A Disaster in Three Acts: A Review

Eighteen-year-old Saine Sinclair prides herself on her ability to shape a narrative on film. Her eye for storytelling is why she knows her friendship with Holden Michaels has been over for some time now. As if him publicly rejecting her during a middle school game of spin-the-bottle wasn’t enough, Holden has also dated and broken up with Saine’s current best friend Corinne. In other words, both loyalty and pride dictate that Saine never speak to Holden again.

Which is what makes it so awkward when Saine needs Holden’s help to complete her documentary for a prestigious filmmaking program at Temple University after her original subject drops out. Her preliminary application has already been submitted and approved which means that Saine has to stick to her original topic–following a contestant through a series of live action gaming competitions to win a prototype virtual reality headset–which is where Holden comes in.

Following her ex-best-friend around to film everything he does while thinking she’s telling a familiar tale about a white boy getting what he wants is hard. Doing that while worrying if her current best friend is jealous is even harder.

Saine’s fixation on the success of her film makes it easy to put her growing feelings for Holden and crumbling relationships on hold while she tries to figure out how to shape real life to make sure her documentary wins a spot at Temple by inventing financial problems as motivation and even resorting to sabotage. As her lies and manipulations grow, Saine faces a reality check when she realizes that sometimes narrative growth hurts–especially when it comes to facing the consequences her actions in A Disaster in Three Acts (2022) by Kelsey Rodkey.

Find it on Bookshop.

Saine and Holden, like most main characters, are white with some secondary characters cued as BIPOC based on names/skin tones including Saine’s other best friend Kelsey and Holden’s best friend Taj. The cast also includes characters across the LGBTQ+ spectrum and a cute side plot romance between two girls in Saine’s friend group. Saine is self-described as fat and she and her mother are lower income both of which play into the plot.

While A Disaster in Three Acts has a well-rounded and nuanced cast of supporting characters, Saine remains deeply flawed throughout the story. Her fixation on the documentary seems to be excused by her grief over her grandmother’s sudden death and the confusing process of moving on alongside her divorced mother as they process the loss and try to move on. Unfortunately that’s a poor excuse for Saine’s choices to make up numerous plots for her documentary (notably manipulating footage and interviews to imply that Holden’s family is struggling financially and that he wants to win the competition to sell the prize), interview subjects without their consent while pretending her camera is turned off, and even outright sabotage when Holden needs her help during a competition.

As the story progresses Saine does have to contend with the consequences of her manipulative, self-centered behavior and her multiple lies to all of her friends. Unfortunately her contrition–even at the end of the book–seems to stem more from being caught behaving badly than from her actual bad behavior.

Saine spends a lot of the documentary lamenting that if Holden wins the competition his success in her documentary will not feel “earned” because he’s just another white boy succeeding. The irony of this is that, by the end of the novel, Saine’s own redemption arc feels similarly unearned and–compared to her egregious behavior–unjustified.

A Disaster in Three Acts is a fast paced story that is often humorous albeit with a main character whose singular focus often works against her character development.

Possible Pairings: A Show For Two by Tashie Bhuiyan, Jasmine Zumideh Needs a Win by Susan Azim Boyer, Lucky Caller by Emma Mills, The Field Guide to the North American Teenager by Ben Philippe, Late to the Party by Kelly Quindlen, My So-Called Bollywood Life by Nisha Sharma, Field Notes on Love by Jennifer E. Smith, It’s Not Like It’s a Secret by Misa Sugiura

*A more condensed version of this review appeared as a review in an issue of School Library Journal*

Last Chance Books: A Chick Lit Wednesday Review

Madeline Moore is counting the days until she can take over at her aunt’s beloved bookstore, Books & Moore. Her family has owned the store for generations; it’s always felt like a second home to Madeline. Her family stubbornly insists she has to go to college first. But Madeline knows after that she can come home and pick up right where she left off making her bookish dreams come true.

At least that was the plan until a chain bookstore opened across the street. With cheaper books and multiple locations, Prologue is a big threat to an indie like Books & Moore. Especially when Jasper Hamada starts scoping out the competition under the guise of flirting with Madeline. Flirting well. But still.

With her long-absent mother back in the picture and threatening to move home for good, Madeline’s personal life is a mess. She misses her brother who is spending more time at his dad’s to avoid the drama at home. She doesn’t understand why her aunt is always taking her mom’s side. Madeline needs one thing she can control and she’s pretty sure saving Books & Moore is it. She is definitely not going to let Assper Hamada distract her by being super cute and sort of . . . nice to her?

With help from her reluctant family, her BookTuber best friend Zelda, and the store’s community, Madeline hopes she can save the store and win an escalating prank war with Prologue. Turns out Jasper is as good at pranking as he is at flirting and more than prepared to give as good as he gets.

As sparks–and barbs–fly, Madeline will have to decide if connecting with Jasper Hotmada is worth risking her entire future. All’s fair in love and books (and prank wars) but that might not mean Madeline can have it all in Last Chance Books (2021) by Kelsey Rodkey.

Find it on Bookshop.

Last Chance Books is Rodkey’s debut novel. The story is narrated by Madeline who is white as is her mother and aunt. Her brother and his father are brown skinned. Jasper and his family are Japanese American.

Rodkey presents a well-developed cast and tackles a variety of side plots against the main focus of Madeline’s feud (and flirtation) with Jasper. Madeline has been raised by her aunt with a lot of help from her younger brother Benny’s father. Madeline and Benny’s mother, an aspiring actress and bit of a flake, has been absent for years leaving both Madeline and Benny to wonder about the ulterior motives–and permanence–of her return this time around. While Madeline has to deal with the possible upending of her clear plan for her future (taking over Books & Moore), Jasper faces a different challenge in getting his family to accept his dream of going into design–a passion he currently feeds through cosplay.

Moments of humor (and more than a few hijinks) add levity to the story and help flesh out the main characters as well as their authentically quirky retail settings. Madeline’s snappy narration and satisfying banter with Jasper make Last Chance Books a real treat. Recommended for readers with a soft spot for books about bookstores, enemies to lovers romances, and stories that will have them laughing out loud.

Possible Pairings: Alex, Approximately by Jenn Bennett, Love and Other Perishable Items by Laura Buzo, The Heartbreak Bakery by A. R. Capetta, Words in Deep Blue by Cath Crowley, Verona Comics by Jennifer Dugan, We Are Inevitable by Gayle Forman, Comics Will Break Your Heart by Faith Erin Hicks, What I Like About You by Marisa Kanter, Tweet Cute by Emma Lord, When Dimple Met Rishi by Sandhya Menon, It’s Kind of a Cheesy Love Story by Lauren Morill, It All Comes Back to You by Farah Naz Rishi, Recommended For You by Laura Silverman, This Time Will Be Different by Misa Sugiura, Stay Sweet by Siobhan Vivian, The Shop Around the Corner, You’ve Got Mail