Possible Pairings: The Nazi Hunters by Neal Bascomb, The Samurai’s Tale by Erik Christian Haugaard, The Notorious Benedict Arnold by Steve Sheinkin, Rurouni Kenshin by Nobuhiro Watsuki
Now eighteen and working closely with one of her former enemies, Anya is on the verge of opening a nightclub specializing in medicinal cacao–the first attempt to circumvent the laws that have made chocolate illegal in the United States for years. With that victory so close, Anya is also forced to accept the things she has lost in her efforts to legitimize the family business–namely the boy she loved, Win Delacroix.
Just as Anya begins to taste professional success, her personal life begins to fall apart. In order to make her way through, Anya will have to seek out old friends and enemies as she makes her way in this dangerous world where chocolate is illegal and family means everything in In the Age of Love and Chocolate (2013) by Gabrielle Zevin.
In the Age of Love and Chocolate is the final book in Gabrielle Zevin’s Birthright series which started with All These Things I’ve Done and Because It Is My Blood. The book itself is also broken into two parts: The Age of Chocolate and The Age of Love which, as you might have guessed, illustrate the shifting focuses of the story as well as Anya’s shifting priorities.
It’s hard to talk about the conclusion of a series without giving away too much about the story (or about the books that came before). What I can tell you is that while this ending wasn’t always the one I expected or wanted for Anya, it is the only conclusion that makes sense for her as a character. It is the only one that could be truly satisfying after moving through the series.
Anya remains the smart, steady heroine she always was in In the Age of Love and Chocolate but her growth here is even more apparent as Anya negotiates the murky waters of adulthood and the chocolate business. Anya stumbles, she makes mistakes, but she always learns and she always tries again. She is a refreshingly strong, self-sufficient heroine and one that I am sad to leave behind as this wonderful series comes to an end.
Possible Pairings: White Cat by Holly Black, Strings Attached by Judy Blundell, Heist Society by Ally Carter, Grave Mercy by Robin LaFevers, Once a Witch by Carolyn MacCullough, Jellicoe Road by Melina Marchetta, The Demon’s Lexicon by Sarah Rees Brennan, Hold Me Like a Breath by Tiffany Schmidt, This Savage Song by Victoria Schwab, Uglies by Scott Westerfeld, The Book of Blood and Shadow by Robin Wasserman, Leverage (television series), White Collar (television series)
Extras (2007) is the fourth book in Scott Westerfeld‘s critically acclaimed, New York Times bestselling series (originally it was a trilogy). The first three books Uglies, Pretties, and Specials follow Tally Youngblood, a fifteen-year-old girl living in a futuristic world so dominated by plastic surgery that anyone who looks normal is ugly. Extras is set three years after the events of the trilogy unfold, in a different city, with different main characters. The trilogy, however, sets the framework for everything that happens in Extras so while the book is great on its own it definitely assumes you know the story of the trilogy.In this new world, where everything is changing, being pretty isn’t enough to get by. Now it’s fame that matters. The more famous you are, the higher your face rank is. A higher rank means more currency in a world where celebrity is everything.
Everyone is trying to get more attention somehow: “tech-heads” are obsessed with gadgets, “surge monkeys” are hooked on the newest trends in plastic surgery, and “kickers” use feeds (think blogs but techier and cooler because it’s a Westerfeld idea) to spread the word on all the gossip and trends worth mentioning. But staying famous is a lot easier than getting famous. Just ask Aya Fuse. Fifteen-year-old Aya has had her own feed for a year, but her rank is still 451,369–so low that she’s a definite nobody, someone her city calls an extra.
Aya has a plan to up her rank though. All she needs is a really big story to kick. Aya finds the perfect story when she meets the Sly Girls, a clique pulling crazy tricks in utter obscurity. As Aya follows her story she realizes it’s much bigger than one clique: maybe the biggest story since Tally Youngblood changed everything.
Some sequels that bring in all new characters are annoying. Not this one. All of the “new” characters are original and, equally important, likable. The story is also utterly original covering very different territory than the rest of the series. It doesn’t pick up right where the trilogy left off, but a lot of questions are answered by the end of this book.
Like the other books in the series, this one moves fast. The story has a lot of action and several twists and surprises (some old characters even turn up). The plot is never overly-confusing though. Westerfeld does a great job of creating (and explaining) the futuristic world he has created in these pages so that it truly comes to life on the page.
At the same time, Extras is a very timely book. In a world where everyone seems to have some kind of website and is trying to be more popular or more famous, it’s fascinating to read about a city where everything literally depends on your reputation. Westerfeld raises a lot of interesting questions as Aya deals with the ethics of kicking her new story and tries to decide if honesty really is more important than fame.
Possible Pairings: Feed by M. T. Anderson, Jennifer Government by Max Barry, The Plain Janes by Cecil Castellucci and Jim Rugg, Little Brother by Cory Doctorow, The Summer Prince by Alaya Dawn Johnson, Proxy by Alex London, Free to Fall by Lauren Miller, Birthmarked by Caragh M. O’Brien