The rooms in the House are infinite. Connected by endless corridors and Vestibules with walls lined with thousands of Statues–each unique in both appearance and in name. Water moves through these Halls, waves flooding and draining according to the changing of the Tides.
Piranesi understands the House and its ways intimately. He can navigate the Halls and track the Tides. He visits his favorite Statues and, most importantly, he tends to the House as he explores its vast spaces.
There is one other living person in The House: The Other, a man searching for A Great and Secret Knowledge that Piranesi suspects he may never find.
The Beauty of the House is immeasurable; its Kindness infinite. It provides everything that Piranesi needs. But even with his intimate knowledge of the House and its workings, Piranesi doesn’t know what it means when evidence of another Person emerges.
Will they be friend as Piranesi hopes? Foe as The Other warns? As Piranesi comes closer to answering these questions he will also unravel an awful truth as vast and immeasurable as the House itself in Piranesi (2020) by Susanna Clarke.
Piranesi is Clarke’s deceptively slim followup to her blockbuster novel Jonathan Strange & Mr. Norrell. There is simultaneously a lot to talk about here and very little that can be said without revealing spoilers (which I have avoided here).
Clarke is an excellent writer. Despite the quirks of Piranesi’s first-person narration and the idiosyncrasies of the book’s structure, readers are immediately drawn into this strange and layered story.
The intricate unfolding of the plot contrasts sharply with mounting urgency as The Other tries to find the mysterious new person and kill them while Piranesi tries to save them. Even the meandering, stream of consciousness style of much of the book can’t diminish the tension as the novel builds inexorably to its climax.
Unfortunately, the actual ending is not as compelling as the buildup; no one is settled or even okay by the end, nothing is resolved. For a story that starts so big, with so many vast possibilities, the final outcome feels like the least compelling direction Piranesi could have taken.
Piranesi is a fascinating exercise in craft as Clarke expertly manages both the narrative and plot with well-timed reveals and twists. These notable elements underscore how little actually happens throughout the novel, especially in terms of characterization or growth.
Possible Pairings: The Ocean at the End of the Lane by Neil Gaiman, Slade House by David Mitchell, The Strange Library by Haruki Murakami, The Starless Sea by Erin Morgenstern, Midwinterblood by Marcus Sedgwick, Or What You Will by Jo Walton