Huda F Are You?: A Graphic Novel Review

Egyptian American Huda thought she knew exactly who she was: the hijabi girl.

But now that her family has moved to Dearborn, Michigan, Huda is facing a big identity crisis because in a town filled with Muslims it turns out everyone is the hijabi girl.

Not sure where this leaves her, Huda embarks on a journey of self-discovery. She isn’t athletic enough to be a hijabi athlete. She doesn’t want to get up early to perfect her makeup like the hijabi fashionistas. She isn’t competitive enough to be a hijabi gamer. And she definitely doesn’t know everything about being Muslim (or hijabi) so that’s out too.

Even being the smart one–previously a given for Huda in her large family–gets a lot harder with a teacher who is unfairly hostile to Muslim students.

As she navigates a new town and a new school Huda will make new friends, stand up to bullying and microaggressions, and maybe even have a new crush (or maybe not) all while figuring out who she wants to be in Huda F Are You? (2021) by Huda Fahmy.

Find it on Bookshop.

Fahmy’s fictionalized memoir tackles universal growing pains through a Muslim lens in this full-color graphic novel. Large panels and stylized cartoon illustrations lend a webcomic feel to this quick read. Muslim characters are shown with a variety of skintones (and hijab styles) and all characters have a variety of body types.

Huda’s experiences with her matriarchal family and her efforts to find her niche in school offer a nuanced and well-rounded portrayal of Huda’s search for herself.

Sharp humor and astute observations from the protagonist make Huda F Are You? a funny, immersive read. Fans can watch for the sequel Huda F Cares? in 2023.

Possible Pairings: Perfectly Parvin by Olivia Abtahi, Awkward by Svetlana Chmakova, Does My Body Offend You? by Mayra Cuevas and Marie Marquardt, All-American Muslim Girl by Nadine Jolie Courtney, Symptoms of Being Human by Jeff Garvin, Good Talk: A Memoir in Conversations by Mira Jacob, Yaqui Delgado Wants to Kick Your Ass by Meg Medina

Ophelia After All: A Review

Ophelia Rojas knows who she is: a girl who’s all about Cuban food, supporting her best friends, and her roses–both the ones she grows in her garden and the ones that embellish almost every piece of clothing she owns.

Ophelia has a reputation for one other thing: her numerous crushes on way too many boys. Ophelia gets a little tired of all the teasing sometimes but she is who she is.

Except when Talia Sanchez shows up at school, Ophelia realizes she might not know who she is quite as well as she thought. With high school ending, friendships changing, and a new crush that is totally off script, it feels like everything is up in the air. Now Ophelia has to decide if she can stay true to this new version of herself while holding onto the things and people she cares about in Ophelia After All (2022) by Raquel Marie.

Find it on Bookshop.

Ophelia After All is a standalone contemporary and Marie’s debut novel. Ophelia’s is biracial-Cuban on her mother’s side and white on her father’s leading to some thoughtful observations on racial stereotypes, microaggressions, and colorism. There’s a lot of diversity among the supporting cast including characters across the LGBT spectrum.

Ophelia’s narration is funny and thoughtful as she navigates her senior year of high school and the growing understanding that she might be bisexual–or something else she hasn’t learned the name of yet. With support from new friends like Wesley, Ophelia realizes that sexuality, like most things about a person’s identity, can be fluid and changeable. By the end of the story, Ophelia (and readers) also see that the queer community is open to all even if you’re still figuring things out.

With a crush that doesn’t go to plan and the bittersweet understanding that not all friendships are meant to last, Ophelia After All is a hopeful story about about endings and new beginnings.

Possible Pairings: The Pursuit of Miss Heartbreak Hotel by Moe Bonneau, Kings, Queens, and In-Betweens by Tanya Boteju, All the Invisible Things by Orlagh Collins, The One True Me and You by Remi K. England, The Year I Stopped Trying by Kate Heaney, Darius the Great is Not Okay by Adib Khorram, Don’t Date Rosa Santos by Nina Moreno, Between Perfect and Real by Ray Stoeve

Siren Queen: A Chick Lit Wednesday Review

She falls in love with the movies first. Wanting to be a star comes later.

Even though it’s hard to see herself–a Chinese American girl from Hungarian Hill–in any of the pre-code films that immediately captivate her, it’s easy to picture herself on the big screen one day. The impossible part is imagining any other life for herself.

So she makes her way through productions as an extra alongside the changelings with more experience and less to lose. She courts attention from the studios gambling that she’ll one day have a place of her own in the skies above Hollywood. She learns how to bargain for her own chance at success without anyone trying to ride her coattails. She starts to speak for herself before any man decides to put words in her mouth.

She steals her own sister’s name and remakes herself into Luli Wei.

But getting in with the studio–choosing a new name–is only part of the journey. There’s also the training. Navigating the fires. Hiding the realest parts of yourself so the studio can make you whoever it needs you to be.

For a Chinese American girl like Luli, there’s also avoiding all the easy shortcuts the studio wants her to take. To be a maid. To talk funny. To play a fainting flower. To do any of the obvious things Luli refuses to attach to her new name.

The studios all run on ancient magic–blood bargains that would just as soon chew Luli up as bring her to the top. She has always known the risks. Every hopeful starlet does. They all think they’ll be the one to beat the odds.

Luli does too. She also knows something the other starlets don’t. She knows that bargaining with monsters sometimes makes you into one. That’s a chance she’s willing to take if it means getting everything she’s ever wanted in Siren Queen (2022) by Nghi Vo.

Find it on Bookshop.

Siren Queen gives Hollywood’s golden age the fantasy treatment, reinventing the studio system that dominated Hollywood film production into the 1950s as a dangerous playing field populated by fairies, spirits, and dangerous bargains.

This deceptively straightforward story about chasing fame also offers a thoughtful commentary on navigating identity in the public and private spheres as Luli falls in love (and lust) for the first time and begins to learn that being a queer woman in the 1940s will have consequences for her career and her ambitions. This theme is followed to different conclusions with the main plot, with Luli’s first love interest (another actress who spends most of her career passing), and through the character arc of one of Luli’s first friends and mentors–an actor who has unmistakable allusions to Cary Grant. The siren films–which become defining aspects of Luli’s career–also offer nods to the now cult classic films from producers like Val Lewton and special effects forerunners like Ray Harryhausen.

Vo plays well with structure giving Luli’s story the three acts common to most movies and also playing with the narrative voice (second person for most of the story) leading to tantalizing questions of what will come next for Luli.

Siren Queen is a love letter to old Hollywood and an allegory on the rewards and possible perils of choosing your own path. Luli Wei’s quest for fame and immortality is one readers won’t soon forget.

Possible Pairings: A Touch of Stardust by Kate Alcott, I Kissed a Girl by Jennet Alexander, City of Girls by Elizabeth Gilbert, The Show Girl by Nicola Harrison, The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid, Only the Dead Know Burbank by Bradford Tatum, Something to Talk About by Meryl Wilsner, The Barefoot Contessa (1954)

*An advance copy of this title was provided by the publisher for review consideration*

Across the Green Grass Fields: A Review

Regan was seven years old when she learned that the most dangerous thing a girl can be is different. It’s the reason her former best friend, Heather, is a social pariah on the playground. It’s the reason Regan knows to stay on her other best friend Laurel’s good side even if it means keeping herself in a very specific box.

As Regan gets older it becomes more and more obvious that she won’t fit inside that box for much longer. Her love of horses is only barely acceptable to other girls as their interests start to shift to boys. While all of the other girls seem to be maturing, Regan wants everything to stay the same. When her parents tell Regan that she is intersex a lot of things start to make sense. Her friendship with Laurel is not one of those things as she rejects Regan in the cruelest way possible.

Distraught and desperate to get away, Regan runs to the woods and keeps running until she passes through a magical door into the Hooflands. In a world populated by centaurs and other horse-like creatures, every human is unique and no one thinks Regan is too different. Instead, for the first time, Regan feels at home.

But a human in the Hooflands only means one thing. The land needs a hero. Whether Regan is ready to be one or not in Across the Green Grass Fields (2021) by Seanan McGuire.

Find it on Bookshop.

Across the Green Grass Fields is the sixth installment in McGuire’s Wayward Children series of novellas which begins with Every Heart a Doorway.

While Regan’s story is similar in tone and style to the other novellas in this series, her story is largely divorced from the rest of the series and functions entirely as a standalone. Regan and the Hooflands are odes to Horse Girls everywhere. Although Regan’s first encounters in the Hooflands are with the centaurs who accept her as part of their herd and the unicorns they tend, the Hooflands have many more horse-adjacent creatures including kelpies, perytons, and kirins like the current Hooflands queen Kagami.

Despite her awe and immediate love for the Hooflands, Regan knows she isn’t truly safe or home. Her centaur friends are quick to warn her that humans only come to the Hooflands when there is a great need bringing about changes that, while mythic in nature, are poorly documented beyond the fact that most humans are never seen again after embaring on their life-changing quest.

Regan’s story walks a fine line between menace and enchantment as readers come to love the Hooflands and her friends as much as Regan does. Even while waiting for the foreshadowed dangers to arrive.  Across the Green Grass Fields is a razor sharp commentary on the dangers of embracing the status quo and a perfect entry point for this long running series which promises more adventures to come.

Possible Pairings: The Hazel Wood by Melissa Albert, All the Birds in the Sky by Charlie Jane Anders, The Language of Thorns by Leigh Bardugo, Alice’s Adventures in Wonderland by Lewis Carroll, Labyrinth Lost by Zoraida Córdova, The Ten Thousand Doors of January by Alix E. Harrow, The Chronicles of Narnia by C. S. Lewis, The Perilous Gard by Mary Elizabeth Pope, Vassa in the Night by Sarah Porter, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, An Enchantment of Ravens by Margaret Rogerson, Chosen Ones by Veronica Roth, The Invisible Life of Addie LaRue by V. E. Scwhab, Frankenstein by Mary Shelley, The Light Between Worlds by Laura E. Weymouth

Piranesi: A Review

The rooms in the House are infinite. Connected by endless corridors and Vestibules with walls lined with thousands of Statues–each unique in both appearance and in name. Water moves through these Halls, waves flooding and draining according to the changing of the Tides.

Piranesi understands the House and its ways intimately. He can navigate the Halls and track the Tides. He visits his favorite Statues and, most importantly, he tends to the House as he explores its vast spaces.

There is one other living person in The House: The Other, a man searching for A Great and Secret Knowledge that Piranesi suspects he may never find.

The Beauty of the House is immeasurable; its Kindness infinite. It provides everything that Piranesi needs. But even with his intimate knowledge of the House and its workings, Piranesi doesn’t know what it means when evidence of another Person emerges.

Will they be friend as Piranesi hopes? Foe as The Other warns? As Piranesi comes closer to answering these questions he will also unravel an awful truth as vast and immeasurable as the House itself in Piranesi (2020) by Susanna Clarke.

Find it on Bookshop.

Piranesi is Clarke’s deceptively slim followup to her blockbuster novel Jonathan Strange & Mr. Norrell. There is simultaneously a lot to talk about here and very little that can be said without revealing spoilers (which I have avoided here).

Clarke is an excellent writer. Despite the quirks of Piranesi’s first-person narration and the idiosyncrasies of the book’s structure, readers are immediately drawn into this strange and layered story.

The intricate unfolding of the plot contrasts sharply with mounting urgency as The Other tries to find the mysterious new person and kill them while Piranesi tries to save them. Even the meandering, stream of consciousness style of much of the book can’t diminish the tension as the novel builds inexorably to its climax.

Unfortunately, the actual ending is not as compelling as the buildup; no one is settled or even okay by the end, nothing is resolved. For a story that starts so big, with so many vast possibilities, the final outcome feels like the least compelling direction Piranesi could have taken.

Piranesi is a fascinating exercise in craft as Clarke expertly manages both the narrative and plot with well-timed reveals and twists. These notable elements underscore how little actually happens throughout the novel, especially in terms of characterization or growth.

Possible Pairings: The Ocean at the End of the Lane by Neil Gaiman, Slade House by David Mitchell, The Strange Library by Haruki Murakami, The Starless Sea by Erin Morgenstern, Midwinterblood by Marcus Sedgwick, Or What You Will by Jo Walton

The Black Kids: A Chick Lit Wednesday Review

Los Angeles, 1992: Ashley Bennett is living her best life at the end of her senior year spending more time at the beach with her friends than in the classroom.

But Ashley’s summer of possibility seems like much less of a sure thing when four LAPD officers are acquitted after they beat a Black man named Rodney King nearly to death. Suddenly both Ashley and all of her friends are very aware that Ashley is the only Black girl in their group and one of the only black kids in the entire school.

As protests shift to violent riots and fires threaten the city, Ashley tries to pretend nothing is changing. As her sister throws herself into the center of the riots heedless of the consequences, Ashley tries to ignore all the cracks in her family’s facade of privilege. When Ashley accidentally helps her friends spread a rumor that could derail her classmate LaShawn’s college plans, she realizes she has to make amends.

Ashley has never felt like one of the Black kids but as she gets to know LaShawn and his friends, she realizes she still has a lot to learn about her family, her city, and her own place in both in The Black Kids (2020) by Christina Hammonds Reed.

Find it on Bookshop.

The Black Kids is an intense debut novel and was a finalist for the 2020 William C. Morris YA Debut Award. This story plays out against the backdrop of the 1992 Los Angeles riots, it includes scenes of protests turning violent as well as racial slurs (notably the n word) used by characters. While these situations are addressed and interrogated in the story as Ashley learns to speak up for herself and for others, be advised of what to expect as you read.

Ashley’s first person narration is both lyrical and pragmatic. Ashley is very firmly grounded in her reality–fully aware of her sister’s self-destructive tendencies and her own precarious position surrounded by her white friends. At the same time, she also dreams of better days to come as she looks back on formative moments with her current best friends and learns more about her family’s history in LA.

There are no easy answers in this story and there are no perfect characters. Ashley is secretly hooking up with her best friend’s boyfriend, a new friend is furious when Ashley reports possible abuse, and the consequence for Ashley’s sister joining the riots are severe.

While the riots shape the larger narrative arc of this novel, The Black Kids is ultimately a smaller story about one girl’s growth (and her stumbles) as she learns to embrace every part of who she is–not just the parts she thinks people want to see.

Possible Pairings: Tyler Johnson Was Here by Jay Coles, Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar, Required Reading for the Disenfranchised Freshman by Kristen R. Lee,, Light It Up by Kekla Magoon, I’m Not Dying With You Tonight by Gilly Segal and Kimberly Jones, Dear Martin by Nic Stone, The Hate U Give by Angie Thomas, Piecing Me Together by Renee Watson

All Boys Aren’t Blue: A Non-Fiction Review

All Boys Aren’t Blue (2020) by George M. Johnson (find it on Bookshop) collects essays by Johnson about his life growing up as a Black queer boy (and young man) in New Jersey and in his college years in Virginia.

The essays cover a range of topics from Johnson’s first identity crisis when he found out his name was George despite his family always calling him Matt (his middle name) to when his teeth were knocked out at five years old by neighbor kids. Stories of pushing against gender binaries, navigating high school while publicly closeted, and working up to coming up and living his true life in college all illustrate the challenges of triumphs of growing up to become your best self even if that is often in the absence of any support in terms of seeing yourself in media like TV shows or books like this one.

Each essay works well on its own presenting a contained story or anecdote from Johnson’s life although transitions between each chapter/essay fail to create a cohesive whole. Johnson addresses topics of drug use, sexual abuse with care guiding readers through these challenging topics while also giving them space to step away from the book if needed.

All Boys Aren’t Blue celebrates Black Joy, family, and individuality in a book that begins to fill a gap in written experiences for teen readers. If you decide to pick this one up and are able to read audiobooks, I highly recommend this one which is read by the author.

The Left-Handed Booksellers of London: A Chick Lit Wednesday Review

Things are changing in London in 1983. Some of the changes are ones you might recognize while others in this slightly alternate London are, appropriately, slightly different.

Things are changing for eighteen-year-old Susan Arkshaw too as she travels to London to try to find her father–a man she has never met–only to cross paths with the left-handed Merlin St. Jacques and, by extension, the rest of his eccentric family.

The St. Jacques clan has always kept London’s monsters, goblins, and other eldritch creatures in check and grounded in the Old World through a combination of magic, research for the right-handed of the family, brute force for the left-handed, and it seems in Merlin’s case through raw charisma as well. But the St. Jacques clan also has to make a living. So they sell books in the New World of modern London as well, as one does.

Susan isn’t sure how to deal with Merlin’s outrageous good looks or his even more outrageous flirting. Worse, she seems to be caught up in an Old World struggle that has been building for years–one that Merlin has been investigating in relation to his mother’s murder.

With help from his right-handed sister, Vivien, Merlin and Susan will have to follow Susan’s scant clues to find her father and determine Susan’s role in this Old World conflict before it bleeds into New World London and tears its unique booksellers apart in The Left-Handed Booksellers of London (2020) by Garth Nix.

Find it on Bookshop.

Witty banter and high stakes battles contrast well with bigger questions of what constitutes the greater good in a time when both magic and the modern world are rapidly evolving even as the booksellers themselves may be stagnating after years of complacency. If another urban fantasy novel has ever had such a painfully realistic depiction of shoddy institutional management, I haven’t read it.

Susan is a pragmatic, no-nonsense heroine from her worldview down to her buzz cut and Doc Martins who is quick to adapt as her entire world begins to shift beneath her feet. Merlin is, by contrast, flamboyant and whimsical with a larger than life personality to match his massive wardrobe fit for every occasion with snappy suits, nice dresses, and everything in between including multiple weapons. As the final point of this trio Vivien adds some much-needed practicality and steals every scene she’s in.

The Left-Handed Booksellers of London artfully subverts traditional gender roles both in society and within the fantasy genre with a story that defies as many expectations as its characters. Very fun. Very British. Very 1980s. Very much recommended.

Possible Pairings: The Eyre Affair by Jasper Fforde, Fire and Hemlock by Diana Wynne Jones, The Bone Houses by Emily Lloyd-Jones, Vassa in the Night by Sarah Porter, Sorcery of Thorns by Margaret Rogerson, The Raven Boys by Maggie Stiefvater, The Price Guide to the Occult by Leslye Walton

Harley in the Sky: A Chick Lit Wednesday Review

Harley never thought she’d have to run away to the circus. Not when her parents already run a successful one in Las Vegas. After years of dreaming of becoming an aerialist and performing on the static trapeze, Harley hopes her parents will finally see how serious she is and let her begin training professionally after high school.

Instead they double down on their demand that Harley focus on college first and then consider the circus–even though Harley knows she is in her prime as a performer right now, something that may not be true after four years in school studying something she has no interest in learning.

After her latest fight with her parents goes too far, Harley feels like she only has one choice: join a rival traveling circus.

Life on the road isn’t what Harley expected. The performers at Maison du Mystère don’t trust her, the trapeze artist who is supposed to mentor Harley actively hates her, and worst of all Harley has to live with the guilt over what she did to her parents so that she could snatch this opportunity. Harley has never felt like she fit into her family–never enough of any one thing to truly share her biracial parents’ and her grandparents’ histories–and now she’s afraid she may not be enough for the circus either.

As she struggles to carve out a place for herself at the Maison du Mystère and prove to herself and her parents that she has what it takes, Harley will have to decide if the sacrifices–and the choices–that she’s made to get to this point are worth it in Harley in the Sky (2020) by Akemi Dawn Bowman.

Find it on Bookshop.

Harley in the Sky tackles a lot but it’s all handled exceptionally well and works to create a well-rounded, character-driven story. While trying to earn a spot in the circus Harley  grapples with her identity as the child of two biracial parents and what that means for her own cultural identity (or her lack thereof when she feels she is not quite enough of any one thing to truly claim it). She also tries to explain the coping mechanisms she has created for herself to deal with depression and mania and the stigma her own parents carry toward discussing mental illness. (Harley remains undiagnosed in the novel because, as she tells other characters, the way she moves through the world is normal to her and not something she needs help handling right now.)

Harley is a smart, passionate narrator. She understands her world through her physicality–something Bowman captures beautifully–and she isn’t afraid to go after what she wants even if she sometimes goes too far chasing those dreams. But she is also constantly learning and growing and, perhaps most importantly, she is always trying to do better–something that can never be undervalued in a novel or in real life.

Harley in the Sky is an ode to the beauty and the work of circus life as seen through the eyes of someone who loves every aspect of it. Come for the circus setting, stay for the sweet romance and thoughtful conversations on friendship, intersectionality, and work. Highly recommended.

You can also check out my exclusive interview with Akemi Dawn Boman about this book!

Possible Pairings: Little & Lion by Brandy Colbert, What Happened to Goodbye by Sarah Dessen, I Wanna Be Where You Are by Kristina Forest, Caraval by Stephanie Garber, Tokyo Ever After by Emiko Jean, The Circus by Olivia Levez, Tweet Cute by Emma Lord, Dumplin’ by Julie Murphy, The Sky is Everywhere by Jandy Nelson, Gabi, A Girl in Pieces by Isabel Quintero, This Time Will Be Different by Misa Sugiura, American Girls by Alison Umminger

The Invention of Sophie Carter: A Review

“None of us are the same, and we shouldn’t compare ourselves to others. Our comparisons are invariably false when we compare their strengths to our weaknesses.”

England, 1851: Orphaned and grudgingly cared for by their reluctant guardian, identical twins Sophie and Mariah Carter don’t think they need anyone else when they have each other.

What the sisters need, desperately, is a chance at lives filled with more than the drudgery they’ve known for the last ten years. Sophie dreams of using her clockmaking skills to become a renowned inventor while, with the right instruction, Mariah’s artistic talents could make her a leading painter.

Sophie’s plan to get them both to London for the summer to see the Queen’s Great Exhibition (for Sophie) and London’s finest art (for Mariah) almost works. The problem? Their aunt will only accommodate one sister. To avoid separation the girls travel to London together agreeing to take turns being “Sophie.”

At first, the plan is simple enough since no one can tell the twins apart. But as Sophie forges an unlikely friendship with businessman Ethan and Mariah warms to their aunt’s prickly ward Charles both girls will have to contend with their own feelings and ambitions as well as the two young men who each think they’re falling in love with the real Sophie in The Invention of Sophie Carter (2020) by Samantha Hastings.

Find it on Bookshop.

The Invention of Sophie Carter is Hastings’ second novel. Chapters alternate between close third person following each sister during their adventures around London and in their aunt’s house.

Breezy narration, a pitch perfect historical setting, and just the right amount of romance make this story a delight. Themes of sisterhood and individuality elevate this romance adding dimension to both sisters as their horizons expand with the opportunities they are able to seize in London. Ethan and Charles are also excellent foils to both sisters.

The Invention of Sophie Carter is a delightful read and just what I needed right now. Readers are sure to be as smitten with the Carter sisters as their suitors are by the end of this utterly charming novel. Highly recommended.

You can also check out my interview with Samantha about the book here on the blog!

Possible Pairings: Love, Lies and Spies by Cindy Antsey, Etiquette & Espionage by Gail Carriger, Dangerous Alliance by Jennieke Cohen, A Spy in the House by Y. S. Lee, A Forgery of Roses by Jessica S. Olson, Sorcery and Cecelia by Patricia C. Wrede and Caroline Stevemer

*An advance copy of this title was provided by the publisher for review consideration*