Beautiful Decay: A Review

Beautiful Decay by Sylvia LewisWhen Ellie Miller touches things–people, furniture, paper–they begin to rot. Her bare hands can leave trails of mold of spawn infectious bacteria. She doesn’t know why she has this condition or how to control it. All she knows is that she is dangerous and, as far as everyone is concerned, has an “immune disorder.” Right.

Compared to her anti-septic house and terrified parents, school could almost be considered a relief. At least it could if Ellie wasn’t simultaneously bullied and ostracized. Luckily, the Internet can keep Ellie’s secrets so she is able to have online friends like Mackenzie who loves her unconditionally. Although Mackenzie also doesn’t know the details of Ellie’s condition. No one does.

Except a new guy shows up at school and he does seem to know about Ellie. Instead of being afraid or dismissive, Nate acts like he wants to know her. Nate seems to recognize what she can do and maybe even know what how to control it, that is if Ellie can even stand to talk to him in Beautiful Decay (2013) by Sylvia Lewis.

Beautiful Decay is an interesting take on the world of necromancers and their rarer counterparts viviomancers.* There is definitely a lot more to both Nate and Ellie than raising the dead or hanging out with zombies.

A slow start only serves to underscore just how much action there is in the latter parts of the story as Ellie learns more about herself and begins to connect more with Nate and Mackenzie. Although the pacing is off–the story could easily have started fifty pages in and added somewhat more closure at the end–the plot is solid and fairly entertaining.

That said, descriptions of the decomposition left in Ellie’s wake is disgusting. Beautifully written but also very gross. While it was a turn off for me at times, it will likely be very appealing to readers who might otherwise shy away from a book that hints at romance (or has a female narrator). References to the Harry Potter fandom, recent Marvel movies and Tumblr might also draw readers in. These elements also have the potential to date the novel fairly quickly.

Beautiful Decay is a thoughtful, often clever novel that hints at more to come about Ellie, Mackenzie and Nate.

*According to this book anyway. I have no idea if viviomancers are a real thing. Although it would be cool if they turned up in other books.

Possible Pairings: The Tragedy Paper by Elizabeth LaBan, Shatter Me by Tahereh Mafi, Alchemy by Margaret Mahy, The Beautiful Between by Alyssa B. Sheinmel, Pivot Point by Kasie West

*This book was acquired for review from the publisher*

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Team Human: A Chick Lit Wednesday Review

Team Human by Justine Larbalestier and Sarah Rees BrennanMel Duan is nothing if not a realist. She appreciates that vampires are a part of her town’s heritage. She understands that living with vampires nearby is a  fact of life in New Whitby. She even admits that some people do actually choose, for reasons beyond all comprehension, to willingly become vampires and give up everything (like chocolate!) for the tedium of, well, forever. When forced to, Mel can even grudgingly accept that her best friend Cathy is fascinated by vampires.

None of that means that Mel has to actually like vampires.

It certainly doesn’t mean she has to watch quietly when a vampire tromps into her school and catches Cathy’s attention. It most definitely does not mean that Mel is going to let her best friend date a vampire (named Francis of all things) when it could prove lethal on so many levels.

The only problem is Mel seems to be the only one solidly avoiding Team Vampire. Worse, Mel has a lot more to worry about than just keeping Cathy and Francis apart. Mel is used to having a lot on her plate as a high-achieving, athletic senior trying to figure out her life, but even she is going to have a hard time thwarting this romance, investigating a disappearance, working with a curt vampire cop, and trying to understand a most unusual boy in Team Human (2012) by Justine Larbalestier and Sarah Rees Brennan.

Team Human is the first book Larbalestier and Rees Brennan have co-written. It features one consistent narrative voice.

Given the title of the story, it’s no surprise that Mel is not a vampire fan. At. All. Mel is funny, and maybe a bit snarky, but as she expounds the many, many faults with vampires* she is often just mean–a hard quality to sell in any heroine but especially in a first-person narrator.

Mel’s personality flaws, such as they are, are only magnified by the structure of Team Human. The book follows a logical progression with action, banter, jokes, and of course vampires. At the same time, there is not a lot of plot. While Mel is often shocked during the story, readers will be harder to surprise with plot elements that are sometimes more transparent than mysterious.

But for most readers all of that will be irrelevant.

Team Human was written in secret by the authors after they began wondering what it would be like if their best friend was dating a vampire. Team Human was written as the antidote to every book where the heroine runs blindly into the arms of a bloodsucking fiend and not one friend stops her to ask if she has lost her mind. In other words Team Human was written for fun. To celebrate good friends. Though she might sometimes be misguided, Mel is always good to her friends–even when it might not seem that way to them (or her).

Team Human is very funny. Readers of Larbalestier or Rees Brennan’s solo books would expect nothing less. The story gracefully walks the fine line between gravity and levity with smoothly written jokes and touching moments.

While Mel’s view of vampires is narrow at the beginning of the story, her outlook expands along with the plot and the world of the book. Team Human is a fresh take on the old vampire conventions sure to appeal to anyone who prefers their vampires with a complement of sarcasm and comedy instead of bats and shadows. A must-read for anyone who is pro-vampire, Team Human will have just as much appeal to anyone who is anti-vampire.

*Such as being cold, not funny, unable to eat chocolate.

Possible Pairings: Every Other Day by Jennifer Lynn Barnes, Drink, Slay, Love by Sarah Beth Durst, The Graveyard Book by Neil Gaiman, Dearly, Departed by Lia Habel, Generation Dead by Daniel Waters, Peeps by Scott Westerfeld, Zombies Vs. Unicorns by Holly Black and Justine Larbalestier (eds.)

This is Not a Test: A Chick Lit Wednesday Review

This is Not a Test by Courtney SummersIn an ideal world Sloane Price would have been dead long before the world ended. Lily would not have taken her sleeping pills with her when she left Sloane behind. Then Sloane could have spun out into oblivion long before the dead started walking.

But nothing about this world is ideal. Not anymore.

Instead of being able to fade away, Sloane is caught up with six other students who have sought refuge inside the local high school. Locked inside with shelter and supplies, Sloane can’t leave without putting others at risk. She can’t die when everyone around her is working so hard to live.

The world is over. There is nothing left. Still, with everything crumbling around her, Sloane might finally learn that some things are worth holding onto in This is Not a Test (2012) by Courtney Summers.

This is Not a Test is Summers’ fourth novel. It is also her first foray into what I’m going to call “less realistic” fiction as compared to her other works. I hesitate to call this fantasy, dystopian or science fiction. Despite the ravening zombie hoards it just doesn’t fit into those genres with a story so firmly grounded on Sloane’s personal journey and so little explanation for her bleak new world. At the same time, again because of the zombies, it is equally impossible to fit this book into realistic or contemporary fiction.

Unfortunately, I wasn’t impressed with This is Not a Test as a zombie story at all. While the opening sequence is eerie and engaging, the actual zombie aspect of the book was thin on plot and explanation serving as a bleak backdrop and little else. Like many zombie stories, this novel stops short of examining what survival after the end of the world really looks like.

While some sequences were very cinematic and shockingly atmospheric, very little happens inThis is Not a Test. Summers chooses instead to focus on characters, some of whom are interesting and some of whom are simply not.* It was also frustrating to watch so many of the characters fall into the typical zombie story tropes–seen in countless other films and books–when there was so much potential to take the story in a totally new direction.**

Upon finishing This is Not a Test I was left wondering what I had really gone through with these characters.*** As a reader I seemed to be in the same place I was at the beginning by the time I finished. This is Not a Test is an interesting riff on some familiar post-apocalyptic themes. Sadly, it does not add anything new to the conversation.

*Sloane spends most of the novel dreaming about finally killing herself. Having a heroine who doesn’t want to be present in her own story is a hard sell as far as sympathetic characters go.

**SPOILER SPOILER SPOILER: I’m still not sure if it was an intentional nod to the movie trope but I was underwhelmed when Sloane and her love interest wound up being the characters to make it to the end of the novel.SPOILER SPOILER SPOILER

 ***SPOILER SPOILER SPOILER: After the end of the novel, when Sloane seems to finally be understanding that life might be worth living while staring at a zombie through a car window, readers see a picture of a broken pane of glass covered with what I assume is blood. So we follow these characters through hell. Sloane is finally starting to care. Then they get eaten? Why take more than three hundred pages to get to that point? SPOILER SPOILER SPOILER

Possible Pairings: Leverage by Joshua C. Cohen, Dearly, Departed by Lia Habel, Everybody Sees the Ants by A. S. King, Rot & Ruin by Jonathan Maberry, More Than This by Patrick Ness, Living Dead Girl by Elizabeth Scott

Author Interview: Lia Habel on Dearly, Departed

Lia Habel is the debut author Dearly, Departed–of one of my favorite 2011 debuts. Dearly, Departed is a zombie steampunk romance with lots of action and adventure. It’s a lot of fun and has a really clever spin on quote a few things. Lia Habel is on the blog today to answer some questions about her exciting debut.

Miss Print (MP): Can you tell us a bit about your path as a writer? How did you get to this point?

Lia Habel (LH): I really stumbled into publishing. I still feel like I have no right to be in it, at all – like I have no skill, very little talent, and a sort of “buh?” look on my face 80% of the time. (In fact, I think I come across as a little standoffish at events, but it’s only because I’m actually terrified!) I wrote the first draft of Dearly, Departed for fun, to amuse my friends and distract myself from a dark time in my life, and I can’t believe it’s gotten me this far.

Even as a child, I loved to write to entertain myself, and I was always skilled when it came to academic writing – English was my best subject, and the written word was always my area of strength. But for some reason, I never thought of translating my skill into publishing or writing. My inherent shyness might have something to do with it.

But, long story short – after writing Dearly, Departed as a joke (and I wrote the first draft in about 45 days, give or take), I was encouraged to see how far I could take it. I ended up with an agent a short time later, and a publishing deal a year after that.

MP: What was the inspiration for Dearly, Departed?

LH: I tend to think in terms of positive and negative inspiration for Dearly, Departed. On the positive side of things, I wanted to create a story that was more than a romance, a story that featured interesting teen characters, strong female characters, and a lot of action. On the negative side, I think I was actively rebelling against some of the trends that I’d seen as a reader – the brooding hero who’s so hot that the heroine is within his thrall within two pages of meeting him, the dull heroine who serves as an avatar for the reader, etc. And yet, most of all, I was just having fun. I threw in everything but the kitchen sink for that precise reason – I was writing for fun, no one was judging me, and I had no idea the whole thing would be published.

Furthermore, I just love monsters. Love ’em. I can’t imagine writing a story that doesn’t involve monsters of some sort – and I’m actually working on a few now. But I’m glad I started with the zombies, and was able to effectively convey my own feelings about that particular type of monster to readers.

MP: Dearly, Departed is the first book in a series.  Do you have a set arc for Nora and Bram’s story or know how many books will be in the series?

LH: I don’t know how many will be in the series – I’d like at least five or six. I don’t have an idea of the overall story arc – I prefer to wander when I create – but I do have a rough idea of where I want everyone to end up. It’s just a matter of getting them there!

MP: Dearly, Departed is narrated by five different characters all with their own parts of the larger story. How did you keep track of the different story threads and tie them all together? How did you decide which characters rated a narrator role?

LH: Instinctively. I hate to answer the question that way, but that’s how it worked! I knew I wanted to shift perspective, because I find staying in one character’s head extremely boring (and yet, I’m doing just that with a few side projects now, so go figure). Furthermore, the decision was based heavily on location usage, because I had all these different places to go and I needed “representatives” from each. So we got Nora/Bram at base, Pam in the city, Victor in the desert and a touch of Wolfe because I wanted to convey the experience of the “bad” guy.

That tradition is continuing into book two, where we have six narrators – Bram/Nora again, Pam again, Vespertine and Michael, and a new zombie girl.

MP: I’ve been describing this book as a “steampunk zombie romance” to people who want a quick summary. But steampunk is a many-splendored thing with lots of different varieties. How do you define steampunk? What does it mean to you?

LH: Exactly – I’ve often felt like I shouldn’t call myself steampunk, because I’m not “pure” steampunk. Then I started hanging out with more steampunks in real life, and realized I’d been thinking quite foolishly. Steampunk’s an incredibly diverse concept, and many people spin it their own way. And everyone else is okay with that!

To me, steampunk is any interesting intersection of Victorian aesthetics, mores, or history with technology. This is a pretty broad and workable definition, I think – it encompasses the steampunky aspects of actual Victorian history, reimagined-past narratives, Victorian-future narratives…there’s room for everybody.

MP: This book is set in 2195 in a world where the USA and most northern countries are uninhabitable and society has migrated south, in addition to adopting Victorian mores and ideals. How did you approach writing a story about such unique future? Did you start with a specific scene or place? Was a lot of research involved?

LH: It came to me on the fly. I decided that in order to get to where I needed to be, I needed complete social upheaval, on a global scale – so I basically decided to throw every disaster I’d ever read about at the planet, and figure out things from there. If any research was involved in the creation of the basic global situation, it was simply reading newspapers and watching bad History Channel documentaries!

I did a lot more research when it came to scientific aspects of the world – technology, prions, etc. Then I used a combination of actual scientific articles, science websites, emailing pathologists (which was awesome), and quizzing knowledgeable friends.

Yet, there are still holes in my knowledge – and some amusing ones, really. For instance, in book one I vaguely noted that Allister’s nature preserve was in “northern Nicaragua.” I literally pulled that out of thin air. In doing some mapping for book two, I found this empty area in northern Nicaragua that I couldn’t Google Map my way through. “What is this dead zone getting in the way of my chase scene?” I fumed.

It was a nature preserve. Right where I said it’d be. I swear I did not know that when I wrote book one.

MP: You mention your love of zombies and zombie movies in the acknowledgements of Dearly, Departed as well as on your website. Do you have a favorite zombie movie? Did any film play a role in shaping your vision of the zombies in your novel?

LH: Oh gosh, I have far too many. Fido, Zombieland, Day of the Dead, Dance of the Dead (the MOH episode)…I could go on. I love any zombie film where the zombies are treated either compassionately or as people of emotion and interest, not just enemies to be blown apart. I don’t think any particular film made it into the book in a large way, but there are tons of references sprinkled throughout – again, I started out writing the book for fun, and I think a lot of both tongue-in-cheek and overt references made it through editing. For instance, many street names are taken from pivotal zombie figures – George Street, Halperin Street. This trend is continuing in book two, and the other day I realized that in theory, these films did exist at one point in my universe, so if any copies have existed, maybe someone will come up with a wild conspiracy theory…

MP: Since your novel features zombies I am obligated to ask your opinion on the key debate of our time: Zombies vs. Unicorns. Thoughts?

LH: Hmm. I’m immediately reminded of the fact that my one zombie girl died a virgin, so I’m wondering how that interaction would go down. In truth, I think she’d squee and want to make the unicorn her pet, not eat it. The unicorn might have other ideas. (And with all the mythology and religious weight behind the idea of dying a virgin, who’s to say that a zombie virgin doesn’t ping a unicorn’s radar as, like, Das Uber Virgin? Why would the unicorn fight that?)

…I can’t believe I’m considering these concepts.

MP: Can you tell us anything about your next project?

LH: I’m working on the sequel now, Dearly, Beloved, and a few other unsolicited books. They involve monsters, that’s all I’m saying!

MP: Do you have any advice to offer aspiring authors?

LH: Seriously – write what you love. Don’t stress over the industry, marketing, writing to trend, all the things I see everyone fretting about on their blogs every day in my feed – just write what you want to see, and don’t worry about everything else. At some point these concerns will become paramount, but before that you need to create – in fact, that’s your main job. I always cringe when I hear some important agent or editor saying things like, “Oh, nobody wants dystopian anymore, that’s SO over.” I can’t help but imagine an aspiring writer somewhere sighing and shelving their dystopian manuscript, convinced that it won’t sell – and that book was the most brilliant dystopian work since Brave New World.

Thanks again to Lia Habel for a great interview! You can also read my review of Dearly, Departed here on the blog and visit Lia’s website for more info about her and her other books.

Dearly, Departed: A Chick Lit Wednesday Review

Dearly, Departed by Lia HabelThe year is 2195. After being ravaged by war and harsh climate changes, humanity seems to have found some level of equilibrium in New Victoria. Desperate for a Golden Age to look back on at its founding, an ideal to strive for, New Victoria looked backward to the seemingly idealistic ways of Victorian society. And it is ideal, truly.

At least it is for most people. Nora Dearly should be happy with her position of mild importance in New Victorian society as daughter of prominent military doctor Victor Dearly. But she is more interested in politics and military history than she is in negotiating high society or being a proper lady. It all seems so pointless with her father dead and her finances in ruins thanks to an irresponsible aunt.

With so many problems, Nora gives the stranger with blind eyes outside her home little thought. That would prove to be a mistake.

Captain Bram Griswold never wanted to frighten Nora. He certainly didn’t want to kidnap her. He just wanted to ensure her safety. Unfortunately it is difficult to appear non-threatening when you are a corpse. Like the rest of Company Z, Bram is still in control of his faculties even if he is infected with the Lazarus virus. He can walk, he can talk, he can reason. He is even relatively intact compared to some of his friends.

One day, as it always does, the virus will win. Bram will lose control and instead of working with the humans, he will want nothing more than to eat them.

Until that day, Bram will do what he has to do. He will keep Nora Dearly safe. He will fight the deranged zombies that are beyond help. He will ignore the feelings he is starting to develop for Nora because no good can ever come from that.  As he keeps telling himself over and over.

But then Nora starts to trust him. And everything Bram thought he knew about the Lazarus virus and New Victoria is thrown into doubt. With the whole world changing maybe a human girl and zombie boy really can be together–for a little while at least in Dearly, Departed (2011) by Lia Habel.

Dearly, Departed is Habel’s first novel. It is also the first book in the uniquely named “Gone with the Respiration” series.

Steampunk has been gaining lots of steam recently as a relatively new addition to the wide and wonderful world of Young Adult books. Like many other successful steampunk books, Habel puts her own singular spin on a newly imagined Victorian society with not only a post-apocalyptic world of the future but also a zombie apocalypse. Oh and a completely impossible, incredibly star-crossed romance.

Basically, the appeal of this book can be captured in three words: Zombie Steampunk Romance.

As those words suggest, Dearly, Departed has a lot going on but it all works. Habel blends inter-connected story lines while managing to create a coherent, layered story with multiple unique narrators in a sleek, exciting story full of action and pathos.

Dearly, Departed stands out as a clever, funny spin on both zombie and steampunk conventions with a top-notch heroine and a zombie hero with a heart of gold.

Possible Pairings: A Great and Terrible Beauty by Libba Bray, Soulless Gail Carriger, The Name of the Star by Maureen Johnson, Daughter of Smoke and Bone by Laini Taylor, Generation Dead by Daniel Waters, Peeps by Scott Westerfeld, All These Things I’ve Done by Gabrielle Zevin

You can also read my exclusive interview with Lia Habel!

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Sound good? Find it on Amazon: Dearly, Departed

Graveminder: A Review

Graveminder by Melissa MarrClaysville is a small town that keeps itself to itself. Very few people leave and those that do always find their way back.

Byron Montgomery thought he could leave Claysville behind but nowhere else is quite the same. Nowhere else is home. So he comes back to work with his father, the local undertaker.

Rebekkah Barrow only lived in Claysville for a few years but it’s the closest thing she has to a home. When her grandmother Maylene is killed, Bek knows it’s time to go home. Even if nothing about Claysville should feel like home without Maylene.

Seeing each other for the first time in years Rebekkah and Byron learn together that Claysville isn’t a normal small town, Byron’s father is more than the local undertaker, and Maylene may have had her reasons for attending every town funeral–reasons that had nothing to do with being eccentric and everything to do with keeping Claysville safe.

Maylene told Rebekkah everything she needs to know. Byron is ready to follow in his father’s footsteps. Together will they be able to put everything right in Claysville before it’s too late in Graveminder (2011) by Melissa Marr.

This is Melissa Marr’s first novel that is not young adult. She is also the author of the Wicked Lovely series.

I should preface my thoughts by saying I haven’t read any of Marr’s other books. I am also not a fan of zombies (I’m on Team Unicorn).

Graveminder has all the makings of a really great story: a generations old curse, a small town, lots of secrets. The idea is clever and intriguing. The characters are varied and interesting. But all of that never gels together to make a cohesive book.

First and foremost, the story is too slow to get to the point. Marr throws readers right into the action with a promising prologue. Only to leave readers hanging until page 100 (of the Advanced Reader’s Copy I read) to receive any kind of explanation about what is going on in Claysville and what role the Barrow and Montgomery families play in it. There is a fine balance between informing a reader and keeping a character in the dark until a key moment. Graveminder did not achieve that balance.

The other, bigger, problem with Graveminder is that Rebekkah is the protagonist of the story (the narrative viewpoint shifts between different characters with the bulk belonging to Byron and Rebekkah). She is important and vital and she is in many ways a hero in the plot. But she never feels real. Instead she comes across as one dimensional as if some important piece is missing. Byron is slightly better as a character (to be fair he is not bogged down with grief the way Rebekkah is at the beginning) but his unfailing devotion to Bek never feels quite realistic between her constantly pushing him away and his even more constant devotion.

Graveminder is an interesting addition to the world of American Gothics. Marr offers a unique premise and an original take on death, among other things. Unfortunately it just isn’t quite as fantastic as I was hoping it would be.

Possible Pairings: Beautiful Creatures by Kami Garcia and Margaret Stohl, Dead Until Dark by Charlaine Harris, Zombies Vs. Unicorns edited by Justine Larbalestier and Holly Black, Rot and Ruin by Jonathan Maberry, The Demon Trapper’s Daughter by Jana Oliver, Generation Dead by Daniel Waters

Rot & Ruin: A Review

Rot & Ruin by Jonathan MaberryBenny Imura needs a job. He’s fifteen and his rations are going to be cut in half if he doesn’t start contributing to society. Benny isn’t picky. Any job will do as long as it requires minimal effort and doesn’t involve working with his annoying, boring, completely irritating older brother Tom.

But being a locksmith apprentice is boring and involves carrying heavy tools all day. Fence testers have to walk the fence all day rattling it for loose spots that zombies might exploit. It also means possibly getting shot by the twitchy gun bulls because there is a zero-tolerance policy when it comes to infection. There’s too much competition selling carpet coats. Pit thrower is too labor intensive. Not too mention it involves throwing  quieted zombies into a burning pit and maybe getting infected. And pit raker, well, pit raker is exactly what it sounds like.

With no better options, Benny finds himself reluctantly apprenticed to his brother Tom, a zombie killer and “closure specialist”–whatever that means. Benny doesn’t really care. At least he can keep his rations and has a job that sounds moderately cool.

But nothing about dealing with his brother, or the zoms, is anything like Benny expected. Out in the rot and ruin where the zombies run loose is different. Nothing is what Benny thought, not his heroes, not his friend Nix and her mother, and certainly not his hometown. Even Tom might be a lot more than Benny ever gave him credit for.

Soon Benny realizes the zombies are bad but they might not be the only monsters in Rot & Ruin (2010) by Jonathan Maberry.

Rot & Ruin far exceeded my expectations.

To understand why you have to understand that I’m on Team Unicorn.

I had heard about the book before it came out and was intrigued but after reading Zombies vs. Unicorns and struggling with the zombie stories, I  started to think I wasn’t a zombie person. I was worried about reading this one because not only did I expect it to drag but I also worried it would be too gross or too scary.

I was so, so, wrong to be worried about this book.

Rot & Ruin has everything I wanted from from a good book. It’s the zombie book I’ve been hoping for.

Zombies are everywhere in young adult literature right now–throw a rock and you’ll hit a book about the zombie apocalypse. What sets Rot & Ruin apart is the fact that Maberry’s zombie interpretation (and story) is clever and original. Benny lives in a diverse world filled with shades of grey. Some of those greys happen to be zombies, some are not. Furthermore this isn’t a story about surviving the zombie apocalypse or beating the zombies. That isn’t happening, the humans lost. It’s a fact. The really brilliant thing about Rot & Ruin is that the story starts with what happens after.

Everything about this book works. The story doesn’t open with a lot of action but readers are immediately drawn into Benny’s world and the bizarre and sometimes hysterical reality of his life after the zombie apocalypse. Rot & Ruin is serious, it’s a page turner. But it’s also really funny. Maberry’s writing is clever throughout with the perfect blend of plot development, world building and character exposition.

Rot & Ruin was also selected as a finalist for the 2010 Cybils. AND it is also this year’s winner! (Chosen by me and my other lovely panelists! I’m so excited I can finally tell you all, dear readers, how much I loved this book!)

Possible Pairings: Ship Breaker by Paolo Bacigalupi, Zombies Vs. Unicorns by Holly Black and Justine Larbalestier (editors), Dearly, Departed by Lia Habel, Unearthly by Cynthia Hand, Guardian of the Dead by Karen Healey, The Demon Trapper’s Daughter by Jana Oliver, This is Not a Test by Courtney Summers, Generation Dead by Dan Waters

Exclusive Bonus Content: This book also has some really cool endpapers. Not to get too far into the plot but trading cards feature strongly in Rot & Ruin. Some of the more relevant cards (and a special one for Maberry himself) are featured on the endpapers of the book. Rob Sachetto did all of the illustrations (and one of the book’s characters shares his name). The cards add to the books quirky charm that tells everyone this book is going to be something special. I also like that Maberry named a character for the real artist.

(Fun Fact: Dan Brown’s Harvard symbologist Robert Langdon was named after the artist who created the font for the ambigram of the title that appeared on the original paperback title page of Angels and Demons.)

UPDATE: Thanks to commenter Devinn for noticing a few name typos in this review and bringing them to my attention! (I cannot post your other comment because it is too much of a spoiler–sorry.)