When their father dies suddenly, Charlotte Miller and her younger sister Rose are left in charge of the family mill. With it comes the large responsibility of seeing to the mill’s numerous employees as well.
The Millers are not known for their good fortune. Some even claim that the family has been cursed though Charlotte is loathe to put any stock in such silly superstitions. Still, the mill’s usual problems seem to multiply dangerously after Charlotte takes charge. Mending broken equipment and painting faded walls can only go so far, however, when Charlotte learns that her father also left behind a shocking debt.
Desperate to save the mill and protect those who work there, Charlotte enters into a dangerous bargain with a man known merely as Jack Spinner. But every bargain comes with a price. As the stakes grow higher, Charlotte begins to realize that saving her mill may jeopardize everyone she holds dear in A Curse as Dark as Gold (2008) by Elizabeth C. Bunce.
A Curse as Dark as Gold is a loose retelling of the fairytale of Rumpelstiltskin. It is Bunce’s first novel and winner of the 2009 William C. Morris Debut Award.
A Curse as Dark as Gold is a lush and well-researched historical novel with just a hint of fantasy to better accommodate the fairytale retelling aspect. Bunce’s prose is immediately evocative and brings Charlotte’s village and the mill to life.
Fairy tales in general, but especially Rumpelstiltskin, are often very black and white, making it easy to tell exactly who the villain is. A Curse as Dark as Gold complicates things with rich, thoughtful characters who raise interesting questions throughout the narrative. While there are some decidedly bad choices and terrible acts, no one is ever completely bad anymore than they are entirely good.
Despite the vibrant settings and compelling characters, A Curse as Dark as Gold is a slow read. While the pacing allows readers to really know Charlotte and her world, the novel doesn’t get to the actual plot (not to mention the retelling aspect) until the second half of the novel.
It is also impossible to ignore the fact that a significant number of problems for the characters could have been avoided with good communication. At several points throughout the novel, if Charlotte had chosen to talk to anyone about even half of what she had done or suspected, the entire plot could have easily been resolved. Instead Charlotte clings stubbornly to her pride and a foolish belief that, as head of the mill, she is meant to deal with all of the Miller’s problems entirely on her own.
Plot aside, A Curse as Dark as Gold is a beautifully written and very solid historical novel, making it easy to understand why it garnered the Morris win in 2009. Despite its interesting take on Rumpelstiltskin and a charmingly romantic plot thread, this novel remains a slow and often dense read. Recommended for readers who enjoy strong writing and well-rounded characters. A Curse as Dark as Gold will hold particular appeal for readers who can ignore weak plot points in favor of dazzling prose.
Possible Pairings: Chime by Franny Billingsley, Walk on Earth a Stranger by Rae Carson, Book of a Thousand Days by Shannon Hale, The Paper Magician by Charlie N. Holmberg, Beauty by Robin McKinley, Spinning Silver by Naomi Novik, For Darkness Shows the Stars by Diana Peterfreund, The Perilous Gard by Elizabeth Marie Pope, Sorcery and Cecelia by Patricia C. Wrede and Caroline Stevemer