Scythe: A Review

Scythe by Neal ShustermanIn a post-death world, everything should be perfect. And maybe it is. There is no hunger, no disease, no poverty. Even aging is optional.

Sure, some things are boring–maybe even stagnant–but when you can literally go splat to shake things up without any consequences, does that matter?

Even a perfect world is still only so big. The population still needs to be controlled.

That’s where the scythes come in.

As the only agency who operates outside of the control of the Thunderhead–the AI that helped make this utopia a reality–scythes are tasked with culling the population. Each scythe has full freedom to choose their own methods, their own victims, and their apprentices.

Neither Rowan nor Citra expect to attract a scythe’s attention before turning their first corner. They are even more surprised when, instead of being gleaned, they are told that Scythe Faraday has chosen both of them to be his apprentices.

The problem: Only one of them will become a scythe at the end of the year. In fact, only one of them may survive in Scythe (2016) by Neal Shusterman.

Find it on Bookshop.

Do you ever read a book and just not get it? That was me with this one.

I’ve read Scythe twice and, honestly, I still don’t understand a lot of the appeal. The story alternates between third person narration following key players–primarily Rowan and Citra–as the story unfolds. Excerpts from scythes’ journals add another layer exposing some of this world’s inner-workings as well as its steady decay.

Shusterman has created a compelling and fully realized distant future world with a sprawling story exploring corruption, stagnation, and what living in a utopia really means. Unfortunately most of the characters fail to live up to this setting often feeling one dimensional and flat. One could argue that is the natural result of living in a world free of conflict and challenge, but that caveat doesn’t make them any more interesting to read about.

The final act of Scythe picks up a lot with increased tension, better pacing, and numerous twists even if the characters, in a lot of ways, fail to make truly key changes. I’m still not sure if I’ll knuckle through the rest of the trilogy. Recommended for readers who prefer  dystopias in utopian clothing and plot driven novels with a heavy dose of philosophical posturing.

Possible Pairings: The Scorpion Rules by Erin Bow, Defy the Stars by Claudia Gray, The Diabolic by S. J. Kincaid, Skyhunter by Marie Lu, Amber & Dusk by Lyra Selene, Uglies by Scott Westerfeld

Gravemaidens: A Review

Gravemaidens by Kelly CoonKammani dreams of becoming an accomplished healer–the position her father held before he failed to heal the lugal’s son and his family was cast down from the privileged class as punishment.

While her father drowns the shame of his disgrace and grief over his wife’s recent death with drink, Kammani manages the day to day work of treating patients. Her hopes of securing a better life for herself and her sister Nanaea are shattered when Nanaea is chosen for the dubious honor of becoming one of three sacred maidens who will accompany the ailing lugal into death.

While her sister only sees the opportunity to live briefly in luxury, Kammani knows becoming a sacred maiden is a death sentence. Determined to save her sister at any cost, Kammani embarks on a dangerous mission to sneak into the palace and try to heal the lugal before it’s too late in Gravemaidens (2019) by Kelly Coon.

Find it on Bookshop.

Gravemaidens is Coon’s debut novel. It is the first book in a fantasy duology set in a non-western world with piecemeal nods to ancient Sumer, Rome, and possibly Egypt with human sacrifice and a powerful god known as the Boatman.

Clunky prose and world building that falls short in terms of explanations about the ritual of the sacred maidens or other cultural norms drag down this otherwise interesting premise. Anachronistic phrases and over-the-top similes further detract from the novel’s potential. Kammani’s first person narration is filled with strangely sexualized descriptions of other female characters, including her own younger sister, with numerous mentions of full and shiny hair, straight teeth, and “womanly curves.” Throughout the novel this sexualization is equated with the preternatural beauty that distinguishes each sacred maiden.

Secondary characters who stay true to stereotype for most of the novel gain more depth near the end suggesting fans may find more to appreciate in book two.

Gravemaidens is a problematic but intriguing story. Make of that what you will.

Popular Pairings: The Wrath and the Dawn by Renee Ahdieh, Grace and Fury by Tracy Banghart, The Scorpion Rules by Erin Bow, The Good Luck Girls by Charlotte Nicole Davis, The Library of Fates by Aditi Khorana, The Grace Year by Kim Liggett, Girls of Paper and Fire by Natasha Ngan, Song of the Current by Sarah Tolcser

*A more condensed version of this review appeared in an issue of School Library Journal*

Picture Us in the Light: A Review

“I don’t believe you can put anything meaningful into the world without having a kind of innate generosity, something to give of yourself.”

Danny Cheng feels stuck. He’s got an eye toward college next year with an acceptance to RISD with a full ride and, rarer still in Cupertino, complete support from his immigrant parents.

But Danny is still haunted by the loss of a friend who committed suicide last year and every time he tries to imagine next year without his best friend Harry Wong he finds himself spiraling into a panic. Not to mention wondering if Harry really is as in love with his girlfriend, Regina Chan, as he claims.

When Danny finds a box of old news clippings and letters in his father’s closet he starts to realize that there might be a reason his parents never talk about their past–a reason that Danny never would have imagined.

As Danny hurtles toward the end of his senior year and delves deeper into his family’s past he will have to confront uncomfortable truths about his parents and acknowledge his own dreams and wants if he ever wants to move forward in Picture Us In the Light (2018) by Kelly Loy Gilbert.

Picture Us In the Light is Loy Gilbert’s sophomore novel.

Danny is the core of the story as he tries to imagine a future without Harry and away from everything he knows in California. His existential dread at both prospects is palpable in Danny’s first person narration and makes for a tense read. Loy Gilbert’s prose shines while focusing on Danny and his friends but an overly packed plot detracts from what should have been a character driven novel.

With so many things happening to Danny it is, perhaps, unsurprising that the final act of the novel feels rushed after a slow build up with layers of suspense padded with a lack of communication between characters–especially between Danny and Harry as Danny struggles with how (or if) to tell Harry that he is in love with him and has been for years.

Picture Us In the Light is a complex story about connection, privilege, and hope. Readers able to overlook a sensationalist plot will appreciate Danny’s relatable narration, clever dialog, and authentic characters.

Possible Pairings: Summer Bird Blue by Akemi Dawn Bowman, The Best We Could Do by Thi Bui, American Panda by Gloria Chao, Born Confused by Tanuja Desai Hidier, Butterfly Yellow by Thanhha Lai, Looking for Alibrandi by Melina Marchetta, The Astonishing Color of After by Emily X. R. Pan, The Field Guide to the North American Teenager by Ben Philippe, I Am Princess X by Cherie Priest and Kali Ciesemier, I Am Not Your Perfect Mexican Daughter by Erika L. Sanchez, This Time Will Be Different by Misa Sugiura, The Beauty That Remains by Ashley Woodfolk, Frankly in Love by David Yoon, The Sun is Also a Star by Nicola Yoon

You Are the Everything: A (WIRoB) Review

This piece originally appeared in the Washington Independent Review of Books:

cover art for You Are the Everything by Karen RiversSixteen-year-old Elyse Schmidt is eager to get home to California. Anywhere is acceptable, as long as it’s away from the damp Parisian air that irritates her Junior Idiopathic Arthritis (or “Junky Idiotic Arthritis,” as she calls it) and all of the things that didn’t happen on her trip: romance, kissing, and, most disappointing of all, bonding with her longtime crush, Josh Harris.

Elyse and her school band had been “in Paris to play in a band festival, which turned out to be no different from every band festival in America,” except this time, Elyse was hungover and played badly, and her band placed third. On the plane home, she wishes she could “undo everything, especially the stupid fight” she’s in with her best friend, Kath.

But she can’t, which becomes painfully clear as the plane continues its progress home.

Elyse’s wish for something to happen on the plane, “something that would make this trip worthwhile after all,” goes horribly awry when the plane crashes, leaving Elyse and Josh as the only survivors in You Are the Everything (2018) by Karen Rivers.

Find it on Bookshop.

During the disaster, Elyse reminds herself of all of the things that she never made time for before: “You never went to Wyoming. You never fell in love. You never decided who you were going to be. You never finished your graphic novel. You didn’t live long enough to warrant an autobiography. You never thought of a good name for the YouTube channel that you never started.”

She hopes to do things differently if she has a second chance.

Elyse is “aware of deciding” of choosing between living and dying. Then it’s a few months later. Elyse is in Wyoming. Despite the horrendous losses (of Kath, of her classmates, of her own eye), her new life could be pulled from the pages of the graphic novel she never finished: Me and Josh Harris: A Love Story.

She always knew she “might be able to make the story real if [she] want[ed] it badly enough,” and now, in Wyoming, she and Josh are finally together. She is “the girl who was dead and is now alive.” She is Josh Harris’ girlfriend — part of the couple everyone else at school wants to talk about. She is happy. This, Elyse knows, “is what dreams look like when they come true.”

She still isn’t as confident as she could be, but after the crash, Elyse realizes that she is “so much braver and sharper, as though the crash carved off [her] dull edges, leaving [her] as glistening and dangerous as a razor.”

Her brain doesn’t work the way it did before. Time doesn’t pass the same way. Elyse tries to ignore these changes and what they mean, but slowly, painfully, she sees how spotty her memory has become and how the pieces of her new life don’t quite fit together the way they should.

Elyse realizes that “it’s only possible to ignore an obvious truth for so long before you have to acknowledge it” and is forced to confront what really happened during the crash, along with all of the regrets that come with that reality.

Memories and dreams blend with the visceral reality of the crash. This heady story capitalizes on the reader’s limited point of view to give the novel’s conclusion the most impact. The stream-of-consciousness style and sweeping tone of Elyse’s second-person narration are striking contrasts to the pace of the story, much of which is set on Elyse’s flight home.

The unusual choice to write the novel in second person lends an immediacy to the text and gives each pronouncement more impact as the story builds toward its poignant conclusion: “Your mouth is full of blood and teeth and regret for all the things you didn’t do and you are crying for the year when you were seventeen, which isn’t going to happen.”

While parts of the story feel emotionally manipulative, the blend of affecting prose and a character-driven plot make for a smart and sometimes surprising premise. Readers of books in the vein of We Were Liars by E. Lockhart or A Room Away from the Wolves by Nova Ren Suma may guess the novel’s inevitable outcome long before Elyse herself does.

You Are the Everything is an emotional novel about unmet potential and missed connections, resignation, and acceptance, and, at its center, a girl who never had the chance to finish deciding what kind of person she wanted to become. “Just a splice in time when all of the everything can happen that will ever happen and now you can just stop trying so hard, you can just let go.”

Possible Pairings: But Then I Came Back by Estelle Laure, We Were Liars by E. Lockhart, The Sky is Everywhere by Jandy Nelson, The Astonishing Color of After by Emily X.R. Pan, A Room Away From the Wolves by Nova Ren Suma

Everything All at Once: A Review

cover art for Everything All at Once by Katrina LenoLottie Reaves doesn’t take risks. She prefers to play it safe. But even her usual caution is no help when her aunt Helen–the one person who always seemed to understand Lottie’s anxiety and panic–dies of cancer. But Lottie and her family aren’t the only ones mourning. After Helen’s death it feels like the whole world is mourning the loss of the beloved author of the Alvin Hatter series about siblings Alvin and Margot and the chaos that follows when they discover an elixir that grants immortality.

After Helen’s death it feels like Lottie is spinning out as her panic about death, life, and so many other things start to feel so much bigger. Grieving and feeling more than a little lost, Lottie receives the most surprising inheritance from Helen’s will: twenty-four letters each filled with a dare designed to help Lottie learn how to embrace change and risk.

Helen promised the letters would lead to some bigger truth, answers to questions Lottie hasn’t even learned enough to ask yet, but as she steps outside of her comfort zone and learns more about her aunt, Lottie also discovers the shocking secret that inspired her aunt to write the Alvin Hatter books–a secret that could change Lottie’s life forever in Everything All at Once (2017) by Katrina Leno.

Find it on Bookshop.

Leno’s latest standalone is part contemporary coming-of-age story and part fantasy with heavy nods toward Tuck Everlasting and Harry Potter. The narrative is broken up with letters from Aunt Helen and excerpts from the Alvin Hatter books throughout.

Lottie’s first person narration is sometimes claustrophobic as she struggles to work through her panic and anxiety. Leno handle’s this portrayal with honesty and authenticity as Lottie tries to find coping mechanisms that work for her while also trying to overcome her anxiety when it prevents her from doing what she really wants. Everything All at Once is the first time I’ve seen a novel truly capture and explore the fear of mortality that hangs over a grieving person expressed so clearly.

On her journey Lottie has conscientious parents, a supportive younger brother, and a funny and smart best friend willing to follow her on every adventure. There’s also a cute but mysterious boy and one of my favorite romantic exchanges (One character asks “Are you saying we’re not friends?” And the other replies “That’s exactly what I’m saying.” And it’s perfect.) But I can’t tell you much more without revealing too much.

Everything All at Once is strongest as a story about grieving, growing up, and an ode to reading and fandoms. Leno plants seeds early on for more surprises (some of which are heavily broadcast) but it also can feel like one element too many. Recommended for readers looking for an empowering story about growing up and working through loss. Or readers who love Tuck Everlasting but wanted more banter and kissing.

Possible Pairings: Tuck Everlasting by Natalie Babbitt, A Week of Mondays by Jessica Brody, What to Say Next by Julie Buxbaum, 10 Blind Dates by Ashley Elston, 13 Little Blue Envelopes by Maureen Johnson, The Start of Me and You by Emery Lord, Since You’ve Been Gone by Morgan Matson, Twenty Boy Summer by Sarah Ockler, The Sullivan Sisters by Kathryn Ormsbee, It Wasn’t Always Like This by Joy Preble

The Astonishing Color of After: A Chick Lit Wednesday Review

cover art for The Astonishing Color of After by Emily X.R. PanLeigh knows that her mother turned into a bird after she killed herself. The bird came to her before the funeral. She came again with a box for Leigh to take with her when she goes.

She isn’t sure what the bird wants or how to help her mother. All she knows is that she and her father are now in Taiwan and Leigh is meeting her maternal grandparents for the first time.

Nothing about the trip or her family is what Leigh expected. Her world feels colorless and confusing–coated with grief and filled with ghosts. But as Leigh learns more about her family, her heritage, and her mother’s past it starts to feel like Leigh might be able to find a way through in The Astonishing Color of After (2018) by Emily X.R. Pan.

The Astonishing Color of After is Pan’s debut novel.

It’s taken me a while to review this book because I’ve been struggling with separating how hard this book is to read with how very good it is.

The novel opens shortly after Leigh’s mother has killed herself. Leigh comes home just in time to see her body being taken away, to see the blood, and she is haunted by the thought that she might have been able to do something if only she’d been home instead of celebrating 2.5s Day with her best friend and longtime crush Axel.

Leigh finds a way to channel her grief when a bird comes to her. Leigh knows it’s her mother. She knows the bird is real. She also knows that her mother the bird has things she shouldn’t have–photographs that were burned, heirlooms that were sent to Taiwan.

In traveling to Taiwan Leigh thinks she can somehow rescue her mother the bird and bring her home. Instead Leigh embarks on a journey of discovery and understanding as she learns more about her heritage and her family’s past. She still hurts, she still mourns, but she also begins to learn how to move on and how to forgive.

In traveling to Taiwan Leigh also begins to learn more about her family’s heritage and culture–things that were hard to hold onto as a biracial girl–especially with her mother eager to embrace her new life in America and leave the past behind.

The Astonishing Color of After is not an easy read–Pan’s writing is too visceral, too evocative for that. Instead readers are immediately drawn into Leigh’s journey. Flashbacks shed light on Leigh’s relationship with Axel–a thread that ties the novel together from its painful opening to its hopeful conclusion–while memories from Leigh’s relatives shed light on her mother’s past while also underscoring the flaws in Leigh’s memories and the things she has tried to forget.

The Astonishing Color of After is a powerful and nuanced story about loss, forgiveness, art, and all of the things that make a family–whether it’s blood or a deeper bond. Highly recommended.

Possible Pairings: Down and Across by Arvin Ahmadi, Starfish by Akemi Dawn Boman, The Best We Could Do by Thi Bui, Tell Me No Lies by Adele Griffin, Darius the Great is Not Okay by Adib Khorram, This Raging Light by Estelle Laure, We Were Liars by E. Lockhart, I’ll Give You the Sun by Jandy Nelson, The Summer of Chasing Mermaids by Sarah Ockler, 500 Words or Less by Juleah del Rosario, Bone Gap by Laura Ruby, I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez, The Walls Around Us by Nova Ren Suma, The Serpent King by Jeff Zentner, American Street by Ibi Zoboi

The Seven Husbands of Evelyn Hugo: A Review

“I’ve never thought of myself as a force to be reckoned with. Maybe I should start thinking of myself that way; maybe I deserve to.”

cover art for The Seven Husbands of Evelyn Hugo by Taylor Jenkins ReidEveryone remembers Evelyn Hugo. The old Hollywood actress is surrounded by an aura of glamour and mystery. After retiring from the public eye decades ago, Evelyn is finally ready to tell her story.

Bizarrely, Evelyn only wants to tell her story to Monique Grant–a magazine reporter still starting her career and largely unknown. No one is as surprised as Monique at the offer. But as Monique warms up to assignment she also realizes that no one is as prepared to maximize this opportunity either.

From the confines of her luxurious Upper East Side apartment Evelyn tells the story of her career from her fateful move to California in the 1950s to her abrupt retirement in the 1980s. Along the way she also reveals all the gory details about the seven husbands she married and left behind along the way.

As she learns about Evelyn’s unapologetic ambition and her stunning career, Monique quickly realizes that there has always been more to Evelyn than meets the eye. But even as Monique starts to admire the shrewd actress she realizes that Evelyn Hugo is still holding back some secrets and some surprising revelations about Monique’s own part in them in The Seven Husbands of Evelyn Hugo (2017) by Taylor Jenkins Reid.

Find it on Bookshop.

This standalone novel is a blend of historical and contemporary fiction. The majority of the story relates Evelyn’s story as she tells it to Monique in seven parts–one for each husband, of course. In between sessions with Evelyn Monique also deals with upheaval in her own life as she comes to terms with her imminent divorce and tries to figure out next steps in her career.

The Seven Husbands of Evelyn Hugo is written in the first person as Monique receives the assignment and meets Evelyn and also with Evelyn narrating her own parts as she dictates them to Monique. Evelyn and Monique are both very nuanced characters whose stories are handled thoughtfully in this novel. That said I’m still not sure how I feel about a white author writing in the first person voice of a latina actress who was made over and passed as white for the sake of her career (something that actually happened to real life film star Rita Hayworth) or a biracial journalist like Monique.

I can’t say much more about the plot without giving something away. There are a few surprises and Jenkins Reid’s pacing is flawless as she moves from one surprise to the next. Both Evelyn and Hugo’s stories are less about romance (or marriage) and more about strong women acknowledging their own ambitions and embracing them.

The Seven Husbands of Evelyn Hugo is an engaging novel filled with old Hollywood glamour, wry commentary, and two heroines with a lot to teach their readers. Recommended.

Possible Pairings: A Touch of Stardust by Kate Alcott, The Girls in the Picture by Melanie Benjamin, Now That I’ve Found You by Kristina Forest, City of Girls by Elizabeth Gilbert, By Any Name by Cynthia Voight

Fragments of the Lost: A Review

Jessa so doesn’t want to clear out her ex-boyfriend Caleb’s room after he dies. It’s hard enough to grieve and dodge questions about how she’s managing. But when his mother asks, she can’t say no. Jessa knows this is her penance—her punishment for being part of the puzzle of Caleb’s last day.

She can’t explain why Caleb was at her track meet that day anymore than anyone else can. She only knows what came after. His drive along the bridge as it flooded, the car crash, the body that was never found.

As Jessa sorts through Caleb’s possessions and begins the tedious, painful work of packing everything away she starts to remember details from the start of their relationship when things were still fresh and there was so much to learn. These pieces of his life also bring back painful memories of the end of their relationship and the distances that eventually grew between them.

As Jessa delves deeper into Caleb’s life she realizes his room might hold secrets to that strange last day and his death. She also realizes she might not be the only one looking in Fragments of the Lost (2017) by Megan Miranda.

Miranda delivers an eerie and atmospheric mystery in this latest standalone. Narrated by Jessa the novel moves through time with chapters marking Jessa’s present weekend project clearing out Caleb’s room and the past with chapters named for items Jessa discovers that bring up memories of her year-long relationship with Caleb. This premise is used to good effect to demonstrate Jessa’s (often self-imposed) isolation in her grief and her desperation to understand what really happened on the day Caleb died.

A taut narrative told over a short span of time amps up the tension as Jessa slowly begins to realize that something is incredibly wrong. While the big twist might be easily predicted by habitual mystery readers, Jessa’s arc throughout the novel is strong enough to still make for a compelling read. Recommended for readers looking for a chilling page turner and fans of mysteries or thrillers.

Possible Pairings: I Was Here by Gayle Forman, Forget Me by K. A. Harrington, Charlie, Presumed Dead by Anne Heltzel, The After Girls by Leah Konen, Suicide Notes from Beautiful Girls by Lynn Weingarten

What to Say Next: A Review

Kit doesn’t know why she decides to avoid her best friends Annie and Violet at lunch. Or maybe she does. Ever since her father died in a car accident, it feels like no one knows how to talk to Kit or what to say to make it better. No one seems comfortable with Kit’s grief and sadness–not even her own mother.

David is floored when Kit sits at his lunch table–the first time anyone has in the 622 days he has attended Mapleview High School. David doesn’t necessarily mind sitting alone. It’s nice to have some quiet in the middle of a too-noisy day and sometimes it’s too hard to figure out what to say to people without being able to check his notebook to see if they are someone he–and his older sister Mini–thinks David can trust.

Nothing about Kit and David’s friendship makes sense on the outside but Kit appreciates David’s bluntness and his honesty. David, meanwhile, finally feels like he’s found someone who might be okay with David being himself. As they grow closer, Kit asks for David’s help understanding the inevitability (or not) of her father’s death which leads to a truth that might end their friendship forever in What to Say Next (2017) by Julie Buxbaum.

This standalone contemporary novel alternates first person perspective between David and Kit.

David is smart and self-aware despite his lack of emotional intelligence. He knows his limitations and strengths. He also knows how people are likely to perceive him because of his position on the autism spectrum and the coping mechanisms he has employed to continue to function in a sometimes overly stimulating school environment. Kit is still adjusting to life without her father–the parent who was always the one to nurture in the past–while also negotiating life in her small town as a girl who is biracial (Kit’s mother is Indian).

Seeing a neurologically diverse male lead alongside a heroine who is described as curvy and having brown skin is fantastic and makes this an obvious book to highlight and promote. That said, Buxbaum tackles a lot in this novel with varying levels of success.

David and Kit have distinct voices but the way other characters engage with David is often frustrating and demonstrates a fundamental lack of both empathy and understanding a person on the autism spectrum may engage with the world. The fact that David’s behavior is used as a plot point for one of the main conflicts between himself and Kit makes this treatment even more frustrating.

What to Say Next is an entertaining novel with unique characters, an engaging plot, and a cute romance. Readers looking for a quick but substantive diversion will enjoy this story that blends themes of connection with grief and family. Recommended for readers seeking a romance that will broaden their horizons.

Possible Pairings: Starry Eyes by Jenn Bennett, Words in Deep Blue by Cath Crowley, The Truth About Forever by Sarah Dessen, Royals by Rachel Hawkins, Letters to the Lost by Brigid Kemmerer, Everything All at Once by Katrina Leno, The Start of Me and You by Emery Lord, This Adventure Ends by Emma Mills, Birthday by Meredith Russo, Lucky in Love by Kasie West

Kissing in America: A Review

Kissing in America by Margo RabbEva Roth’s father died two years ago. She tells everyone it was the result of a heart attack because the real answer–that he died in a plane crash–is too sensational and messy. No one asks more questions about a heart attack.

Eva’s father was always the one who understood her, the one she’d sit with and write. In his absence Eva feels more friction than anything else when it comes to her women’s studies professor mother–something her mother suspects is at the root of Eva’s love of romance novels.

When Eva meets Will Freeman it seems like she might have found someone who really understands. Someone who can possibly help her to move past her grief. Until he moves away.

Afraid of losing Will and everything he promises, Eva and her best friend Annie Kim make a plan to travel across the country to find Will again. Along the way Eva and Annie will see unexpected pieces of the country and learn some surprising things about love in Kissing in America (2015) by Margo Rabb.

Kissing in America is Rabb’s followup to her YA debut Cures for Heartbreak. This novel treads similar territory as Eva tries to find her way through grief and her teen years. Although it is often touted as a light romance and a summery read, this story is filled with melancholy and very much mired in Eva’s grief.

Rabb’s writing remains superlative and evocative. Eva’s love of poetry also plays out in the novel with references to and poems from Elizabeth Bishop, Emily Dickinson, Adrienne Rich, Nikki Giovanni, Marie Howe, and other authors add another layer to this story. While this book is marketed as a romance, it is really Eva’s relationship with her best friend and with her mother that makes Kissing in America shine.

Eva’s mother in an interesting character who is a vocal feminist and a women’s studies professor. She terms Eva’s love of romance novels as a rebellion which never quite rings true as the romance genre is one where women are able to dominate the market and a genre that is often referenced for its feminist elements and even promoting female equality. That this never comes up in the story remains a frustrating omission.

Kissing in America is a thoughtful and witty road trip story about best friends, family, grieving and, of course, love. Recommended for readers looking for a smart read that will have them smiling through the tears.

Possible Pairings: Suffer Love by Ashley Herring Blake, Tell Me Three Things by Julie Buxbaum, Life by Committee by Corey Ann Haydu, Foolish Hearts by Emma Mills, Wild Swans by Jessica Spotswood, Black and White by Paul Volponi, Cloudwish by Fiona Wood, After Tupac and D Foster by Jacqueline Woodson