The Invention of Sophie Carter: A Review

“None of us are the same, and we shouldn’t compare ourselves to others. Our comparisons are invariably false when we compare their strengths to our weaknesses.”

The Invention of Sophie Carter by Samantha HastingsEngland, 1851: Orphaned and grudgingly cared for by their reluctant guardian, identical twins Sophie and Mariah Carter don’t think they need anyone else when they have each other.

What the sisters need, desperately, is a chance at lives filled with more than the drudgery they’ve known for the last ten years. Sophie dreams of using her clockmaking skills to become a renowned inventor while, with the right instruction, Mariah’s artistic talents could make her a leading painter.

Sophie’s plan to get them both to London for the summer to see the Queen’s Great Exhibition (for Sophie) and London’s finest art (for Mariah) almost works. The problem? Their aunt will only accommodate one sister. To avoid separation the girls travel to London together agreeing to take turns being “Sophie.”

At first, the plan is simple enough since no one can tell the twins apart. But as Sophie forges an unlikely friendship with businessman Ethan and Mariah warms to their aunt’s prickly ward Charles both girls will have to contend with their own feelings and ambitions as well as the two young men who each think they’re falling in love with the real Sophie in The Invention of Sophie Carter (2020) by Samantha Hastings.

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The Invention of Sophie Carter is Hastings’ second novel. Chapters alternate between close third person following each sister during their adventures around London and in their aunt’s house.

Breezy narration, a pitch perfect historical setting, and just the right amount of romance make this story a delight. Themes of sisterhood and individuality elevate this romance adding dimension to both sisters as their horizons expand with the opportunities they are able to seize in London. Ethan and Charles are also excellent foils to both sisters.

The Invention of Sophie Carter is a delightful read and just what I needed right now. Readers are sure to be as smitten with the Carter sisters as their suitors are by the end of this utterly charming novel. Highly recommended.

You can also check out my interview with Samantha about the book here on the blog!

Possible Pairings: Love, Lies and Spies by Cindy Antsey, Etiquette & Espionage by Gail Carriger, Dangerous Alliance by Jennieke Cohen, Sorcery and Cecelia by Patricia C. Wrede and Caroline Stevemer, A Spy in the House by Y. S. Lee

*An advance copy of this title was provided by the publisher for review consideration*

Making Friends: Back to the Drawing Board: A Graphic Novel Review

Making Friends: Back to the Drawing Board by Kristen GudsnukDany finally feels like she’s getting the hang of middle school. Her best friend Madison has found her own place in town after her confusing start as a drawing in Dany’s magical sketchbook.

With their school opening again after being destroyed in no small part by Dany’s shenanigans at the start of the school year, it’s a busy time. So busy, in fact, that Dany decides it might be time to duplicate herself so she will have someone to help her with mounting homework and figure out how to navigate the still confusing waters of middle school social climbing.

When Dany and … Dany accidentally let a magical dog loose in town, chaos unsurprisingly ensues before Dany, Madison, their other friends, (and the other Dany) work together to try and stop the dog and save the school dance in Making Friends: Back to the Drawing Board (2019) by Kristen Gudsnuk.

Making Friends: Back to the Drawing Board is the second installment in Gudsnuk’s wacky graphic novel series.

Gudsnuk takes the humor, friendships, and zaniness from book one and turns it up to twelve in this flashy, full color, graphic novel.

Things you’ll find in these pages: five Solar Scouts, one Pikkiball, one mean girl, several magic flying rings, a dog genie. Do I even need to say more?

Making Friends: Back to the Drawing Board positions Gudsnuk as a must-read for anyone who enjoys their graphic novels tempered with great humor, good friends, and a whole lot of silly pop culture references.

Possible Pairings: Be Prepared by Vera Brosgol, Friends With Boys by Faith Erin Hicks, All’s Faire in Middle School by Victoria Jamieson, All Summer Long by Hope Larson, Invisible Emmie by Terri Libenson, Lumberjanes by Noelle Stephenson, Sailor Moon by Naoko Takeuchi, Audrey’s Magic Nine by Michelle Wright, illustrated by Courtney Huddleston and Tracy Bailey

*An advance copy of this title was provided by the publisher for review consideration at BookExpo 2019*

The Beauty of the Moment: A Chick Lit Wednesday Review

“Nothing lasts forever. Not this snowflake. Not our homes, not our families. But it doesn’t mean you can’t live in the beauty of the moment.”

Susan Thomas doesn’t cause trouble. She does well in school and she always meets her parents exacting expectations. Maybe that’s why she goes along with her family’s move to Canada without much fuss. Now, instead of spending her senior year with her friends in the familiar surroundings of Saudi Arabia, Susan is in Canada dealing with winter, a school that– while less demanding–is co-ed, not to mention her mother’s depression while they both wonder if Susan’s father will actually make the move to join them in this new country.

According to almost everyone in his life, Malcolm Vakil is trouble. He remembers when he used to care about things like school and making his parents proud but it was a while ago. Before his mother died, before Malcolm found out about his father’s affair, and long before his father finally stopped hitting him and his younger sister. He knows what people see when they look at him. He doesn’t care enough to prove them wrong.

Susan and Malcolm have nothing in common except for wanting desperately to run away from their lives and, maybe, finding a welcome distraction in each other. But the problem with running away is that eventually you have to figure out somewhere–and maybe someone–to run to in The Beauty of the Moment (2019) by Tanaz Bhathena.

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Bhathena’s sophomore novel is a contemporary romance set in the same world as her critically acclaimed debut novel A Girl Like That.

The Beauty of the Moment is a light story but don’t make the mistake of thinking that means it is slight. Bhathena effectively contrasts Susan and Malcolm’s points of view to highlight their differences as well as the common threads that draw them to each other in this story about perceptions and expectations.

This novel is as self-aware as its two main characters. Bhathena artfully explores typical conventions found in romantic comedies while subverting the familiar trope of the smart girl meets bad boy to move the story in unexpected directions. Like all of the best comedies, The Beauty of the Moment isn’t afraid to make fun of itself even drawing its title from a line that Malcolm himself recognizes as being incredibly corny seconds after he shares it.

The Beauty of the Moment is everything you could want in a romantic comedy. As with many things, it’s easy to ignore the work–the strength of Bhathena’s writing– because so much of it is hidden behind well-drawn characters and an engrossing plot. Not to mention beautiful sentence level writing that is sure to immediately draw readers into Susan and Malcolm’s world.

The Beauty of the Moment is a breezy, sweet story about an unlikely romance, complicated families, changed circumstances, and perception. Highly recommended for fans of the genre, readers looking for a new take on some familiar tropes, and anyone looking for a genuine story with authentic, intersectional characters.

Possible Pairings: Love and Other Perishable Items by Laura Buzo, Emergency Contact by Mary HK Choi, The Revolution of Birdie Randolph by Brandy Colbert, 96 Words for Love by Ava Dash and Rachel Roy, 29 Dates by Melissa de la Cruz, To All the Boys I’ve Loved Before by Jenny Han, There’s Something About Sweetie by Sandhya Menon, The Field Guide to the North American Teenager by Ben Philippe, Frankly in Love by David Yoon, The Sun is Also a Star by Nicola Yoon, Places No One Knows by Brenna Yovanoff

*An advance copy of this title was provided by the publisher for review consideration*

The Astonishing Color of After: A Chick Lit Wednesday Review

cover art for The Astonishing Color of After by Emily X.R. PanLeigh knows that her mother turned into a bird after she killed herself. The bird came to her before the funeral. She came again with a box for Leigh to take with her when she goes.

She isn’t sure what the bird wants or how to help her mother. All she knows is that she and her father are now in Taiwan and Leigh is meeting her maternal grandparents for the first time.

Nothing about the trip or her family is what Leigh expected. Her world feels colorless and confusing–coated with grief and filled with ghosts. But as Leigh learns more about her family, her heritage, and her mother’s past it starts to feel like Leigh might be able to find a way through in The Astonishing Color of After (2018) by Emily X.R. Pan.

The Astonishing Color of After is Pan’s debut novel.

It’s taken me a while to review this book because I’ve been struggling with separating how hard this book is to read with how very good it is.

The novel opens shortly after Leigh’s mother has killed herself. Leigh comes home just in time to see her body being taken away, to see the blood, and she is haunted by the thought that she might have been able to do something if only she’d been home instead of celebrating 2.5s Day with her best friend and longtime crush Axel.

Leigh finds a way to channel her grief when a bird comes to her. Leigh knows it’s her mother. She knows the bird is real. She also knows that her mother the bird has things she shouldn’t have–photographs that were burned, heirlooms that were sent to Taiwan.

In traveling to Taiwan Leigh thinks she can somehow rescue her mother the bird and bring her home. Instead Leigh embarks on a journey of discovery and understanding as she learns more about her heritage and her family’s past. She still hurts, she still mourns, but she also begins to learn how to move on and how to forgive.

In traveling to Taiwan Leigh also begins to learn more about her family’s heritage and culture–things that were hard to hold onto as a biracial girl–especially with her mother eager to embrace her new life in America and leave the past behind.

The Astonishing Color of After is not an easy read–Pan’s writing is too visceral, too evocative for that. Instead readers are immediately drawn into Leigh’s journey. Flashbacks shed light on Leigh’s relationship with Axel–a thread that ties the novel together from its painful opening to its hopeful conclusion–while memories from Leigh’s relatives shed light on her mother’s past while also underscoring the flaws in Leigh’s memories and the things she has tried to forget.

The Astonishing Color of After is a powerful and nuanced story about loss, forgiveness, art, and all of the things that make a family–whether it’s blood or a deeper bond. Highly recommended.

Possible Pairings: Down and Across by Arvin Ahmadi, Starfish by Akemi Dawn Boman, The Best We Could Do by Thi Bui, Tell Me No Lies by Adele Griffin, Darius the Great is Not Okay by Adib Khorram, This Raging Light by Estelle Laure, We Were Liars by E. Lockhart, I’ll Give You the Sun by Jandy Nelson, The Summer of Chasing Mermaids by Sarah Ockler, 500 Words or Less by Juleah del Rosario, Bone Gap by Laura Ruby, I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez, The Walls Around Us by Nova Ren Suma, The Serpent King by Jeff Zentner, American Street by Ibi Zoboi

Tell Me No Lies: A (WIRoB) Review

This piece originally appeared in the Washington Independent Review of Books:

cover art for Tell Me No Lies by Adele GriffinIt’s October 1988, and Lizzy Swift is finally in 12th grade at her all-girls high school. She was promised glamor and excitement, certain that, at Argyll, “there was no bigger prize” than being a senior.

But now, all she feels is tricked.

So far, the year has been just like every other; she hasn’t taken part in any of the big moments that she always thought would make up her senior year. Instead, Lizzy is busy filling her transcript with items to add to her Princeton application.

She studies to stay on the honor roll, works on drawings for her AP art portfolio, and tries to convince her best friends and fellow nerds, Gage and Mimi, to step outside of their comfort zones with her. But athlete Gage is happy just marking time until college, while Mimi’s free time is spent chatting with her boyfriend.

Lizzy used to think all she wanted was to blend in, to make it easier to pretend no one knows about her epilepsy. It’s been years since she had a grand mal seizure during chorus class, after all.

Since then, Lizzy has managed to largely ignore her condition, never talking about her medication, the doctor, or the risk of seizures that makes her parents overprotective. But she’s constantly on guard, always waiting for her next seizure. And being dubbed “spaz” by popular Wendy Palmer hasn’t helped her social standing.

Lizzy is as shocked as anyone when new girl Claire Reynolds chooses to lavish attention on her, first with shared eyeliner and later with secret trips into the city. Claire is effortlessly cool in a way Lizzy desperately wants to emulate.

Of course, Claire has her own secrets about why she came to Argyll during her senior year, but Lizzy is so thrilled with the friendship that she’s willing to overlook Claire’s secrecy in Tell Me No Lies (2018) by Adele Griffin.

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(While Lizzy’s epilepsy plays a large role in her character arc, readers may lament that there is no author’s note included to detail the research and resources Griffin may have used to try to authentically portray the condition.)

She also keeps picking up the tab for Claire, despite the fact that Claire and her divorced mother now live with their extremely wealthy aunt and her 16 cats. These, Claire explains, “had the run of the house and could do anything they wanted, plundering like pirates, knocking over vases, scratching curtains and portraits, sleeping anywhere.”

Despite her misgivings about Claire, Lizzy treasures their friendship, as it allows her to present a new version of herself for the first time in years. Her newfound confidence even leads Lizzy to date a longtime crush, Matt Ashley.

But even with their obvious chemistry and affection, which Griffin sweetly shows on the page, every time Lizzy and Matt try to connect physically, it feels like something is off — especially during an awkward hand job that seems to push them further apart instead of bringing the couple closer together.

Is it because Lizzy skipped third grade and is the youngest in her class? Or is something else making Matt hold back every time they’re alone together?

While Lizzy’s focus for most of the novel is her relationship with Claire and Matt, she — and readers — come to appreciate the constant and familiar presence of her best friends, who support her even as they struggle to understand her changing tastes and attitude.

Attention from Mimi’s older brother, Theo, a college student and model described as a “Korean James Bond,” is a confusing addition to Lizzy’s rather overfilled senior year, as their once-easy friendship shifts to a more intense flirtation.

This YA novel about the excitement of new relationships and experiences plays out against the backdrop of fear and paranoia surrounding the AIDS crisis and the shifting norms and politics of the times.

Offhand references to Keith Haring, Joy Division, and other key figures of the period further help set a scene which may feel very remote for today’s teen readers. Plot threads, including sexual abuse by a teacher, closeted gay teens, and the constant fear of HIV, are timely given the setting, if somewhat unnecessary additions to this already jam-packed novel.

Still, Tell Me No Lies is an atmospheric ode to the joys of self-discovery and true friendships. It’s an ideal choice for anyone interested in the 1980s or looking for a compulsively readable piece of historical fiction.

Possible Pairings: Graffiti Moon by Cath Crowley, I’ll Give You the Sun by Jandy Nelson, The Astonishing Color of After by Emily X.R. Pan

Blood Water Paint: A Chick Lit Wednesday Review

“I paint the blood.”

cover art for Blood Water Paint by Joy McCulloughRome, 1610: Artemisia Gentileschi had limited options when her mother died at twelve. She could join a convent or she could work in her father’s studio grinding paint, preparing canvases, and modeling as needed.

She chose art.

Now, at seventeen, Artemisia is a key factor to the success of her father’s studio–not that anyone knows it since she can’t sign her name to her art. Instead Artemisia works in secret while her father takes the credit.

Artemisia dreams of improving her craft, stepping out of her father’s shadow, and painting heroic figures like Susanna and Judith the way they were meant to be seen–not as titillating figures colored by the male gaze.

When she is raped by a fellow artist who she thought she could trust and respect, Artemesia dares to tell the truth–and to demand justice–in spite of the horrendous cost in Blood Water Paint (2018) by Joy McCullough.

Find it on Bookshop.

Blood Water Paint is McCullough’s debut novel. Artemisia narrates the story in sparse verse. Interspersed between these stories are prose sections in which Artemisia remembers the stories of Susanna and Judith as her mother told them to her as a child.

McCullough beautiful details Artemisia’s passion and commitment to her art. The begins in Artemesia’s teen years and continues through her rape by Agostino Tassi and the subsequent trial. Her rage and frustration against the artistic establishment and her limited options as a woman in Rome are palpable throughout the story–especially during the trial when she is subjected first to a gynecological exam and later torture with thumbscrews to “prove” the truth of her testimony. The novel ends as Artemisia begins again returning to her painting in the wake of the trial and its outcome.

McCullough makes excellent use of free verse to highlight Artemisia’s talents and internalize her anger and fear after the rape. This format also allows the novel to provide a thorough telling while sticking to the broad strokes of Artemesia’s triumphs rather than focusing in on her suffering.

Blood Water Paint is an excellent verse novel and carefully researched historical fiction. Recommended.

Be sure to check out my exclusive interview with Joy about Blood Water Paint too!

Possible Pairings: The Poet X by Elizabeth Acevedo, Da Vinci’s Tiger by L. M. Elliott, And We Stay by Jenny Hubbard, The Princess Saves Herself in This One by Amanda Lovelace, Mostly Good Girls by Leila Sales, I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez

 

Making Friends: A Graphic Novel Review

cover art for Making Friends by Kristen GudsnukSixth grade seemed so much easier to Danielle. Her friends were all together in the same class with her. She knew all the rules in school and how things worked.

Seventh grade isn’t like that. Danielle is in a different class and her friends are making new friends without her. Nothing is the same. Even making new friends feels harder now than it did when she was younger.

Drawing in the sketchbook she inherited from her great aunt Elma is way simpler. At least until Danielle realizes that her new sketchbook is magical. Everything she draws in the book comes to life–even the head of Prince Neptune, the dreamy misunderstood villain from her favorite show.

When Danielle starts thinking about the perfect best friend, the solution seems obvious. She can draw a friend! The only problem is Madison doesn’t know that Danielle drew her. And Danielle isn’t sure they can still be friends if she finds out.

With her secret looming and Prince Neptune whispering terrible advice in her ear, Danielle’s friend troubles are certain to get even worse. It will take some magic sketches and a lot of friendship to stop Prince Neptune before it’s too late in Making Friends (2018) by Kristen Gudsnuk.

Gudsnuk’s latest graphic novel is a wild mashup of contemporary middle school antics and magical adventures sure to appeal to fans of Sailor Moon. Danielle’s real world problems are tempered with the more fantastical question of what to do about the floating head she accidentally brought to life and how to convince her best friend Madison that she can be her own person while still starting life as one of Danielle’s drawings.

Gudsnuk’s style is sharp with a cartoon vibe in this full color comic. Panels are dynamic and make a nice distinction between Danielle’s life and her drawings. Readers can only hope that this standalone volume will be the start to a new series.

Making Friends is a wild genre bender with humor and heart in equal measure. Highly recommended.

Possible Pairings: Be Prepared by Vera Brosgol, Friends With Boys by Faith Erin Hicks, All’s Faire in Middle School by Victoria Jamieson, All Summer Long by Hope Larson, Invisible Emmie by Terri Libenson, Lumberjanes by Noelle Stephenson, Sailor Moon by Naoko Takeuchi, Audrey’s Magic Nine by Michelle Wright, illustrated by Courtney Huddleston and Tracy Bailey

Speak: The Graphic Novel: A Chick Lit Wednesday (Graphic Novel) Review

cover art for Speak: The Graphic Novel by Laurie Halse Anderson, illustrated by Emily CarrollMelinda remembers when she looked forward to starting high school. It was a new chapter filled with promise. She’d have the  chance to become anyone she wanted.

That was before the end of summer. Before what happened at the party.

Now Melinda is alone. Her parents are too busy hating each other and their lives to pay any attention to why Melinda stopped speaking let alone anything else. At school everyone knows that Melinda is the one who called 911 and brought the cops to the biggest party of the summer.

Art class is Melinda’s one refuge. She doesn’t have to think about the best friends who abandoned her or the new girl who calls her a friend when it’s convenient. She doesn’t have to worry about trying to talk to David Petrakis. She doesn’t even have to think about what happened at the party. All she has to do is draw trees.

Melinda starts the school year as an observer–an outsider. She isn’t okay. But with her art, a reclaimed supply closet, and some time, Melinda might be able to reclaim her voice in Speak: The Graphic Novel (2018) by Laurie Halse Anderson, illustrated by Emily Carroll.

This book is the graphic novel adaptation of Anderson’s award winning novel of the same name. Although Speak was originally published in 1999 Melinda’s story remains just as timely and immediate in this new version.

In many ways, Speak: The Graphic Novel feels like the form this story should have always had. Anderson’s story is complemented by Carroll’s eerie black and white illustrations. The format allows the story to shift easily between Melinda’s reality and her imaginings. Carefully constructed page designs also help evoke a palpable sense of Melinda’s silence and her introspection for much of the novel.

Speak has been a must-read since its original publication. This graphic novel adaptation underscores the story’s significance and makes it approachable for a whole new segment of readers.

Possible Pairings: The Poet X by Elizabeth Acevedo, Saints and Misfits by S. K. Ali, A Girl Like That by Tanaz Bhatena, Starfish by Akemi Dawn Bowman, Lighter Than My Shadow by Katie Green, I Kill Giants by Joe Kelly, Boy Toy by Barry Lyga, Criminal by Terra Elan McVoy, Monster: The Graphic Novel by Walter Dean Myers, Adapted by Guy Sims, Illustrated by David Anyabwile; The Summer of Chasing Mermaids by Sarah Ockler, A Map of the Known World by Lisa Ann Sandell

An Enchantment of Ravens: A Chick Lit Wednesday Review

“Why do we desire, above all other things, that which has the greatest power to destroy us?”

cover art for An Enchantment of Ravens by Margaret RogersonIn the town of Whimsy Craft is currency. The fair folk value human artistry and creativity above all else–they crave it and collect it in lieu of creating on their own. For the right talent they might even offer humans their most coveted prize: immortality.

Isobel has made a comfortable life for herself and her aunt and sisters in Whimsy thanks to her skills as a portrait painter. But even Isobel’s talent can’t protect her from the whims of the fair folk. Any fairy client is dangerous–even Isobel’s oldest and most likely harmless patron, Gadfly–but royal ones especially so.

Isobel hopes to dazzle Rook, the autumn prince, with her Craft and then never see him again. Instead, her inclusion of human sorrow in Rook’s expression may doom them both in An Enchantment of Ravens (2017) by Margaret Rogerson.

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An Enchantment of Ravens is Rogerson’s debut novel.

Isobel’s first person narration is candid and self-aware with prose that is delicately woven on a sentence level and serves well to compliment the story’s masterful world building.. She is keenly aware of the dangers of the fair folk, particularly their promise of immortality from the Green Well. The beauty and charm of the fair folk stands in stark contrast to their terrifying lack of humanity offering a nuanced interpretation of the fae that will appeal to fans of Holly Black’s faerie novels.

Instead of being drawn in by all of this glamour, Isobel is at pains to maintain her agency and control. Throughout An Enchantment of Ravens she remains utterly pragmatic and logical even as she is forced to do wild and unexpected things–with caring about and trusting Rook being the most illogical of all.

Isobel is a singular heroine and Rook an admirable foil and ally. This character-driven novel is further enhanced with a strong group of secondary characters notably including newly immortal Aster and my personal favorite, Gadfly. This standalone novel builds to a surprising and truly satisfying conclusion as pieces fall into place as neatly as the brushstrokes in one of Isobel’s portraits. An Enchantment of Ravens is an inventive and unique fantasy filled with fairies, danger, and romance. Highly recommended.

Possible Pairings: The Hazel Wood by Melissa Albert, The Cruel Prince by Holly Black, Legendary by Stephanie Garber, A Thousand Nights by E. K. Johnston, Ella Enchanted by Gail Carson Levine, The Perilous Gard by Mary Elizabeth Pope, An Enchantment of Ravens by Margaret Rogerson, A Well-Timed Enchantment by Vivian Vande Velde, Extraordinary by Nancy Werlin, Illusions of Fate by Kiersten White

Starfish: A Chick Lit Wednesday Review

cover art for Starfish by Akemi Dawn BowmanAll of Kiko Himura’s hopes are pinned on getting accepted to Prism–her dream art school. At Prism Kiko knows that it won’t matter that she’s half-Japanese and knows barely anything about her own culture. She won’t need to regret her failed relationships with her brothers. She’ll be able to get away from her mother who is alternately suffocating and neglectful. Best of all, Kiko knows that at Prism she’ll finally be understood the way she always used to be by her childhood best friend, Jamie.

After Prism rejects her, Kiko is forced to consider other options–especially when her abusive uncle moves into the house and makes life even more unbearable. When Kiko and Jamie meet up at a party, Kiko jumps at the improbable chance to tour art schools with him on the west coast. Along the way Kiko will learn how to be brave and and let herself be heard while understand that sometimes second choices can lead to second chances in Starfish (2017) by Akemi Dawn Bowman.

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Starfish is Bowman’s debut novel and a finalist for YALSA’s 2018 Morris Award.

This is a quiet and deliberate novel. Kiko knows better than most that words have weight thanks to what happened when she spoke out about her uncle’s abuse and also from the methodical way Kiko’s mother uses them to break her down. Kiko’s visions of vivid sketches and lavish paintings are interspersed throughout Starfish helping Kiko give voice to her emotions when she doesn’t feel strong enough to share them herself.

While Kiko’s strained relationship with her mother and her uncle’s abuse are key factors in Starfish, the main story here is Kiko’s growth and resilience as she begins to realize she has more options than she ever imagined.

Starfish is both heartbreaking and ultimately hopeful as Kiko comes into her own and discovers her own strength. Evocative settings and an obvious love for art are imbued in this story along with a subtle romance. Kiko is an empowering heroine readers will immediately want to cheer on. Highly recommended.

Possible Pairings: The Poet X by Elizabeth Acevedo, Down and Across by Arvin Ahmadi, Speak by Laurie Halse Anderson, Far From the Tree by Robin Benway, Suffer Love by Ashley Herring Blake, Graffiti Moon by Cath Crowley, In a Perfect World by Trish Doller, This Raging Light by Estelle Laure, When We Collided by Emery Lord, I’ll Give You the Sun by Jandy Nelson, The Astonishing Color of After by Emily X.R. Pan, 500 Words or Less by Juleah del Rosario, Break Me Like a Promise by Tiffany Schmidt, As You Wish by Chelsea Sedoti, Your Destination is On the Left by Lauren Spieller, The Serpent King by Jeff Zentner