The Screaming Staircase: A Chick Lit Wednesday Review

“Of the first few hauntings I investigated with Lockwood & Co. I intend to say little, in part to protect the identity of the victims, in part because of the gruesome nature of the incidents but mainly because, in a variety of ingenious ways, we succeeded in messing them all up.”

The Screaming Staircase by Jonathan StroudLucy Carlyle has been working for Psychic Investigation Agencies since she was eight years old. Like many children born after the Problem, Lucy’s psychic abilities are highly valued as only children are able to see the ghosts that plague England. Unlike many others, some of Lucy’s abilities are highly developed. This increased sense should guarantee Lucy a successful career.

Instead Lucy arrives in London with no job and no references. Lucy’s prospects are less-than-promising until she takes up with Lockwood & Co.

Unlike most agencies, Lockwood & Co. does not employ adults (who can no longer see ghosts) as supervisors. Instead the agency is run jointly by its operatives Anthony Lockwood, George Cubbins and–often much to her own surprise–Lucy. Unfortunately being a small agency with no clout to speak of, Lockwood & Co. has difficulties both with finding and keeping clients.

After a particularly disastrous case, Lockwood & Co. are faced with the imminent failure of their fledgling agency unless they accept a case clearing one of the most haunted houses in London of its malevolent spirits in The Screaming Staircase (2013) by Jonathan Stroud.

The Screaming Staircase is the first book in Stroud’s Lockwood & Co. series.

The Screaming Staircase is a delightful book with the perfect balance of laughs and scares. Lucy’s narration is conversational and candid as she reveals the difficulties that face Lockwood & Co. as well as events from her own past that brought Lucy to London.

All three members of Lockwood & Co. are memorable characters. While George is studious, cautious and fiercely loyal, Lucy is more impetuous but also more instinctively connected to many of the ghosts that they meet during the story. Lockwood, meanwhile, is a largely aloof leader with loads of charm and an investigative style akin to Sherlock Holmes.

Not one but two mysteries unfold in this novel as Lucy works with Lockwood and George to solve cases involving violent hauntings. While key clues are withheld (or more accurately glossed over) the pieces still come together in a logical conclusion that readers will be able to piece together along with the characters.

The Screaming Staircase is a marvelous blend of mystery, humor and suspense with spine-tingling ghosts and very well-executed world building. Highly recommended.

Possible Pairings:  Gideon the Cutpurse by Linda Buckley-Archer, Knightley and Son by Rohan Gavin, Constable & Toop by Gareth P. Jones, Skulduggery Pleasant by Derek Landy, Death Cloud by Andrew Lane, Jackaby by William R. Ritter, Lily’s Ghosts by Laura Ruby, City of Ghosts by Victoria Schwab, The Raven Boys by Maggie Stiefvater, Leviathan by Scott Westerfeld

*A copy of this book was acquired for review consideration from the publisher at BEA 2013*

The Amulet of Samarkand: A Banned Book Review

The Amulet of Samarkand coverThe Amulet of Samarkand (2003) is the first book in Jonathan Stroud’s Bartimaeus Trilogy. (Find it on Bookshop.) This trilogy has the unique honor of having been banned in its entirety for the books’ presentations of the occult. They also feature magnificent cover art by Melvyn Grant (who also has a ridiculously clever website). For many readers, that would be enticement enough. I didn’t know about the book banning, but the cover art and blurb pushed it onto my ever-increasing “to read” list. A recommendation from a trusted YA librarian pushed it over the top.

Nathaniel, one of the novel’s main characters, lives in London. Like most large cities, many of London’s movers and shakers are to be found in government positions of influence. What most people don’t know is that these powerful men and women get up to more than politicking when behind closed doors. They all have power, certainly, but very little (none depending on who you ask) belongs to them. Not permanently at least. Working in obscurity, under strict rules of engagement (with stricter punishments should something go awry), demons are the real power behind London’s elite.

Nathaniel is six when he is torn away from his birth parents and sent to live with his new master, another magician.

As in many fantasy novels, the power of naming plays an important role here. Demons are summoned with the knowledge of their real names. If you know the demon’s real name, you can control them. Similarly, if a demon learns the true name of a magician (in this case their given name) the demon has the same level of control. No magician knows their true name in order to avoid just that kind of problem.

By the age of eleven, Nathaniel has adjusted to his life as an apprentice and eagerly anticipates two events: the day when he will pick his name as a magician, and the day he will become a great magician, like his idol William Gladstone, remembered by all. Nathaniel does choose his name in due time, but his dream of greatness, is put into serious question when Simon Lovelace, a prestigious magician, publicly humiliates Nathaniel.

Enraged, Nathaniel bides his time learning spells and waiting until the day he will be ready to exact revenge. Enter Bartimaeus, the novel’s other main character, and a djinni with a fondness for footnotes in his first-person narration. Initially summoned as an instrument of revenge, Nathaniel soon learns that Bartimaeus is not easily contained.

When Nathaniel’s brilliant revenge becomes murder, espionage and conspiracy djinni and boy strike an uneasy detente to see if both of them can survive the machinations Bartimaeus has set in motion under Nathaniel’s orders.

The Amulet of Samarkand alternates viewpoints, sometimes being told in witty first-person by Bartimaeus (filled with references to his 5000 year career as a brilliant djinni), other times following Nathaniel in a third-person voice. Combined, the narrations make for an original fantasy that is witty and sharp.

More interesting, especially as the trilogy continues, is the dynamic between Nathaniel and Bartimaeus. While the djinni is more entertaining of the two, Nathaniel is often more compelling. Watching him mature from an innocent boy to a calculating magician in his own right, Stroud creates tension as readers are forced to wonder will Nathaniel be a villain or a hero by the end of the story?

Possible Pairings: The Demon Catchers of Milan by Kat Beyer, The Demon’s Lexicon by Sarah Rees Brennan, Artemis Fowl by Eoin Colfer, Rise of the Darklings by Paul Crilley, Exquisite Captive by Heather Demetrios, The Paper Magician by Charlie N. Holmberg, Death Note Tsugumi Ohba, Sorcery of Thorns by Margaret Rogerson, The Fire Artist by Daisy Whitney