“Look, this is what I do. I tell stories. And stories are magic. Trust me on this.”
Hugo is used to being a minor celebrity in England–that’s what happens when you’re a sextuplet. He’s used to being grouped with his siblings at home, at school, and even in posts on their mom’s parenting blog. He’s used to having a girlfriend and he’s dreading what happens when he starts college with all of his siblings next year.
But then his girlfriend dumps him and suddenly a lot of the givens in Hugo’s life are up in the air. Like the trip he and his now ex-girlfriend were going to take across the United States after graduation. Hugo still wants to go, is actually looking forward to the chance to travel alone if he’s being honest, but there’s one problem: the tickets are all booked under the name of his ex, Margaret Campbell. Nontransferable. No exceptions.
Margaret “Mae” Campbell has just been rejected from her dream film program. Her dads assure her that her application film was perfect. And Mae can always apply again as a transfer student. But with her life in small town New York already feeling so tiny, she’s ready to shake things up. Enter Hugo’s post online looking for a Margaret Campbell to take his spare ticket in exchange for making this trip happen.
Traveling together is meant to be a simple business arrangement. But how can Hugo help but be drawn in when Mae starts recording footage for a film about love? And how can Mae not want to help Hugo figure out how to follow his own dreams when she finds out how much he wants to learn who he is away from his brothers and sisters?
Sometimes you only get one chance to get what you want. As they near the end of their trip, Hugo and Mae have to decide how much they’re willing to put on the line for their dreams–and each other in Field Notes on Love (2019) by Jennifer E. Smith.
Set over the course of their whirlwind trip, Field Notes on Love alternates closer third person chapters following Hugo and Mae. Smith populates this story with a distinct and memorable cast of characters including Hugo’s large, boisterous family as well as Mae’s dads and her grandmother.
Hugo and Mae are excellent foils as they push each other to chase their dreams even if it means going outside of their comfort zones. Mae’s practical, savvy personality is a perfect contrast to Hugo who is more of a dreamer and still figuring out what he wants from life. Although both characters have very different visions for their future, Smith presents each course thoughtfully and honestly.
Field Notes on Love captures the strange intimacy of being forced into a small space with a person you don’t know and uses that starting point to build a fully realized love story that is effervescent and sweet. Field Notes on Love is the perfect story for anyone who’s ever wanted to take a vacation from their life, ever dreamed of making a big change, and anyone who has ever wanted that intangible something more. Highly recommended.
Possible Pairings: With the Fire on High by Elizabeth Acevedo, Dramatically Ever After by Isabel Bandeira, Serious Moonlight by Jenn Bennett, The Way You Make Me Feel by Maurene Goo, An Abundance of Katherines by John Green, A Very Large Expanse of Sea by Tahereh Mafi, Save the Date by Morgan Matson, From Twinkle, With Love by Sandhya Menon, Truly Madly Royally by Debbie Rigaud, A Disaster in Three Acts by Kelsey Rodkey, My So-Called Bollywood Life by Nisha Sharma, The Sun is Also a Star by Nicola Yoon