Sadie: A Chick Lit Wednesday Review

cover art for Sadie by Courtney SummersThe only thing that has ever really mattered to Sadie is her little sister, Mattie. Sadie pins all of her hopes and dreams onto Mattie. She gives her the care and affection their mother can’t usually manage. Mattie is better and more and she deserves everything Sadie never thinks to want for herself.

But then Mattie is murdered.

The trail is cold and the police don’t care. After all, she’s just another dead girl.

But Sadie knows who did it. And she knows she is the only one who can make them pay–even if it means losing herself in the process.

Weeks later West McCray hears about Sadie while he’s recording a radio segment on small, forgotten towns in America. The police might not care, most of the town might not care, but West finds that he does. What starts as a podcast soon becomes a much larger project as West delves into Sadie’s past and tries to follow her trail before it’s too late in Sadie (2018) by Courtney Summers.

Summers’ latest standalone alternates between Sadie’s first person narration and West’s podcast segments as he follows her trail.

Sadie is a brutal story about the disasters left in the aftermath of loss and poverty. Despite the violence surrounding Mattie’s murder and Sadie’s own revenge quest, the prose never sensationalizes it. Through West, Summers makes a deliberate choice to never make Mattie into a plot point and never to appeal to the lowest common denominator by glamorizing violence.

Sadie is a calculating and singular narrator. Her shrewd narration contrasts sharply with dialog as she navigates the world with a severe stutter (a speech impediment that could have been fixed when Sadie was a child if her mother had bothered to pursue treatment). That contrast in particular highlights the way that Sadie explores poverty and privilege–particularly as West begins to unpack his own privilege in being able to initially dismiss Sadie’s disappearance as too common and not interesting enough for a podcast.

Nothing here is neat or simple–including Sadie herself. While the ending leaves readers with a lot of questions it also places the decision of how her story will unfold, back in her own hands–a freedom that was impossible to imagine at the beginning of the novel. Sadie is an incisive story about agency and feminism as well as an utterly engrossing thriller. Highly recommended.

Possible Pairings: Monday’s Not Coming by Tiffany D. Jackson, The Female of the Species by Mindy McGinnis, Two Can Keep a Secret by Karen M. McManus, The Nowhere Girls by Amy Reed, Suicide Notes From Beautiful Girls by Lynn Weingarten, Girls With Sharp Sticks by Suzanne Young

*An advance copy of this title was provided by the publisher for review consideration at BookExpo 2018*

The Hidden Witch: A Graphic Novel Chick Lit Wednesday Review

cover art for The Hidden Witch by Molly Knox OstertagAster’s family is still adjusting to his affinity for witchery–something totally unexpected in a family where boys usually become shapeshifters. Not everyone is thrilled with Aster’s witchcraft but his grandmother is more than happy to teach Aster so long as he in turn helps her try to rehabilitate his great-uncle whose own attempts to avoid shifting led to corrupted magic and all manner of havoc.

Off the compound Charlie, Aster’s non-magical best friend, is starting school and eager to make new friends–especially the mysterious new girl who keeps to herself. That turns out to be extra complicated when a curse tries to attach itself to Charlie.

Aster is able to remove the curse. But he can’t stop it without finding the witch who created it. Aster and Charlie (and even Aster’s cousin Sedge) will have to work together to find the witch before their magic ends up just as corrupted as Charlie’s great uncle’s did years ago in The Hidden Witch (2018) by Molly Knox Ostertag.

The Hidden Witch is the second book in Ostertag’s middle grade graphic novel series which starts with The Witch Boy.

I love the smooth edges and bright colors of Ostertag’s artwork. The panels are once again dynamic and full of fun details. This story spans both day and night with fun design elements like white or black gutters between panels to differentiate.

Ostertag effectively smashes the strict magical binaries of Aster’s family as Aster continues to study witchcraft and one of his male cousins contemplates attending a normal school instead of studying (and shifting) on the family compound.

The primary focus of this story is Aster and Charlie’s friendships both with each other as well as with other. The Hidden Witch is another fun installment that expands the world and fleshes out the magic systems first introduced in The Witch Boy.

Possible Pairings: The Graveyard Book by Neil Gaiman, Frogkisser! by Garth Nix,  Nevermoor: The Trials of Morrigan Crow by Jessica Townsend, The Prince and the Dressmaker by Jen Wang

*An advance copy of this title was provided by the publisher for review consideration*

The Witch Boy: A Graphic Novel Review

cover art for The Witch Boy by Molly Knox OstertagThirteen-year-old Aster leads a secluded life on the compound he and his extended family call home. The family has everything they need and is far away from prying eyes which is important since Aster’s family is magic. For generations this magic has been simple: girls become witches while boys become shapeshifters.

Aster desperately wants to be a witch despite his family telling him again and again (and again) that it’s impossible for a boy to learn witchery. Aster doesn’t care and keeps studying and practicing in secret.

When Aster meets Charlie–a new girl in town who refuses to let anyone else define her–Aster knows he has to keep following his dreams in The Witch Boy (2017) by Molly Knox Ostertag.

The Witch Boy is the start of Ostertag’s middle grade graphic novel series which continues in The Hidden Witch.

Ostertag’s full color illustrations are approachable and vivid. Panels are full of motion and varied design (complete with witchery runes!) that draw readers through the comic. Entertaining characters and strong friendships more than make up for an otherwise slight (and sometimes not subtle) plot.

The Witch Boy is a great graphic novel for readers of all ages with a message of inclusion that is much needed and very welcome.

Possible Pairings: The Graveyard Book by Neil Gaiman, Frogkisser! by Garth Nix,  Nevermoor: The Trials of Morrigan Crow by Jessica Townsend, The Prince and the Dressmaker by Jen Wang

The Leaf Reader: A Review

“I did feel like I was pretending, at least at the start. I admit that. But whenever you start on something, it always feels a little like pretending, right? If you let that stop you, you might never try anything new.”

cover art for The Leaf Reader by Emily ArsenaultMarnie is halfway through high school and she’s accepted that she’ll never be popular. And if that’s true, better to give the people what they want and be really eccentric, right?

In the past year Marnie has gotten a reputation for reading tea leaves to tell the fortunes of classmates. Marnie knows it’s just for fun. She assumes her classmates do too.

But then Matt Cottrell comes to Marnie for a reading that seems to reveal more about the disappearance of Matt’s best friend Andrea last year. Marnie has never thought she could really read the future in tea leaves. But as she and Matt start looking into Andrea’s disappearance together, Marnie starts to wonder if she was wrong. It seems like the tea leaves are trying to tell her the Matt is dangerous. And if that’s true, Marnie’s growing attraction could be deadly in The Leaf Reader (2017) by Emily Arsenault.

The Leaf Reader is Arsenault’s first novel written for a young adult audience.

I went into this one with almost no expectations after receiving it very randomly from a neighbor. Marnie’s introspective narration and her fascination with reader tea leaves immediately drew me in. The story includes some basic information on interpreting leaves and their symbols which adds a fun dimension to the story.

Arsenault’s plotting and story are executed well and come to life with vivid descriptions of Marnie’s surroundings. The descriptions of characters are sometimes less vibrant and less charitable in a way that seems to suggest Marnie, or perhaps the author herself, held little fondness for some of the characters.

Marnie is a frank narrator who is immediately honest about her own status as an outsider in her small town. She is less willing to accept that she might not be the only one with secrets–something that becomes increasingly obvious to readers as the tense plot finally reaches a breaking point in the final act.

The Leaf Reader is a unique spin on some familiar mystery tropes. A great choice for fans of suspense.

Possible Pairings: The Opposite of Here by Tara Altebrando, The Wicked Deep by Shea Earnshaw, One of Us is Lying by Karen M. McManus, The Disappearances by Emily Bain Murphy, The Space Between Trees by Katie Williams

The Wicked Deep: A Chick Lit Wednesday Review

cover art for The Wicked Deep by Shea EarnshawTwo hundred years ago in the town of Sparrow three sisters were drowned as witches. Every year since then the Swan sisters have returned to Sparrow, claiming the bodies of unwitting local girls and using them to wreak their vengeance on the town by drowning boys foolish enough to fall under their sway.

Every Swan Season is the same, ending only when each sister has claimed a new victim.

Penny can see what others can’t including long buried secrets about the sisters and the Swan Season. But she knows that secret can only go so far against a curse. She is used to watching the Swan Season unfold with wary detachment, certain that this one will be  like all the others ending with death, suspicion, and grief.

Except this year there is a new outsider in town—a boy named Bo who refuses to believe the Swan sisters can pose any real danger to anyone, especially him. A boy that Penny is determined to protect. As the Swan Season unfolds Penny and Bo will work together to unravel the truth of the curse and the sisters. But as the Swan Season nears its end Penny realizes that the only way to save Bo might be by sacrificing herself in The Wicked Deep (2018) by Shea Earnshaw.

The Wicked Deep is Earnshaw’s debut novel.

The Wicked Deep is a tense bit of fantasy woven through with suspense as the novel builds toward the disastrous conclusion of the Swan Season. Penny’s first person narration is frank and often cynical with lyrical prose as she slowly searches for a way to break the curse and save Bo.

This story is filled with twists and surprises about both Penny and Bo. Unfortunately the story also flags in the second act as Penny and Bo repeatedly discuss what ending the curse might entail and how far they are willing to go if it means freeing the island from the sisters’ menace forever.

The Wicked Deep is an atmospheric story filled with witches, secrets, and a scorching romance with far-reaching consequences. Recommended for readers looking for a spooky book to read curled up by a fire and fans of Practical Magic especially.

Possible Pairings: The Leaf Reader by Emily Arsenault, Spellbook of the Lost and Found by Moïra Fowley-Doyle, Strange Grace by Tessa Gratton, Practical Magic by Alice Hoffman, Salt and Storm by Kendall Kulper, Born Wicked by Jessica Spotswood, The Price Guide to the Occult by Leslye Walton

Check, Please!: #Hockey: A Graphic Novel Review

Check, Please!: #Hockey by Ngozi UkazuBitty is a former junior figure skating champion, a vlogger, and a master baker. He’s also a freshman at Samwell University where he has a scholarship spot on the hockey team. Bitty is known for his speed on the ice, but he isn’t sure he’s ready for college hockey–especially if it means getting checked!

The Samwell team is . . . different than Bitty expected. There’s a lot of swearing and a lot of nicknames. Shitty (Bitty doesn’t know his real name and isn’t sure if anyone does), and Holster and Ransom are quick to welcome him, but Bitty still doesn’t know what to make of the team captain Jack who is as cute as he is moody.

As Bitty finds his footing in college and on the ice, Bitty starts to think he might just have found his place at Samwell. But only if he can get over his fear of getting checked and find a way to get past Jack’s aloof exterior in Check, Please!: #Hockey (2018) by Ngozi Ukazu.

Check, Please!: #Hockey collects part of Ukazu’s popular Check, Please! webcomic. The story is broken into seasons and this volume collects seasons one and two (Bitty’s freshman and sophomore years at Samwell). A second volume is set to follow which will cover junior and senior year.

I didn’t expect to fall in love with Bitty or anyone else on the Samwell team when I started this comic. I never imagined I could actually become invested in a sports comic or laugh out loud learning about hockey butt and flow. But all of those things happened in this magical, hilarious comic.

Bitty is definitely an outlier on the team with his small stature and his penchant for baking. He’s also worried his teammates won’t accept him if they find out he’s gay. But Bitty, and readers, will be pleasantly surprised by the camaraderie and loyalty of the Samwell team. These guys are family and they are a damn delight to read about.

The fate of the Samwell team’s standing on the ice is interspersed with Bitty’s misadventures during hazing, inevitably bizarre course work, and some crazy intense tension with Jack. Is Bitty crazy to think they might become friends? Is it even crazier to hope for more?

Ukazu’s artwork is almost as cozy as Bitty’s kitchen with bright colors and smooth line work. The panels are often larger than you’d expect (especially for a story that’s adapted from a webcomic) and because of that all of the characters have extremely expressive faces too.

Check, Please!: #Hockey is a hilarious introduction to a series that is as entertaining as it is endearing. A must read for all–even the non-hockey fans. Recommended!

Speak: The Graphic Novel: A Chick Lit Wednesday (Graphic Novel) Review

cover art for Speak: The Graphic Novel by Laurie Halse Anderson, illustrated by Emily CarrollMelinda remembers when she looked forward to starting high school. It was a new chapter filled with promise. She’d have the  chance to become anyone she wanted.

That was before the end of summer. Before what happened at the party.

Now Melinda is alone. Her parents are too busy hating each other and their lives to pay any attention to why Melinda stopped speaking let alone anything else. At school everyone knows that Melinda is the one who called 911 and brought the cops to the biggest party of the summer.

Art class is Melinda’s one refuge. She doesn’t have to think about the best friends who abandoned her or the new girl who calls her a friend when it’s convenient. She doesn’t have to worry about trying to talk to David Petrakis. She doesn’t even have to think about what happened at the party. All she has to do is draw trees.

Melinda starts the school year as an observer–an outsider. She isn’t okay. But with her art, a reclaimed supply closet, and some time, Melinda might be able to reclaim her voice in Speak: The Graphic Novel (2018) by Laurie Halse Anderson, illustrated by Emily Carroll.

This book is the graphic novel adaptation of Anderson’s award winning novel of the same name. Although Speak was originally published in 1999 Melinda’s story remains just as timely and immediate in this new version.

In many ways, Speak: The Graphic Novel feels like the form this story should have always had. Anderson’s story is complemented by Carroll’s eerie black and white illustrations. The format allows the story to shift easily between Melinda’s reality and her imaginings. Carefully constructed page designs also help evoke a palpable sense of Melinda’s silence and her introspection for much of the novel.

Speak has been a must-read since its original publication. This graphic novel adaptation underscores the story’s significance and makes it approachable for a whole new segment of readers.

Possible Pairings: The Poet X by Elizabeth Acevedo, Saints and Misfits by S. K. Ali, Starfish by Akemi Dawn Bowman, Lighter Than My Shadow by Katie Green, I Kill Giants by Joe Kelly, Boy Toy by Barry Lyga, Criminal by Terra Elan McVoy, Monster: The Graphic Novel by Walter Dean Myers, Adapted by Guy Sims, Illustrated by David Anyabwile; The Summer of Chasing Mermaids by Sarah Ockler, A Map of the Known World by Lisa Ann Sandell