Mafi.

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Mafi’s latest novel reads like a time capsule cracked open, immediately drawing readers into Shadi’s life. This quiet story offers an introspective look at Shadi’s experiences as an Iranian American teen in 2003 where her personal dramas play out against the larger backdrop of world events impacting the Muslim community.

Flashbacks to life before Mehdi’s death cast Shadi’s present isolation in stark relief as she hits bottom and slowly begins to realize she has to let go of her anger and grief before it eats her alive.

An Emotion of Great Delight is a sparse story filled with lyrical prose, pathos, and ultimately optimism; a visceral read that cements Mafi’s place in the YA canon.

Possible Pairings: Clap When You Land by Elizabeth Acevedo, Ask Me No Questions by Marina Tamar Budhos, Tell Me Three Things by Julie Buxbaum, Yolk by Mary HK Choi, All-American Muslim Girl by Nadine Jolie Courtney, Home is Not a Country by Safia Elhillo, My Heart Underwater by Laurel Flores Fantauzzo, The Love and Lies of Rukshana Ali by Sabina Khan

Gods of Jade and Shadow: A Chick Lit Wednesday Review

“Words are seeds, Casiopea. With words you embroider narratives, and the narratives breed myths, and there’s power in the myth. Yes, the things you name have power.”

Gods of Jade and Shadow by Silvia Moreno GarciaCasiopea Tun’s quiet life in a small Mexican town is very far from the Jazz Age’s action and splendor. Her father taught her to love the stars. Sometimes, even without him, the stars are enough of a distraction from the drudgery of life in her grandfather’s house where she is more likely to be found cleaning than listening to jazz. Like her mother, she is used to suffering the petty digs of her family in silence. Their complaints that she is too dark, that she is a girl, can’t touch her. Not when she dreams of more.

Even her cousin Martín’s abuses are bearable because Casiopea refuses to believe this house will be her life forever. It can’t be in a world where there are stars and movies and automobiles.

Everything changes, as it sometimes does, in the blink of an eye when Casiopea opens a strange wooden box in her grandfather’s room. Instead of treasures or secrets, she finds bones and accidentally releases the spirit of Hun-Kamé, Lord of Xibalba, the Mayan god of death.

His kingdom has been stolen by his traitorous brother who left Hun-Kamé trapped in the box for years. Missing his one ear, one eye, one index finger, and the jade necklace that represents his power, Hun-Kamé cannot face his brother alone. With Casiopea’s help he can make himself whole and recover what was stolen from him. Tying herself to Hun-Kamé could be fatal for Casiopea if they fail. But success could bring her everything she has ever dreamed of.

Helping a god will bring Casiopea from the jungles of Yucatán to glittering Mexico City and beyond. Traveling with Hun-Kamé will also bring Casiopea closer to her truest self and to feelings she dare not name because the things you name always grow in power in Gods of Jade and Shadow (2019) by Silvia Moreno-Garcia.

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Gods of Jade and Shadow is a quiet, character driven story with a close focus on Casiopea through the lens of an omniscient third person narrator. This degree of separation lends a timeless, inevitable quality to the book as it moves toward the final confrontation between Hun-Kamé and his brother.

Fantastical world building and subtle characterization breathe new life into the Mayan mythology that scaffolds this story of a girl striving for more and, finally, having a chance to grasp it. Subtle conversations and nonverbal interactions between Casiopea and Hun-Kamé underscore the changing relationship (and chemistry) between these singular characters.

Gods of Jade and Shadow is, in my humble opinion, a perfect book. Come for the adventure and engrossing plot, stay for the well-realized characters and bittersweet ending that will linger long after the story is finished.

Possible Pairings: Lovely War by Julie Berry, The City of Brass by S. A. Chakraborty, The Star-Touched Queen by Roshani Chokshi, American Gods by Neil Gaiman, Fire and Hemlock by Diana Wynne Jones, The Night Circus by Erin Morgenstern, An Enchantment of Ravens by Margaret Rogerson, The Invisible Life of Addie LaRue by V. E. Schwab, A Well-Timed Enchantment by Vivian Vande Velde

Baby and Solo: A (WIRoB) Review

This piece originally appeared in the Washington Independent Review of Books:

Baby and Solo by Lisabeth PosthumaRoyal Oaks, Michigan, 1996: After being in and out of mental hospitals for years, seventeen-year-old Joel Teague is almost Normal. He hasn’t had any visible signs of What Was Wrong With Him since he was fifteen, he goes to therapy, and he even has a new prescription from his therapist: Get a part-time job. While Joel’s overbearing mother is wary of the advice, Joel’s father is hopeful. So is Joel, as he puts it, “Maybe all that remained between me and being Normal again was providing goods or services to my peers for minimum wage for a while. It was worth a try.”

Enter ROYO Video where Joel is soon working part-time and well on his way to becoming the “Doogie Howser of the video store corporate ladder.” In a store where every employee goes by the name of a movie character, Joel is more than ready to become Solo, short for Han Solo Star Wars—Joel’s favorite movie and a movie that’s been forbidden in his home since the Bad Thing Happened. With the new name, Joel also gets a tabula rasa (clean slate) to try making friends, working, and proving he is totally capable of being Normal.

At the store, Joel finds routine work surprisingly comforting as he gets to know his motley assortment of coworkers including sexy manager Jessica (Scarlet at the store) who claims “Scarlett O’Hara’s her favorite movie character” but lacks “the decency to spell her name with both t’s,” The Godfather—an Asian girl who “had presence in the way someone ballsy enough to call herself ‘The Godfather’ should,” and Nicole/Baby (from Dirty Dancing).

What starts as a routine job quickly becomes something more as Joel discovers the potential for real connection with his coworkers—especially Baby who is dealing with her own Something Wrong With Her while introducing Joel to the ins and outs of the video rental world and improving his film education one movie viewing at a time in Baby and Solo (2021) by Lisabeth Posthuma.

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As Joel becomes friendlier with Baby, he realizes that getting to know her might also involve letting her get to know him—including What Was Wrong With Him even after establishing his clean slate—a risk he isn’t sure he’s willing to take. As he notes, “It’s a lot of responsibility, knowing the entire truth about a person, and I was too busy trying to become what I might have been to get involved in What Was Wrong with someone else.”

This character-driven novel slowly unspools the intensely mutual (and notably platonic) friendship between Solo and Baby as they share their vulnerabilities and help each other through a tumultuous year including a pregnancy and continued mental health struggles. When new employee Maverick (Andres in real life) joins the ROYO video team, Joel is also forced to confront his own internalized homophobia courtesy of his mother and his family history with The Bad Thing That Happened and partially led to What Was Wrong with Joel.

Joel’s first-person narration is wry and straight to the point with careful asides hinting at his years “in and out of the psych ward” and how they impacted him (one notable example being that Joel is “hard to scandalize” now) alongside practical advice from his years of therapy that he shares with both readers and other characters processing complex emotions including grief and loss. After years of keeping people at a remove, Joel is terrified of connection, even as he craves it—a push and pull that continues throughout the story as Joel begins to understand that “if you want to experience healthy intimacy in relationships, you’re going to have to be emotionally vulnerable with someone at some point.”

As the title suggests, Joel and Baby are the central point of this story but they are far from the only worthwhile characters. The mostly white cast is fully developed and well-realized. 1990s pop culture, movie references thanks to the video store setting and an in-theater viewing of Baz Luhrmann’s Romeo + Juliet, and day-to-day retail struggles including quirky customers, a mandatory Secret Santa exchange, and more highlight Joel’s new reality while he hints at The Bad Thing that happened and works to find closure with What Was Wrong.

Whether or not readers were around for the 1990s and the pre-streaming world of video rental, Baby and Solo is a universal and timeless story of friendship, growth, retail employment and the ups and downs of all three.

Possible Pairings: Tales of the Madman Underground by John Barnes, The Great American Whatever by Tim Federle, Nice Try Jane Sinner by Lianne Oelke, History is All You Left Me by Adam Silvera, Challenger Deep by Neal Shusterman, Rayne and Delilah’s Midnite Matinee by Jeff Zentner

Luck of the Titanic: A Chick Lit Wednesday Review

Of the eight Chinese passengers aboard the Titanic, six survived.

Valora Luck almost misses her chance to be one of those passengers when her entry is blocked thanks to the Chinese Exclusion Act which restricts the admission of Chinese immigrants into the United States. Valora is used to obstacles, though, and isn’t about to let a silly policy stop her from getting on board and seeing her twin brother Jamie for the first time in years.

Jamie is traveling on the Titanic as a seaman on his way to Cuba with the rest of his crew but Val has bigger plans for both of them. Reunited for the first time since their father’s death, this is the perfect opportunity for the twins to revive their acrobatics act–an act that Val knows will be good enough to attract the attention of the Albert Ankeny Stewart. One look at their performance and Mr. Stewart will have to recruit them for the Ringling Circus. Then Val and Jamie can finally get back to being family again instead of near strangers.

Val’s plan is perfect. Until disaster strikes and, as the Titanic begins its last night as an ocean liner, Val and her brother will have to worry about surviving the present before they can plan for the future in Luck of the Titanic (2021) by Stacey Lee.

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Luck of the Titanic is narrated by Val as she struggles to board the luxury liner and secure passage into America for herself and her brother. The story is inspired by the real Chinese passengers on the TitanicYou can read more about Lee’s real-life inspiration to write this story in an essay she wrote for Oprah Daily.

Lee once again delivers a masterful work of historical fiction. Luck of the Titanic is carefully researched with front matter that includes a cast of characters and diagrams of the famous ship. The balances portraying the very real racism and intolerance Val and her fellow Chinese passengers would have encountered on the ship (or in attempting to travel to the United States) while also highlighting small joys as Val reconnects with her brother, befriends his crewmates, and as all of them discover the magic of this larger-than-life ship before it strikes an iceberg and begins to sink.

Val is an accomplished acrobat which adds a fun dimension to the story. Because of the novel’s setting, this aspect of Val’s life can never be the main point of the story but it still adds so much to her character as readers see her talent and joy in her work–and the contrast in how Jamie feel’s about the same performance skills.

Readers familiar with the history of the Titanic will recognize many key points including the iconic state rooms and grand stairway while the story also shows more of third class (steerage) where Jamie and his crew are located. The novel does include an attempted sexual assault which moves the plot forward (necessitating the separation of Val and some of her friends as the iceberg hits) but also feels excessive in a story that already has plenty of tension and strife for the characters.

Lee also includes nods to common theories about contributing factors to the disaster including the lack of binoculars for crew working in the crow’s nest, the pressure on Captain Smith to drive at speed, and of course the lifeboats (of which there were too few) being launched without reaching full capacity. Other details (the lack of proper warnings from the Marconi operators, the confusion as Titanic tried to signal for help from nearby ships) are left off-page in favor of a focus on the characters. While Lee shows more behind-the-scenes areas of the ship, this novel is largely populated by fictional characters whenever possible leaving notable survivors like Molly Brown and crew member Violet Jessop out of the narrative entirely.

Luck of the Titanic is both gripping and melancholy as the novel builds to its inevitable conclusion. This story of survival and family is completely engrossing while also asking readers to consider whose stories are deemed worth telling in history–and how we can work to widen that scope. Recommended for fans of adventure and historical fiction novels.

Possible Pairings: Last Night at the Telegraph Club by Malinda Lo, Airborn by Kenneth Oppel, Salt to the Sea by Ruta Sepetys, The Watch That Ends the Night by Allan Wolf

Mexican Gothic: A Chick Lit Wednesday Review

Mexican Gothic by Silvia Moreno-GarciaMexico, 1950: Noemí Taboada, 22, leads an easy, if sometimes boring, life as a glamorous debutante. Her biggest concerns are usually which men to dance with each night, how many dresses she can wear in a day, and convincing her father to continue paying her college tuition instead of urging her to find a husband.

Noemí’s predictable life is upended when a frantic letter arrives from her cousin, Catalina. After a whirlwind courtship and marriage, everyone assumed that Catalina was living happily in the Mexican countryside on her husband’s family estate. But her letter hinting at poisoning, menace, and other threats suggests otherwise.

Although she is an unlikely rescuer, Noemí is certain she can get to the bottom of things once she gets to Catalina. Even unflappable Noemí doesn’t know what to make of High Place when she arrives. The once-stately mansion is nearly derelict, mold creeps along the walls, locals won’t make the trek up the mountain path to the estate, the family lives in isolation.

Catalina’s alluring but menacing husband dismisses the contents of the letter and seems determined to block Noemí’s access to her cousin. Worse, Noemí catches the eye of the family’s ancient patriarch who is uncomfortably interested in the purity of his family line.

Uncertain of who she can trust, not sure if she can believe her own senses, Noemí will have to rely on her own wits to unearth High Place’s dark secrets and try to get herself and her cousin out alive in Mexican Gothic (2020) by Silvia Moreno-Garcia.

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Mexican Gothic is a standalone horror novel filled with all of the lavish descriptions and ill-defined menace readers familiar with gothic horror will appreciate. Written in close third person, the novel follows Noemí as she comes to High Place and begins to discover the estate’s long-buried secrets.

Moreno-Garcia uses masterful pacing to amplify both the tension of the narrative and High Place’s menace as Noemí comes closer to the truth. The first two thirds of the novel are very gothic and very creepy with a tightly controlled story. The climax, and explanations, take a dramatic turn with an outcome that feels more like the plot of a 1950s B horror movie as the elements behind High Place’s depravity continue to pile up.

Horror and supernatural elements work together to unpack the sinister truth behind High Place but readers should also be aware that the novel includes instances of sexual assault, gaslighting, body horror, cannibalism, emotional abuse, and incest.

Mexican Gothic is a genuinely scary if sometimes bizarre story. Lavish descriptions, deliberate prose, and a singular heroine make this book a standout in the genre.

Possible Pairings: The Wildling Sisters by Eve Chase; The Haunting of Hill House by Shirley Jackson; Boy, Snow, Bird by Helen Oyeyemi; Lovecraft Country by Matt Ruff; The Ballad of Black Tom by Victor LaValle, Crimson Peak, Mother!

Mayhem: A Review

Mayhem by Estelle LaureCalifornia, 1987: Mayhem Brayburn and her mother have never been like everyone else. May can see it in her mother Roxy’s constant pain, her pull to the water, the gaping hole of her father’s absence in the wake of his suicide years ago.

When her step-father goes too far, Roxy and Mayhem make their way back to the beach town–and the family history–that Roxy left behind when May was a baby. Santa Maria is everything May always hoped it would be. She meets her aunt’s foster kids, finds the family she always wanted and, amazingly, discovers her own connection to the Brayburn family’s long line of magic.

But not everything is magical in Santa Maria. Girls are going missing. Soon, Mayhem’s own efforts to find the culprit draw her into a strange world of vigilante justice and revenge as she learns more about the town–and her family’s–darker secrets in Mayhem (2020) by Estelle Laure.

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If this standalone fantasy sounds a lot like the 1987 film The Lost Boys, that’s because it is. While Laure imbues Mayhem with its own magic and world building, the story stays close to the original plot of the classic vampire film complete with brief appearances by the iconic Frog brothers. Laure also brings more diversity to the cast in her update–the Brayburns are white but May’s farther was Brazilian and Jason and Kidd are biracial (Black and white).

Questions of why this story had to be set in 1987 instead of modernized are also inevitable and not well answered by any authorial choices.

How you feel about this book might depend on your familiarity with the film and your feelings about it. Mayhem includes a lot of nods to the original film but shifts in surprising ways to make space for the Brayburn’s family history as seen in a mysterious diary Mayhem finds upon exploring her new home. Unfortunately these two storylines don’t always mesh well feeling more like two separate stories than one, cohesive plot.

Mayhem is ideal for readers who like their witches fierce and their vampire references vintage.

Possible Pairings: The Wicked Deep by Shea Earnshaw, Harrow Lake by Kat Ellis, The Devouring Gray by Christine Lynn Herman, Sawkill Girls by Claire Legrand, The Lost Boys

The Kingdom of Back: A Chick Lit Wednesday Review

“Speak for the ones who will come after you, looking to you for guidance. Stay true, daughter. One day you will see it all go up in flames.”

The Kingdom of Back by Marie LuThis is a story you already know. But listen carefully, because within it is one you have never heard before:

Nannerl Mozart has one wish that she guards close, no matter how hopeless it might be; she wants to be remembered forever.

A talented musician and performer, Nannerl entrances audiences with her playing which is masterful for one so young. But the older Nannerl becomes, the less brilliant her prowess. Especially compared to her younger brother Wolfgang who has already begun to overshadow Nannerl’s achievements with his own musicality and compositions.

Watching her younger brother, it is increasingly clear that it will be Wolfgang who receives the bulk of their strict father’s praise. It will be Wolfgang living the life Nannerl desperately wants. No amount of talent is enough to allow a young girl in eighteenth-century Austria to compose her own music. Not publicly.

Working in secret by day Nannerl begins creating her own compositions beside her brother. At night she waits for a mysterious visitor from a kingdom that should be little more than a bedtime story she shares with Wolfgang. The stranger has untold powers, and he knows Nannerl’s secret wish. But wishes have a price and the cost of securing her legacy might be greater than Nannerl can bear in The Kingdom of Back (2020) by Marie Lu.

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The Kingdom of a Back is a standalone novel that blends evocative historical fiction with fantasy elements. As Lu explains in her author’s note, this book was inspired by the real Mozart siblings as well as the eponymous imaginary world they created together as children.

In a departure from her earlier novels, Lu stays close to historical events centering the story in Austria and the Mozart family’s tour through Europe while fantasy elements set in the Kingdom of Back take a secondary role.

Nannerl’s first person narration is introspective and thoughtful as she tries to balance her fierce affection for her brother with her growing frustrations that, merely because of her gender, she will never be able to claim the same praise and recognition that is lavished on Wolfgang. Although jealousy is certainly a factor in Nannerl’s choices throughout the novel, The Kingdom of Back is grounded firmly in the love and friendship between the siblings.

The Kingdom of Back is a meditative story about ambition and achievement, as well as the chasm that can develop between the two. While real life events lend a melancholy tone to this story, it also makes the novel all the more powerful as a rallying cry and a hopeful reminder that there is always room to strive for more. Highly recommended.

Possible Pairings: Seraphina by Rachel Hartman, Heartless by Marissa Meyer, The Invisible Life of Addie LaRue by V. E. Schwab, The Glass Town Game by Catherynne M. Valente, And I Darken by Kiersten White

The Black Kids: A Chick Lit Wednesday Review

The Black Kids by Christina Hammonds ReedLos Angeles, 1992: Ashley Bennett is living her best life at the end of her senior year spending more time at the beach with her friends than in the classroom.

But Ashley’s summer of possibility seems like much less of a sure thing when four LAPD officers are acquitted after they beat a Black man named Rodney King nearly to death. Suddenly both Ashley and all of her friends are very aware that Ashley is the only Black girl in their group and one of the only black kids in the entire school.

As protests shift to violent riots and fires threaten the city, Ashley tries to pretend nothing is changing. As her sister throws herself into the center of the riots heedless of the consequences, Ashley tries to ignore all the cracks in her family’s facade of privilege. When Ashley accidentally helps her friends spread a rumor that could derail her classmate LaShawn’s college plans, she realizes she has to make amends.

Ashley has never felt like one of the Black kids but as she gets to know LaShawn and his friends, she realizes she still has a lot to learn about her family, her city, and her own place in both in The Black Kids (2020) by Christina Hammonds Reed.

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The Black Kids is an intense debut novel and was a finalist for the 2020 William C. Morris YA Debut Award. This story plays out against the backdrop of the 1992 Los Angeles riots, it includes scenes of protests turning violent as well as racial slurs (notably the n word) used by characters. While these situations are addressed and interrogated in the story as Ashley learns to speak up for herself and for others, be advised of what to expect as you read.

Ashley’s first person narration is both lyrical and pragmatic. Ashley is very firmly grounded in her reality–fully aware of her sister’s self-destructive tendencies and her own precarious position surrounded by her white friends. At the same time, she also dreams of better days to come as she looks back on formative moments with her current best friends and learns more about her family’s history in LA.

There are no easy answers in this story and there are no perfect characters. Ashley is secretly hooking up with her best friend’s boyfriend, a new friend is furious when Ashley reports possible abuse, and the consequence for Ashley’s sister joining the riots are severe.

While the riots shape the larger narrative arc of this novel, The Black Kids is ultimately a smaller story about one girl’s growth (and her stumbles) as she learns to embrace every part of who she is–not just the parts she thinks people want to see.

Possible Pairings: Tyler Johnson Was Here by Jay Coles, Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar, Light It Up by Kekla Magoon, I’m Not Dying With You Tonight by Gilly Segal and Kimberly Jones, Dear Martin by Nic Stone, The Hate U Give by Angie Thomas, Piecing Me Together by Renee Watson

Elysium Girls: A Review

Elysium Girls by Kate PentecostSal Wilkinson has had visions of rain coming to the walled city of Elysium for years. Sal knows her vision is true, knows it’s just taking a little longer. But no one else in town believes that and most people don’t have much use for her.

No one is more surprised than Sal when she is named Successor to Mother Morevna, the powerful witch who banded Elysium together the day the city was wrench out of our world in 1935 and become the game board for the latest game between the sister gods Life and Death.

After nearly ten long years building up the city, the day of judgement if months away. If the city succeeds, Life will restore them to the world. If the city is deemed a failure, Death will claim every person within its walls as a sacrifice.

Sal thinks becoming Successor is her chance to prove her worth to the city once and for all. Instead, her first attempt to lead the city ends in disaster. Exiled alongside a mysterious outsider, Sal will have to join forces with Olivia Rosales, another Elysium exile and a young witch herself, if any of them hope to save Elysium by beating Life and Death at their own game in Elysium Girls (2020) by Kate Pentecost.

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Elysium Girls is Pentecost’s debut novel. The novel alternates between Sal’s first person narration and third person narrations following other characters including Asa and Olivia.

Pentecost’s story is grounded with a strong sense of place. Descriptive prose bring the Dust Bowl ravaged city and its steampunk-inspired blend of steel and magic to life. Despite the promising start, a large cast and sprawling premise still make this story unwieldy.

Despite a countdown to Judgement Day at the start of every chapter, this book is largely lacking in a sense of urgency where any stakes for at least the first thirty percent of the novel are entirely absent.

Readers drawn to Elysium Girls based on the synopsis should prepare themselves for a long haul as Pentecost takes her time building up the story. A potential win for readers seeking an immersive fantasy with steampunk elements and only minimal romance between secondary characters.

Possible Pairings: Devils Unto Dust by Emma Berquist, Lovely War by Julie Berry, The Game of Love and Death by Martha Brockenbrough, The Reader by Traci Chee, The Young Elites by Marie Lu, There Will Come a Darkness by Katy Rose Pool