Can you be from a place you have never been? Can you claim a home that does not know you, much less claim you as its own? Camino Rios wonders what home really means, what family really means at the end of every summer when her father’s visit to the Dominican Republic ends and he goes back to New York City. Camino wants nothing more than to live with her father and put her apprenticeship to her curandera aunt to good use at Columbia as a pre-med student.
But no matter how many times she asks, Camino is still in the same home she’s always been. It’s not a bad home. They can clean up the mud after a flood, they have a generator when the power goes out, they can pay for Camino’s private school, and Camino’s father keeps her safe even if he can’t be there. But Camino knows none of that is enough to make her dreams a reality.
Can you be from a place you have never been? Can you claim a home that does not know you, much less claim you as its own? Yahaira Rios wonders that every time her mother talks about how happy she is to have emigrated from the Dominican Republic. She wonders more every summer when her father leaves them to visit the DR.
But Yahaira can’t ask either of them. That doesn’t mean that Yahaira doesn’t have a bad life. Her girlfriend lives next door. She’s a sensational chess player. Her mother supports her and her father is there most of the time. Just not every summer. But Yahaira soon realizes all of that isn’t enough to always keep her safe.
When Yano Rios’ place crashes on the way to the Dominican Republic both Camino and Yahaira’s worlds are shaken. Camino has to confront the reality of a world without her father’s influence to protect her, without his money to pay her school tuition. Yahaira is forced to unearth all of the secrets her father kept and what they have meant for her own life.
Can you know a sister you have never met? Can you claim a family that doesn’t know you? As Camino and Yahaira come to terms with their father’s lies and transgressions both girls will have to grieve everything they have lost while they try to understand what they have to gain in Clap When You Land (2020) by Elizabeth Acevedo.
Acevedo’s latest novel is written in verse alternating between Camino and Yahaira’s narrations as both girls learn about their father’s crash, begin to grieve, and try to come together. Acevedo cleverly uses different stanza structures to offer some distinction between the two narrations and to powerfully highlight moments of solidarity between the two sisters.
Evocative settings and visceral emotions immediately draw readers into this story of loss and forgiveness. Both girls have benefited, in different ways, from having Yano Rios as a father. And both girls face difference consequences in the aftermath of his death. In the Dominican Republic Camino faces the possibility of having to stop school and dangerous threats from a local pimp her father previously kept at bay. Meanwhile, in New York City, Yahaira is finally confronting her father’s secrets–a burden she has carried for months after finding his second marriage license while searching for a way to reach him in the Dominican Republic after she is sexually assaulted on a crowded subway car.
Clap When You Land pulls no punches as it tells the story of a complicated family with immediacy and care. Hopeful, surprising, thoughtful and highly recommended.
Possible Pairings: A Little Wanting Song by Cath Crowley, Untwine by Edwidge Danticat, Turtle Under Ice by Juleah Del Rosario, An Emotion of Great Delight by Tahereh Mafi, Amy and Roger’s Epic Detour by Morgan Matson, Sugar Town Queens by Malla Nunn, The Boy in the Black Suit by Jason Reynolds, I Am Not Your Perfect Mexican Daughter by Erika L. Sanchez, Follow Your Arrow by Jessica Verdi