Blackout: A Review

Blackout by by Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola YoonEveryone who’s ever lived in New York City has a blackout story. Maybe it involves the looting and chaos of the 1977 blackout. Maybe you were at your first part-time job orientation about to get your ID photo taken when the blackout in 2003 hit the entire northeast (that’s mine). Maybe you were without power for five days after Superstorm Sandy in 2011 (still me). Maybe you have a different story.

For a group of Black teens things get a lot clearer after the lights go out. Like, all the lights. Everywhere.

They all start in different places. Stranded in Manhattan, isolated from friends, worried about elderly relatives, thinking about what comes next.

But tonight is the last block party of the summer. Missing it is not an option. Whether walking, biking, or going rogue in a NYC tour bus (for real) everyone has somewhere to be tonight. And, along the way, everyone has something to learn about themselves and their heart in Blackout (2021) by by Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon.

Find it on Bookshop.

Blackout is a collaborative novel featuring six interconnected stories from some of the best voices in writing YA fiction right now. Clayton–the initiator of the project–pulled these authors together to create their own version of the ubiquitous Hallmark romantic comedies that often fail to feature Black characters (or any characters of color) finding love. The audiobook is pitch perfect with narrators Joniece Abbott-Pratt, Dion Graham, Imani Parks, Jordan Cobb, Shayna Small, A.J Beckles and Bahni Turpin bringing the characters to life.

The book starts with “The Long Walk” by Tiffany D. Jackson, a story told in five acts throughout the novel as exes Tammie and Kareem reluctantly travel together back to Brooklyn after the blackout (and finding out they were both offered a single internship) leaves them stranded at the Apollo theater in Harlem. Tammie’s narration is sharp and still smarting after the breakup but as the two make their way to a block party where Kareem will be DJing, both teens realize that maybe growing apart doesn’t mean they have to stay apart.

In “Mask Off” by Nic Stone JJ (Tammie’s brother, who is bisexual) is trapped in a subway car with his longtime crush Tremain. Helping Tremain manage his claustrophobia as they escape the crowded subway allows the two to talk–and connect–more than their years at school together and JJ’s suspicions about Tremain’s sexuality have allowed. This is one of the shorter stories but Stone uses every word to great effect drawing readers into JJ and Tremain’s dramatic subway exit.

Even when her heart is broken, Nella loves visiting her grandfather at his nursing home, Althea House in “Made to Fit” by Ashley Woodfolk. There’s nothing like hearing about her grandparents’ love story or hanging out with all the cool seniors–especially when Joss and her therapy dog come around. When a cherished photo goes missing, the girls work together to try and track it down leading to a search through the house that reveals as much about their mutual interest as it does about the missing photo. Come for the cute banter, stay for the matchmaking grandfather.

“All the Great Love Stories … and Dust” starts with Lana’s big plans to finally confess her feelings for her best friend Tristan. A plan that is delayed when the blackout strands the two teens in the main branch of the New York Public Library. While Tristan never quite feels like a worthy love interest for her, Lana’s internal dialog as she tries to figure out how to finally admit her feelings is compelling and authentic.

Kayla thought she had problems before her class trip to New York City in “No Sleep ‘Til Brooklyn” by Angie Thomas but that’s nothing compared to how the trip has been going. Things have felt stale with her longtime boyfriend Rashad for a while but that doesn’t mean that Kayla is prepared for her entire class to discuss the intricacies of her love life when Micah starts trying to get her attention. Kayla is an anxious, fast talker and her narration here is exhausting as she spins out when–with the advent of the blackout–it feels like things between her, Rashad, and Micah are about to come to a head. Unlikely advice from the class’s tour bus driver (Tammie’s dad) remind Kayla that before she can choose either boy, she has to remember how to choose herself.

Blackout wraps with “Seymour and Grace” by Nicola Yoon. Grace’s ride share to the block party takes an unexpected turn when she connects with her driver Seymour. Her entire plan for the night was to get to the block party looking sharp as hell while she gives her ex Tristan the earful he so righteously deserves. But plans change all the time. Maybe this ride share is a sign that Grace should make some changes too. Yoon brings her usual excellent prose and clever characters to this story making it a powerful conclusion to this collection.

Blackout is a fun, multifaceted story centering Black joy and highlightling love in many forms. The interconnected nature of the stories leaves room for fun Easter eggs to tie the different pieces together while leaving space for each author to shine in this book filled with humor, pathos, and plenty of love. Blackout is a must read for fans of contemporary romance–short story or novel–and a perfect introduction to these talented authors.

Possible Pairings: Happily Ever Afters by Elise Bryant, Rise to the Sun by Leah Johnson, Summer Days and Summer Nights edited by Stephanie Perkins, The Meet-Cute Project by Rhiannon Richardson, Simone Breaks All the Rules by Debbie Rigaud, Up All Night: 13 Stories Between Sunset and Sunrise edited by Laura Silverman, The Geography of You and Me by Jennifer E. Smith, Love is a Revolution by Renee Watson

*An advance listening copy of this title was provided by the publisher through Libro.fm*

The Hate U Give: A Rapid Fire Review

The Hate U Give by Angie Thomas (2017)

If I had to pick a defining book of 2017 it would be this one. Thomas’ debut novel has received numerous stars (more than I even knew existed). It has also been selected a finalist for both the National Book Award and The William C. Morris YA Debut Award.

Thomas’s debut is one of several very timely and much needed books about social justice and specifically shining a light on the Black Lives Matter movement. It will also soon be a movie with Amandla Stenberg heading up a star-studded cast.

The book follows Starr Carter, a sixteen-year-old black girl who is navigating life at her prestigious school populated with mostly white, mostly wealthy classmates and life at home in the poor neighborhood where she and her family has always lived. Starr doesn’t feel quite at home anywhere–a feeling that is compounded when Starr is driving home with her childhood friend Khalil when a police officer pulls them over and shoots Khalil without cause.

As the only witness, Starr knows she should testify. But she also knows doing so will put her under intense scrutiny from the media. And it might not even lead to justice for Khalil when so many similar cases have ended in acquittals for the officers. Starr’s choice will have lasting ramifications for herself, her family, and her community as she has to choose where her allegiances lie and speak up for what she believes in.

Thomas’s novel is evocative and gripping. It captures this moment in society perfectly and it highlights all of the things that still need to change with an indictment of the cultural biases and racism that brought us to this point and also with a note of optimism for the future. Narrated by Starr this novel has a great voice and fantastic dialog. Although the plot starts right away the story does have a tendency to meander (I will maintain forever that this book could have been edited down by at least a hundred pages) as the novel explores Starr’s family and home life as well as her life at school where she is constantly reminding herself that she has to put forward a very specific face among her classmates.

Heavy but hopeful and necessary. A must-read.