Corona, Queens in the 1980s is changing as the area’s first wave of primarily Italian immigrants are replaced with Pakistani family’s like Razia Mirza’s. The tension between the old and new in the neighborhood is palpable; the criticism clear as carefully tended gardens turn to weeds in the hands of new tenants and change keeps coming.
That tension between old and new is familiar to Razia Mirza. As the daughter of Pakistani immigrants who herself feels increasingly more American than Pakistani, Razia sees that same tension in herself; in her own life. Being a kid in Corona felt easy. Razia could understand the dimensions of her childhood even while she chafed against the narrow boundaries of her role as a “good girl” and a respectful part of her Muslim community.
But now, like her neighborhood, Razia is changing. She buys miniskirts from thrift stores, she listens to music her mother would call wild. Then she gets accepted to Stuyvesant all the way in the East Village in Manhattan where, for the first time, Razia feels like she has the space to be who she wants to be and not who her parents expect.
When her deepest friendship at Stuyvesant blossoms into something bigger, Razia has to decide if she can reconcile her family, her heritage, and her faith with the future she is chasing in Roses, in the Mouth of a Lion (2022) by Bushra Rehman.
Short, vignette-like chapters unfold Razia’s story from early childhood into adolescence. For an even more immersive reading experience, check out the audiobook read by the author. Be aware of a few incidents of animal violence (mostly off page, but described after the fact) throughout the book if that’s a point of concern for you as a reader.
Vivid descriptions bring Razia’s world to life as her sphere slowly expands from the careful influence of her conservative parents into the punk scene surrounding Stuyvesant’s East Village neighborhood. Razia’s first person narration hints at larger stories unfolding with the circle of girls and women that comprise the Pakistani-American community in Corona but the tight focus on Razia’s experiences leave many plot threads open to interpretation by readers as they unpack Razia’s experiences alongside out protagonist.
Although romance in the conventional sense doesn’t appear in the story until the final act, Roses, in the Mouth of a Lion is a love story at its core. Again and again, Razia’s world expands as she discovers learning whether it’s at school, borrowing books from her local library, or gaining a deeper understanding of what her faith means to her while reading the Quran with her mother and other female community members at regular Vazes–religious parties–in the neighborhood.
Roses, in the Mouth of a Lion is a tantalizing window into one girl’s life as her world starts to expand, creating a friction between family obligations and personal growth as Razia tries to reconcile her own wants with the expectations of her family and community. Richly detailed prose bring Razia–and New York City–to life alongside provocative feminist themes of agency and freedom; this book and its author are ones to watch.
Possible Pairings: Freshwater by Akwaeke Emezi, My Brilliant Friend by Elena Ferrante, All the Rage by Courtney Summers, All My Rage by Sabaa Tahir, The Girls in Queens by Christine Kandic Torres, On Earth We’re Briefly Gorgeous by Ocean Vuong, Frankly in Love by David Yoon
*An advance copy of this title was provided by the publisher for review consideration*
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