Black Wings Beating: A Review

cover art for Black Wings Beating by Alex LondonNothing in Uztar is more sacred than birds of prey. No one is more respected than the falconers who capture and train them.

Brysen wants nothing so much as he wants to be a great falconer. He dreams of proving to his abusive father, and himself, that he can contribute to the family legacy as falconers.

Kylee, Brysen’s twin sister, wants nothing to do with the family trade or the ancient gifts that should make her one of the most gifted falconers ever. She dreams of leaving their home in the Six Villages forever even as war threatens to make that impossible.

When the boy Brysen loves makes a terrible mistake, Brysen is determined to save him–and maybe find the glory that keeps eluding him–by trapping a Ghost Eagle. Understanding the dangers better than her brother, Kylee follows him hoping to help and perhaps make up for her own past. Whoever controls the Ghost Eagle can control the fate of Uztari. But first Brysen and Kylee will have to decide if they control their own fates in Black Wings Beating (2018) by Alex London.

Black Wings Beating is the first book in London’s Skybound trilogy. The book alternates close third person chapters between Brysen and Kylee.

London presents a fully-realized world complete with its own mythology and a little understood magic system tied to the art of falconry. Brysen and Kylee are complex, often flawed characters. They act rashly, they make mistakes, but they always look out for each other (even when they’d prefer not to!).

Black Wings Beating is high fantasy at its best. Recommended for readers with an interest in killer birds, killer writing, and killer twists.

Possible Pairings: Even the Darkest Stars by Heather Fawcett, For a Muse of Fire by Heidi Heilig, The Floating Islands by Rachel Neumeier, Zahrah the Windseeker by Nnedi Okorafor, Updraft by Fran Wilde

*An advance copy of this title was provided by the publisher for review consideration at BookExpo 2018*

The Boneless Mercies: A Chick Lit Wednesday Review

“They called us the Mercies, or sometimes the Boneless Mercies. They said we were shadows, ghosts, and if you touched our skin, we dissolved into smoke.”

“Only fools want to be great only fools seek glory.”

cover art for The Boneless Mercies by April Genevieve TucholkeEveryone knows about the Mercies and their dark but necessary work. Frey and her band of girls travel the land. They are hired to complete mercy killings. Their work is meant to be quick and quiet. No one speaks of them with respect. No one sings of their glories.

Frey has bigger dreams for herself.

Fate comes in the form of rumors of a fierce monster in a nearby town. Killing a beast like that would guarantee fortune and, more importantly, fame. Victory will be hard won but if the girls succeed, it could change everything in The Boneless Mercies (2018) by April Genevieve Tucholke.

The Boneless Mercies is Tucholke’s gender-swapped, standalone, retelling of the epic poem Beowulf.

Tucholke’s writing is evocative with a lilting cadence that immediately brings to mind the oral tradition used to impart our oldest stories and myths. The story centers Frey and her insatiable ambition among a cast of well-realized and multi-faceted characters.

The Boneless Mercies is an evocative and feminist fantasy for fans of mythology, stories filled with ichor, and girls seeking glory.

Possible Pairings: Zenith by Lindsay Cummings and Sasha Alsberg, The Strange Maid by Tessa Gratton, The Story of Owen by E. K. Johnston, Grave Mercy by Robin LaFevers, Seafire by Natalie C. Parker, Amber & Dusk by Lyra Selene, And I Darken by Kiersten White

*An advance copy of this title was provided by the publisher for review consideration at BookExpo 2018*

Witchlanders: A Review

cover art for Witchlanders by Lena CoakleyMagic is a powerful thing in the Witchlands. The magic and the lands themselves are protected by witches who are mysterious and dangerous, creatures with little time for villages like Ryder’s.

That is if the witches are even real, which Ryder still doubts. After all, he has seen no evidence of them save the relics from her mother’s time as a witch and her addiction to the flowers that she insists will call the witches to her.

When the witches do finally show up to answer his mother’s call Ryder is forced to reconsider everything he thought he believed about the witches, the Witchlands, and his own role in the prophecies his mother has been seeing in Witchlanders (2011) by Lena Coakley.

Witchlanders is classic high fantasy with a unique magic system and detailed world building. It’s also an excellent standalone in a genre that is often over-saturated with trilogies or longer series.

The story follows two boys on opposite sides of a years-long war as they try to understand their growing magic and the bond that seems to be drawing them inexorably together. Chapters alternate between their points of view as they are drawn across the Witchlands to confronting shocking revelations about their pasts, their futures, and their own connections.

While Coakley’s world is fascinating, her characters often suffer in comparison with a lack of dimension. Witchlanders is decidedly free of romance but remains a solid testament to the power of friendship as its own kind of magic.

Possible Pairings: Sorrow’s Knot by Erin Bow, The Demon King by Cinda Williams Chima, The Last Namsara by Kristen Ciccarelli, Truthwitch by Susan Dennard, Black Wings Beating by Alex London, The Floating Islands by Rachel Neumeier

Realm of Ruins: A Chick Lit Wednesday Review

“Please let me be powerful.”

cover art for Realm of Ruins by Hannah WestTrouble follows Valory Braiosa wherever she goes.

Raised in Calgoran during the Age of the Accords, Valory is surrounded by elicrin magic and elicromancers. As a descendant of the legendary Queen Bristal and King Anthony, everyone assumes Valory will become a powerful elicromancer herself. But now she is almost at the end of her time at the Academy with no signs of power manifesting. With her chances of receiving an elicrin stone from the Water dwindling, Valory is forced to consider her greatest fear: a life without magic or power.

Touching the Water is no guarantee of receiving an elicrin stone. Even with careful vetting from the Academy candidates may still be deemed unworthy and drowned in the Water, their bodies lost forever. Valory’s attempt to save her cousin from such a fate proves disastrous. In the aftermath her cousin is dead, the Water is gone, and Valory now has dangerous power no one understands and which Valory can’t control.

Branded a murderer and a rogue, Valory is forced to travel far from home to try and clear her name. Across Nissera it’s apparent that a dark presence is rising and Valory might be the only one powerful enough to stop it. As danger mounts and loyalties are tested, Valory will have to embrace her power to face this danger. But all power comes at a price and this time the cost may be steeper than Valory can pay in Realm of Ruins (2018) by Hannah West.

Real of Ruins is the second book in West’s Nissera Chronicles which begins with the companion novel Kingdom of Ash and Briars.

Realm of Ruins is set one hundred years after the events of West’s debut novel Kingdom of Ash and Briars and follows a new generation of characters. An elaborate family tree at the start of the book and sly asides throughout offer nods to events of the first book although this novel can easily be read as a standalone. (A companion short story, Fields of Fire, can also be read for free online.)

Valory is as pragmatic as she is reckless. Although the implications of her new power are obvious she is still quick to jump to conclusions and easily falls prey to the manipulations of others while she tries to understand her dramatically changed circumstances.

Her efforts to clear her name are soon sidelined as she learns about the emergence of a dangerous new threat known as the Moth King or the Lord of the Elicromancers. Drawn into a hunt to stop this new enemy Valory plays a part in side plots that draw heavily from elements of Beauty and the Beast and The Little Mermaid. West manages a convoluted and sometimes bloated plot admirably bringing diverging threads together to explore larger themes of power, collective memory, and the dangers of both if left unchecked.

While Valory is initially a slave to circumstance, forced repeatedly into reactive positions as her situation shifts from bad to worse, Realm of Ruins is largely about agency and choice. It is only when Valory chooses to embrace her power–and the difficult decisions she must make about how to wield it–that she is able to regain control of her fate and try to claim what she sees as her rightful power in the realm.

Realm of Ruins is an intricate and original fantasy. West blends her unique magic system with a vivid world and fairy tale elements to create a story that is entirely fascinating. Recommended for fans of fairy tales, high fantasy, and bloody revolution.

Possible Pairings: The Hazel Wood by Melissa Albert, The Cruel Prince by Holly Black, Frostblood by Elly Blake, The Star-Touched Queen by Roshani Chokshi, Forest of a Thousand Lanterns by Julie C. Dao, Reign the Earth by A. C. Gaughen, For a Muse of Fire by Heidi Heilig, Stain by A. G. Howard, Furyborn by Claire Legrand

*A copy of this title was provided by the publisher for review consideration*

Kingdom of Ash and Briars: A Review

cover art Kingdom of Ash and Briars by Hannah WestBristal’s life changes forever when she is kidnapped. Her humble life as a kitchen maid ends the moment she survives touching the Water and receives an elicrin stone.

Now Bristal is an elicromancer—one of only three people over the centuries to have survived the Water intact.

Immortal and able to wield powerful magic, Bristal is meant to take her place as a peacekeeper and kingmaker. With so much potential power at her command Bristal will have to accept her magic and embrace her destiny despite the dangers in Kingdom of Ash and Briars (2016) by Hannah West.

Kingdom of Ash and Briars is West’s debut novel and the first book in the Nissera Chronicles which continues in Realm of Ruins. (A companion short story, Fields of Fire, can also be read for free online.)

Kingdom of Ash and Briars introduces a richly layered world with a unique magic system. West’s novel is informed by numerous fairy tales (most notably Cinderella and Sleeping Beauty) positioning a reluctant Bristal in the role of fairy godmother.

Bristal’s ability to shape shift and disguise herself informs much of the story as she begins to change her appearance to manipulate individuals and, indeed, entire courts pushing Nissera toward peace and prosperity. These secondary stories play out on a larger stage as Bristal comes to terms with her newfound immortality and learns to control her magic while facing an elicromancer who would rather rule over humans than serve and protect them.

While not as all-seeing as her mentor, Brack (a character I wish we had seen more of in this novel), Bristal is patient and introspective willing to put in the time and sacrifice to do what is needed for Nissera. Her thoughtful planning and analytical nature are nice counterpoints to an otherwise frenetic plot and an often predictable villain. Romance enters the story late in the game with a lasting impact for generations to come.

Kingdom of Ash and Briars is a rich and original fantasy with a memorable world readers will want to revisit. Recommended for readers who enjoy complicated plots, wheels within wheels, and unlikely heroes.

Possible Pairings: Girls Made of Snow and Glass by Melissa Bashardoust, The Brilliant Death by Amy Rose Capetta, The Goose Girl by Shannon Hale, Stain by A. G. Howard, A Curse So Dark and Lonely by Brigid Kemmerer, The Keeper of the Mist by Rachel Neumeier, Snow Like Ashes by Sarah Raasch

*A copy of this title was provided by the publisher for review consideration*

The Traitor’s Game: A Review

cover art for The Traitor's Game by Jennifer A. NielsenNo one knows where Kestra Dallisor has spent the last three years. It’s better that way. The longer she can hide, the longer she can avoid becoming a pawn in her father’s political machinations to strengthen his ties to the cruel Lord Endrick. But the time for hiding has ended and Kestra has been called home.

When Kestra is kidnapped en route she faces an impossible bargain: find the Olden Blade to spare the lives of her captive servants and herself.

Simon, one of her kidnappers, doesn’t know what to make of Kestra. She is not at all like the girl he expects, certainly nothing not the girl he remembers from his childhood. But she’s also the only hope he and his people have of finding the Olden Blade and reclaiming their freedom.

There are no winners in the traitor’s game. But that won’t stop Kestra or Simon playing for all they’re worth in The Traitor’s Game (2018) by Jennifer A. Nielsen.

The Traitor’s Game is the first book in Nielsen’s new YA series. The book alternates between Kestra and Simon’s first person narrations.

Nielsen delivers high action, political machinations and the intrigue readers of her middle grade novels have come to expect. Despite some unique flourishes in the world building, this is a fairly familiar story as a lost heir tries to reclaim that which was taken by the conquerors.

Kestra and Simon are interesting foils but lack the chemistry needed for their tension and changing dynamic to sustain an entire book. Their voices in alternating chapters are often indistinguishable. The prose often feels sanitized as violence and danger is pushed off the page for readers to imagine instead of being vividly described–this choice means that the novel can work well for younger readers but also creates a stark contrast between the descriptions of the world and the actual reading experience.

The Traitor’s Game is a familiar addition to the fantasy genres. Sparse world building and under developed characters feel like missed opportunities in what could have been a far richer story. Recommended for fans of the author and readers seeking a strictly plot driven fantasy.

Possible Pairings: Grace and Fury by Tracy Banghart, Everless by Sarah Holland, The Orphan Queen by Jodi Meadows, Girls of Paper and Fire by Natasha Ngan, The Kiss of Deception by Mary E. Pearson, Snow Like Ashes by Sarah Raasch, The Winner’s Curse by Marie Rutkoski, Ash Princess by Laura Sebastian

Children of Blood and Bone: A Chick Lit Wednesday Review

Eleven years ago magic disappeared. Maji throughout Orïsha were brutally killed, their magic torn away before it could save them. Zélie Adebola remembers the night of the Raid when her mother was murdered and her father broken.

Now the children of the maji, Divîners, and the magicless Kosidán now live at the mercy of King Saran who has Orïsha unrecognizable as the wondrous land it once was.

It’s been a long time since Zélie‘s people had any reason to hope. But after a chance encounter in the marketplace, Zélie crosses paths with Amari–a princess and now a fugitive. Amari has stolen a that could bring magic back. But only if Zélie and her brother Tzain can help Amari outwit their pursuers led by Amari’s brother the crown prince and retrieve the other items needed for a ritual to correct the damage of the Raid eleven years ago in Children of Blood and Bone (2018) by Tomi Adeyemi.

Children of Blood and Bone is Adeyemi’s debut novel. This fantasy is inspired by Nigerian culture and is the blockbuster start to a high fantasy trilogy.

Readers need more books inspired by African cultures, readers need more books with  characters of color in leading roles. Children of Blood and Bone is a huge leap in both areas and helping to the lay the groundwork for more to come. I loved a lot of the characters, I loved the rich settings, and I loved the fast-pacing for the first half of the story.

I was less impressed with some of the plotting and world building–both of which often came across as slapdash.

Children of Blood and Bone fits nicely into what I typically refer to as “fantasy lite”–a subgenre where stories take place in a fantasy setting with high action, some romance, and lots of adventure. These stories sometimes lack a cohesive internal logic particularly when it comes to world building and magic systems. Every time Zélie runs into a problem that her magic can’t solve, the rules change so that she suddenly can. Similarly when circumstances conspire to stop Zélie and Amari in their tracks a deux ex machina appears to help them along.

The dialogue in this novel is snappy and fun but often anachronistic. Interestingly, the novel includes first person narration chapters from Zélie, Amari, and Inan–the crown prince determined to destroy magic even as he fights his growing attraction to Zélie.

Character motivations, particularly in the final act, become muddled as Zélie and readers have to decide once and for all who can be called an ally and who is truly an enemy. Adeyemi populates this story with a vibrant cast of characters in everything from skin tone and body type to personality.

Children of Blood and Bone is an engrossing if overly long fantasy. Excellent characters and action balance out a sloppy ending and underdeveloped world building. Recommended for fantasy readers looking for their next splashy adventure.

Possible Pairings: Roar by Cora Carmack, Truthwitch by Susan Dennard, The Smoke Thieves by Sally Green, For a Muse of Fire by Heidi Heilig, Throne of Glass by Sarah J. Maas, Beasts Made of Night by Tochi Onyebuchi, Ash Princess by Laura Sebastian, Strange the Dreamer by Laini Taylor, Song of the Current by Sarah Tolcser