The Boneless Mercies: A Chick Lit Wednesday Review

“They called us the Mercies, or sometimes the Boneless Mercies. They said we were shadows, ghosts, and if you touched our skin, we dissolved into smoke.”

“Only fools want to be great only fools seek glory.”

cover art for The Boneless Mercies by April Genevieve TucholkeEveryone knows about the Mercies and their dark but necessary work. Frey and her band of girls travel the land. They are hired to complete mercy killings. Their work is meant to be quick and quiet. No one speaks of them with respect. No one sings of their glories.

Frey has bigger dreams for herself.

Fate comes in the form of rumors of a fierce monster in a nearby town. Killing a beast like that would guarantee fortune and, more importantly, fame. Victory will be hard won but if the girls succeed, it could change everything in The Boneless Mercies (2018) by April Genevieve Tucholke.

The Boneless Mercies is Tucholke’s gender-swapped, standalone, retelling of the epic poem Beowulf.

Tucholke’s writing is evocative with a lilting cadence that immediately brings to mind the oral tradition used to impart our oldest stories and myths. The story centers Frey and her insatiable ambition among a cast of well-realized and multi-faceted characters.

The Boneless Mercies is an evocative and feminist fantasy for fans of mythology, stories filled with ichor, and girls seeking glory.

Possible Pairings: Zenith by Lindsay Cummings and Sasha Alsberg, The Strange Maid by Tessa Gratton, The Story of Owen by E. K. Johnston, Grave Mercy by Robin LaFevers, The Bone Houses by Emily Lloyd-Jones, Seafire by Natalie C. Parker, Amber & Dusk by Lyra Selene, And I Darken by Kiersten White

*An advance copy of this title was provided by the publisher for review consideration at BookExpo 2018*

Freya: A Review

In her heyday, Sara Vanadi was Freya, the Norse goddess of love, beauty, war, and death. But it turns out gods get their power from belief and in the twenty-first century there aren’t a lot of true believers left.

Sara Vanadi has spent the last twenty-seven fairly comfortable years living in a mental hospital. Sure the clothing options are limited, and maybe it’s not the most happening place. But it turns out it’s a great option for a former goddess who needs to keep a low profile.

Sara’s twilight years are ruined when a representative from the shady Finemdi corporation tracks her down to make an offer: join the corporation and receive new believers or die. Sara chooses option three and goes on the run with her unwitting accomplice (and first worshiper in decades) Nathan in Freya (2017) by Matthew Laurence.

Freya is Laurence’s debut novel and the first book in a series.

This book is narrated by Sara/Freya who thanks to her unique position as a god offers an interesting perspective on the modern world. She is also unapolgetically curvy and comfortable negotiating traditional feminine roles (she loves fashion and food) while also taking on the role of hero as she fights bad guys. These flipped gender roles are expanded further with Nathan who is comfortable taking on domestic roles and acting as sidekick while he and Freya try to take on the megalithic Finemdi corporation.

Laurence begins this novel with a clever premise that is expanded thoughtfully as the book progresses. Freya explains her own origins and the internal logic of gods from her pantheon and beyond surviving into modern times (this includes fellow Norse gods, Hawaiian goddesses, some figures from Egyptian and Hindu mythology, and Jesus among others).

Despite the presence of larger-than-life gods and the high action beginning, Freya starts slow with Sara and Nathan going on the run and then literally standing still as Sara explains her position as Freya (something she chooses to withhold from both readers and Nathan for the first chapters of the novel despite the title eliminating any chances of a big reveal) and gathering the pieces they will need to go into hiding with new identities. Freya uses her some of her remaining powers as a god to gather the resources she and Nathan will need but even for a goddess things come together a bit too easily.

Freya is a novel that is fun and filled with action. Although the execution is interesting, the story is poorly paced with little time spent on characterization for anyone except the titular narrator. This novel will have the most appeal for readers (especially reluctant ones) who enjoy mythology and action. An obvious stepping stone for fans of Rick Riordan’s novels looking for something new.

Possible Pairings: Antigoddess by Kendare Blake, Temping Fate by Esther Friesner, The Lost Sun by Tessa Gratton, Wildefire by Karsten Knight, Gods Behaving Badly by Marie Phillips, The Raven Boys by Maggie Stiefvater

*An advance copy of this title was provided by the publisher for review consideration*

The Apple Throne: A Chick Lit Wednesday Review

“It is by touching gods and godlings, elves and trolls and men and women, by starting a new story for ourselves and our names, that we reach into the future.

“That is how we thrive.”

The Apple Throne by Tessa GrattonAstrid Glynn traded her life as a talented prophet and seethkona to save the person she loves. Soren Bearstar struck a bargain in turn so that he would remember Astrid even as the rest of the world forgot her.

It has been two years since Astrid gave up her name, her prophetic dreams, and her life to become Idun the Young–the not-quite goddess who guards and distributes the apples of immortality. In those two years Soren’s bargain has allowed him to visit her every three months. Until he doesn’t come.

Certain that something terrible is keeping Soren away, Astrid goes against the gods to escape her hidden orchard and search for him. With unexpected help from one of Thor’s bastard sons, Astrid travels across New Asgard to find Soren and save him.

Astrid is no longer the seer she once was nor is she exactly a goddess. She will have to bridge the gap between her old life and new if she wants to save the people she loves and protect the world as they know it in The Apple Throne (2015) by Tessa Gratton.

Find it on Amazon (not available on Bookshop).

The Apple Throne is the conclusion to Gratton’s Songs of New Asgard (United States of Asgard) series. It is preceded by The Lost Sun and The Strange Maid. All of the books function very well as stand-alone titles however, because of timeline and character overlap, The Apple Throne does include spoilers for the earlier books. These titles have all been reissued by the author through CreateSpace as paperbacks and eBooks.

The Apple Throne is a fantastic conclusion to one of my favorite fantasy series. This story starts soon after the conclusion of Soren’s story and references the events of Signy’s ascension to her title as Valkryie. Although Astrid’s story is removed from that of the other protagonists in this series, her arc culminates in a finish that neatly ties all three books together.

Astrid accepts her current role as Idun, a quasi-goddess, gladly. But the loss of her identity as young prophet Astrid Glynn and her separation from Soren still sting. More importantly, Astrid isn’t sure who she is without a place in the world and her dream visions to guide her. Throughout the story Astrid has to reconcile who she used to be with who she has become as she tries to correct past mistakes and protect the people she holds dear.

A feminist story literally about a young woman carving a place for herself in the world, The Apple Throne is another thoughtful fantasy filled with the intricate world building that Gratton’s fans will expect. Highly recommended.

Possible Pairings: Brightly Woven by Alexandra Bracken, Graceling by Kristin Cashore, Vessel by Sarah Beth Durst, The Curiosities by Tessa Gratton, Maggie Stiefvater and Brenna Yovanoff, Fire and Hemlock by Diana Wynne Jones, Dark Triumph by Robin LaFevers, Freya by Matthew Laurence, The Outlaws of Sherwood by Robin McKinley, Soundless by Richelle Mead, Clariel by Garth Nix, Sisters Red by Jackson Pearce, Bone Gap by Laura Ruby, Song of the Sparrow by Lisa Ann Sandell, The Near Witch by Victoria Schwab, Midwinterblood by Marcus Sedgwick, The Thief by Megan Whalen Turner

Be sure to watch for my interview with Tessa about this book tomorrow!

You can also enter my giveaway to win ebooks of this trilogy!

The Strange Maid: A Chick Lit Wednesday Review

“In a week and a half I’ll be seventeen. It’s a decade since I climbed the New World Tree, since Odin Alfather, god of the hanged, named me the next Valkyrie of the Tree, and still I have not won my place on the Valkyrie council.”

The Strange Maid by Tessa GrattonSigny Valborn dedicated herself to Odin when she was seven years old. She was told one day she would join Odin’s Valkyrie council and fill the long vacant place of the Valkyrie of the Tree. That was before she read the riddle. Before she left her Death Hall and her sister Valkyrie behind.

The Valkyrie of the Tree will prove herself with a stone heart. Signy knows that is her riddle. But after traveling far and wide through New Asgard for years, she is no closer to finding an answer.

Until a mysterious troll hunter named Ned Unferth appears with a proposal. Ned speaks in riddles as well as ancient poetry and truths that feel more like lies. But he promises Signy that a greater mountain troll holds the answer to her riddle and offers to train Signy to hunt them. Signy has never been so close to her future and has little choice but to accept Ned’s help.

Their winding journey will take Signy to the wilds of Canadia and beyond. Along the way she will cross paths with a lone berserker named Soren Bearstar, a monstrous troll mother, and the truth behind the destiny she was promised so long ago in The Strange Maid (2014) by Tessa Gratton.

Find it on Bookshop.

The Strange Maid is the second book in Gratton’s Songs of New Asgard (United States of Asgard) series. It is preceded by The Lost Sun. Both books function very well as stand-alone titles however, because of timeline and character overlap, The Strange Maid does include some spoilers for The Lost Sun if you choose to read the books out of order.

Gratton once again delivers a perfect blend of myth and fantasy in this engrossing tale. Signy is a sharp, wild narrator with strong opinions and a vibrant love of poetry that comes through in every word of her frank narration. Ned, Signy’s mysterious companion for much of the novel, is a perfect foil as Signy is forced again and again to re-evaluate what she knows (or thinks she knows) about her chosen path.

The Strange Maid is a vivid story about the power of choice as well as an ode to the strength of well-chosen friendships. References to Beowulf and other Norse tales will bring these older myths to life for new readers.

Ideas of causality as well as free will are also artfully explored in this remarkable second book in a trilogy that promises even greater things to come.

Possible Pairings: Brightly Woven by Alexandra Bracken, Graceling by Kristin Cashore, Vessel by Sarah Beth Durst, The Curiosities by Tessa Gratton, Maggie Stiefvater and Brenna Yovanoff, Fire and Hemlock by Diana Wynne Jones, Dark Triumph by Robin LaFevers,  Freya by Matthew Laurence, The Outlaws of Sherwood by Robin McKinley, Soundless by Richelle Mead, Clariel by Garth Nix, Sisters Red by Jackson Pearce, Bone Gap by Laura Ruby, Song of the Sparrow by Lisa Ann Sandell, The Near Witch by Victoria Schwab, Midwinterblood by Marcus Sedgwick, The Boneless Mercies by April Genevieve Tucholke, The Thief by Megan Whalen Turner, Beowulf

You can also check back for my interview with Tessa starting tomorrow!

The Lost Sun: A Chick Lit Wednesday Review

“My mom used to say that in the United States of Asgard, you can feel the moments when the threads of destiny knot together, to push you or pull you or crush you. But only if you’re paying attention.”

The Lost Sun by Tessa GrattonSoren Bearskin has been avoiding his destiny for years. He can feel the berserker fever burning in his blood but he refuses to give into the rage; to let himself become what his father was before him. People fear him and what being a berserker actually means.

Astrid Glynn is everything Soren is not: wild, free and completely aware of who and what she is–a seethkona dedicated to the goddess Freya, a girl who can travel beyond death to retrieve answers to the questions of others even though she cannot find answers for herself about her missing mother.

Baldur the Beautiful is the most popular god in the country; his resurrection each year marked by a festive celebration and a live television broadcast. He returns to the United States of Asgard every year just in time for summer.

When Baldur instead disappears, the country is thrown into chaos as citizens fear the worst.

Astrid has dreamt of Baldur and knows where to find him. With Soren’s help. Together the two set off on a road trip to find the lost god and bring him home. But in finding Baldur, Soren and Astrid may have to give up everything they’ve come to hold dear in The Lost Sun (2013) by Tessa Gratton.

Find it on Bookshop.

The Lost Sun is the first book in Gratton’s Songs of New Asgard/United States of Asgard series and it is awesome. As the series title suggests, this book is part fantasy, part alternate history as Gratton imagines a world where the United States are imbued with Norse traditions and mythology as well as populated by the Norse gods themselves.

What could have been a confusing or alienating world instead becomes immediately fascinating and evocative in Gratton’s hands. (Readers of her short stories in The Curiosities may also recognize a few passing references to a female berserker mentioned in that anthology.)

It’s hard to know exactly what to say about The Lost Sun because it has so much going for it. Soren is a likeable, convincing narrator. Astrid is essentially one of the best female characters around. Having these two characters together in one book makes for an electric story that is as beautiful as it is thrilling. Gratton seamlessly builds a world of gods, magic and modern life around her characters as readers are introduced to this compelling world with an utterly original story imbued with old mythology.

The Lost Sun is, at its core, a intricate story of love and friendship. Soren and Astrid do a lot of different things throughout the plot but those threads are never far from the core. Sacrifices are made, surprises are revealed, but through it all there is a very strong meditation on what really being love (or loving) a person means.

Good books draw readers into the world of the story. Great books keep readers thinking after that story is finished. The Lost Sun is a great book.

Possible Pairings: Brightly Woven by Alexandra Bracken, Graceling by Kristin Cashore, Vessel by Sarah Beth Durst, The Curiosities by Tessa Gratton, Maggie Stiefvater and Brenna Yovanoff, Dark Triumph by Robin LaFevers, Freya by Matthew Laurence, The Outlaws of Sherwood by Robin McKinley, Soundless by Richelle Mead, Sisters Red by Jackson Pearce, Bone Gap by Laura Ruby, Song of the Sparrow by Lisa Ann Sandell, The Near Witch by Victoria Schwab, Midwinterblood by Marcus Sedgwick, The Thief by Megan Whalen Turner

Check back tomorrow for my exclusive interview with Tessa Gratton!