The King Will Kill You: A Review

Princess Amarande is finally poised to have everything she wants. After a brutal trek across the Torrent and back she is reunited with her love Luca, a lost prince himself raised in hiding as a stable boy. Having fended off invaders, rivals, and her own mother Amarande is about to become queen in her own right–no need to marry except if she chooses–while Luca works to gather his own allies and begin rebuilding Torrance.

Flush with hope and dreams of new beginnings, Amarande and Luca and their allies are eager for the opportunity to rebuild the kingdoms of the Sand and Sky into something new as the continent puts the recent regicides and threat of war behind them.

But even as one queen and king hope to rebuild, there are others just as eager to burn everything to the ground if it means holding onto their own power.

No woman has ever ruled outright in the thousand year history of the Sand and Sky. If the patriarchal establishment has its way, no woman ever will. As obstacles old and new stand in Amarande’s way, she will have to rally all of her forces to stand against her enemies once again in The King Will Kill You (2022) by Sarah Henning.

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The Kill Will Kill You is the final book in Henning’s Kingdoms of Sand and Sky trilogy. Start at the beginning with The Princess Will Save You and The Queen Will Betray You to avoid spoilers and get the most out of the series. Amarande is cued as white but there is a variety of skintones among the kingdoms of the continent and among the cast in this novel. A close third person perspective primarily follows Amarande but does shift to other key characters including Luca.

Every book in this series builds upon the last expanding both the world and the feminist themes that underpin the entire plot. Having laid the groundwork for this strong cast in book one and set up the political landscape in book two, The King WIll Kill You is positioned as both the best and the strongest book in this series.

Throughout this series Amarande, and readers, have seen characters strive for various goals–most notably power for the various monarchs–only to have the sweetness of success turn to ash upon achieving their goals. Henning reworks that conceit here one more time as Amarande’s supposed happy ending is torn away leaving her and Luca once again scrambling to find safety.

Shifting viewpoints give a wide view of this story that spans multiple kingdoms and a well-utilized ensemble cast. After dispatching many of their enemies both Amarande and Luca hope to be able to work within the system to reform the Sand and Sky into something better not just for the kingdoms and their ruling class but for every person on the continent–something that other rulers attempt to thwart at every turn. After the intense action of previous installments, this shift to political maneuvering offers an interesting but no less engrossing change of pace as the action and intrigue of this series moves to a different stage. (Don’t worry there are still quite a few sweeping battles and sword fights to be had here.)

While Amarande still faces some very real enemies and brutal gaslighting while trying to claim her power once and for all, the real enemy in The King Will Kill You turns out to be the establishment that has worked so long to help those in power and no one else. Faced with trying to operate within a system that was never meant to help anyone like her–despite her own father’s successes as king–Amarande has to confront the fact that sometimes the best way to rebuild is to tear down everything that came before.

The King Will Kill You is an ambitious and ultimately satisfying conclusion to a fundamentally feminist series where action and adventure are tempered well with political intrigue and moral questions. After all, what can be more feminist than a book that literally tears down the patriarchy?

Possible Pairings: Three Dark Crowns by Kendare Blake, Violet Made of Thorns by Gina Chen, The Princess Bride by William Goldman, Six Crimson Cranes by Elizabeth Lim, The Orphan Queen by Jodi Meadows, Little Thieves by Margaret Owen, Crown of Feathers by Nicki Pau Preto, The Queen’s Rising by Rebecca Ross

*A copy of this title was provided by the publisher for review consideration*

The Queen Will Betray You: A Review

After racing through the Torrent to save her love Luca and escaping a forced marriage to the calculating Pyrenee prince Renard, Princess Amarande is one step closer to claiming her throne as the rightful heir to Ardenia and helping Luca restore Torrence to power after the territory’s instability under the brutal Warlord. But there are still forces throughout the Sand and Sky determined to make sure Amarande doesn’t succeed–including some within her own kingdom.

Instead of a triumphant return to Ardenia and her throne, Amarande is greeted in secret and spirited away. Her council and, worse, her wayward mother have their own ideas of what will best serve Ardenia–plans that include crowning Amarande’s long-lost brother Ferdinand in her place. Desperate for stability, the council is willing to hide Amarande away to give truth to their lies about her death leaving her unable to take power or to rally forces to help Luca.

Meanwhile, with the entire continent still reeling after King Sendoa’s death, it seems every kingdom–and every monarch–is vying to expand their power. While Myrcell and Basilica try to strengthen their own kingdoms, the dowager queen of Pyrenee has plans of her own. With Renard dead, Ines has one less threat to her own claim to the crown leaving only her scheming younger son Taillefer to deal with as she consolidates her forces in a daring bid for power that will change the realm forever.

Desperate enemies can often make the best allies as Amarande reluctantly works with Taillefer to escape her kingdom and get back to Luca. But with Amarande and Luca both displaced as heirs they have few people they can trust and fewer resources as they once again work to reclaim everything they have lost in The Queen Will Betray You (2021) by Sarah Henning.

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The Queen Will Betray You is the second book in Henning’s Kingdoms of Sand and Sky trilogy which continues in The King Will Kill You. Start with the first book, The Princess Will Save You, to avoid spoilers and get the most out of the series. Amarande is cued as white but there is a variety of skintones among the kingdoms of the continent and among the cast in this novel. A close third person perspective primarily follows Amarande but does shift to other key characters including Luca.

The Queen Will Betray You sets up an interesting dichotomy between Queen Ines or Pyrenee and Geneva, Amarande’s mother and the former Runaway Queen of Ardenia, on one side with Amarande opposing both. Both Ines and Geneva were raised to strive for power, to be calculating, and to be tools for men with their own goals and ambitions. After years of surviving in this impossible circumstances both women are fierce and ruthless–determined to do whatever it takes to carve a place for themselves in the continent’s cutthroat patriarchy no matter the cost. Amarande, meanwhile, once again refuses to operate within a system that no longer serves her instead trying to find workarounds to avoid bloodshed whenever possible. This contrast sets the groundwork for the conclusion of this series while also raising questions about morality in the face of ambition and the cost of both complicity and passive ignorance.

After introducing Amarande, Luca, and the Sand and Sky in book one, Henning dramatically expands the world in this second installment. With Amarande and Luca both vying to reclaim lost power readers will see more of their allies including Ula and Urtzi as well as new characters like Ferdinand. With the return of Amarande’s mother Geneva more of the secrets of how the kingdom of Torrance was overthrown and became a lawless territory are revealed.

The Queen Will Betray You is twist after twist from the breathless opening chapters to the shocking final page. Henning’s richly imagined fantasy continues to be a must read for both high action and high intrigue.

Possible Pairings: Three Dark Crowns by Kendare Blake, Violet Made of Thorns by Gina Chen, The Princess Bride by William Goldman, Six Crimson Cranes by Elizabeth Lim, The Orphan Queen by Jodi Meadows, Little Thieves by Margaret Owen, Crown of Feathers by Nicki Pau Preto, The Queen’s Rising by Rebecca Ross

*A copy of this title was provided by the publisher for review consideration*

The Princess Will Save You: A Review

In the kingdoms of the Sand and Sky every good warrior knows you need to beware or be dead. Unfortunately, even vigilance offers little protection against assassination.

King Sendoa’s sudden death threatens to throw not just the kingdom of Ardenia but the entire continent into chaos as every kingdom scrambles for power. Political alliances are nothing new among royalty but Princess Amarande is horrified to learn that in order to rule she will have to marry first.

Amarande’s attempts to buy time and find a way to keep her crown and her heart are thwarted when Luca, the stable boy she has always loved, is kidnapped. Marrying the right suitor could save Luca but the kidnappers forget that Amarande isn’t just a princess. She’s also the Warrior King’s daughter.

Rather than wait for Luca’s return, Amarande is ready to make the first mark and rescue him–and her kingdom in The Princess Will Save You (2020) by Sarah Henning.

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The Princess Will Save You is the first book in Henning’s Kingdoms of Sand and Sky trilogy which continues in The Queen Will Betray You and The King Will Kill You. Amarande is cued as white but there is a variety of skintones among the kingdoms of the continent and among the cast in this novel. A close third person perspective primarily follows Amarande but does shift to other key characters including Luca.

Henning lays the groundwork for a complex world or reluctant allies, rival kingdoms, and sweeping political schemes. This eye for detail can make for a slow start but the story quickly gains momentum as Amarande embarks on her rescue mission. With a heroine who was raised to be a warrior, it will be no surprise that this book is filled with action and numerous battle and chase scenes. Although the specter of violence hangs over this story, the narrative avoids presenting gore for gore’s sake (be aware that there is a seen of torture in the final act of the book but that also avoids explicit or lengthy description).

Amarande is a smart but often reckless character who is tempered by the gentler (and more circumspect) Luca. Together, these two are a formidable team who demonstrate real partnership at every turn–even discussing the unequal power dynamics they have to work within because of Amarande’s royal status. Along the way both protagonists meet additional allies (and enemies) readers can expect to meet in later volumes. While she works to rescue Luca, the threat of the patriarchal status quo looms as the question of whether Amarande will truly be able to rule in her own right remains combined with a cliffhanger ending that will leave readers eager for the next installment.

The Princess Will Save You is a dynamic start to a fantasy series that strikes the perfect balance between political maneuvering and high action. Perfect for fans looking for a feminist story that strikes a balance between the iconic adventure of The Princess Bride and the complex but brutal Game of Thrones.

Possible Pairings: Three Dark Crowns by Kendare Blake, Violet Made of Thorns by Gina Chen, The Princess Bride by William Goldman, Six Crimson Cranes by Elizabeth Lim, The Orphan Queen by Jodi Meadows, Little Thieves by Margaret Owen, Crown of Feathers by Nicki Pau Preto, The Queen’s Rising by Rebecca Ross

*A copy of this title was provided by the publisher for review consideration*

The Bone Orchard: A Chick Lit Wednesday Review

I won’t be ashamed of remaking myself. And I won’t turn my back on myself.

Charm is a survivor. After the fall of Inshil, Charm is brought to Borenguard. She is confined to a life running Orchard House, a brothel and gambling den, and tending the adjacent bone trees–the last trace of her necromantic skills. Again and again she has used the trees to regrow her bone ghosts, her children really, Shame, Justice, Desire, Pride, and Pain.

Each ghost has her own role to play, her own part, to keep Orchard House together. Charm oversees it all, madam and mistress both, as everyone from Borenguard’s elite to the Fire Drinkers–the empire’s psychically gifted police force–frequents Orchard House and buys time with the ghosts.

Except on Tuesdays. When the house is closed for all but the Emperor who comes for Charm herself.

Until one Tuesday when everything changes. Instead of coming to the house, Charm is summoned to the palace where the Emperor lay dying with one last charge for his mistress.  The Emperor knows one of his cruel sons is responsible for his murder. If Charm can determine which one, and thereby also choose which son is best fit to rule, Charm will finally be free.

But serving the emperor with this one last task will put everything–and each of the ghosts–Charm has built at risk. With her own fate and the fate of her bone ghosts uncertain, Charm will have to decide if she can serve the Emperor’s last wishes while also finally serving her own interests in The Bone Orchard (2022) by Sara A. Mueller

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Please be aware of the content warnings for this book which includes instances of domestic abuse, rape, incest, torture, pedophilia, and other acts of violence.

Mueller’s standalone fantasy is a nuanced and richly plotted story set in a world populated by people with varied skin tones and sexual orientations including one central character who is cued as nonbinary/genderqueer. The bone ghosts are described as “colorless” and lacking in pigmentation. Shifting viewpoints move between Charm and several of the bone ghosts as the story slowly spins out and gains momentum.

The setting of Orchard House acts as a key character itself giving space to unpack the unequal power dynamics at play between many of the characters because of gender and glass–and between Charm and each of the bone ghosts who carry their own burdens and traumas. The house also highlights the ways in which history is written (or rewritten) by the victors as more of its provenance is revealed.

Be warned, this story is often gruesome and unsavory as Mueller throws open the closed doors of the brothel and also explores exactly why each of the Emperor’s sons are so deeply damaged and awful. Nonetheless, The Bone Orchard is a satisfying mystery and meditative political fantasy that begs to be savored. As the many layers of both Charm and Borenguard’s pasts are peeled back the novel builds to a complex denouement where Charm–and others–transcend the restrictions placed upon them as they learn to embrace and respect what they have done in order to survive.

Through shifting lenses and an intricate plot including mystery, political machinations, and more The Bone Orchard explores what it means to inhabit the world alternately as a captive, a potential victim, and as a survivor; grim but ultimately empowering.

Possible Pairings: The Bear and the Nightingale by Katherine Arden, An Illusion of Thieves by Cate Glass, Black Leopard, Red Wolf by Marlon James, Furyborn by Claire Legrand, A Darker Shade of Magic by V. E. Schwab, The Priory of the Orange Tree by Samantha Shannon, All the Murmuring Bones by Angela Slatter, Empire of Sand by Tasha Suri

*An advance copy of this title was provided by the publisher for review consideration*

The Ivory Key: A Review

Ashoka has always been known for its magic–a prized resource mined from the quarry beneath the kingdom’s palace.

But the magic is running out.

Newly named maharani after her mother’s sudden death, Vira won’t let losing the kingdom’s magic be her legacy. Not when following a trail of ancient riddles and clues to find the mythical Ivory Key could unlock more magic quarries.

Ronak, Vira’s twin brother, is more interested in studying the past like their Papa than in preparing for his future. With royal expectations closing in around him, Ronak will do anything to get away. Even promising to secure the Ivory Key for a dangerous mercenary.

Kaleb never felt like a half-brother to any of the royal siblings. But his Lyrian birth mother is enough evidence to imprison him for the previous maharani’s assassination. Helping Vira find the Ivory Key could clear Kaleb’s name. But that still might not be enough to reclaim his old life.

Riya has been happy in the two years since she left the palace behind. Now, drawn into the hunt for the key with her siblings, Riya will have to choose between her obligations to her family and her loyalties to the Ravens–the group of rebels that took her in when she had nothing and no one.

Four siblings, one magical artifact, centuries of secrets in The Ivory Key (2022) by Akshaya Raman.

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The Ivory Key is Raman’s first novel and the start of an India-inspired duology. The main characters are all brown skinned and Ashokan (a name commonly associated with ancient India) while the neighboring Lyrians are described as fairer skinned. The story alternates between close third person perspectives following the four siblings.

Raman takes her time building out the world of The Ivory Key dropping hints about each character’s backstory alongside details of the political landscape that threatens Ashoka’s future. A well-developed and unique magic system underscore the urgency of Vira’s search for the Ivory Key although that part of the plot is slow to start.

Balancing four points of view is challenging and something that makes the first half of The Ivory Key drag as characters are introduced and tensions build. Once the four royal siblings reluctantly begin working together to find the key, the story starts to pick up and feels more like the adventure promised in the synopsis.

Hints of romance add dimension to the story and drama to one of the book’s biggest reveals although most of the story is squarely focused on the fractious relationships between Vira, Ronak, Kaleb, and Riya. A rushed final act introduces new twists and obstacles for all of the siblings as their paths once again diverge leaving each primed for an exciting conclusion to this duology in the next installment.

The Ivory Key is a sweeping, politically charged adventure where action and the search for magic are balanced by court intrigue and maneuvering; a dramatic story that isn’t afraid to take its time to draw readers in.

Possible Pairings: Six of Crows by Leigh Bardugo, The Gilded Wolves by Roshani Chokshi, We Hunt the Flame by Hafsah Faisal, Spin the Dawn by Elizabeth Lim, Sisters of the Snake by Sarena Nanua and Sasha Nanua, There Will Come a Darkness by Katy Rose Pool

*An advance copy of this title was provided by the publisher for review consideration*

Little Thieves: A Review

The little thief steals gold, but the great one steals kingdoms; and only one goes to the gallows.
-Almanic proverb

For Vanja Schmidt, nothing has ever been free–not even the love of her godmothers Death and Fortune. After years struggling to avoid trapping herself in service to either of the godmothers who refuse to claim her as their own, Vanja has almost earned enough to buy her freedom. By earn, she means stolen.

Vanja has left an impressive trail of damage in her wake ranging from stolen jewels to, most recently, a stolen life. Being Princess Gisele’s trusted maid should have kept Vanja safe. It didn’t. So Vanja finds her own way to safety by stealing Gisele’s enchanted pearls and using them to impersonate the princess. Gisele is left penniless and alone. But that is a small price to pay for Vanja to be safe and free–one she’d pay again twice over.

When Vanja is so close to freedom she can taste it, all of her lies threaten to bury her.

Vanja angers the wrong god and incurs a very dangerous curse on what should have been her last heist. Now Vanja will become exactly what she always wanted unless she can break the curse. It starts with a ruby on her cheek that could pay her entire way if only she could pry it loose. She can’t, of course. And neither can anyone else who covets it. That isn’t Vanja’s biggest problem.

If Vanja is unable to make amends for her past misdeeds in two weeks, the jewels will spread and kill her. Even if she survives that, Gisele’s fiancé has pushed up their wedding. Meaning Vanja might find herself married to a brute of a prince who seems intent on making sure his bride never makes it past the honeymoon.

Worse, someone has finally caught onto Vanja’s schemes. And he might be the one person too smart for Vanja to outwit.

After years of cons and heists, Vanja is intimately familiar with the trinity of want. She knows how dangerous it is to be loved, or wanted, or used by the wrong people. She is less certain of how to find the right people to help her–let alone convince them to trust her–to steal back her life in Little Thieves (2021) by Margaret Owen.

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Little Thieves is an inventive retelling of the German fairytale “The Goose Girl.” It is also the first book in a duology. The story is narrated by Vanja with section headings grouped under different fairy tales Vanja shares with readers–each tale includes an illustration done by the author. Vanja is among several characters cued as white although the world Owen conjures strays from the stereotypical Germanic setting of many fairy tales to make space for characters who are BIPOC and from span the LGBTQ+ spectrum.

Owen breathes new life into this familiar tale by reframing the story to follow the supposed villain. Flashbacks in the form of fairytales illuminate the deeds and misdeeds that led Vanja to steal Gisele’s pearls. They also offer hints of how Vanja can make her way back from it and break the curse.  Young sleuth Emeric Conrad is an apt foil to Vanja’s schemes and ably keeps pace with her throughout this clever tale.

After years of getting by on her wits and what she could steal with her own two hands, Vanja is slowly forced to admit that she might not be able to do everything alone. As she finds new allies–reluctant and otherwise–she slowly builds out a support system and confronts the role her own tendency for self-destruction played in her checkered past. Owen skillfully demonstrates Vanja’s growth throughout the novel as she moves from a girl willing to pry a ruby off her own face (if only she could) to one who might have to sacrifice everything to save the people she’s hesitantly begun to care about.

Little Thieves is a sleek page-turner that seamlessly blends classic fairytale elements with a high stakes con, sardonic humor, and flawed characters you can’t help but adore. Come for the imaginative world building and a truly distinct retelling, stay for the gasp-worthy twists, found family, and slow burn romance. Highly recommended.

Possible Pairings: Six of Crows by Leigh Bardugo, Three Dark Crowns by Kendare Blake, The Gilded Wolves by Roshani Chokshi, Into the Crooked Place by Alexandra Christo, The Goose Girl by Shannon Hale, The Princess Will Save You by Sarah Henning, The Orphan Queen by Jodi Meadows, Vespertine by Margaret Rogerson, Bravely by Maggie Stiefvater

*An advance copy of this title was provided by the publisher for review consideration*

Return of the Thief: A Review

After being born with the infirmity that runs through his family and earning the nickname “monstrous” as a baby, Pheris Mostrus Erondites has grown up aware of his own limitations. His vulnerabilities from his bad leg and arm as well as his inability to speak verbally have never been far from his mind. Pheris is, therefore, as surprised as anyone when he is named his grandfather Baron Erondites’ heir and sent to the Attolian court to serve as an attendant to the king of Attolia, Eugenides.

Years of fear and caution have taught Pheris how to play the fool and hide in plain sight but even he can’t escape Eugenides’ notice as the Little Peninsula prepares for war. As the newly appointed high king of Attolia, Eddis, and Sounis, Eugenides has united the three countries but that does not mean their people are ready–or willing–to fight the invading Mede empire.

Pheris observes and recounts everything for readers as political maneuvers, personal dramas, and his grandfather’s schemes unfold while creating an unlikely place for himself both in the palace and in the hearts of some of its residents.

With war looming Eugenides has to work harder than ever to protect everyone he loves and make sure he does not offend the gods who have taken an interest in both the Little Peninsula and him since his early years as the Queen’s Thief in Return of the Thief (2020) by Megan Whalen Turner.

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A direct sequel to Thick as Thieves, this novel will be most rewarding to readers of the entire Queen’s Thief series with the resolution of many character arcs and nods to multiple events across the overlapping timelines of the previous books in this series that has been decades in the making.

Pheris is an unlikely but meticulous narrator drawing readers deeper into the inner workings of the palace while shedding light on the looming war and the enigmatic high king. With shrewd, biting prose, Pheris fits in seamlessly with this group of characters fans have come to know and love. Tension, political drama, and intrigue are well contrasted with moments of levity and affection as both new and old characters have their moment to shine.

Return of the Thief is as intricately plotted as it is utterly satisfying; everything readers could hope for from a conclusion twenty years in the making.

Possible Pairings: The Wrath and the Dawn by Renee Ahdieh, The Candle and the Flame by Nafiza Azad, Plain Kate by Erin Bow, The Girl of Fire and Thorns by Rae Carson, Graceling by Kristin Cashore, Vessel by Sarah Beth Durst, The Lost Sun by Tessa Gratton, The Shadow Behind the Stars by Rebecca Hahn, Book of a Thousand Days by Shannon Hale, Seraphina by Rachel Hartman, A Thousand Nights by E. K. Johnston, Howl’s Moving Castle by Diana Wynne Jones, Finnikin of the Rock by Melina Marchetta, Dreamhunter by Elizabeth Knox, Grave Mercy by Robin LaFevers,Soundless by Richelle Mead, Sabriel by Garth Nix, The Winner’s Curse by Marie Rutkoski, The Scorpio Races by Maggie Stiefvater

*A more condensed version of this review appeared as a review an issue of School Library Journal*

The Nemesis: A Chick Lit Wednesday Review

*The Nemesis is the final book in Kincaid’s Diabolic trilogy. This review contains spoilers for books one and two. Start at the beginning with The Diabolic*

Nemesis has lived as a Diabolic bound to the young elite Sidonia. She has forged alliances and friendships as often as she has watched them crumble. She has been an empress and traveled across the space and time to earn her personhood.

But at her core Nemesis wonders if she is still merely a Diabolic–a creature whose love is possessive, ferocious, and all-consuming; a creature crafted for violence.

Three years ago Tyrus shocked the galaxy when he killed Nemesis and set himself on a path of destruction and debauchery poised to bring the entire empire to its knees.

Very few people know that Nemesis survived her would-be assassination and all of them want to use her. Blinded by rage at her own betrayal, Nemesis is determined to exact revenge against those who have wronged her.

In her hunt for vengeance, Nemesis may also find her humanity but only if she’s willing to truly look at everything that has transpired to bring her to this point in The Nemesis (2020) by S. J. Kincaid.

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The Nemesis is the final book in Kincaid’s Diabolic trilogy. This review contains spoilers for books one and two. Start at the beginning with The Diabolic and The Empress.

It’s always hard to review the end of a series without revealing too much. Kincaid does an excellent job of tying things together while continuing to expand the world both as Nemesis travels through the system and as she learns more about the history of the empire.

The Nemesis covers a surprisingly long span of time given the book’s fast pacing as Nemesis works with friends and unlikely allies to try and save the empire from itself as Tyrus continues to debase both himself and the ruling elite.

The Nemesis is everything I wanted for this series conclusion. Touching on politics, social norms, and public perception versus reality, this book is truly a book of our times. The Nemesis is the perfect conclusion to a favorite series. A must read for anyone looking for a splashy space opera that will leave them picking their jaw up off the floor.

Possible Pairings: Empress of a Thousand Skies by Rhoda Belleza, The Cruel Prince by Holly Black, The Scorpion Rules by Erin Bow, The Hunger Games by Suzanne Collins, Mirage by Somaiya Daud, Incarceron by Catherine Fisher, Defy the Stars by Claudia Gray, Goddess in the Machine by Lora Beth Johnson, That Inevitable Victorian Thing by E. K. Johnston, Proxy by Alex London, Legend by Marie Lu, The Orphan Queen by Jodi Meadows, Wires and Nerve, Volume 1 by Marissa Meyer and Douglas Holgate, A Confusion of Princes by Garth Nix, Birthmarked by Caragh M.O’Brien, For Darkness Shows the Stars by Diana Peterfreund, The Winner’s Curse by Marie Rutkoski, This Savage Song by Victoria Schwab, Scythe by Neal Shusterman, Impostors by Scott Westerfeld, And I Darken by Kiersten White, Bring Me Their Hearts by Sara Wolf

*An advance copy of this title was provided by the publisher for review consideration*

The Queen of Nothing: A Review

*The Queen of Nothing is the final book in Black’s Folk of the Air trilogy. To avoid spoilers, start at the beginning with The Cruel Prince.*

“We have lived in our armor for so long, you and I. And now I am not sure if either of us knows how to remove it.”

Jude has spent years learning strategy and how to survive as a mortal in the High Court of Faerie. She has spied, killed, and fought for every scrap of power. But taking power is easier than keeping it.

After trusting Cardan for one last gambit, Jude is the mortal Queen of Faerie–a title no one acknowledges and one that does her little good while exiled in the mortal world.

Betrayed and furious, Jude is keen to return to Faerie and reclaim what is hers by right, not to mention her sorely damaged dignity. The opportunity comes sooner than expected when Jude’s sister Taryn needs her identical twin’s help to survive the aftermath of her own betrayals and lies.

When Jude returns, war is brewing in Elfhame. After years teaching herself to be a warrior and a spy, Jude will now have to learn how to be a queen and embrace her humanity to save the only place that has ever felt like home in The Queen of Nothing (2020) by Holly Black.

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The Queen of Nothing is the final book in Black’s Folk of the Air trilogy. To avoid spoilers, start at the beginning with The Cruel Prince.

It’s always hard to talk about the end of a series without revealing too much. Black pulls no punches in this fast-paced conclusion filled with surprising twists, unexpected reunions, and even some redemption arcs.

Jude continues to be a dynamo narrator filling the story with grim observations and shrewd strategy as she tries to keep Elhame from falling into enemy hands. After watching Jude embrace her strength and ruthlessness, it’s a powerful shift as she is forced to instead embrace her mortality and compassion to succeed this time.

The Queen of Nothing is the perfect conclusion to a favorite series. Every character gets exactly what they deserve in the best possible way. A must read for fans, of course, and a trilogy not to be missed for anyone who enjoys their fantasy with healthy doses of strategy and fairies. Highly recommend.

Possible Pairings: Violet Made of Thorns by Gina Chen, Legendary by Stephanie Garber, Fire and Hemlock by Diana Wynne Jones, Winterspell by Claire Legrand, The Perilous Gard by Elizabeth Marie Pope, The Diabolic by S. J. Kincaid, Spinning Silver by Naomi Novik, An Enchantment of Ravens by Margaret Rogerson, Bring Me Their Hearts by Sara Wolf, Places No One Knows by Brenna Yovanoff, Dust Girl by Sarah Zettel

Raybearer: A Chick Lit Wednesday Review

Tarisai has grown up with every luxury imaginable–except for a loving family. Her mother, known as The Lady, has kept Tarisai isolated save for a group of revolving tutors and servants afraid to get too close as she prepares her daughter for a mysterious future.

At the age of eleven Tarisai finally learns The Lady’s plan when she is sent to compete for a spot on the Crown Prince’s Council of 11. Joining the Council will give Tarisai the family she has always craved. But it will also bring her one step closer to completing her mother’s magical request: killing the Crown Prince after Tarisai has earned his trust.

As Tarisai learns more about the empire, the Crown Prince, and herself she will have to decide where her loyalties lie and if she is strong enough to choose her own path in the face of her mother’s magical compulsion in Raybearer (2020) by Jordan Ifueko.

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Ifueko’s debut fantasy blends Nigerian folklore with a melange of other influences to create a multicultural world where colonization and imperialism inform the story as much as Tarisai’s own choices. Tarisai’s first person narration offers a limited perspective increasing suspense as she tries to guess The Lady’s motives.

Large scale but vague world building and a plot with far reaching elements beyond Tarisai’s immediate concerns make this story needlessly convoluted at times. Raybearer is a dense but promising standalone fantasy ideal for readers who prefer their magic with a strong dose of political intrigue.

Possible Pairings: Children of Blood and Bone by Tomi Adeyemi, Girl, Serpent, Thorn by Melissa Bashardoust, The Brilliant Death by Amy Rose Capetta, Violet Made of Thorns by Gina Chen, The Bone Witch by Rin Chupeco, Mirage by Somaiya Daud, Once Upon a Broken Heart by Stephanie Garber, Ever Cursed by Corey Ann Haydu, For a Muse of Fire by Heidi Heilig, Spice Road by Maiya Ibrahim, Beasts Made of Night by Tochi Onyebuchi, An Ember in the Ashes by Sabaa Tahir, Song of the Current by Sarah Tolcser

*A more condensed version of this review appeared in an issue of School Library Journal*