Theo is better now. She’s eating, mostly. She’s dating guys her age. Even if they aren’t always technically available. Most importantly, Theo is at the top of her game and poised to have her years of work pay off to become an elite ballet dancer.
Then Donovan comes back. Theo still remembers the day he disappeared when they were both thirteen. She remembers what it felt like to lose Donovan and her first boyfriend–her first everything, really–all at the same time.
Theo can’t look away from coverage of Donovan’s abduction and his return. It’s the only way she can piece together what might have happened to him since Donovan won’t see her and won’t talk to anyone. Until Donovan’s abductor is arrested. And Theo recognizes him as her ex-boyfriend. He gave her a fake name, he said he was younger, but he is unmistakably the same person who kidnapped her best friend.
But the truth won’t help anyone, right? It won’t heal Donovan. It won’t erase the painful breakup. All it will do is shame Theo’s family and risk her future as a dancer because of a scandal.
Except the more Theo remembers about her past, the more she realizes some secrets can’t be kept forever in Pointe (2014) by Brandy Colbert.
Pointe is a tense work of suspense. In addition to unpacking the aftermath of Donovan’s abduction, Theo is dealing with disordered eating. Theo and Donovan are both Black in a predominantly white Chicago suburb.
Colbert tackles a lot here and she does all of it well as Theo works through some difficult realizations in the wake of Donovan’s return. Theo is aware of the extra challenges she faces as a Black dancer and the pressure everyone in her class is under as they prepare for conservatory auditions.
Added to that are Theo’s complicated feelings about her ex-boyfriend/Donovan’s abductor. Yes, he lied about his age. But does that change that he loved Theo? Did he even kidnap Donovan or did they go away together willingly behind Theo’s back? While the answers will be obvious to readers, Theo takes longer to figure out that “dating” someone doesn’t mean they can’t abuse you.
Pointe pulls no punches. This is a messy story about a terrible turn of events and, at the end, an impossible decision. Theo is a flawed narrator but also a very authentic one as she works though a variety of bad decisions and hard choices to realize what she has to do to make things right–for herself and her best friend.
Possible Pairings: Winter Girls by Laurie Halse Anderson, Emmy and Oliver by Robin Benway, Tiny Pretty Things by Sona Charaipotra and Dhonielle Clayton, Saint Anything by Sarah Dessen, Bunheads by Sophie Flack, Grown by Tiffany D. Jackson, Living Dead Girl by Elizabeth Scott, Far From You by Tess Sharpe, The Walls Around Us by Nova Ren Suma