The Forbidden Wish: A Chick Lit Wednesday Review

“If you’re not free to love, you’re not free at all.”

cover art for The Forbidden Wish by Jessica KhouryZahra is one of the last shaitan, the most powerful of the jinn able to command all of the elements. Her power as a conjurer is unparalleled. But even that isn’t enough to save the queen who dared to befriend her. Instead her city is destroyed leaving Zahra trapped inside her lamp among the ruins she helped create.

Five hundred years pass until Aladdin finds her lamp and brings Zahra into a world where magic is forbidden and jinn are feared above all else.

When the King of the Jinn offers Zahra a chance to win freedom from her lamp, she draws Aladdin into a dangerous web of court politics and brewing rebellion to try and accomplish her task.

As Zahra comes closer to winning her freedom, she realizes that she has also grown closer to Aladdin. A human and a jinni can have no future together—not when their love is forbidden—but still Zahra cannot change her heart. In a world where every wish has a price, Zahra will have to decide if her freedom is worth the steep cost of her heart in The Forbidden Wish (2018) by Jessica Khoury.

The Forbidden Wish is a thoughtful and inventive retelling of a story you may think you already know inside and out.

Zahra’s narration is powerful and enthralling as she struggles to reconcile her position as a jinn with her own wants and desires. She holds no illusions about Aladdin. She has seen a thousand and one masters in her time and she expects Aladdin to be no better. But instead of a master and his jinni, Zahra is surprised to realize that Aladdin treats her as an equal–a shocking dynamic that plays out against a backdrop of political unrest and brewing rebellion as both Zahra and Aladdin are drawn into a princess’s fight to claim her throne.

When their dangerous friendship becomes something even stronger, Zahra has to confront the painful reality that her freedom might come at the cost of losing Aladdin forever. Zahra’s narrative is imbued with powerful feminist themes as she begins to understand that she has everything she needs to save herself without any bargains or rescue.

The Forbidden Wish is a lush and vibrant story that is as romantic as it is empowering. A must-read for fans of fairy tale retellings and nuance fantasy. Highly recommended.

Possible Pairings: The Wrath and the Dawn by Renee Ahdieh, Bound by Blood and Sand by Becky Allen, Becoming Jinn by Lori Goldstein, Rebel of the Sands by Alwyn Hamilton, Ella, Enchanted by Gail Carson Levine, A Thousand Nights by E. K. Johnston, Girls of Paper and Fire by Natasha Ngan

My Plain Jane: A Review

My Plain Jane by Cynthia Hand, Brodi Ashton, Jodi MeadowsYou might think you know Jane Eyre’s story: her childhood privation, her governess position at Thornfield Hall, and her immediate attraction to the dark and brooding Mr. Rochester. You’d be wrong. Mostly because you haven’t heard about the ghosts. Don’t worry, though, My Plain Jane (2018) by Cynthia Hand, Brodi Ashton, and Jodi Meadows has you covered.

This standalone alternate history novel inserts teenage aspiring author Charlotte Brontë into the world of her own making (with the addition of ghosts) as she chronicles the life of her best friend at Lowood, Jane Eyre, as inspiration for her first novel about the life of one “Jane Frere.”

Charlotte’s authorial ambitions and Jane’s plans to become a governess are thwarted when Jane’s ability to see ghosts comes to the attention of Alexander Blackwood, an agent for the once prestigious Society for the Relocation of Wayward Spirits. Determined to help his mentor restore the Society to its past glory, Alexander is keen to recruit Ms. Eyre as an agent–even if it means taking off his ever-present mask and accepting help from the overly eager Ms. Brontë and her screw up brother. This simple task spirals into a madcap story of ghosts, possession, revenge, and murder as Charlotte, Jane, and Alexander must set aside their differences to solve the mysteries of Thornfield Hall, help the Society (and the ghosts), and maybe even save the king of England in the process.

Narrated by Charlotte, Jane, and Alexander in alternating chapters My Plain Jane uses Jane Eyre as a loose framework for the plot which is populated with familiar characters from both the classic novel and history as well as numerous Easter eggs including a likely explanation for the origins of Charlotte’s chosen pen name and excerpts from Jane Eyre as seen in Charlotte’s trusty notebook.

My Plain Jane blends fact with fiction in a humorous story that offers a gentler and more hopeful outcome for Charlotte and her siblings along with a more plausible ending for anyone who ever wondered why Jane Eyre would marry a man twice her age after his first wife is discovered in the attic. A must-read for fans of My Lady Jane or Jane Eyre and a fun alternative for fans of paranormal romances.

Possible Pairings: Etiquette & Espionage by Gail Carriger, The Eyre Affair by Jasper Fforde, The Princess Bride by William Goldman, The Dark Days Club by Alison Goodman, These Vicious Masks by Tarun Shanker and Kelly Zekas, Sorcery and Cecelia by Patricia C. Wrede and Caroline Stevemer

*A more condensed version of this review was published the March 2018 issue of School Library Journal as a starred review*

Everywhere You Want to Be: A Review

cover art Everywhere You Want to Be by Christina JuneMatilda “Tilly” Castillo is used to doing what’s expected of her. But after almost losing her chance to be a professional dancer forever after an injury, Tilly knows she has to take her chance now or lose her dreams forever.

She has a once-in-a-lifetime chance to join a dance troupe in New York City for the summer which could be her best chance to make things happen. Her mother also thinks it will be Tilly’s last hurrah as a dancer before she starts at Georgetown in the fall. But her mother doesn’t need to know that Tilly deferred her admission for a year. At least not until finishes the summer and proves she can make a living as a dancer.

Armed with her vintage red sunglasses and a promise to visit her abuela often in New Jersey, Tilly is ready to take New York by storm. What she doesn’t count on is the fierce rivalry she’ll encounter with another dancer or Paolo–a handsome drummer from her past–surprisingly spending the summer in New York himself.

Over the course of a summer filled with new experiences, loves, and adventure Tilly will have to decide if she wants to follow the path her mother has laid out for her or venture in a new direction to follow her dreams in Everywhere You Want to Be (2018) by Christina June.

Everywhere You Want to Be is June’s sophomore novel and a contemporary riff on Little Red Riding Hood. It is a companion to her debut It Started With Goodbye (a contemporary retelling of Cinderella).

Tilly’s first person narration is thoughtful and quirky as she takes in all of the sights and sounds that New York has to offer. She is a pragmatic heroine who is willing to dream big and work hard to get to where she wants as a professional dancer. Her new friendships and budding romance offer the perfect counterpoint to her escalating rivalry with another dancer.

Everywhere You Want to Be is a perfect summer read. An ode to the big city, big dreams, and growing up.

Possible Pairings: American Panda by Gloria Chao, City Love by Susane Colasanti, Bunheads by Sophie Flack, The Romantics by Leah Konen, Since You’ve Been Gone by Morgan Matson, The Museum of Heartbreak by Meg Leder, Summer in the Invisible City by Juliana Romano

Fire and Hemlock: A (ReRead) Chick Lit Wednesday Review

Polly Whittacker is nineteen and preparing to return to college after visiting her grandmother over break. She has a flatmate, a boyfriend, and all of the other things she would expect as a college student. It’s ordinary but it feels like enough.

That is until Polly stares at the picture that’s hung above her bed for as long as she can remember. Here, now, of course, Polly knows that “Fire and Hemlock” is just a photograph of some hay bails burning with a hemlock plant in the foreground. But when she was younger didn’t the picture used to have figures dancing and racing around the fire?

The more Polly remembers about the painting, the more she realizes that her memories of the past ten years aren’t quite right either. She has the ordinary set, the ones she always thought were true. But if she thinks back far enough and hard enough, Polly starts to remember another set of memories from a very different, very not ordinary life.

It all started nine years ago when Polly accidentally crashed a funeral and met an odd cellist named Thomas Lynn. Her friendship with Mr. Lynn took the form of fantastical letters, exchanged books, and one very odd visit to his flat in London. Those memories are easy to hold onto once they start to come back.

But something else happened the last time they met. Something worse. And now, here, Polly knows that she and Tom are inextricably tied together–maybe as friends and maybe as more. But Polly won’t have the chance to figure any of that out unless she can gather her memories and figure out not just how to get back to Tom but how to save him in Fire and Hemlock (1985) by Diana Wynne Jones.

I originally reviewed Fire and Hemlock in 2007 just a few months after I started blogging when I first read the novel. Even a decade later I still think about Polly and Tom all the time and almost since the moment I finished it, this book has held a place as one of my most favorite books of all time.

I read this book again in 2017 and was thrilled to see that it absolutely stands up to closer readings. If you can, get your hands on the edition I like to above–it has one of the best covers this book has ever gotten, includes an introduction from Garth Nix, and features an essay Jones wrote about writing this novel–something she rarely talked about in interviews.

Fire and Hemlock is a retelling of Tam Lin, a meditation on what it means to be a hero, a sweeping romance, and one of the best fantasies you’ll ever read. I still haven’t read all of Jones’ novels, the thought of running out is a bit too depressing so I try to keep a few in my figurative back pocket. But if you have to pick just one to read, consider starting here.

Possible Pairings: The Hazel Wood by Melissa Albert, The Impossible Knife of Memory by Laurie Halse Anderson, The Darkest Part of the Forest by Holly Black, The Game of Love and Death by Martha Brockenbrough, Entwined by Heather Dixon, The Accident Season by Moïra Fowley-Doyle, Caraval by Stephanie Garber, Guardian of the Dead by Karen Healey, Cruel Beauty by Rosamund Hodge, Princess of Thorns by Stacey Jay, Salt & Storm by Kendall Kulper, Thomas the Rhymer by Ellen Kushner, Ella Enchanted by Gail Carson Levine, Wildwood Dancing by Juliet Marillier, , The Glass Casket by Templeman McCormick, Beauty by Robin McKinley, The Perilous Gard by Elizabeth Marie Pope, Vassa in the Night by Sarah Porter, Unspoken by Sarah Rees Brennan, The Winner’s Curse by Marie Rutkoski, The Near Witch by Victoria Schwab, The Ghosts of Heaven by Marcus Sedgwick, The Raven Boys by Maggie Stiefvater, The New Policeman by Kate Thompson, Extraordinary by Nancy Werlin, The Replacement by Brenna Yovanoff, Dust Girl by Sarah Zettel

Speak Easy, Speak Love: A Chick Lit Wednesday Review

Beatrice knows that if she leaves New York when she’s kicked out of boarding school, she’ll never be able to come back and realize her dream of becoming a doctor. She refuses to accept that future and determines to stay on course at all costs. Even if it means relying on an uncle she barely knows to take her in. Her uncle’s ramshackle mansion, Hey Nonny Nonny, holds quite a few unexpected boarders and hides a big secret: it’s a speakeasy offering entertainment and illegal spirits.

Hero, Beatrice’s cousin, loves the old house more than almost anything and she’s been doing everything she can to keep the eccentric speakeasy afloat. But with prohibition agents watching, limited supplies of liquor, and the pesky problem of needing to pay the staff, Hero isn’t sure if they can make it through one more party let alone the entire summer season.

Hero has always been able to rely on Prince, her steadfast friend who sees the speakeasy as his home and as a chance to prove himself to John, the half-brother who has never accepted Prince enough to let him in on his dealings as a member of the local mob.

Singing at Hey Nonny Nonny could be Maggie’s ticket to something bigger. But only if she’s willing to leave her friends there behind. And only if talent agents are willing to see beyond her brown skin to her big talent.

Then there’s Benedick who is determined to avoid the stuffed shirt life his father has laid out for him. No prep school graduation. No college. No banking job. Definitely no trust fund. Benedick is a writer and he’s sure that if he has the chance he can make it without his father’s backing–or his approval.

It’s dislike at first sight for Beatrice and Benedick–a feeling that only grows stronger in the face of repeated misunderstandings and arguments. Everyone else can see that Beatrice and Benedick are perfect for each other, but they both might be too stubborn to realize it without a lot of help in Speak Easy, Speak Love (2017) by McKelle George.

Speak Easy, Speak Love is George’s debut novel and a retelling of William Shakespeare’s Much Ado About Nothing.

Written in the third person this novel shifts perspective primarily between Beatrice and Benedick as they arrive at Hey Nonny Nonny. Their story also overlaps with arcs for Hero, Prince, Maggie, and John over the course of an eventful summer that will change their lives forever.

Winsome characters, perfect pacing, and a plot that is simultaneously unique and true to the source material make Speak Easy, Speak Love a delight to read. Set primarily in Long Island, New York, this novel offers a quieter side of the Prohibition in the 1920s that isn’t often seen in historical fiction. Careful researching of the time period and an obvious familiarity with Shakespeare help to make this story vibrant and evocative.

Although they are living in the past, George handles this plot through the responsible lens of modern ideals. Benedick, often in discussion with Beatrice, contemplates his privilege as a young white man from a wealthy family and the knowledge that even during his rebellious flight to Long Island his family acts as a safety net. In contrast, Beatrice is used to having no one and has to learn how to both build and trust a support system as she finds true friends and family for the first time in years. Of course, Beatrice is also a classic feminist as she chases her dream to become a doctor. Side plots following Maggie and Prince explore the idea notion of belonging as well as barriers put in place by racism and discrimination at this time.

Speak Easy, Speak Love is a witty and droll story about six teens, an unlikely speakeasy, and the connections that will change their lives forever. A must read for fans of the 1920s, Shakespeare buffs, and anyone looking for a bright diversion. Highly recommended.

Possible Pairings: Retribution Rails by Erin Bowman, The Diviners by Libba Bray, The Game of Love and Death by Martha E. Brockenbrough, These Shallow Graves by Jennifer Donnelly, Under a Painted Sky by Stacey Lee, Every Hidden Thing by Kenneth Oppel, Belle Epoque by Elizabeth Ross, Snow White by Matt Phelan, Iron Cast by Destiny Soria

You can also check out my interview with McKelle starting tomorrow.

The Language of Thorns: Midnight Tales and Dangerous Magic: A Review

Leigh Bardugo follows up her popular Grisha trilogy and its companion Six of Crows duology with The Language of Thorns: Midnight Tales and Dangerous Magic, a collection of atmospheric short stories which serve as an excellent introduction to the Grishaverse for new readers while expanding the world for seasoned fans.

The six short stories (including three previously published by Tor.com) are inspired by the cultures found in the Grishaverse as well as traditional fairy tales, folk tales, and myths. In her author’s note Bardugo explains her thought process as she examined familiar fairy tales and pulled at the troubling threads found within.

Every story is accompanied by Sarah Kipin‘s border illustrations which grow around the pages as the tales unfolds culminating in a double page illustration at the end of each story. Two color printing enhances the collection and makes this a stunning addition to any bookshelf.

In “Ayama and the Thorn Wood,” a Zemeni tale with nods to Cinderella, The Thousand Nights and Beauty and the Beast, Ayama ventures into the Thorn Wood where she must speak truth while placating a fearsome beast with fanciful stories.

The Ravkan story “The Too-Clever Fox,” follows Koja–an ugly fox–as he learns that sometimes help from a friend outweighs mere cunning when he tries to stop a ruthless hunter.

Bardugo’s answer to Hansel and Gretel, “The Witch of Duva” follows Nadya into the woods where she finds a wondrous witch who can help her discover the truth about her new step-mother–but only for a steep cost.

Beautiful Yeva questions her father’s decision to follow the common fairy tale tradition of setting nearly impossible tasks to choose her future husband in “Little Knife” as Semyon uses his abilities as a Tidemaker to get help from a river to complete them.

The Kerch tale of “The Soldier Prince” explores themes of identity and desire when a demon named Droessen creates a nutcracker soldier who comes to life–but is being alive the same as being real?

The collection finishes with the Fjerdan story “When Water Sang Fire” about a sildroher mermaid named Ulla who dreams of being able to use her singing magic as she chooses, until her attempt to create a fire that will burn underwater ends in betrayal and heartbreak, suggesting a possible origin story for the Little Mermaid’s notorious sea witch.

Themes of feminism and empowerment color each story with heroes and heroines given the chance to choose their own fates and stir the pot, for better or worse. Strong writing, compelling stories, and gorgeous illustrations make this collection a must have for fans of the author and readers eager for new fairy tale retellings to devour.

Possible Pairings: The Hazel Wood by Melissa Albert, Girls Made of Snow and Glass by Melissa Bashardoust, Entwined by Heather Dixon, Cruel Beauty by Rosamund Hodge, Enchanted by Alethea Kontis, Ella Enchanted by Gail Carson Levine, Every Heart a Doorway by Seanan McGuire, Frogkisser! by Garth Nix, Hold Me Like a Breath by Tiffany Schmidt, The Rumpelstiltskin Problem by Vivian Vande Velde

*A more condensed version of this review appeared as a starred review in the October 2017 issue of School Library Journal*

The One That Got Away: A Review

Ruby has the perfect life in New York City. She is great at her job, she lives alone in a chic Manhattan studio apartment. She is making it.

But as she prepares to head to England for her sister’s wedding, even Ruby has to admit that she might not be thriving. Her life is divided between work and her weekly gym sessions. There isn’t time for anything else with such a demanding job. But Ruby isn’t sure that matters in the face of having her NYC dreams become reality.

Heading to England couldn’t come at a worse time. But then again there’s never a good time to watch your sister marry the best friend of your ex-boyfriend. Ruby and Ethan were a perfect pair until they weren’t. Now, ten years later, the sting of that painful breakup lingers.

Seeing Ethan again brings back a lot of old memories. Enough that Ruby starts to wonder if walking away all those years ago was ever the right choice in The One That Got Away (2017) by Melissa Pimentel.

This standalone contemporary romance is a modern retelling of Jane Austen’s Persuasion complete with the English setting. The story has a rocky start with a New York City backdrop that is largely divorced from reality particular for a professional thirty-something.The story picks up as Ruby heads to England but the characters never quite manage to fit the plot they are given.

This disconnect deepens as the story progresses. Both Ruby and Ethan are haunted by regrets and fear of wasted opportunities. Making up for lost time, more than anything, is the theme of this light romance. Despite the characters being close to the age of Austen’s own heroine and hero, Ruby and Ethan’s concerns make more sense for characters who are older. While Ethan is a tech wunderkind with tons of talent and money but the idea that Ruby is already not just situated in her career but stagnating feels false. This might be a personal thing as a thirty-something myself who is far from stable but Ruby’s life and her problems felt like the property of a character at least a decade older.

The One That Got Away is a snappy romance complimented by Ruby’s first person narration in a storyline that explores her past with Ethan as well as her present. Recommended for readers looking for a new romance from a fresh voice.

*An advance copy of this title was provided by the publisher for review consideration*