The Curse of the Mummy: Uncovering Tutankhamun’s Tomb by Candace Fleming: A Non-Fiction Review

Everyone has heard of King Tutankhamun–the boy king whose reign as a pharaoh in Egypt’s New Kingdom was cut tragically short when he died as a teenager. You’ve probably seen pictures of the wondrous artifacts buried with him in his tomb so that they could travel with him into the afterlife.

But there’s more to the story than that. Centuries later, many believed the tomb was lost forever. After so many years of searching, some believed excavators would never uncover a tomb in the famed Valley of the Kings that had not fallen prey to looters.

They were wrong.

This is the story of the unlikely pair of men who, together, uncovered one of the most famous archaeological finds in history. This is also the story of how they may–or may not–have also been the first victims of one of the most enduring curses in history in The Curse of the Mummy: Uncovering Tutankhamun’s Tomb (2021) by Candace Fleming.

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Fleming turns her considerable talents as an author and researcher to separate fact from fiction surrounding the discovery and excavation of King Tut’s tomb in 1922. The rumors of the curse that affected Howard Carter, Lord Carnarvon, and the members of the excavation party. Chapters are broken up with sections titled “It Was Said” detailing the lurid details of the curse and the mysterious circumstances that befell many of the people present when Tutankhamun’s tomb was discovered on November 4, 1922.

In addition to detailing the excavation and its historical significance, Fleming also acknowledges the problems with British colonizers coming to Egypt to excavate the country’s most precious artifacts–many of which still need to be repatriated even now.

The Curse of the Mummy is an entertaining introduction to both archaeology and ancient Egypt which also has a lot of new information to offer more seasoned readers. As to whether or not there is a curse on King Tut’s tomb, Fleming offers a very measured final chapter that largely debunks and tries to put to rest all theories about the curse as anything but a series of compelling coincidences. But some readers may still choose to believe.

Presenting Buffalo Bill: The Man Who Invented the Wild West: A Non-Fiction Review

Nowadays Buffalo Bill is a legend, part of the story of the westward expansion of the United States and the “Wild West” as it has been romanticized for white audiences in popular culture.

In fact, Buffalo Bill was part of that romanticizing with the creation of his traveling Wild West show.

But before William Cody became the showman better known as Buffalo Bill, he was a boy raised on the frontier–the son of a man who would become a prominent abolitionist, he may have ridden with the Pony Express (or not), among other exploits.

One fact remains: Buffalo Bill is an enduring part of American history–both good and bad–and helped define an era as much with his very real show as his tall tales. You can learn more about both (and separate one from the other) in Presenting Buffalo Bill: The Man Who Invented the Wild West (2016) by Candace Fleming.

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Fleming brings her usual thorough research and care to this biography filled with illustrations and primary sources including Cody’s own memoirs and those of his sister Julia. Fleming balances facts with Bill’s penchant for mythologizing his own life with tall tales and other embellishments in sidebars called “Panning for the Truth” where she works to parse the sometimes limited facts from first person accounts.

Each chapter also opens with a dramatic and, given the textual format, surprisingly cinematic account of various key acts in Buffalo Bill’s Wild West which truly transport readers to the show. Fleming also brings a modern lens to this moment in history highlighting the US government’s systemic campaign against Native Americans and also Cody’s own role therein.

Although a little melancholy, as many stories of the famous figures of the old west are, Presenting Buffalo Bill: The Man Who Invented the Wild West is as fascinating as Buffalo Bill himself. This book does a lot to demonstrate how, often much to his own dismay, Cody was really first and foremost a showman with innovative ideas about showmanship, presentation, and (later on) employing both women and Native performers.

Possible Pairings: Bury My Heart at Wounded Knee: An Indian History of the American West by Dee Brown; An Indigenous Peoples’ History of the United States For Young People by Roxanne Dunbar-Ortiz, adapted by Debbie Reese and Jean Mendoza; My Calamity Jane by Cynthia Hand, Brodi Ashton, Jodi Meadows; Under a Painted Sky by Stacey Lee