The Night She Disappeared: A Review

The Night She Disappeared by April HenryGabie drives a Mini Cooper. She works at Pete’s Pizza where she makes deliveries. She’s the girl the customer asked for on Wednesday when Kayla was making deliveries. Gabie is the girl that would have been taken if she and Kayla hadn’t swapped shifts.

Now Kayla is gone. Gabie can’t stop thinking about how it should have been her that night. Drew–the boy who took the call–keeps wondering if he should have done something.

With Kayla dead or maybe worse, Gabie becomes obsessed with the investigation and–if she can–with finding Kayla. Riddled with guilt and his own desire to see help both girls, Drew decides to help. With time running out and few leads, Gabie and Drew will have to work together to prove that Kayla is alive and to find Kayla before she isn’t anymore in The Night She Disappeared (2012) by April Henry.

The Night She Disappeared is a well-assembled page-turner with a multimedia aspect as receipts, news clippings and other ephemera are interspersed to help tell the story. Short chapters with varied viewpoints and Henry’s straightforward prose make this book very readable with appeal for both avid and reluctant readers.

Although Gabie’s connection to Kayla pushes the limits of plausibility in this contemporary mystery, it still does add a unique dimension to the story. With no supernatural sideline and minimal romance, The Night She Disappeared is more in the vein of traditional mysteries as Gabie and Drew move through their investigation. Every piece works well here to create a tense narrative that builds to a surprising, action-packed conclusion.

Possible Pairings: Find Me by Romily Bernand, Breaker by Kat Ellis, I Hunt Killers by Barry Lyga, Acceleration by Graham McNamee, Amelia Anne is Dead and Gone by Kat Rosenfield, Living Dead Girl by Elizabeth Scott, Missing Abby by Lee Weatherly, Wherever Nina Lies by Lynn Weingarten, Cathy’s Book: If Found Call 650-266-8233 by Jordan Weisman and Sean Stewart

Where Things Come Back: A (Rapid Fire) Review

Where Things Come Back by John Corey WhaleyWhere Things Come Back by John Corey Whaley (2011)

Lily, Arkansas is a hopeless place full of sad people who tried to leave but failed. Cullen Witter, like a lot of people, wants desperately to get out of this stifling small town. The summer before his senior year in high school Cullen sees his first corpse. Then he sees the body of his cousin who overdosed on drugs. Later, after the corpses and the end of school, the entire town becomes obsessed with a woodpecker–long thought extinct–who may or may not be hiding in the woods around Lily. Stranger still, Cullen’s brilliant brother, Gabriel, disappears.

Chapters from Cullen’s first person narration are interspersed with third-person narratives from two unlikely missionaries. Other reviews will talk about these stories entwining in strange and surprising ways. They might also call this novel a mystery. I disagree with both statements.

Whaley’s debut novel was the winner of both the 2012 Printz Award and the 2012 Morris Award. While the prose is extremely literary, I contend there is very little mystery in this story. The narratives are not particularly shocking in the ways in which they overlap or the general story. Given the plot structure, the big reveal was ultimately predictable.

Where Things Come Back is about nothing so much as it is about waiting. The town is waiting for a woodpecker to return and change its fate. Cullen is waiting for his chance to get away and also for a simpler but much harder thing: the return of his missing brother. There are interesting ideas to be unpacked in this world of waiting–ideas that Whaley does examine in interesting ways.

Unfortunately that is never quite enough to make the story into a page-turner or anything more than a thoughtful, brief, meditation on the randomness of life.

Writerly prose can be found throughout the story which works in some instances to help Cullen develop a very unique voice. At the same time, it always feels like this novel is trying very hard to be thoughtful and contemplative in a way that feels forced.

Cullen’s mind wanders throughout the narrative as he goes off on tangents. While these flights of fancy are amusing (as Cullen imagines his town overrun by zombies and the like) they distract from the plot immensely. The structure reminded me so much of the “If you give a mouse a cookie” books that it became the only thing I could imagine as I read these imaginings. Worse, these elements added nothing to the story except to create a titillating ending that leaves a tiny bit of room for discussion.

By the end of the story, Where Things Come Back became a strange and arbitrary novel with a mildly interesting (and very open) ending.