Elisa and her sisters were sugar queens, daughters of Emilio Perez one of Cuba’s infamous sugar barons. After years of walking the fine line between working with President Batista without ever angering his regime, the tides have turned. With Fidel Castro in power the only option the family has is to leave. At the airport in 1959 they think it will only be a short trip, a season abroad until Fidel is ousted.
In Miami in 2017 the family finally receives the news they have waited for. Fidel is dead. The Cuban exiles are free to return home. Elisa didn’t live long enough to see that day. Instead, it’s Marisol who will travel to Cuba for her grandmother.
Marisol is there to scatter Elisa’s ashes but she soon learns that Havana is not the city her family left behind decades ago. Poverty stands in harsh contrast to the island’s beauty. Political dissent is just as dangerous as it was before. And even Marisol’s grandmother still has secrets to reveal in the city of her birth.
As she discovers Cuba for herself Marisol will unearth old family secrets and define her own relationship with this country that has been the backdrop of all of her family’s hopes for decades in Next Year in Havana (2018) by Chanel Cleeton.
Next Year in Havana alternates between Marisol’s story in 2017 as she travels to Havana for the first time and Elisa’s story of the month’s leading up to her family’s departure for Miami in 1958. This novel is a standalone but readers interested in learning more about the Perez family can also check out When We Left Cuba which is a companion novel about Elisa’s sister Beatriz.
Cleeton expertly balances two timelines as the stories intertwine with Marisol’s discoveries in Cuba. Seeing Cuba for the first time and learning more about her grandmother’s past, Marisol begins to understand that the Cuba she has always imagined pales in comparison to both the good and the bad of Cuba’s modern reality.
Elisa, meanwhile, learns that nothing about revolution is black and white–especially her own families role in it while her father tries to stay on Batista’s good side and Elisa herself begins an affair with a revolutionary.
While some reveals are far from surprising, the dual story line works well and is used to good effect to develop both protagonists. While some of the secondary characters lack definition Beatriz jumps off the page (in both storylines!) making her lead role in the companion book all the more exciting.
Next Year in Havana is as evocative as it is well-researched to bring Havana–both past and present–to life while hints of romance and mystery add urgency to this character-driven story. Ideal for readers looking to travel through the pages of a book and fans of sweeping family sagas. Recommended.
Possible Pairings: In the Time of the Butterflies by Julia Alvarez, The Shadow Land by Elizabeth Kostova, Telex From Cuba by Rachel Kushner, Don’t Date Rosa Santos by Nina Moreno, Green Island by Shawna Yang Ryan, Dreams of Joy by Lisa See, The Valley of Amazement by Amy Tan, The Girls at the Kingfisher Club by Genevieve Valentine