Corayne an-Amarat is a pirate’s daughter eager to embark on her own adventures at sea in Allward. But she is also the last of the ancient Cor bloodline and the only one who can use the ancient spindleblade to protect her realm and make sure the Spindles that can open destabilizing passages between realms are closed.
Reluctant to embrace this lineage, Corayne joins weary immortal Dom as he attempts to mount a second quest to succeed where the first failed in closing the Spindles. Aided by a mercenary assassin and Andry, a squire and the only mortal to survive the first quest, the group will face numerous obstacles as they struggle to work together to save the world in Realm Breaker (2021) by Victoria Aveyard.
Aveyard follows up her blockbuster Red Queen series with this homage to high fantasy that works to make more space for women and offer a more inclusive cast. The realm of Allward features people with a range of skin tones and backgrounds–Andry is described as “honey brown” while Corayne has “golden skin.”
Shifting viewpoints, flashbacks, and changing locations cut through much of the novel’s potential urgency as the narrative pauses continuously to ruminate on the failed quest seen in the prologue and offer character backstories.
Aveyard creates a compelling world with ample space for female characters in a traditionally male genre. Despite its start and stop pacing, Realm Breaker is action packed with plentiful fights, chases, and other derring-do.
Possible Pairings: The Girl of Fire and Thorns by Rae Carson, To Kill a Kingdom by Alexandra Christo, Truthwitch by Susan Dennard, All the Stars and Teeth by Adalyn Grace, Furyborn by Clarie Legrand, Song of the Current by Sarah Tolcser, Fable by Adrienne Young
*A more condensed version of this review appeared as a review in an issue of School Library Journal*