The Avicen have lived beneath New York City for years. Bird-like creatures with feathers for hair, the Avicen can use scarves and sunglasses to blend in when they have to. The rest of the time magical wards make sure they remain hidden from prying human eyes. Except for Echo–the human pickpocket who considers the Avicen, at least some of them, her family.
Echo is used to fending for herself and she has the fierce, brusque persona to prove it. When she isn’t busy being reckless and stealing things around the world for the thrill of it, she is also extremely loyal.
When word surfaces of a way to end the centuries-long war between the Avicen and their dragon-like enemies the Drakharin, Echo jumps at the chance to help.
Legend suggests that the Firebird is the only thing with the power to end the war. The only problem is no one knows what the Firebird is or where to find it. But if life as a thief has taught Echo anything, it’s how to enjoy a challenge in The Girl at Midnight (2015) by Melissa Grey.
The Girl at Midnight is Grey’s debut novel and the start to a trilogy.
The Girl at Midnight starts strong with a fantastically intricate world complete with magic, mythical creatures and a conflict that has lasted centuries. Both the Avicen and Drakharin make sense within the story and have complex cultures to match. In fact, the only thing that doesn’t make sense is trying to picture them while reading as imagining feathers as hair continues to be a sticking point.
Unfortunately the characters who populate The Girl at Midnight pale in comparison to the world within the novel. Most of the characters are defined by one carefully chosen trait and little else. Echo is slightly more developed although she too often comes across as a collection of eccentricities and behaviors (between her preoccupation with food, collecting words, hoarding books and throwing out pop culture references with zero context) that never quite rang true. The logistics of Echo’s living unnoticed in a library also begins to fall apart under any kind of scrutiny.
The Girl at Midnight is a decent urban fantasy in places but it also one that will immediately feel familiar to anyone well-read in the genre. Grey’s admirable world building only serves to underscore the predictable, lackluster plot and weak characters. Recommended for readers looking to discover new places (both real and imagined) rather than find their next engrossing read.
Possible Pairings: Raised by Wolves by Jennifer Lynn Barnes, City of Bones by Cassandra Clare, Truthwitch by Susan Dennard, Chasing Power by Sarah Beth Durst, Beautiful Creatures by Kami Garcia and Margaret Stohl, A Thousand Pieces of You by Claudia Gray, Wicked Lovely by Melissa Marr, The Demon’s Lexicon by Sarah Rees Brennan, The Archived by Victoria Schwab, Daughter of Smoke and Bone by Laini Taylor