Grown: A Review

“Because if I keep denying the memory, it’ll make it untrue.”

Grown by Tiffany D. JacksonEnchanted Jones thought she had everything figured out. She isn’t what anyone would call happy at her new school, but she makes it work. She has swim team and she has her best friend Gabriella. With Gab’s help Enchanted auditions for BET’s version of American Idol. It doesn’t go well.

But it does bring her face to face with legendary R&B artist Korey Fields who is even hotter in person and could be Enchanted’s own ticket to stardom. It starts with secret texts and flirting. Then there are singing lessons and an invitation to go on tour.

It ends with Enchanted beaten bloody and Korey Fields dead.

Enchanted wishes she could forget the events leading up to Korey’s death. But she can’t do that any more than she can remember what happened that night.

Did Enchanted plunge the knife into Korey’s chest? Was she the only one who wanted him dead? With more questions than answers Enchanted will have to piece together the pieces before Korey’s livid fans–or the police–do it for her with Enchanted as the culprit in Grown (2020) by Tiffany D. Jackson.

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Jackson’s latest standalone is a tense mystery as Enchanted navigates her sudden infamy while still trying to process the abuse she suffered at Korey’s hands. (Please note the content warnings in this book for: mentions of sexual abuse, rape, assault, child abuse, kidnapping, and addiction to opioids.) The case in the book is heavily influenced by the sexual abuse allegations leveraged against R. Kelly over the past two decades as covered in the documentary Surviving R. Kelly.

Grown is a crushing read. It’s easy to see the red flags in retrospect with the shifting timeline that starts with Enchanted discovering Korey’s dead body. It’s much harder for Enchanted to see them as she is drawn in to Korey’s orbit and desperate to be seen as a young woman instead of the little girl her family still sees.

Grown offers a scathing commentary on how quickly the media is willing to blame young Black girls like Enchanted saying they are grown and know what they are doing while excusing predatory behavior from influential Black men like Korey. While this story is by no means an easy read, Jackson’s writing is on point as this taut and suspenseful story builds to one surprising twist after another.

I do also want to talk about how mental illness is explored in the book. This is a spoiler so click read more to my thoughts or back away to avoid them:

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The Angel of the Crows: A Review

The Angel of the Crows by Katherine AddisonAfter suffering an egregious injury on the front in Afghanistan, Dr. J. H. Doyle is forced to return to England in 1888 and none too happy about it. With a bad leg, a foul temper, and a war pension that doesn’t quite go far enough in London, Doyle is unsure what to do upon returning until a friend makes a surprising suggestion.

Everyone knows about the angels–after all Nameless can be found in front of every place of worship or bakery, any habitation large enough hopes to have an angel claim it as their dominion, and–like Doyle–everyone knows the damage that can be wrought by angels who have Fallen.

Then there is Crow the self-described Angel of London. Claiming the entire city as his dominion, Crow works as a consultant with the police and for select clients. His focus is singular, his crow-like wings are massive and prone to toppling furniture when Crow is excited, and he is in need of a flatmate.

Moving into 221B Baker Street, both Crow and Doyle have secrets they would prefer to keep. But they also have work to do as Doyle is drawn into Crow’s investigations of murder scenes with strange words on walls, locked room mysteries, and even the case of the Whitechapel Murderer who has been butchering prostitutes with increasing frequency in The Angel of the Crows (2020) by Katherine Addison.

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The Angel of the Crows started life as Sherlock wingfic (fan fiction which imagines one character with wings) and, in many ways, that is still the story readers have in the finished book.

While Crow and Doyle live in a distinct and well-realized fantasy world filled with elements of steampunk and magic, between their original adventures (notably their hunt for Jack the Ripper) Addison also retells some of the most familiar cases from Sherlock Holmes’ long canon. Readers familiar with “A Study in Scarlet,” “The Sign of the Four,” “The Adventure of the Copper Beeches,” “The Hound of the Baskervilles,” and “The Adventure of Speckled Band” will immediately recognize the stories being retold here.

Addison stays very close to her source material while imbuing each story with the magical elements intrinsic to her version of London. A story element with a double edge as it makes the book both immediately familiar and, in certain cases, nearly too predictable.

The Angel of the Crows is strongest when Crow and Doyle are in their element and exploring new territory–albeit often with fun references to the class mysteries that inspired this novel. Addison also raises interesting questions about gender identity and agency throughout the story from both Doyle and Crow’s experiences. While some of this gave me pause in that it felt very much like a plot device, the execution over the course of the novel as a whole was handled well and raises more questions and avenues of discussion than concerns.

The Angels of the Crows is an incredibly thorough and original retelling. Whether or not they are a fan of Holmes and Watson, readers can only hope to see more of Crow and Doyle.

Possible Pairings: Soulless by Gail Carriger, The Strange Case of the Alchemist’s Daughter by Theodora Goss, Shades of Milk and Honey by Mary Robinette Kowal, Anno Dracula by Kim Newman, The Edinburgh Dead by Brian Ruckley, The Iron Wyrm Affair by Lillith St. Crow

*An advance copy of this title was provided by the publisher for review consideration*

Magic for Liars: A Review

Magic For Liars by Sarah GaileyIvy has never been magic. She has gotten used to the bitter ordinariness–especially whenever she is compared to her identical twin sister Tabitha, a magic prodigy.

Ivy never wanted to be magic, really. But she still wonders if it wouldn’t have made some things easier. Tabitha is able to get rid or freckles that plague both of them, her eyes always sparkle a bit more, and everything seems to come much more easily for her. People never stick to Ivy and she wonders sometimes if she had been magic if that might have been different.

Ivy knows exactly who she is: the half-feral detective with the perpetual hangover, covered in ink and smudges, devoid of magic. She knows that isn’t an Ivy anyone would want.

When she is hired to investigate a grisly murder at the Osthorne Academy for Young Mages where Tabitha teaches Theoretical Magic, Ivy thinks it could be her chance to make good as an investigator. It might be her chance to be a different Ivy and, if she does things right, it could change everything.

But being around so much magic and so many what-ifs is intoxicating. As questions arise and the suspect list grows, Ivy will have to keep her head clear if she wants to get to the truth in Magic for Liars (2019) by Sarah Gailey.

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Magic for Liars is a standalone fantasy noir mashup complete with a flawed detective as the protagonist.

Ivy has spent most of her life lonely and starved for attention. Being in her head is hard, but it’s supposed to be as her inner turmoil plays out against the larger backdrop of the murder investigation.

Magic for Liars is a mystery wrapped around a sometimes painful examination of the stories we tell ourselves in an effort to make the world see us the way we wish it would. A tightly paced, largely flawless mystery that delivers on every front. Highly recommended.

Possible Pairings: Burn for Me by Ilona Andrews, Ninth House by Leigh Bardugo, Storm Front by Jim Butcher, The Secret Place by Tana French, The Magicians by Lev Grossman, Once Broken Faith by Seanan McGuire, The Rook by Daniel O’Malley,, Sisterland by Curtis Sittenfeld

If We Were Villains: A Review

If We Were Villains by M. L. RioSeptember 1997: Oliver Marks is finishing his fourth and final year at Dellecher Classical Conservatory in Broadwater, Illinois. After surviving the yearly cuts to his acting program as students fail to meet expectations, it feels like the world is laid at his feet. Everything is ahead of him. This year, it seems, anything can happen.

It will take months for Oliver to realize how right he is.

Ten years later Oliver is finishing the final days of his decade-long prison sentence when the man who arrested him arrives with a surprising ask. Detective Colborne is retiring, leaving his life with the police behind. But he wants answers first. He wants to know what happened at Dellecher all those years ago and, this time, he wants to know the truth.

Returning to the scene of the crime–of so many smaller crimes, if he’s being honest–Oliver sets the scene for Colborne as he remembers that final year with the players in this tale: Richard the tyrant, Alex the villain, James the hero, Wren the ingenue, Meredith the temptress, and Filippa–the one everyone always forgets, always to their disadvantage. And then there’s Oliver, never quite sure where he fits on stage or off.

After three years of settling into roles they seem to know by heart, everything changes during their final year. One of the seven is dead. More than one of them is guilty. One will take the blame. And, ten years later, Oliver will finally tell the truth in If We Were Villains (2017) by M. L. Rio.

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Rio’s debut novel is part atmospheric thriller, part suspenseful mystery all steeped in Shakespeare and the dangerous energy that can make relationships both exhilarating and toxic.

Structured as a play, the story unfolds over five acts as Oliver narrates key scenes with prologues before each act where he further sets the scene for Colborne. This character driven story is dynamite building slowly to an explosive and often surprising conclusion enhanced by Rio’s excellent foreshadowing and parallels to Shakespearean tragedies.

While If We Were Villains keeps a tight focus on Oliver and his fellow theater students, not all characters are created equal. Oliver and James in particular are so nuanced and so authentically flawed that the other characters often seem flat in comparison as they play to type (this may in part be due to Oliver’s own lens as narrator but still felt like something that could be explored more). Meredith and Wren are especially are disappointingly lacking in depth returning, again and again, to the same concerns and the same shortcomings while Filippa remains, in many ways, a mystery herself.

Set in 1997 and 2007, If We Were Villains is surprisingly hesitant to consider sexuality beyond binaries. While some characters are, understandably, hesitant to let themselves be labeled the novel as a whole refuses to even consider the possibility of both bisexuality and pansexuality as queer identities. This is not damaging to the story but it is erasure worth considering when deciding whether or not to consider this title.

If We Were Villains is a tense, thoughtfully executed story of love, obsession, and missed chances. Perfect for readers fascinated by all-consuming relationships, drama in the classic sense, and of course Shakespeare in every sense. Highly recommended.

Possible Pairings: Trust Exercise by Susan Choi, Fates and Furies by Lauren Groff, The Secret Keeper by Kate Morton, Vicious by V. E. Schwab, Macbeth by William Shakespeare, King Lear by William Shakespeare, The Secret History by Donna Tartt, Catherine House by Elisabeth Thomas

Serious Moonlight: A Chick Lit Wednesday Review

“You have the chance to make different choices.”

Serious Moonlight by Jenn BennettBirdie Lindberg’s previously small life is in flux after her strict grandmother’s death. In a bid to gain some independence after finishing homeschooling and earning her high school equivalency, not to mention getting some work experience before college, Birdie convinces her grandfather to let her job hunt on the mainland.

Working the graveyard shift at a historic Seattle hotel won’t be interesting, but it should be easy. Plus, there’s the added bonus of giving Birdie plenty of opportunities to hone her observation skills as an aspiring detective.

At least until Birdie realizes that she’ll be working with Daniel Aoki–amateur magician, graveyard shift van driver, and the other half of an awkward one-afternoon fling that Birdie thought she could safely pretend never happened.

Ignoring Daniel to preserve what’s left of her dignity proves impossible when he asks for her help investigating a reclusive writer holding secret meetings at the hotel. Faced with Daniel’s smoking hotness, his genuine need, and her own curiosity, Birdie knows she has to help.

As Birdie and Daniel work on this real-life mystery together, she soon realizes that the bigger mystery might be what to do about her own feelings for Daniel in Serious Moonlight (2019) by Jenn Bennett.

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Bennett’s latest standalone novel is filled with all of my favorite things including tons of references to classic detective stories. Birdie is a capable, smart heroine still learning how to come into her own with support from her grandfather and her nonconformist artist aunt, Mona. Daniel is charismatic, funny, and everything Birdie (and readers) could want in a male lead.

The hotel mystery and Birdie’s approach to life as she works to pursue her dream of becoming a private investigator add a lot of intrigue and fun to this contemporary romance.

On a personal level, it also felt like this book was written just for me. I identified so much with Birdie throughout the story as she struggles to come out of her shell and give herself the space and permission she needs to grow and thrive. This book is also the first time I have ever seen a story truly capture the weird blend of abject panic and genuine desire inherent to actually wanting to interact with someone.

Serious Moonlight is fantastic, filled with just enough tension to make the mystery aspect interesting while keeping the main focus on Birdie and her relationships. Birdie and Daniel are delightful lead characters complimented by an eccentric and entertaining cast of supporting characters. A new favorite for me, and maybe for you too. Highly recommended.

Possible Pairings: Jane, Unlimited by Kristin Cashore; Finding Yvonne by Brandy Colbert; The Way You Make Me Feel by Maurene Goo; Truly Devious by Maureen Johnson; Two Can Keep a Secret by Karen M. McManus; Nice Try, Jane Sinner by Lianne Oelke; The Sullivan Sisters by Kathryn Ormsbee; The Field Guide to the North American Teenager by Ben Philippe; Past Perfect by Leila Sales; Field Notes on Love by Jennifer E. Smith; This Time Will Be Different by Misa Sugiura, The Insomniacs by Marit Weisenberg

Havenfall: A Review

Havenfall by Sara HollandHavenfall is a world unto itself–an inn situated at the gateways between worlds offering neutral ground for the Last Remaining Adjacent Realms. It’s also the one place where people believe Maddie Marrow when she tells them what really happened to her brother all those years ago.

Maddie knows that this summer is her last chance to prove herself to her uncle Marcus and earn her spot as his successor running the inn. She’s up to the challenge. But when Maddie gets to Havenfall she realizes that things have started changing. Her best friend Brekken is a Fiordenkill soldier, Marcus is keeping secrets, and then there’s the new girl–Taya–who is supposed to be temporary help for the summer but draws Maddie’s attention more than she cares to admit.

When a body is found on the grounds and Marcus is attacked, Maddie is left to pick up the pieces and figure out the truth before Havenfall and the tenuous peace it represents is ruines in Havenfall (2020) by Sara Holland.

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As the start of a new series, Havenfall lays a lot of groundwork introducing readers to Maddie’s world at the inn and the adjacent realms Fiordenkill and Byrn as well as Solaria, a rogue realm whose portal was sealed off years ago. While the premise is interesting and offers a unique spin on traditional portal fantasies, the world building is one of the bigger problems with this book.

One of the tenets of the story is that that the porous nature of the portals between realms is part of why we have myths with magic even though Earth does not have magic of its own. Solarians–the main villain for a significant part of Havenfall–come from a world that is associated with mythology including djinn, vampires, demons, and soulstealers. This choice is problematic because djinn are also the only non-white/non-western mythology named in the entire story. It’s also the only mythos associated with a specific religion/culture which, again, here is being coded as villainous.

I won’t get into spoilers explaining Maddie’s history with Solaria but suffice to say that her hatred of the entire Solarian race informs a lot of her character. Does Maddie eventually see the error or her ways? Yes. Are reparations being made? Kind of. Did we need to spend an entire book vilifying an entire race (which although presented as white in the novel is the only group in the book associated with a nonwhite culture)? Absolutely not. What’s worst, the only notable person of color in the entire cast of characters is Marcus’s husband who is from one of the other “good” worlds.

Holland’s ambitious world building never gels enough to transcend this messy foundation. Similarly, the plot never quite comes together despite ample time spent setting up the story with an incredibly slow beginning. Maddie is bisexual–a fact that is refreshingly a nonissue for her family and friends but which also hints at a love triangle that frustratingly never leads anywhere interesting.

Havenfall is a mystery wrapped in a portal fantasy setting that centers an ambitious if often naive heroine. Recommended for readers who prefer slow building suspense to quick action and are willing to overlook messy world building entirely.

Possible Pairings: Caraval by Stephanie Garber, A Curse So Dark and Lonely by Brigid Kemmerer, Last of Her Name by Jessica Khoury, Two Can Keep a Secret by Karen M. McManus, Mister Monday by Garth Nix, Stealing Snow by Danielle Paige, The Archived by Victoria Schwab

*An advance copy of this title was provided by the publisher for review consideration*

The Night Country: A Review

*The Night Country is a sequel to Albert’s debut novel The Hazel Wood–be sure to start there to get the full story and avoid spoilers*

“We were predators set loose in a world not made to withstand us. Until the summer we became prey.”

The Night Country by Melissa AlbertIt’s been two years since Alice Proserpine fought her way out of the Hinterland and the fairytale she inhabited there with help from Ellery Finch–the boy who chose to explore other worlds instead of returning with Alice to New York City.

Being an ex-story isn’t easy even in a city like New York where strangeness already lurks on every corner. At first it seems like Alice might really be able to reinvent herself with a new, human life. But something is happening to the Hinterland survivors who made it out–something that’s leaving them dead.

While Alice tries to track down the culprit, Ellery has to try to find his own way out of the Hinterland before there’s nothing left.

Everyone knows how a fairy tale is supposed to end but as Alice and Ellery search for answers and a way home, they soon realize that their tales are far from over and may not end happily in The Night Country (2020) by Melissa Albert.

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The Night Country is a sequel to Albert’s debut novel The Hazel Wood–be sure to start there to get the full story and avoid spoilers. Alice’s pragmatic first person narration contrasts well with third person chapters following Ellery as he tries to find his way home and, possibly, back to Alice.

While Alice spent most of The Hazel Wood trying to understand who she was, The Night Country focuses on Alice’s struggle to decide who she wants to be now that she is free to shape her own story.

The Night Country is a suspenseful story of loss, hope, and searching. This fairytale noir adventure blends romance and mystery with plenty of action as Alice struggles to stop a conspiracy with ramifications she can barely imagine. A must read for fans of portal fantasies, mysteries, and readers who prefer their magic with bloody sharp edges.

Possible Pairings: The Language of Thorns by Leigh Bardugo, The City of Brass by S. A. Chakraborty, Caster by Elsie Chapman, Into the Crooked Place by Alexandra Christo, The Eyre Affair by Jasper Fforde, Fire and Hemlock by Diana Wynne Jones, The Ten Thousand Doors of January by Alix E. Harrow, Sender Unknown by Sallie Lowenstein, Every Heart a Doorway by Seanan McGuire, Vassa in the Night by Sarah Porter, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, An Enchantment of Ravens by Margaret Rogerson, The Invisible Life of Addie LaRue by V. E. Schwab, The Raven Boys by Maggie Stiefvater, Realm of Ruins by Hannah West, The Light Between Worlds by Laura E. Weymouth

*A more condensed version of this review appeared as a starred review in the November 2019 issue of School Library Journal*

Wundersmith: The Calling of Morrigan Crow: A Review

Wundersmith: The Calling of Morrigan Crow by Jessica TownsendMorrigan Crow survived her trials and earned admission to the Wundrous Society. Finally, she can have a place in Nevermoor and, more importantly, the family and friends she’s always wanted.

Unfortunately, completing her trials was the easy part. Despite gaining admittance to the Society, the elders are all suspicious of Morrigan’s ability to manipulate Wunder–the magical energy that powers everything in Nevermoor. While Morrigan’s talent is rare, it is also forever and irrevocably linked to the notorious Ezra Squall, a villain known as The Wundersmith and remembered for his numerous crimes against and continued exile from Nevermoor.

Instead of being trained in the arcane arts, the Society only wants to show Morrigan that all Wundersmiths of the past were evil, dangerous, and often incompetent. Worse, Morrigan’s unit is being blackmailed, forced to meet exceedingly risky demands or risk the unit’s secret being revealed to the entire Society.

When prominent citizens across Nevermoor start disappearing, Morrigan’s beloved new home takes on a dangerous edge. Now that Morrigan has found a place in Nevermoor, she’ll need all of her wits and her friends to keep it in Wundersmith: The Calling of Morrigan Crow (2018) by Jessica Townsend.

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Wundersmith is the second book in Townsend’s Nevermoor series. The book picks up shortly after the conclusion of Nevermoor as Morrigan prepares to start her first term at the Wundrous Society. Check out the print edition for inset illustrations at the start of each chapter and listen to the audio version (read by Gemma Whelan) for a fully immersive read.

Townsend wildly expands the world of Nevermoor as Morrigan and readers learn more about her new home and delve into the mysterious history of Wundersmiths through the ages. Morrigan’s world is described in vibrant detail with a perfect blend of humor and adventure.

Wundersmith explores themes of friendship and belonging to excellent effect as Morrigan continues to carve out a place for herself in Nevermoor in spite of those too eager to see her fail. Readers will appreciate the balance Townsend strikes between a self-contained story and tantalizing hints of what’s in store for Morrigan’s next adventure.

With higher stakes, more action, and greater dangers, Wundersmith builds off book one to deliver an even stronger and even more exciting installment. Highly recommended.

Possible Pairings: Ophelia and the Marvelous Boy by Karen Foxlee, The Doldrums by Nicholas Gannon, Foxheart by Claire Legrand, Furthermore by Tahereh Mafi, A Corner of White by Jaclyn Moriarty, The Keeper of the Mist by Rachel Neumeier, The Witch Boy by Molly Ostertag, The Queen’s Rising by Rebecca Ross, The Cabinet of Wonders by Marie Rutkoski

Dangerous Alliance: An Austentacious Romance: A Chick Lit Wednesday Review

Dangerous Alliance by Jennieker CohenLady Victoria Aston lives comfortably with her father, helping to manage the family estate and enjoying the relative freedom and security afforded to a young woman whose sister has made a good marriage.

Unfortunately all is not as it appears. When her sister has to flee her abusive husband, Vicky must rise to the challenge of finding a suitable husband by the end of the season before her family is left destitute.

Vicky is certain her favorite Jane Austen novels can provide the guidance she needs in this endeavor despite being surprisingly silent on the subjects of recently returned but still painfully distant best friends and, perhaps more urgently, mysterious accidents that may prevent Vicky from surviving her season long enough to find a suitor in Dangerous Alliance: An Austentacious Romance (2019) by Jennieke Cohen.

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This debut novel is a well-researched homage to all things Austen complete with chapter epigraphs from Austen’s classic novels. Cohen (a member of The Jane Austen Society of North America) also provides a detailed author’s note demonstrating the care and research that has gone into bringing Vicky’s story and her world to life.

The close third person narration primarily focuses on Vicky with chapters from other characters, notably including Vicky’s estranged best friend Tom Sherborne, helping to further expand the story. Vicky is a plucky heroine who faces numerous challenges with aplomb and a fair bit of good humor when following in the footsteps of her favorite literary heroines proves less successful than she might have hoped.

Dangerous Alliance is part madcap adventure and part romance wrapped up in a mystery surrounding the accidents that plague Vicky from the very first page. While this genre mashup can be disorienting, the story sticks close to the wit and gentle tone readers familiar with Austen would expect–complete with a satisfying resolution. Recommended for fans of romantic comedies, cozy mysteries and, of course, Jane Austen.

Possible Pairings: Love, Lies and Spies by Cindy Antsey; Etiquette & Espionage by Gail Carriger; The Invention of Sophie Carter by Samantha Hastings; Murder, Magic, and What We Wore by Kelly Jones; A Spy in the House by Y. S. Lee; Newt’s Emerald by Garth Nix; These Vicious Masks by Tarun Shanker and Kelly Zekas

*An advance copy of this title was provided by the publisher for review consideration*

The Kingdom: A Chick Lit Wednesday Review

cover art for The Kingdom by Jess RothenbergThe Kingdom™ is more than a theme park. Filled with rides, augmented reality shows, and much more, The Kingdom™ is a completely immersive experience where visitors dreams come true.

Ana is one of seven fantasists. Like the formerly extinct species that roam The Kingdom™’s parks, Ana is genetically engineered–partly biological and part machine. She and the other fantasists reign over the park as imagined princesses greeting visitors, performing, and helping park visitors’ dreams come true.

Fantasists can understand and identify emotions. But they aren’t supposed to experience them. Except Ana is fairly certain she feels something when she befriends Owen Chen, one of the park’s employees.

Ana isn’t the only thing malfunctioning in the park. Engineered animals keep dying, her sisters are scared. Then there are the nightmares. When Ana is accused of murdering Owen, she knows she is innocent. But it’s all too easy for the public to believe the worst.

After spending her whole life catering to the whims of others, Ana will have to learn to speak for herself if she wants to survive in The Kingdom (2019) by Jess Rothenberg.

The Kingdom is a sleek blend of mystery and sci-fi elements in a dystopian world where resources are limited and escapism is worth any price. Ana’s story unfolds in a non-linear narrative including Ana’s first person narration, trial transcripts, and interviews.

While the non-linear narrative lends an element of suspense to this story, it never builds tension instead making for slow pacing and the sense that Ana is deliberately withholding information.

Questions of sentience, humanity, and mercy are interrogated throughout the narrative as Ana and her sisters are dehumanized and subjugated as part of their lives as Fantasists. Gory scenes with animal deaths further emphasize the theme park’s grim inner workings.

The Kingdom is a stark story set in an eerily plausible world. Recommended for readers who like their speculative fiction, and their heroines, to have a little grit.

Possible Pairings: Grace and Fury by Tracy Banghart, Foul is Fair by Hannah Capin, Stronger, Faster, and More Beautiful by Arwen Elys Dayton, The Similars by Rebecca Hanover, The Grace Year by Kim Liggett, Girls of Paper and Fire by Natasha Ngan, Four Dead Queens by Astrid Scholte, Girls With Sharp Sticks by Suzanne Young