Hope Walton is certain that her mother isn’t really dead. But no one else saw the flash of news coverage and no one can find any evidence to corroborate what Hope knows to be true thanks to her eidetic memory.
Expectations for a summer visiting her aunt in Scotland are low (even without the smack of rejection knowing her father will be on a cruise with his new girlfriend). Between her crippling claustrophobia and headaches brought on when her photographic memory gets away from her, even time at home–alone–can be overwhelming.
Soon after arriving in Scotland, Hope learns that her aunt and mother belong to a secret society of time travelers dedicated to preserving the timeline–a mission that has left Hope’s mother trapped in twelfth-century England.
Hope might be the only one who can save her mother. But she’ll have to learn how to conquer her own fears first in Into the Dim (2016) by Janet B. Taylor.
Into the Dim is Taylor’s debut novel and the start of a new series.
Written in the first person, Into the Dim is narrated by sixteen-year-old Hope. Hope is incredibly book smart thanks to her memory but she is also naive and reads as much younger than her sixteen years would suggest. Taylor also chooses to write characters’ speech in dialect to convey accents which often feels stilted if not clumsy to follow.
The novel’s plot is based on some problematic elements. The role of her father is especially troubling. Readers learn early on that Hope was adopted by her mother who married when Hope was five. Her mother and father are the only parent’s Hope has ever known and she considers both her parents without qualification and, as far as the story suggests, Hope’s father feels the same way about her. Despite that Hope’s father allows his own mother to treat Hope as an outsider and inferior to the “real” members of the family. (This is behavior that leaves Hope’s mother seething but seems to get a pass from her father.) Aside from being a damaging trope to perpetuate it feels like a heavy-handed attempt to build in sympathy for Hope and better explain her decision to go along with a visit to Scotland at all.
Other problematic familial aspects of Into the Dim include the fact that Hope’s father has a new girlfriend a mere eight months after his wife’s sudden death and chooses to go on a cruise with her while leaving Hope to fend for herself with an aunt she has never met in a foreign country. Furthermore the idea that Hope’s aunt has never bothered to speak to her–ever–despite speaking to Hope’s mother weekly seems highly unlikely.
Hope’s photographic memory and phobias often feel contrived. That isn’t to say that her fears are invalid or badly portrayed. Rather they feel like elements added into the story solely to move the plot in a very specific direction. The addition of extreme headaches brought on by Hope’s eidetic memory seems superfluous and lacks any basis (as far as my research shows) in reality.
Into the Dim veers more to the light end of the speculative fiction spectrum. Explanations for the mechanics of time travel are thin when they are presented at all. The novel is also poorly paced with obvious twists (time travel!) that are hinted at in the plot summary not appearing until well into the story. For a novel that travels to a variety of locations and time periods, Into the Dim often lacks a strong sense of place feeling as it if could be set anywhere without much change to the action. The historical parts of the novel are well-researched but come too late to enhance the text.
Into the Dim begins with a promising premise that hints at action, time travel, and even some romance. Unfortunately in a year rich with titles that explore similar themes, this one often falls short by comparison.
Possible Pairings: Passenger by Alexandra Bracken, Malice by Pintip Dunn, The Girl from Everywhere by Heidi Heilig, Winterspell by Claire LeGrand, Hourglass by Myra McEntire, Lock & Mori by Heather W. Petty, Time Between Us by Tamara Ireland Stone