The Lost Dreamer: A Review

“Stories don’t end, they just change shape.”

Indir is a Dreamer. Growing up in Alcanzeh surrounded by her sisters in the Temple of Night, Indir has always been protected. Her gift to Dream truth earns her respect both within the temple and the city beyond.

But change is coming and this cycle will end in chaos before another can begin.

With the king’s death Indir’s gift is a threat to Alcan–the king’s heir intent on dismantling the kingdom’s traditions and rituals–especially those surrounding the Dreamers.

Saya is a seer. She walks the Dreaming but she is not one of the revered Dreamers. Instead she travels from village to village with her calculating mother only staying long enough for Saya’s mother to explore her gift and get everything they can before moving on. Saya knows her mother is hiding things from her, but this unmoored life is also the only one she has ever known.

As Indir and Saya search for answers, both young women creep ever closer to the chaos and danger that threatens from all sides. When everything they know is threatened, both Indir and Saya will have to choose between staying to fight and running to survive in The Lost Dreamer (2022) by Lizz Huerta.

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The Lost Dreamer is Huerta’s debut novel and the start of a duology inspired by ancient Mesoamerican mythology. The story alternates between Indir and Saya’s first person narrations offering different perspectives on both the kingdom and Dreaming.

With readers dropped into the middle of the action, The Lost Dreamer is a fast-paced fantasy filled with surprising twists and high stakes. The less you know about how the pieces fit together, the more satisfying all of Huerta’s reveals will be. Themes of female solidarity and friendship play well against the matrilineal history underpinning this richly developed world. Recommended.

Possible Pairings: Children of Blood and Bone by Tomi Adeyemi, A Song of Wraiths and Ruin by Roseanne A. Brown, A Thousand Steps into Night by Traci Chee, The Never Tilting World by Rin Chupeco, Ever Cursed by Corey Ann Haydu, The Bone Charmer by Breeana Shields

Roses, in the Mouth of a Lion: A Review

Corona, Queens in the 1980s is changing as the area’s first wave of primarily Italian immigrants are replaced with Pakistani family’s like Razia Mirza’s. The tension between the old and new in the neighborhood is palpable; the criticism clear as carefully tended gardens turn to weeds in the hands of new tenants and change keeps coming.

That tension between old and new is familiar to Razia Mirza. As the daughter of Pakistani immigrants who herself feels increasingly more American than Pakistani, Razia sees that same tension in herself; in her own life. Being a kid in Corona felt easy. Razia could understand the dimensions of her childhood even while she chafed against the narrow boundaries of her role as a “good girl” and a respectful part of her Muslim community.

But now, like her neighborhood, Razia is changing. She buys miniskirts from thrift stores, she listens to music her mother would call wild. Then she gets accepted to Stuyvesant all the way in the East Village in Manhattan where, for the first time, Razia feels like she has the space to be who she wants to be and not who her parents expect.

When her deepest friendship at Stuyvesant blossoms into something bigger, Razia has to decide if she can reconcile her family, her heritage, and her faith with the future she is chasing in Roses, in the Mouth of a Lion (2022) by Bushra Rehman.

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Short, vignette-like chapters unfold Razia’s story from early childhood into adolescence. For an even more immersive reading experience, check out the audiobook read by the author. Be aware of a few incidents of animal violence (mostly off page, but described after the fact) throughout the book if that’s a point of concern for you as a reader.

Vivid descriptions bring Razia’s world to life as her sphere slowly expands from the careful influence of her conservative parents into the punk scene surrounding Stuyvesant’s East Village neighborhood. Razia’s first person narration hints at larger stories unfolding with the circle of girls and women that comprise the Pakistani-American community in Corona but the tight focus on Razia’s experiences leave many plot threads open to interpretation by readers as they unpack Razia’s experiences alongside out protagonist.

Although romance in the conventional sense doesn’t appear in the story until the final act, Roses, in the Mouth of a Lion is a love story at its core. Again and again, Razia’s world expands as she discovers learning whether it’s at school, borrowing books from her local library, or gaining a deeper understanding of what her faith means to her while reading the Quran with her mother and other female community members at regular Vazes–religious parties–in the neighborhood.

Roses, in the Mouth of a Lion is a tantalizing window into one girl’s life as her world starts to expand, creating a friction between family obligations and personal growth as Razia tries to reconcile her own wants with the expectations of her family and community. Richly detailed prose bring Razia–and New York City–to life alongside provocative feminist themes of agency and freedom; this book and its author are ones to watch.

Possible Pairings: Freshwater by Akwaeke Emezi, My Brilliant Friend by Elena Ferrante, All the Rage by Courtney Summers, All My Rage by Sabaa Tahir, The Girls in Queens by Christine Kandic Torres, On Earth We’re Briefly Gorgeous by Ocean Vuong, Frankly in Love by David Yoon

*An advance copy of this title was provided by the publisher for review consideration*

We Deserve Monuments: A Review

Seventeen-year-old Avery Anderson is still smarting after breaking up with her first girlfriend over an argument she’d rather not remember. But that doesn’t mean she’s excited to have her entire life uprooted so that she can move from DC with her Mom and Dad to the middle of nowhere in Bardell, Georgia.

Avery barely knows her grandmother, Mama Letty, but with news of a terminal diagnosis Avery’s mother tells the family they have to be there for Mama Letty–whether she wants them there or not. Avery has known about the tension between her mom and Mama Letty for longer than she can remember. Based on the less-than-warm welcome they receive, Mama Letty dying seems unlikely to change anything.

Thank goodness for Simone Cole the cute girl next door who offers Avery some much-needed fresh air while being totally crush-worthy. Simone is a big personality and she’s quick to let Avery into her inner circle alongside best friend Jade Oliver–daughter of one of the town’s most prominent families with one of the most notorious reputations.

Secrets run deep in Bardell. As Avery unpacks the town’s racist past she also begins to fill in the gaps in her own family’s tragic connection to the town. As endings get wrapped up with new beginnings Avery has to decide if some secrets are worth burying when it also means keeping the peace in We Deserve Monuments (2022) by Jas Hammonds.

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We Deserve Monuments is Hammonds’ debut novel. Avery is biracial (Black mother and white father) and queer, Simone and her family are Black, and Jade’s family is from one of the wealthiest white families in Bardell. Avery’s first person narration alternates with short vignettes throughout the novel exploring different aspects of Bardell including painful pieces of the past as well as moments of first love and even an unlikely refuge for the local queer community highlighting just how varied even a small town can be for each of its residents.

Hammonds packs a lot into this deceptively slim novel with explorations of generational trauma, racism, and identity both through Avery’s story and her investigation into her family’s legacy in Bardell. Avery’s changing feelings about her family, especially Mama Letty, serve as a counterpoint to her complicated new friendships with Jade who Avery is hesitant to trust and Simone who might end up being something more.

In learning more about Mama Letty’s history in Bardell, Avery also starts to understand more about her own identity as a biracial and queer young woman and how to embrace both of those pieces of herself to take up space in her own life. Spare prose and evocative descriptions immediately draw readers into both Avery’s story and her search for answers.

We Deserve Monuments is grounded in a post-pandemic world that feels both timeless and current. Come for the romance, stay for the story of two girls learning how to love every part of themselves and their families–even the pieces no one wants to talk about.

Possible Pairings: Down and Across by Arvin Ahmadi, Starfish by Akemi Dawn Bowman, The Last True Poets of the Sea by Julia Drake, Darius the Great is Not Okay by Adib Khorram, Last Night at the Telegraph Club by Malinda Lo, A Very Large Expanse of Sea by Tahereh Mafi, I’ll Give You the Sun by Jandy Nelson, Sugar Town Queens by Malla Nunn, The Astonishing Color of After by Emily X.R. Pan, We Are the Scribes by Randi Pink, Jagged Little Pill: The Novel by Eric Smith et al, The Serpent King by Jeff Zentner

Be sure to also check out my interview with Jas!

*An advance copy of this title was provided by the publisher for review consideration*

Henry Hamlet’s Heart: A Review

Henry is well aware of his limitations. He knows he probably should not drink at parties given how it usually ends with him throwing up. He knows his penchant to make situations awkward is unparalleled. He is also painfully aware that he has no idea what he wants to do after high school–a problem when it’s his last semester of high school.

Regardless of his shortcomings, Henry always knows he can count on his best friend Len to see him through. Len has seen Henry at his clumsiest and most neurotic. Henry saw Len through the death of his mother and, more recently, his father’s frequent absences and volatility. Together Henry and Len have always made sense.

Until they kiss.

Len has a reputation as a flirt and a heartthrob ready and willing to kiss everyone. Henry doesn’t know what it means when he falls into that kissable category. Are they dating? Is it another of Len’s flings? Will Len soon realize he’s made a terrible mistake? Will Henry be able to admit it might be love? Henry has no idea. Harder than all that, Henry will also have to figure out if he can hold onto his best friend when everything is changing in Henry Hamlet’s Heart (2022) by Rhiannon Wilde.

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Henry Hamlet’s Heart is Wilde’s debut novel. It was originally published in Australia in 2021 where it won Queensland Literary Awards Glendower Award for an Emerging Queensland Writer in 2019. Henry and Len are white, there is some diversity in the secondary cast.

Set in Australia and published here after the fact, much of this story feels oddly out of time. References to Russell Brand (in relation to Vince–the emo friend in Henry’s friend group) exist alongside mentions of emails and cellphones making it unclear when exactly this story is really supposed to take place.

It is worth noting that although the two main characters in the story are male the author ostensibly is not (not to police Wilde’s identity or imply she has to provide so-called credentials to write the story she chooses to tell but merely to be aware). While Len is clearly cued as bisexual or pansexual with his reputation for “kissing everyone” his sexual orientation is never defined or interrogated as closely as Henry’s. For his part, Henry spends much of the novel aware of his own homosexuality but unwilling to admit it fully to his friends or family.

Henry and Len’s evolving relationship is presented with all of the messiness and confusion you’d expect from two teens trying to redefine a friendship that has seen them through childhood and adolescence into fast approaching adulthood. Len’s focus on photography and the pending remarriage of Henry’s grandmother (to her girlfriend) also add additional layers to this story where most characters are trying to figure out where they fit in the wider world.

Henry Hamlet’s Heart combines lyrical prose with big unknowns as Henry tries to figure out his future and his love life in this story about growing up and accepting change.

Possible Pairings: Kate in Waiting by Becky Albertalli, How Not to Ask a Boy to Prom by S. J. Goslee, Ready When You Are by Gary Lonesborough, Ophelia After All by Raquel Marie, If I Tell You by Alicia Tuckerman, The Brightsiders by Jen Wilde, Wild Life by Fiona Wood

*An advance copy of this title was provided by the publisher for review consideration*

The Black Kids: A Chick Lit Wednesday Review

Los Angeles, 1992: Ashley Bennett is living her best life at the end of her senior year spending more time at the beach with her friends than in the classroom.

But Ashley’s summer of possibility seems like much less of a sure thing when four LAPD officers are acquitted after they beat a Black man named Rodney King nearly to death. Suddenly both Ashley and all of her friends are very aware that Ashley is the only Black girl in their group and one of the only black kids in the entire school.

As protests shift to violent riots and fires threaten the city, Ashley tries to pretend nothing is changing. As her sister throws herself into the center of the riots heedless of the consequences, Ashley tries to ignore all the cracks in her family’s facade of privilege. When Ashley accidentally helps her friends spread a rumor that could derail her classmate LaShawn’s college plans, she realizes she has to make amends.

Ashley has never felt like one of the Black kids but as she gets to know LaShawn and his friends, she realizes she still has a lot to learn about her family, her city, and her own place in both in The Black Kids (2020) by Christina Hammonds Reed.

Find it on Bookshop.

The Black Kids is an intense debut novel and was a finalist for the 2020 William C. Morris YA Debut Award. This story plays out against the backdrop of the 1992 Los Angeles riots, it includes scenes of protests turning violent as well as racial slurs (notably the n word) used by characters. While these situations are addressed and interrogated in the story as Ashley learns to speak up for herself and for others, be advised of what to expect as you read.

Ashley’s first person narration is both lyrical and pragmatic. Ashley is very firmly grounded in her reality–fully aware of her sister’s self-destructive tendencies and her own precarious position surrounded by her white friends. At the same time, she also dreams of better days to come as she looks back on formative moments with her current best friends and learns more about her family’s history in LA.

There are no easy answers in this story and there are no perfect characters. Ashley is secretly hooking up with her best friend’s boyfriend, a new friend is furious when Ashley reports possible abuse, and the consequence for Ashley’s sister joining the riots are severe.

While the riots shape the larger narrative arc of this novel, The Black Kids is ultimately a smaller story about one girl’s growth (and her stumbles) as she learns to embrace every part of who she is–not just the parts she thinks people want to see.

Possible Pairings: Tyler Johnson Was Here by Jay Coles, Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar, Required Reading for the Disenfranchised Freshman by Kristen R. Lee,, Light It Up by Kekla Magoon, I’m Not Dying With You Tonight by Gilly Segal and Kimberly Jones, Dear Martin by Nic Stone, The Hate U Give by Angie Thomas, Piecing Me Together by Renee Watson

Kind of a Big Deal: A Review

Josie Pie was a big deal in high school. She was always the lead in school productions, her teachers always said she was destined for greatness. Which is why it made so much sense when Josie dropped out of high school to be a star.

Now, almost a year later, Josie is starting to wonder if she made the right choice. Turns out hitting it big on Broadway isn’t as easy as hitting it big in high school. After a series of failed auditions Josie is starting to wonder if she was ever star material. It certainly doesn’t feel that way while she words as a nanny.

Josie keeps in touch with her best friend, her boyfriend, and her mom. But there’s only so much you can talk about without admitting massive failure (and mounting credit card debt).

When Josie and her charge find a cozy bookstore, Josie receives a pair of special glasses that transport her into her current read. Literally. In the books she can save the day in a post-apocalyptic world, fall in love in a rom-com, and more.

Living out these fantasies is the best thing that’s happened to Josie in a while. But the longer she stays inside the stories, the harder it is to remember why she should come back to her own life in Kind of a Big Deal (2020) by Shannon Hale.

Find it on Bookshop.

Hale’s latest YA novel is a genre mashup. Framed by Josie’s contemporary coming of age story, Hale also plays with conventions in dystopian sci-fi, romantic comedies, and historical fiction (genres Hale has by and large tackled previously in her extensive backlist).

Kind of a Big Deal takes on a lot using these genre adventures to help Josie get a handle on her own life. Unfortunately, the stories within this story are often more compelling than Josie’s real life leaving Josie and her friends feeling one dimensional throughout. Stilted dialog and a premise that pushes the limits of plausibility (particularly with eighteen-year-old Josie being solely in charge of a seven-year-old girl while her mother works out of the country) further undermine this otherwise novel premise.

Kind of a Big Deal is a unique take on losing yourself in a good book. The story reads young and might have worked better for a middle grade audience or radically rewritten with older characters for an adult novel. Recommended for readers looking for plot driven genre studies.

Possible Pairings: Admission by Julie Buxbaum, Jane, Unlimited by Kristin Cashore, The Eyre Affair by Jasper Fforde, Fangirl by Rainbow Rowell, Afterworlds by Scott Westerfeld

*An advance copy of this title was provided by the publisher for review consideration*

Return of the Thief: A Review

After being born with the infirmity that runs through his family and earning the nickname “monstrous” as a baby, Pheris Mostrus Erondites has grown up aware of his own limitations. His vulnerabilities from his bad leg and arm as well as his inability to speak verbally have never been far from his mind. Pheris is, therefore, as surprised as anyone when he is named his grandfather Baron Erondites’ heir and sent to the Attolian court to serve as an attendant to the king of Attolia, Eugenides.

Years of fear and caution have taught Pheris how to play the fool and hide in plain sight but even he can’t escape Eugenides’ notice as the Little Peninsula prepares for war. As the newly appointed high king of Attolia, Eddis, and Sounis, Eugenides has united the three countries but that does not mean their people are ready–or willing–to fight the invading Mede empire.

Pheris observes and recounts everything for readers as political maneuvers, personal dramas, and his grandfather’s schemes unfold while creating an unlikely place for himself both in the palace and in the hearts of some of its residents.

With war looming Eugenides has to work harder than ever to protect everyone he loves and make sure he does not offend the gods who have taken an interest in both the Little Peninsula and him since his early years as the Queen’s Thief in Return of the Thief (2020) by Megan Whalen Turner.

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A direct sequel to Thick as Thieves, this novel will be most rewarding to readers of the entire Queen’s Thief series with the resolution of many character arcs and nods to multiple events across the overlapping timelines of the previous books in this series that has been decades in the making.

Pheris is an unlikely but meticulous narrator drawing readers deeper into the inner workings of the palace while shedding light on the looming war and the enigmatic high king. With shrewd, biting prose, Pheris fits in seamlessly with this group of characters fans have come to know and love. Tension, political drama, and intrigue are well contrasted with moments of levity and affection as both new and old characters have their moment to shine.

Return of the Thief is as intricately plotted as it is utterly satisfying; everything readers could hope for from a conclusion twenty years in the making.

Possible Pairings: The Wrath and the Dawn by Renee Ahdieh, The Candle and the Flame by Nafiza Azad, Plain Kate by Erin Bow, The Girl of Fire and Thorns by Rae Carson, Graceling by Kristin Cashore, Vessel by Sarah Beth Durst, The Lost Sun by Tessa Gratton, The Shadow Behind the Stars by Rebecca Hahn, Book of a Thousand Days by Shannon Hale, Seraphina by Rachel Hartman, A Thousand Nights by E. K. Johnston, Howl’s Moving Castle by Diana Wynne Jones, Finnikin of the Rock by Melina Marchetta, Dreamhunter by Elizabeth Knox, Grave Mercy by Robin LaFevers,Soundless by Richelle Mead, Sabriel by Garth Nix, The Winner’s Curse by Marie Rutkoski, The Scorpio Races by Maggie Stiefvater

*A more condensed version of this review appeared as a review an issue of School Library Journal*

A Fierce and Subtle Poison: A Review

Lucas spends every summer with his hotel-developer father in Puerto Rico. The resort there, an old convent, sometimes feels more like home to Lucas than the mainland ever does.

The stories he hears there about the cursed girl with the green skin and the poison in her veins sometimes feel more real than any of the girls Lucas spends the summer romancing as a diversion. Lucas has always wanted to help her; imagined himself breaking Isabel’s curse once and for all.

This summer, when his latest girlfriend disappears and Lucas starts receiving letters from Isabel herself, his life becomes inextricably entwined with the island, the curse, and a desperate search to save another lost girl before it’s too late in A Fierce and Subtle Poison (2016) by Samantha Mabry.

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A Fierce and Subtle Poison is Mabry’s debut novel. It’s easy, while reading, to see how the seeds of this story led to her subsequent novels All the Wind in the World and Tigers, Not Daughters.

Narrated by Lucas, this novel explores colonization and gentrification. Lucas witnesses firsthand the entitlement of white tourists and the damage his own father’s resorts cause to the island’s often fragile history.

Mabry expertly blends suspense and magic realism in this story of poison and disappeared girls although by the second half of the book it begins to feel like too many things are thrown into the plot as Lucas learns more about Isabel and her past.

A Fierce and Subtle Poison is a subtle story of longing and growing up. Recommended for readers who want to follow along with characters searching for their own compass–moral or otherwise.

Possible Pairings: Girl Serpent Thorn by Melissa Bashardoust, The Careful Undressing of Love by Corey Ann Haydu, We Were Liars by E. Lockhart, Bone Gap by Laura Ruby, Sadie by Courtney Summers

The Left-Handed Booksellers of London: A Chick Lit Wednesday Review

Things are changing in London in 1983. Some of the changes are ones you might recognize while others in this slightly alternate London are, appropriately, slightly different.

Things are changing for eighteen-year-old Susan Arkshaw too as she travels to London to try to find her father–a man she has never met–only to cross paths with the left-handed Merlin St. Jacques and, by extension, the rest of his eccentric family.

The St. Jacques clan has always kept London’s monsters, goblins, and other eldritch creatures in check and grounded in the Old World through a combination of magic, research for the right-handed of the family, brute force for the left-handed, and it seems in Merlin’s case through raw charisma as well. But the St. Jacques clan also has to make a living. So they sell books in the New World of modern London as well, as one does.

Susan isn’t sure how to deal with Merlin’s outrageous good looks or his even more outrageous flirting. Worse, she seems to be caught up in an Old World struggle that has been building for years–one that Merlin has been investigating in relation to his mother’s murder.

With help from his right-handed sister, Vivien, Merlin and Susan will have to follow Susan’s scant clues to find her father and determine Susan’s role in this Old World conflict before it bleeds into New World London and tears its unique booksellers apart in The Left-Handed Booksellers of London (2020) by Garth Nix.

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Witty banter and high stakes battles contrast well with bigger questions of what constitutes the greater good in a time when both magic and the modern world are rapidly evolving even as the booksellers themselves may be stagnating after years of complacency. If another urban fantasy novel has ever had such a painfully realistic depiction of shoddy institutional management, I haven’t read it.

Susan is a pragmatic, no-nonsense heroine from her worldview down to her buzz cut and Doc Martins who is quick to adapt as her entire world begins to shift beneath her feet. Merlin is, by contrast, flamboyant and whimsical with a larger than life personality to match his massive wardrobe fit for every occasion with snappy suits, nice dresses, and everything in between including multiple weapons. As the final point of this trio Vivien adds some much-needed practicality and steals every scene she’s in.

The Left-Handed Booksellers of London artfully subverts traditional gender roles both in society and within the fantasy genre with a story that defies as many expectations as its characters. Very fun. Very British. Very 1980s. Very much recommended.

Possible Pairings: The Eyre Affair by Jasper Fforde, Fire and Hemlock by Diana Wynne Jones, The Bone Houses by Emily Lloyd-Jones, Vassa in the Night by Sarah Porter, Sorcery of Thorns by Margaret Rogerson, The Raven Boys by Maggie Stiefvater, The Price Guide to the Occult by Leslye Walton

The Ten Thousand Doors of January: A Chick Lit Wednesday Review

January Scaller is used to certain doors being closed to her. Living as the ward of Mr. Locke, a wealthy man who travels in his own bubble of authority and privilege, does much to ease January’s movement through a world that doesn’t always understand her.

But even Mr. Locke’s influence can never change her origins as the daughter of a poor explorer or the color of her copper skin. She is used to never quite fitting in and never quite knowing her place among the empty halls of Locke’s vast mansion. She is used to wondering when her father will return from his numerous expeditions searching out new rarities for Locke’s vast collection. Most of all, January is used to waiting.

Everything changes the moment January finds a door, although it takes her nearly a decade to truly understand its importance. In a world where doors can lead a person much farther than an adjacent room, January will have to rely on a book filled with secrets and regrets and her own wits to determine which doors are meant to be open wide and which should remain under lock and key.

Doors can be many things to many people but more than anything, they are change. For January it may be impossible to walk through a door without changing everything in The Ten Thousand Doors of January (2019) by Alix E. Harrow.

Find it on Bookshop.

The Ten Thousand Doors of January is Harrow’s debut novel. The story alternates between January’s lyrical first person narration and chapters from the mysterious book she finds among Mr. Locke’s myriad artifacts.

Part portal fantasy, part coming-of-age story, The Ten Thousand Doors of January is a story about a young woman discovering her own power and agency in both a literal and figurative sense as she grows up in a world that has sought to systematically strip her of both.

Harrow builds tension well as the novel moves toward a dramatic climax both in January’s story and in the story-within-a-story of the book she finds. Moments of genuine magic and sweetness are tempered with thoughtful examinations of what it means to be a person of color in a world that too often defaults to white and favors it above all else.

January is clever, plucky heroine learning to find her voice after years of trying to keep quiet and maintain a low profile. Her personal growth is complimented well with the ragtag community she builds as she learns more about Doors and her own connection to them.

The Ten Thousand Doors of January is an ambitious examination of privilege, choice, and connection wrapped up in a distinct magic system and truly singular world building. Highly recommended.

Possible Pairings: The Hazel Wood by Melissa Albert; Life After Life by Kate Atkinson; Tuck Everlasting by Natalie Babbitt; Passenger by Alexandra Bracken; The Meq by Steve Cash; Jane, Unlimited by Kristin Cashore; Ink, Iron, and Glass by Gwendolyn Clare; The Glass Sentence by S. E. Grove; The Girl From Everywhere by Heidi Heilig; Fire and Hemlock by Diana Wynne Jones; A Criminal Magic by Lee Kelly; Only a Monster by Vanessa Len; Every Heart a Doorway by Seanan McGuire; The Starless Sea by Erin Morgensten; Uprooted by Naomi Novik; Every Hidden Thing by Kenneth Oppel; Sorcery of Thorns by Margaret Rogerson; The Invisible Life of Addie LaRue by V. E. Schwab;The Light Between Worlds by Laura E. Weymouth; Dust Girl by Sarah Zettel