January Scaller is used to certain doors being closed to her. Living as the ward of Mr. Locke, a wealthy man who travels in his own bubble of authority and privilege, does much to ease January’s movement through a world that doesn’t always understand her.
But even Mr. Locke’s influence can never change her origins as the daughter of a poor explorer or the color of her copper skin. She is used to never quite fitting in and never quite knowing her place among the empty halls of Locke’s vast mansion. She is used to wondering when her father will return from his numerous expeditions searching out new rarities for Locke’s vast collection. Most of all, January is used to waiting.
Everything changes the moment January finds a door, although it takes her nearly a decade to truly understand its importance. In a world where doors can lead a person much farther than an adjacent room, January will have to rely on a book filled with secrets and regrets and her own wits to determine which doors are meant to be open wide and which should remain under lock and key.
Doors can be many things to many people but more than anything, they are change. For January it may be impossible to walk through a door without changing everything in The Ten Thousand Doors of January (2019) by Alix E. Harrow.
The Ten Thousand Doors of January is Harrow’s debut novel. The story alternates between January’s lyrical first person narration and chapters from the mysterious book she finds among Mr. Locke’s myriad artifacts.
Part portal fantasy, part coming-of-age story, The Ten Thousand Doors of January is a story about a young woman discovering her own power and agency in both a literal and figurative sense as she grows up in a world that has sought to systematically strip her of both.
Harrow builds tension well as the novel moves toward a dramatic climax both in January’s story and in the story-within-a-story of the book she finds. Moments of genuine magic and sweetness are tempered with thoughtful examinations of what it means to be a person of color in a world that too often defaults to white and favors it above all else.
January is clever, plucky heroine learning to find her voice after years of trying to keep quiet and maintain a low profile. Her personal growth is complimented well with the ragtag community she builds as she learns more about Doors and her own connection to them.
The Ten Thousand Doors of January is an ambitious examination of privilege, choice, and connection wrapped up in a distinct magic system and truly singular world building. Highly recommended.
Possible Pairings: The Hazel Wood by Melissa Albert; Life After Life by Kate Atkinson; Tuck Everlasting by Natalie Babbitt; Passenger by Alexandra Bracken; The Meq by Steve Cash; Jane, Unlimited by Kristin Cashore; Ink, Iron, and Glass by Gwendolyn Clare; The Glass Sentence by S. E. Grove; The Girl From Everywhere by Heidi Heilig; Fire and Hemlock by Diana Wynne Jones; A Criminal Magic by Lee Kelly; Only a Monster by Vanessa Len; Every Heart a Doorway by Seanan McGuire; The Starless Sea by Erin Morgensten; Uprooted by Naomi Novik; Every Hidden Thing by Kenneth Oppel; Sorcery of Thorns by Margaret Rogerson; The Invisible Life of Addie LaRue by V. E. Schwab;The Light Between Worlds by Laura E. Weymouth; Dust Girl by Sarah Zettel