The story starts in Cincinnati in 1876 with “Wild Bill’s Wild West,” a traveling western show run by Bill Hickok. The show is always a big attraction featuring the legendary lawman, Frank Butler the Pistol Prince, and none other than Calamity Jane–heroine of the plains.
But the show has a secret: Bill along with his adoptive children Frank and Jane uses the show as a cover to hunt garou (you might know them as werewolves).
Jane is thrilled to have a family after so long on her own. Frank loves the show almost as much as his poodle, George. Neither of them is sure what will happen to the show (or them) when they find the subject of their hunt and Bill is able to retire.
Things go wrong very quickly after Annie Oakley (or rather, Annie Mosey–she isn’t the Little Sureshot yet!) tries to join the show. Annie earns her way into the show, soundly beating Frank in a shooting competition. But does shooting prowess mean Annie can be trusted with the hunt’s real purpose–especially when she seems to hate garou more than anything?
When a hunt leaves Jane with something that looks a lot like a garou bite, she has one desperate change to find a cure in Deadwood–a town that holds secrets and dangers for Jane and everyone she cares about in My Calamity Jane (2020) by Jodi Meadows, Cynthia Hand, and Brodi Ashton.
In case you couldn’t tell, My Calamity Jane is a western mashup re-imagining the real lives of narrators Calamity Jane, Frank Butler, Annie Oakley, as well as Bill Hickok and many other legends of the American west. Although many events have changed, the story stays true to the spirit of these real life historical figures while offering more optimistic ends for many. This is particularly true for Jane whose lonely life is reimagined here with a sweet queer romance and whose penchant for chaos and self-destruction is reframed as an asset..
While Jane centers this story, Annie and Frank’s romance from their first shooting competition to their growing respect and eventual partnership on stage anchors much of the plot. It’s also almost entirely true (minus the werewolves).
The American West, as seen by white settlers and romanticized for white audiences in popular cultural, is inherently problematic. The authors acknowledge this in their omniscient narration and in conversations Annie has with Many Horses and Walks Looking, Lakota sisters whose help and practical advice are crucial to efforts to save Jane before it’s too late.
The story explores themes of allyship and tolerance through Annie’s interactions with garou (taking the place of the abusive family who kept Annie hostage as a child whom, even in her memoirs, Annie only ever referred to as “the wolves”) rather than using the only Native characters for a teachable moment. The acknowledgements include a list of further reading including several Native perspectives.
My Calamity Jane is a delightfully inventive reinterpretation of the old west; a tall tale filled with found family, fancy shooting, humor, and adventure. Highly recommended.
Possible Pairings: Bury My Heart at Wounded Knee: An Indian History of the American West by Dee Brown; An Indigenous Peoples’ History of the United States For Young People by Roxanne Dunbar-Ortiz, adapted by Debbie Reese and Jean Mendoza; Presenting Buffalo Bill: The Man Who Invented the Wild West by Candace Fleming; Under a Painted Sky by Stacey Lee
*A more condensed version of this review appeared in the June 2020 issue of School Library Journal as a starred review*