Miss Quinces: A Graphic Novel Review

Suyapa “Sue” Gutiérrez wants to spend her summer drawing comics and hanging out with her friends at sleepaway camp.

Instead, Sue’s parents whish her away to visit family in Honduras with older sister Carmen and younger sister Ester. But unlike sleepaway camp, which would only be a few weeks, this trip is going to last all summer. To make matters worse their relatives live in the country where it’s so rural there is no phone, no internet, and not even any cable.

Just as Sue grudgingly makes her peace with all of that, she finds out that her mother has planned an entire quinceañera for Sue. In secret! With over 100 guests invited! And a pink princess theme!

Sue likes black a lot more than she’ll ever like pink, she doesn’t want to learn how to dance, and she definitely doesn’t want to wear a frilly pink gown.

As Sue learns more about her family history, new perspective from her artist grandmother might lead Sue to a compromise about the dreaded quinceañera if a sudden loss in the family doesn’t eclipse the entire party in Miss Quinces (2022) by Kat Fajardo.

Find it on Bookshop.

Miss Quinces is Fajardo’s debut graphic novel and hopefully the first of many. The story starts in New York before Sue’s summer plans are upended and is primarily set in Honduras–speech bubbles present English dialog in black text and Spanish dialog (translated into English) in Blue.

Bright, full color illustrations work well with Fajardo’s graphic style that focuses on her characters. Sue’s story is firmly grounded in Latinx culture and the customs surrounding quinceañeras but Sue’s struggles to balance her Honduran heritage with her own American sensibilities will ring true to any reader trying to straddle two worlds.

Along the way, both Sue and readers learn more about quinceañera traditions while also seeing ways that Sue (and her family) are able to adapt in order to make sure Sue’s quinceañera is one she’d actually want to attend. The story does include the death of Sue’s grandmother which, while obviously sad, is handled well.

An author’s note at the end includes some thoughts from Fajardo on her own quinceañera.

Miss Quinces is an optimistic coming-of-age story from an author to watch. Recommended.

Possible Pairings: Be Prepared by Vera Brosgol, Isla to Island by Alexa Castellanos, Pashmina by Nidhi Chanani, Stepping Stones by Lucy Knisley, Frizzy by Claribel A. Ortega and Rose Bousamra, For the Love of Laxmi by Bijal Shah

Until We Break: A Review

Two weeks ago Naomi Morgan lost her best friend. It was an accident, there wasn’t anything she could have done. But still Naomi is weighed down by guilt as she continues pursuing a career dancing ballet when she knows that Jessica can never dance with her again.

But even if she isn’t dancing next to her anymore, Naomi still has Jessica at her side. Jessica is quick to remind Naomi that she doesn’t have room for distractions like TV, or friends. She’s always there to tell Naomi that as a Black dancer–the only Black dancer now that Jessica is gone–Naomi has to work harder, be better.

As dancers at her academy gear up for a prestigious competition that will open doors to every conservatory program, Naomi pushes herself harder. And harder.

But when disaster strikes, Naomi is only left with herself and her grief as she recovers and contemplates if she’ll be able to dance again and, more importantly, if she wants to dance again.

Saint has never met anyone like Naomi. Even when she’s hurting, her dancing is beautiful. Watching her–and eventually drawing her–feels like Saint’s one refuge from being the sole carer for both his dying father and his younger brother.

Naomi and Saint don’t inhabit the same worlds but together they might be able to find their way to a better one in Until We Break (2022) by Matthew Dawkins.

Find it on Bookshop.

Until We Break is Dawkins’ debut novel. The story is narrated in close third person with alternating viewpoints following Naomi and Saint, both of whom are Black.

Until We Break explores themes of passion and grief while Naomi reluctantly acknowledges Jessica’s death and Saint faces his father’s mortality as his health deteriorates from COPD and continued smoking. While Naomi’s grief is a main theme of the story her hallucinatory conversations with Jessica are never unpacked as a potential manifestation of a larger mental health crisis.

Dawkins brings a fine eye for detail to descriptions of Saint’s art creation and, especially, to Naomi’s dance. Common problems in ballet dancers including overstrain and disordered eating are mentioned (the first with Naomi’s sprain that forces her off the dance floor for part of the novel and the latter hinted at with fellow dancer Aspen) but never addressed beyond superficial treatment as Naomi learns how to love both her dancing and herself.

Until We Break is an introspective story of healing and recovery; ideal for readers with an interest in dance or art.

Possible Pairings: Pointe by Brandy Colbert, Bunheads by Sophie Flack, I Wanna Be Where You Are by Christina Forest, You Truly Assumed by Laila Sabreen, The Walls Around Us by Nova Ren Suma

You Truly Assumed: A Review

In the wake of a terrorist attack three Black Muslim teens find unlikely comfort online.

Sabriya is close enough to the attack in DC that her father picks her up from the dance studio; close enough that Bri, her younger sister, and their father all hold their breaths until Bri’s mother walks through the door. With the news cycle stuck on the attacks, on the terrorist with a name that sounds just Muslim enough for people looking for an excuse, Bri doesn’t know what to do with all of her big feelings about the attack and the aftermath and the way her perfectly planned summer of conservatory auditions is impossible now. Usually she’d write it all down in a notebook but this time she goes to a blog instead. Which changes everything.

Every Muslim in the US feels the ramifications of the attacks, worries about the Islamaphobia it will help justify. But it all feels far away for Zakat in the idyllic Muslim community she has always known in her town in Georgia. Until a childhood enemy is hired at the bookstore alongside Zakat and her best friend. While Aafreen is quick to trust and offer second chances, Zakat can’t help but wonder if this new addition to their social circle has anything to do with the vandalism at their mosque and other hateful incidents. Contributing her artwork to a new blog called You Truly Assumed should be a refuge and a distraction. But it becomes anything but as hateful commenters find the site.

Farah’s summer pushes her way out of her comfort zone. Instead of spending it with her mother, Farah is sent across the country to get to her father and meet her step-mother and half-siblings for the first time. The trip is a chance to explore college options on the east coast and test the waters of a long distance relationship. Farah doesn’t expect to also find community as a co-runner of You Truly Assumed much less as someone helping to plan a vigil after another attack.

As the blog gains momentum and attention Sabriya, Zakat, and Farah will all have to deal with the fallout as they try to make a place for themselves and other Black Muslim teens in You Truly Assumed (2022) by Laila Sabreen.

Find it on Bookshop.

You Truly Assumed is Sabreen’s debut novel. Chapters alternate between Sabriya, Zakat, and Farah’s first person narrations. While the three start as strangers in different areas their growing connection brings both the characters and their divergent stories together. These protagonists also help break down the idea of the Muslim or Black experience as a monolith. Zakat, a hijabi, is an aspiring artist attending a Muslim school who is very active in her local mosque. Farah and her mother are Muslim but Farah is spending the summer with her Black father and his family who are Christian while she considers STEM college options on the east coast.  Sabriya comes from a inter-faith household and is weighing the pros and cons of attending college or a conservatory ballet program after high school before the blog takes off.

While the advent and maintenance of the blog is what initially starts the story, each girl has their own arc as the novel progresses with navigating new family dynamics, micro-aggressions, friendships, and romantic relationships. Sabreen balances these multiple plots and protagonists well giving each girl adequate page time to stand out. Questions of how each girl negotiates being Black or Muslim enough in spheres that try to treat the two as mutually exclusive also lead to empowering moments as each heroine comes into her own. Unfortunately the writing doesn’t always do as much work to distinguish between the narrators with the voices sometimes blending together. (I listened to the audiobook and even having three different voice actors as narrators didn’t help.)

You Truly Assumed offers an authentic perspective on what it means to navigate online spaces showcasing both the highs–as Sabriya, Zakat, and Farah form a real friendship thanks to running the blog together–and the lows–when a conservative, alt right site lists the blog for a targeted harassment campaign. The girls’ families are also refreshingly present and, as situations escalate, involved in the resolution including some hard conversations about what happens next. Although Farah is in a relationship for the entirety of the novel, the story remains firmly focused on friendship and community rather than romance.

You Truly Assumed is an empowering story about finding your voice and your community. A must read in these disconnected times.

Possible Pairings: Love, Hate, and Other Filters by Samira Ahmed, Saints and Misfits by S.K. Ali, Girls Made of Stars by Ashley Herring Blake, Love Times Infinity by Lane Clarke, Does My Body Offend You? by Mayra Cuevas and Marie Marquardt, Until We Break by Matthew Dawkins, Home is Not a Country by Safia Elhillo, The Love and Lies of Rukhsana Ali by Sabina Khan, The Hate U Give by Angie Thomas, Seton Girls by Charlene Thomas

A Forgery of Roses: A (WIRoB) Review

This piece originally appeared in the Washington Independent Review of Books:

Painters are disappearing throughout Lalverton with many devout citizens say this is just treatment for those who choose to paint–a creative outlet seen as holy and solely as the domain of the Great Artist. Conservatives including the governor fear the growing popularity in portraiture; the presence of Prodigy magic in Lalverton makes the taboo artform seem like even more of a threat.

With her mother–another Prodigy and talented artist–among the missing, Myra Whitlock knows she has to hide her own magical gift if she wants to keep herself and her younger sister, Lucy, safe. Scriptures are very clear that Prodigies are “a defilement of the power of our god, the Great Artist.” With magic that “gives a painter the ability to alter human and animal bodies with their paintings,” Prodigies have long been seen as “even more of an abomination than normal portrait work.” Their powerful ability also means that Prodigies “have been persecuted by the pious and captured by the greedy since the dawn of time.”

Lacking in proper training and control, Myra’s magic is even more dangerous. She can manipulate a person’s sevren threads to alter their appearance and heal injuries, but she can’t dictate when or how her magic will work instead having to paint through it while her magic buzzes “like a swarm of bees inside [her] head.” With finances dwindling in the wake of her parents’ disappearances, Myra desperately needs work to earn enough for rent, food, and for the nurse Lucy needs to help manage the symptoms of her chronic illness.

When Myra’s magic is discovered by the worst person possible, she forges an uneasy bargain with the governor’s wife. If Myra can use her Prodigy gift to resurrect the governor’s dead son, she could earn enough for a proper home, tuition to attend the conservatory, and even a real doctor to treat Lucy. If Myra fails, the governor’s wife will expose Myra as a Prodigy and her life could well be forfeit.

Spirited to Rose Manor in the dead of night, Myra has four days to complete her work before the body decays beyond help. Among the “ancient wealth and finery,” Myra sets to her grim work. But it soon becomes clear the governor’s son did not suffer an accidental fall as Myra has been told. Something more sinister is at work–something that could be even more dangerous to Myra than her exposure as a Prodigy. With reluctant help from August–the governor’s older, less favored son–Myra begins investigating the suspect death and trying to understand why her magic isn’t working. With time running out, Myra will uncover unsavory truths about the stately mansion and its residents in A Forgery of Roses (2022) by Jessica S. Olson.

Find it on Bookshop.

Olson blends mystery and suspense with a gothic sensibility in this standalone fantasy where all characters are assumed white. Myra narrates with an artist’s eye focused on color as seen when she describes making ladyrose gel–a medium from the author’s imagination that allows oil paints to dry fast enough for artists to complete full paintings in a matter of hours–from burnt flower petals: “As soon as it hits the water, the rose blood fans out, a spiderweb of shimmering scarlet veins crawling through the pot until the whole thing clouds like it’s full of sparkling garnet dust.” Myra’s keen eye for detail also works well within the narrative to increase tension and broadcast danger with one character described as having eyes that “glimmer like pond-slick moons” and “pearl earrings glow milky white like bones on either side of her face, twitching with every word she utters.”

To resurrect the governor’s son, Myra also has to understand the circumstances of his death and his emotional state at the time of death. As Myra explains, sevren are the “connective fibers that bind the soul to the physical form, they’re born from each person or animal’s emotional perception of their bodies. The more emotionally significant a physical feature is to that person or animal, the tighter and denser the bonds become.” Because of this, Myra takes a clinical eye to the body she is trying to restore with grisly precision as she notes “the crushed and mangled ear, the blood congealing on the hair, the fragments of skull and brain tissue” and the “scraped skin and the way the blood has pooled on the bottom of the body” while trying to paint the body as it is before layering in her changes.

Feeling a sense of urgency as time begins to run out and her paintings continue to fail, Myra works (and flirts) with August to investigate his brother’s death. While searching for clues together, August opens up about his daily struggle with severe anxiety which is well-represented in the text. As August explains, “This anxiety will always be a part of me. It’s not going anywhere, and I’m going to have to live with it for the rest of my life. But I am not broken because of it.”

Myra’s desperation to complete her work before she is exposed as a Prodigy only increases when Lucy’s illness takes a turn for the worse. Although unnamed in the text, symptoms include food sensitivity and intestinal distress which Lucy manages with scientific precision in notebooks where “food logs, graphs, and lists of symptoms are mapped out carefully on each page.” Readers will also recognize Spoon theory, described in the text as juice in a glass where “Every action of daily life—getting out of bed, bathing, dressing, doing research—siphoned juice away. Once the glass was empty, no matter how much she had left she needed to do or how much she’d hoped to get done, her body needed to rest. To refill the glass.”

A Forgery of Roses combines art, fantasy, and a truly surprising mystery with authentic and respectful representation for both anxiety and chronic illness which are seen as points of strength rather than flaws in this story where as Myra notes about Lucy “As far as I’m concerned, I may be the one with magic, but she’s the truly powerful one. Because she’s fought where I have never had to.” Myra and August’s romance and a final act filled with the surprise twists that are a hallmark of gothic literature at its best further enhance this story where a picture is worth much more than a thousand words.

Emma Carbone is a librarian and reviewer. She has been blogging about books since 2007.

Possible Pairings: The Beautiful by Renee Ahdieh, Blood and Moonlight by Erin Beaty, The Invention of Sophie Carter by Samantha Hastings, Murder for the Modern Girl by Kendall Kulper, An Enchantment of Ravens by Margaret Rogerson, Belle Epoque by Elizabeth Ross, Gallant by V. E. Schwab, The Splendor by Breeana Shields, Hotel Magnifique by Emily J. Taylor, All that Glitters by Gita Trelease

The Words We Keep: A Review

Updated March 7, 2023 to add: The Words We Keep won the 2023 Schneider Family Book Award from ALA. The award is “given to an author or illustrator for a book that embodies an artistic expression of the disability experience for child and adolescent audiences.” If you keep reading, you’ll see I don’t dispute that Stewart does an excellent job portraying Lily’s anxiety disorder. But doing one thing well doesn’t mean a book does everything well nor does it excuse problematic elements.

Three months after the Night on the Bathroom Floor, high school junior Lily Larkin feels like her life is falling apart. Because it is.

On the Night on the Bathroom Floor Lily found her older sister Alice hurting herself. Alice hasn’t been home since. And Lily has been struggling to fill all of the Alice-shaped gaps she left behind.

If Lily can do enough at home, get good enough grades at school, make it to State in track, get into UC Berkeley, and keep doing everything right it will all be okay. Her family needs a win and all Lily has to do is keep winning.

Except Lily feels like she’s starting to lose it. She’s uninspired, overwhelmed, and struggling to hide all of it from her family and her friends.

When she’s partnered with a new student who knows all about the Night on the Bathroom Floor, Lily is worried Micah Mendez will reveal all of her family’s secrets. Instead, he might be the one person who can help Lily find her way back to herself in The Words We Keep (2022) by Erin Stewart.

Find it on Bookshop.

Lily and her family (and most secondary characters) are presumed white. Micah is Mexican American.

The Words We Keep is Stewart’s second novel and I wish I could recommend but I can’t.

Read on for a discussion of some of the issues I had with this book including casual transphobic-leaning comments from characters and numerous spoilers:

Be Dazzled: A Review

Raffy loves designing and creating costumes–even if he has to keep it a secret from his big-deal-art-gallery-running mom. Raffy knows that cosplay is art but try telling his mom that when she’s busy finding the next big talent.

But that’s okay because Raffy has a plan. If he can win this year’s biggest cosplay competition, he’ll win enough prize money to be able to do whatever he wants. Including going to art school for costume design.

The only problem is that Raffy had planned to compete with his boyfriend Luca. And now they’re broken up. And Luca is competing with Raffy’s nemesis.

Raffy knows all of the tricks to mend a costume gone wrong. But when the cosplay competition keeps throwing them together, Raffy isn’t sure if he’ll be able to mend his broken heart in Be Dazzled (2021) by Ryan La Sala.

Find it on Bookshop.

Be Dazzled is La Sala’s hilarious ode to all things fandom and cosplay complete with glitter, anime characters, and more hot glue than you can shake a stick at. Gay Raffy and bisexual Luca are presumed white with an inclusive supporting cast.

Raffy’s first person narration alternates between the present as Raffy embarks on his biggest cosplay competition ever and the past from Raffy and Luca’s meet cute at the craft store sponsoring the convention to their painful breakup. While Raffy does a grim postmortem of their relationship and everything that went wrong, he’ll have to decide if he’s willing to stop chasing perfection if it means having love.

Snappy prose and a fast-paced story make Be Dazzled totally engrossing. Come for the high stakes cosplay drama, stay for the will-they-or-won’t-they tension between Raffy and Luca.

Possible Pairings: Don’t Cosplay With My Heart by Cecil Castelucci, Perfect On Paper by Sophie Gonsales, Tahira in Bloom by Farah Heron, The Fashion Committee by Susan Juby, The Love Curse of Melody McIntrye by Robin Talley, Queens of Geek by Jen Wilde

Roses and Rot: A Chick Lit Wednesday Review

Imogen has spent her life reading fairy tales and wishing she could live in one herself. Surely even an evil stepmother would be better than her actual mother. Surely a chance at adventure–even a dangerous one–would be better than waiting, constantly and always, to see what new ways her mother would find to hurt her, to try and turn her and her younger sister Marin against each other.

By the time she’s sixteen, Imogen has found a way out. She has to leave Marin behind. But their mother never hurts Marin the same way she hurts Imogen. And sometimes there is no happily ever after. Sometimes there’s just survival.

Now Imogen and Marin are adults, trying to mend their years-long estrangement and about to live together for the first time since their adolescence at an elite artists’ colony–Imogen for her creative writing and Marin as a dancer. Everything about the program, from its list of accomplished mentors to the patina of success that seems to cling to every alumni, seems too good to be true.

It’s also impossible to pass up.

Once they arrive the program seems to be everything the brochures promised and more. But the pressure is real too. Marin knows taking a year off from performing as a dancer is risky and she isn’t sure it will pay off–even with the attentions of her famous mentor. Imogen, meanwhile, knows the colony is the perfect place to begin piecing together her novel.

But not everything is as it seems. As Imogen and Marin learn more about the program and its background, the sisters realize that success can mean very different things–and have a much higher cost–than either of them ever imagined in Roses and Rot (2016) by Kat Howard.

Find it on Bookshop.

Roses and Rot is Howard’s debut novel. Most major characters, with the exception of Ariel who is described as dark skinned, are white. The novel is narrated by Imogen with excerpts from the fairy tales she is working on during her fellowship.

Howard’s writing is beautiful as she brings the secluded artist’s colony to life with atmospheric descriptions of the changing seasons and the woods looming nearby. References to Imogen’s abusive mother in narrative asides and small flashbacks lend menace to the story as readers learn more about the events leading up to Imogen and Marin’s estrangement.

While all of the pieces are there, the ultimate reveal in Roses and Rot feels abrupt with a payoff that is disproportionate to the buildup as fantasy elements are added to the narrative. Imogen makes sense as the center of the story however her arc is ultimately one of the least interesting as she works to save her sister from her own success. Added elements of competition between the sisters also crop up with almost no explanation beyond the existence of their previous estrangment.

Roses and Rot is a strongly evocative debut that explores the power of both success and creativity as well as the deeper motivations that drive artists to strive for their best. Themes of sacrifice and belonging are explored to better effect in Howard’s stronger sophomore novel An Unkindness of Magicians, an urban fantasy and obvious progression from this debut.

Possible Pairings: The Hazel Wood by Melissa Albert, Bunny by Mona Awad, War for the Oaks by Emma Bull, Tam Lin by Pamela Dean, A Lesson in Vengeance by Victoria Lee, Spinning Silver by Naomi Novik, An Enchantment of Ravens by Margaret Rogerson

Amber & Clay: A (WIRoB) Review

This piece originally appeared in the Washington Independent Review of Books:

The god Hermes draws readers into “the tale of a girl as precious as amber, / the tale of a boy as common as clay” as he introduces Melisto, a pampered girl in Athens, and Rhaskos, a Thracian slave in Amber & Clay (2021) by Laura Amy Schlitz, illustrated by Julia Iredale. Find it on Bookshop.

Although close in age, the two “weren’t alike, but they fit together, / like lock and key.” In normal circumstances, they would never meet, but what is ever normal when the gods are watching?

Their stories begin when both are young children. In segments of verse, Rhaskos remembers his early years as a slave up to the night his mother tattoos him in the Thracian tradition, only to be sold before she can explain the markings to him. Renamed Thratta, Rhaskos’ mother joins Melisto’s household, where she is meant to tend the little girl and ease some of the child’s wildness.

While Rhaskos misses his mother and treasures small moments of beauty observing the horses in his master’s stables in Thessaly, Melisto has her own struggles in Athens. Her mother resents Melisto’s disobedience and willfulness. She also fears that she will “crack her skull / or black her eye, or shake her / so hard” that she will break her daughter’s neck.

Rhaskos’ lyrical, carefully structured blank verse provides contrast with Melisto’s prose passages as the story weaves in voices from Hermes and Hephaistos to Athena and Artemis, among other members of the Greek pantheon. A comprehensive author’s note explains the creative choices Laura Amy Schlitz made in drawing from Greek history and embracing the strophe-antistrophe technique common in Greek plays — as seen in the “Turn and Counterturn” poems, where two characters share their different perspectives on parts of the plot. The book also includes a helpful cast of characters at the beginning.

Archaeological images (illustrated by Julia Iredale) and exhibit-style captions add further dimension to this sprawling narrative. Artifacts that prove key to the story include an “unusually fine” amber gold necklace “found on the Athenian Akropolis, near the ruins of the Sanctuary of Artemis Brauronia”; Rhaskos’ first pottery casting; and others.

Everything changes for both children when Melisto is called on to serve as a Little Bear at the Sanctuary of Artemis in Brauron. As Hermes explains: “My point is: little is known. / What was meant to be a mystery / is still a mystery. / Except we’re going to lift the veil a little, / and peek. We’ll see Brauron / through Melisto’s eyes— / Melisto’s going to Brauron, / to serve as a Little Bear.”

At the sanctuary, Melisto enjoys unprecedented freedom, allowing her to explore nature, indulge her wildness, and finally thrive as she begins tending a bear cub reserved for a future sacrifice to honor Artemis. Back in Thessaly, Rhaskos’ world becomes even smaller under his abusive new master, Menon, inspiring Hephaistos, the god of fire, metalworking, and masonry, to form a plan to intervene on Rhaskos’ behalf to “send my boy to Athens / and wrest him away from Menon.”

While Melisto decides to honor what she knows is right at Brauron despite Artemis’ supposed wishes, and Rhaskos dreams of a life where he is free and able to make art, events are set in motion that will put the pair on a life-changing, utterly unexpected collision course.

Schlitz’s ambitious standalone middle-grade story is meticulously researched and brings ancient Greece to life as Hermes instructs readers on the country’s proper name (“Don’t call it Greece”), and Rhaskos is shown Athenian attractions like the Trojan Horse and the Akropolis, where “the stones of the temples were bathed in gold” for the first time.

What begins as a story about a spoiled girl and a common boy becomes, in the author’s capable hands, a much larger commentary on art, friendship, and identity as we watch Melisto and Rhaskos transform, becoming “the girl as electric as amber, the boy, indestructible as clay.”

Possible Pairings: The Inquisitor’s Tale by Adam Gidwitz, Stone River Crossing by Tim Tingle

Happily Ever Afters: A Chick Lit Wednesday Review

As a shy introvert, there’s nowhere Tessa Johnson would rather be that sitting down at her laptop writing. Tessa rarely sees herself in the romance novels she loves to read. So instead she writes her own, creating love stories where she and her best friend Caroline can finally see themselves as leading ladies. Writing is the one place Tessa feels like she is fully in control of her life. Sharing her writing with anyone but Caroline is a different story.

While moving for her father’s promotion is hard, Tessa hopes that starting her junior year at an arts school with a creative writing program will make the transition easier. The only problem is that Tessa fails to consider that being in a writing program means people will want to read–and critique!–her writing. Suddenly Tessa’s dream school turns into a nightmare when she loses all of her inspiration and her confidence.

Without any other ideas, Tessa agrees to follow Caroline’s advice: find some real-life inspiration with romance-novel inspired ideas while getting close to the incredibly cute, romance-cover-worthy visual arts student Nico. Checking things off her list turns out to be easy, but Tessa isn’t sure if it’s really going to help her find her words again–or the right guy for her own perfect ending in Happily Ever Afters (2021) by Elise Bryant.

Find it on Bookshop.

Happily Ever Afters is Bryant’s debut novel. The story is narrated by Tessa.

Having a Black father and a white mother, Tessa was used to never fitting in at her previous school where she and Caroline (who is Filipina) initially bonded as two of the only students of color. In addition to the culture shock of a conservatory program, Tessa is thrilled to find a much more diverse group of students at her new school as she bonds with new friends on her own for the first time.

Although Tessa struggles with anxiety and panic attacks, the novel is imbued with humor even as things go wrong. This levity is much needed to counter heavier parts of the story as Tessa balances her own life with the responsibilities and expectations her parents have for Tessa to help with her older brother Miles who has athetoid cerebral palsy which has led to mobility challenges and mental impairment.

While Tessa tries, with varying levels of success, to get closer to Nico, readers can appreciate Tessa’s swoony moments with neighbor and culinary arts student Sam. Both Tessa and Sam struggle with impostor syndrome as Tessa wonders if her romantic stories really “count” as creative writing while Sam tries to justify baking as an art to himself as much as to anyone else.

Happily Ever Afters is an ode to romance novels, creativity, and fandoms. A sweet story about how sometimes you have to learn to love yourself–and your passions–without apology before you can learn to love someone else.

Possible Pairings: Starry Eyes by Jenn Bennett; Vinyl Moon by Mahogany L. Browne; Blackout by by Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon; I Believe in a Thing Called Love by Maurene Goo, You Should See Me in a Crown by Leah Johnson, Tweet Cute by Emma Lord, Foolish Hearts by Emma Mills, Don’t Date Rosa Santos by Nina Moreno, Simone Breaks All the Rules by Debbie Rigaud, Fangirl by Rainbow Rowell, By the Book by Amanda Sellet, Recommended For You by Laura Silverman, Today Tonight Tomorrow by Rachel Lynn Solomon, Last Chance Dance by Lakita Wilson

Felix Ever After: A Review

Felix Love has never been in love–an irony that weighs heavily on him as he starts the summer before his senior year in high school. Felix is mostly happy with his life and loves who he is but he also wonders as a Black, queer, transgender teen if he’s ever going to find his happy ending.

Felix knows he’s lucky to be fully accepted by his best friend Ezra and his classmates. He knows not all fathers would pay for their son’s top surgery or support his choice to be his true self. Felix reminds himself of that every time his father stumbles a little when he tries to call Felix by his name.

But there’s no excuse when someone in Felix’s summer art program puts up an exhibit with photos of Felix as a kid before he transitioned along with his deadname. When he starts receiving transphobic messages on Instagram, Felix decides it’s time to fight back.

Creating a secret profile to try and out his harasser should be simple since Felix is so sure it’s his longtime nemesis, Declan. But when Felix and Declan start talking, Felix realizes nothing is exactly as it seems–especially Felix’s own feelings for Declan and for Ezra in Felix Ever After (2020) by Kacen Callender.

Find it on Bookshop.

Felix has to deal with some heavy topics throughout the book including the anonymous transphobic harassment and offhand comments from classmates as well as his father’s mixed efforts to support Felix. Callender presents all of this thoughtfully and, thanks to Felix’s first person narration, keeps the focus on Felix’s own experiences without giving extra page time to his traumas. (One example: Although we see Felix being deadnamed–with his childhood photos and captions using the name Felix was given by his parents before he transitioned–in the rogue art exhibit, we do not ever see the actual name used in the book.)

Despite being his story, Felix is not always an easy character to cheer on as he embarks on his own catfishing scheme for revenge. That said, Felix learns a lot and grows a lot as the story progresses and he begins to stand up for himself and more fully understand his own gender identity.

With a flashy, feel-good finale at the New York City Pride parade, Felix Ever After is a summery, romantic story that will leave you with a smile on your face.

Possible Pairings: Simon Vs. the Homo-Sapiens Agenda by Becky Albertalli, I Wish You All the Best by Mason Deaver, Some Girls Bind by Rory James, You Should See Me in a Crown by Leah Johnson, Openly Straight by Bill Konigsberg, Birthday by Meredith Russo, Follow Your Arrow by Jessica Verdi