“Sometimes, if you want to save other people, you need to remember to save yourself first.”
The dead of Loraille do not rest. Luckily, the dead do not bother Artemesia. Very little does in the convent where she trains to become a Gray Sister. Positions of more prestige wait in the city for those with a knack for manipulating the demonic spirits bound to Loraille’s holy relics but Artemesia has never craved status. She has the scarred hands to prove that she has had more than enough of demons after the dark years of her childhood. Instead Artemesia is content to tending to the dead so that their spirits will not return to torment the living.
Artemesia’s quiet life is changed forever when an army of the dead invade, forcing her to bind herself to a demonic spirit to protect the convent from attack.
Now Artemesia’s very self is tied to a revenant–a malevolent spirit bound to a high relic no one left alive knows how to control. If Artemesia can harness the revenant’s power like the vespertine saints of old it could help her turn the tides of an incursion threatening all of Loraille. If she fails, the revenant will possess Artemesia and add to the chaos pushing into the country from all sides.
Isolated and trapped within its relic for centuries on end, the revenant is willing to work with Artemesia if it means a chance to move freely. But bonding with the revenant means challenging everything Artemesia has ever learned about the demons, their relics, and the legendary saints who first bound them. With dangerous dark magic creeping ever closer, one surly nun and a petulant demon will be the only things standing between Loraille and utter ruin in Vespertine (2021) by Margaret Rogerson.
Vespertine is the first book in a projected duology. Artemesia is white; other characters she meets throughout Loraille are described with a variety of skin tones. Fans of audiobooks will appreciate the excellent audio production narrated by Caitlin Davies.
High action and drama contrast well with the mystery surrounding both Artemesia and the revenant’s pasts particularly as Artemesia unpacks her trauma from a childhood demonic possession and the long-lasting impact it has had on her life since.
Rogerson explores feminism through a long history of female warriors and authority figures in Loraille as well as themes of community as Artemisia learns to trust her own power–and newfound celebrity–when Loraille embraces her as a saintly warrior. Artemisia’s role in her convent and her complex relationship with the revenant also work to present and expand themes of equality while Artemisia interrogates her country’s history of harnessing demons bound to holy relics. Humor and friendship add levity to this story as Artemisia learns the necessity of self-care with reluctant help from both the revenant and fellow novitiate Marguerite.
Vespertine is a richly developed fantasy infused with action and mystery as Artemesia slowly begins to find a place for herself with the revenant, in her newfound support system, and in Loraille itself.
Possible Pairings: Lore by Alexandra Bracken, The Bone Witch by Rin Chupeco, Grave Mercy by Robin LaFevers, The Bone Houses by Emily Lloyd-Jones, The Young Elites by Marie Lu, Kingdom of the Wicked by Kerri Maniscalo, Angel Mage by Garth Nix, Little Thieves by Margaret Owen, There Will Come a Darkness by Katy Rose Pool, Ink in the Blood by Kim Smejkal, Sherwood by Meagan Spooner, The Amulet of Samarkand by Jonathan Stroud, Strange the Dreamer by Laini Taylor