Witchlanders: A Review

cover art for Witchlanders by Lena CoakleyMagic is a powerful thing in the Witchlands. The magic and the lands themselves are protected by witches who are mysterious and dangerous, creatures with little time for villages like Ryder’s.

That is if the witches are even real, which Ryder still doubts. After all, he has seen no evidence of them save the relics from her mother’s time as a witch and her addiction to the flowers that she insists will call the witches to her.

When the witches do finally show up to answer his mother’s call Ryder is forced to reconsider everything he thought he believed about the witches, the Witchlands, and his own role in the prophecies his mother has been seeing in Witchlanders (2011) by Lena Coakley.

Witchlanders is classic high fantasy with a unique magic system and detailed world building. It’s also an excellent standalone in a genre that is often over-saturated with trilogies or longer series.

The story follows two boys on opposite sides of a years-long war as they try to understand their growing magic and the bond that seems to be drawing them inexorably together. Chapters alternate between their points of view as they are drawn across the Witchlands to confronting shocking revelations about their pasts, their futures, and their own connections.

While Coakley’s world is fascinating, her characters often suffer in comparison with a lack of dimension. Witchlanders is decidedly free of romance but remains a solid testament to the power of friendship as its own kind of magic.

Possible Pairings: Sorrow’s Knot by Erin Bow, The Demon King by Cinda Williams Chima, The Last Namsara by Kristen Ciccarelli, Truthwitch by Susan Dennard, Black Wings Beating by Alex London, The Floating Islands by Rachel Neumeier

Everything All at Once: A Review

cover art for Everything All at Once by Katrina LenoLottie Reaves doesn’t take risks. She prefers to play it safe. But even her usual caution is no help when her aunt Helen–the one person who always seemed to understand Lottie’s anxiety and panic–dies of cancer. But Lottie and her family aren’t the only ones mourning. After Helen’s death it feels like the whole world is mourning the loss of the beloved author of the Alvin Hatter series about siblings Alvin and Margot and the chaos that follows when they discover an elixir that grants immortality.

After Helen’s death it feels like Lottie is spinning out as her panic about death, life, and so many other things start to feel so much bigger. Grieving and feeling more than a little lost, Lottie receives the most surprising inheritance from Helen’s will: twenty-four letters each filled with a dare designed to help Lottie learn how to embrace change and risk.

Helen promised the letters would lead to some bigger truth, answers to questions Lottie hasn’t even learned enough to ask yet, but as she steps outside of her comfort zone and learns more about her aunt, Lottie also discovers the shocking secret that inspired her aunt to write the Alvin Hatter books–a secret that could change Lottie’s life forever in Everything All at Once (2017) by Katrina Leno.

Leno’s latest standalone is part contemporary coming-of-age story and part fantasy with heavy nods toward Tuck Everlasting and Harry Potter. The narrative is broken up with letters from Aunt Helen and excerpts from the Alvin Hatter books throughout.

Lottie’s first person narration is sometimes claustrophobic as she struggles to work through her panic and anxiety. Leno handle’s this portrayal with honesty and authenticity as Lottie tries to find coping mechanisms that work for her while also trying to overcome her anxiety when it prevents her from doing what she really wants. Everything All at Once is the first time I’ve seen a novel truly capture and explore the fear of mortality that hangs over a grieving person expressed so clearly.

On her journey Lottie has conscientious parents, a supportive younger brother, and a funny and smart best friend willing to follow her on every adventure. There’s also a cute but mysterious boy and one of my favorite romantic exchanges (One character asks “Are you saying we’re not friends?” And the other replies “That’s exactly what I’m saying.” And it’s perfect.) But I can’t tell you much more without revealing too much.

Everything All at Once is strongest as a story about grieving, growing up, and an ode to reading and fandoms. Leno plants seeds early on for more surprises (some of which are heavily broadcast) but it also can feel like one element too many. Recommended for readers looking for an empowering story about growing up and working through loss. Or readers who love Tuck Everlasting but wanted more banter and kissing.

Possible Pairings: Tuck Everlasting by Natalie Babbitt, A Week of Mondays by Jessica Brody, What to Say Next by Julie Buxbaum, 13 Little Blue Envelopes by Maureen Johnson, The Start of Me and You by Emery Lord, Since You’ve Been Gone by Morgan Matson, Twenty Boy Summer by Sarah Ockler, It Wasn’t Always Like This by Joy Preble

Kingdom of Ash and Briars: A Review

cover art Kingdom of Ash and Briars by Hannah WestBristal’s life changes forever when she is kidnapped. Her humble life as a kitchen maid ends the moment she survives touching the Water and receives an elicrin stone.

Now Bristal is an elicromancer—one of only three people over the centuries to have survived the Water intact.

Immortal and able to wield powerful magic, Bristal is meant to take her place as a peacekeeper and kingmaker. With so much potential power at her command Bristal will have to accept her magic and embrace her destiny despite the dangers in Kingdom of Ash and Briars (2016) by Hannah West.

Kingdom of Ash and Briars is West’s debut novel and the first book in the Nissera Chronicles which continues in Realm of Ruins. (A companion short story, Fields of Fire, can also be read for free online.)

Kingdom of Ash and Briars introduces a richly layered world with a unique magic system. West’s novel is informed by numerous fairy tales (most notably Cinderella and Sleeping Beauty) positioning a reluctant Bristal in the role of fairy godmother.

Bristal’s ability to shape shift and disguise herself informs much of the story as she begins to change her appearance to manipulate individuals and, indeed, entire courts pushing Nissera toward peace and prosperity. These secondary stories play out on a larger stage as Bristal comes to terms with her newfound immortality and learns to control her magic while facing an elicromancer who would rather rule over humans than serve and protect them.

While not as all-seeing as her mentor, Brack (a character I wish we had seen more of in this novel), Bristal is patient and introspective willing to put in the time and sacrifice to do what is needed for Nissera. Her thoughtful planning and analytical nature are nice counterpoints to an otherwise frenetic plot and an often predictable villain. Romance enters the story late in the game with a lasting impact for generations to come.

Kingdom of Ash and Briars is a rich and original fantasy with a memorable world readers will want to revisit. Recommended for readers who enjoy complicated plots, wheels within wheels, and unlikely heroes.

Possible Pairings: Girls Made of Snow and Glass by Melissa Bashardoust, The Brilliant Death by Amy Rose Capetta, The Goose Girl by Shannon Hale, Stain by A. G. Howard, A Curse So Dark and Lonely by Brigid Kemmerer, The Keeper of the Mist by Rachel Neumeier, Snow Like Ashes by Sarah Raasch

*A copy of this title was provided by the publisher for review consideration*

Darius the Great is Not Okay: A Review

cover art for Darius the Great is Not Okay by Adib KhorramDarius Kellner is more comfortable talking about Star Trek than he is about his status as a Fractional Persian. He doesn’t speak Farsi very well and a lot of Persian Social Cues still mystify him (Persian Casual anyone?).

Not that connecting with his father’s side of the family is any easier. Darius isn’t cut out for their Teutonic stoicism and he is no Übermensch like his father Stephen Kellner. The only things they seem to have in common are a love of Star Trek and clinical depression. Not exactly the makings of strong familial ties.

Darius doesn’t know what to expect on his first trip to Iran with his family. He’s excited to meets his grandparents and the rest of his family in person for the first time ever. But he doesn’t know what they’ll make of his limited Farsi or his medication.

He never expects to make a new friend, let alone a potentially lifelong one like Sohrab. As Darius starts spending more time with Sohrab he learns what it’s like to have a friend and, maybe, what it’s like to be himself and embrace his namesake—Darioush the First aka Darius the Great in Darius the Great is Not Okay (2018) by Adib Khorram.

Darius the Great is Not Okay is Khorram’s marvelous debut. It was a BookExpo 2018 YA Editor’s Buzz Selection and if it doesn’t get a nod from this year’s Morris Award I will be extremely surprised.

Darius’s first person narration immediately draws readers into his world as he explains his passions (tea and Star Trek, in that order) and his frustrations as he struggles to fit in with his own family. Khorram’s writing, especially as Darius begins to discover his family and his heritage in Iran, is vivid and evocative. This book is also filled with delicious descriptions of food, so be sure to read with snacks nearby.

I love the way Khorram uses dialog and voice throughout the book as Darius struggles to connect with relatives who don’t speak English and how to express himself in any language. Darius the Great is Not Okay is a gentle, contemplative read perfect for readers looking to satisfy their wanderlust without leaving home.

Possible Pairings: In a Perfect World by Trish Doller, Tell Me Again How a Crush Should Feel by Sarah Farizan, 500 Words or Less by Juleah del Rosario, Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Saenz, Notes from the Midnight Driver by Jordan Sonneblick, The Sun is Also a Star by Nicola Yoon

*An advance copy of this title was provided by the publisher for review consideration at BookExpo 2018*

The Traitor’s Game: A Review

cover art for The Traitor's Game by Jennifer A. NielsenNo one knows where Kestra Dallisor has spent the last three years. It’s better that way. The longer she can hide, the longer she can avoid becoming a pawn in her father’s political machinations to strengthen his ties to the cruel Lord Endrick. But the time for hiding has ended and Kestra has been called home.

When Kestra is kidnapped en route she faces an impossible bargain: find the Olden Blade to spare the lives of her captive servants and herself.

Simon, one of her kidnappers, doesn’t know what to make of Kestra. She is not at all like the girl he expects, certainly nothing not the girl he remembers from his childhood. But she’s also the only hope he and his people have of finding the Olden Blade and reclaiming their freedom.

There are no winners in the traitor’s game. But that won’t stop Kestra or Simon playing for all they’re worth in The Traitor’s Game (2018) by Jennifer A. Nielsen.

The Traitor’s Game is the first book in Nielsen’s new YA series. The book alternates between Kestra and Simon’s first person narrations.

Nielsen delivers high action, political machinations and the intrigue readers of her middle grade novels have come to expect. Despite some unique flourishes in the world building, this is a fairly familiar story as a lost heir tries to reclaim that which was taken by the conquerors.

Kestra and Simon are interesting foils but lack the chemistry needed for their tension and changing dynamic to sustain an entire book. Their voices in alternating chapters are often indistinguishable. The prose often feels sanitized as violence and danger is pushed off the page for readers to imagine instead of being vividly described–this choice means that the novel can work well for younger readers but also creates a stark contrast between the descriptions of the world and the actual reading experience.

The Traitor’s Game is a familiar addition to the fantasy genres. Sparse world building and under developed characters feel like missed opportunities in what could have been a far richer story. Recommended for fans of the author and readers seeking a strictly plot driven fantasy.

Possible Pairings: Grace and Fury by Tracy Banghart, Everless by Sarah Holland, The Orphan Queen by Jodi Meadows, The Kiss of Deception by Mary E. Pearson, Snow Like Ashes by Sarah Raasch, The Winner’s Curse by Marie Rutkoski, Ash Princess by Laura Sebastian

Down Among the Sticks and Bones: A Review

“Every choice feeds every choice that comes after, whether we want those choices or no.”

cover art for Down Among the Sticks and Bones by Seanan McGuireIdentical twins Jack and Jill were seventeen when they found their way back home and were immediately sent off to Eleanor West’s Home for Wayward Children before they could bring disorder to their parents’ tidy life.

This is the story of what happened before they came back.

Jacqueline and Jillian were a matched set–identical. Perfect for their parents to split up and mold after themselves. Jacqueline wore pretty dresses and was polite and quite–her mother’s perfect daughter. Jillian was smart and loud, a tomboy through and through–not quite the son her father wanted but close.

They were five when they learned that grown ups can’t be trusted and sisters can’t always be close. They were twelve when they walked down an impossible staircase and found a world filled with death and horror where, for the first time, they can choose who they might want to be in Down Among the Sticks and Bones (2017) by Seanan McGuire.

Down Among the Sticks and Bones is the second book in McGuire’s Wayward Children series of novellas which begins with Every Heart a Doorway. This novella is a prequel to the series starter.

It is an interesting exercise in patience to read the followup to an exciting novella only to realize it is a prequel and will offer no hints of what comes after for the characters you’ve already met and started to care about. Despite desperately wanting to see what happens next at the school, Down Among the Sticks and Bones is an excellent addition to the series.

McGuire continues to develop this series with strong world building and thoughtful character development. Because of the prequel nature this story can be read out of order although that will dilute some of the impact of the character development across the series.

Down Among the Sticks and Bones plays with preconceived notions about heroes and villains in a world where, in the absence of a true hero, the lesser villain may unwittingly take on the position. The story is also a scathing commentary on absent and controlling parents. The usually powerful bond between sisters seen in fantasy novels is subverted here as Jack and Jill realize they are only able to come into their own when they are apart.

Down Among the Sticks and Bones is another excellent addition to this strange little series of novellas. Perfect for readers of both fantasy and horror. Fans of the series can only hope future installments will offer as much insight into other characters’ stories.

Possible Pairings: The Hazel Wood by Melissa Albert, The Language of Thorns by Leigh Bardugo, Alice’s Adventures in Wonderland by Lewis Carroll, Labyrinth Lost by Zoraida Córdova, The Chronicles of Narnia by C. S. Lewis, The Perilous Gard by Mary Elizabeth Pope, Vassa in the Night by Sarah Porter, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, An Enchantment of Ravens by Margaret Rogerson, Frankenstein by Mary Shelley

Every Heart a Doorway: A Review

“She was a story, not an epilogue.”

cover art for Every Heart a Doorway by Seanan McGuireEleanor West’s Home for Wayward Children is the last stop for the girls—because they are overwhelmingly girls—who managed to slip away unnoticed and pass through a magic door into another world.

They never find the same things in their worlds. Some are Nonsense while others thrive on the rules of Logic. Some are Wicked and others are high Virtue. But even with their differences the worlds all have something in common: for the children who find them they feel like home.

And for the Wayward Children the doors have closed to them—maybe forever. So now they have to learn to move on. If they can.

After her time in the Halls of the Dead, Nancy doesn’t think it’s so simple. Now that she’s surrounded by other exiles like herself the only certainty is that they are trapped together until their doors appear again. If they do.

When students at the school become victims of grisly murders Nancy seems the obvious suspect. She knows she isn’t the killer but she doesn’t know how convince anyone else of that—or to find the real culprit—anymore than she knows how to get back home in Every Heart a Doorway (2016) by Seanan McGuire.

Every Heart a Doorway is the start of McGuire’s Wayward Children series of novellas.

The Wayward Children are an inclusive group including the protagonist of this volume Nancy who is wary of the school partly because it is not her beloved Halls of the Dead and partly because she isn’t sure how the other students will react when she tells them she is asexual.

McGuire’s novella is well-realized and introduces readers to not just one fully-realized world but many, This story is an interesting exercise in form (as a completely contained novella) as well as genre. Within the portal fantasy framework McGuire leads her characters through a mystery, a horror story, and even a traditional coming-of-age story. And that’s just in this first installment.

Every Heart a Doorway is a wild ride and a thoughtful exploration of magic and its cost as well as a wry commentary on the mechanics of fairy tales. Highly recommended.

Possible Pairings: The Hazel Wood by Melissa Albert, The Language of Thorns by Leigh Bardugo, Alice’s Adventures in Wonderland by Lewis Carroll, Labyrinth Lost by Zoraida Córdova, The Chronicles of Narnia by C. S. Lewis, The Perilous Gard by Mary Elizabeth Pope, Vassa in the Night by Sarah Porter, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, An Enchantment of Ravens by Margaret Rogerson, Frankenstein by Mary Shelley