Adrienne Ashe doesn’t want to be a princess. It’s boring and, to be brutally honest, she doesn’t understand why princesses always need to wait for a prince to do the rescuing anyway.
That doesn’t stop Adrienne’s parents from locking her in a tower on her sixteenth birthday. It also doesn’t stop Adrienne from bitterly complaining out the injustice and pointing out how she doesn’t even look like a stupid traditional princess with her brown skin and dark, curly hair (not to mention her prowess with a sword!).
Instead of pining for some handsome prince, Adrienne spends her time in the tower befriending the dragon guarding the tower. When Adrienne finds a sword hidden in the tower, she decides she has waited to be rescued long enough.
With a sword in her hand and a dragon by her side, Adrienne sets out to escape the tower and rescue her other sisters in Princeless Book 1: Save Yourself (2012) by Jeremy Whitley and illustrated by M. Goodwin.
Princeless Book 1: Save Yourself collects the first 4 issues of Princeless. It is the first of four bindups. There is also a spinoff series.
Whitley delivers a frank and self-aware story that is refreshingly and unapologetically feminist. Adrienne is a no-nonsense heroine who isn’t afraid to do what she thinks is right and point out hypocrisy and double standards when she sees them. This plays out to especially good effect when she meets up with a girl who makes armor for warriors and discovers the vast inequity between standard armor for men and women.
Goodwin’s illustrations bring this story to life with wry humor and charming artwork that beautifully compliments the story. The facial expressions for characters throughout are especially priceless.
Princeless Book 1: Save Yourself is a great set up for this series. Whitley and Goodwin introduce many of the key players and the basic premise of the series while also delivering a lot of fun arcs along the way. This series is a delightful addition to the typical princess and anti-princess fare. Highly recommended for readers of comics, fans of fairy tales and retellings, as well as anyone looking for a new kickass heroine to cheer on.
Possible Pairings: Ella Enchanted by Gail Carson Levine, The Stone Girl’s Story by Sarah Beth Durst, Rapunzel’s Revenge by Shannon and Dean Hale, Princess of Thorns by Stacey Jay, I Am Princess X by Cherie Priest, Nimona by Noelle Stevenson, A Well-Timed Enchantment by Vivian Vande Velde, Dealing with Dragons by Patricia C. Wrede
The mystery aspect is handled well here. Although it was possible to guess the ending early on, the pieces of the puzzle still twisted in a direction that was difficult to anticipate. Although the plot meanders with Becca’s doubts and fears, the story is generally solid.
The chapters about Amelia are particularly well-done as they illustrate Amelia’s growth as she comes into her own before her life is cut tragically short. Amelia Anne is Dead and Gone is a frank and unflinching story. Both Becca and Amelia do not shy away from talking about sex or other topics in their narratives. That said, it would have been nice to have a little more context when Amelia talks to her boyfriend about rougher behavior (Specifically she says to him: “Haven’t you ever thought about grabbing me from behind and throwing me against the wall? Just taking what you wanted?”). After the topic is initially raised there is not, unfortunately, any talk of consent and instead the chapter ends abruptly with no further discussion.
Unfortunately there isn’t much sense of character here. The only person readers really know is Amelia while Becca feels more like a convenient frame for a mystery that wouldn’t flesh out into a full novel. Becca rarely comes across as truly real and Amelia’s chapters stretch the limits of an omniscient narrator when combined with the first person structure of the rest of the novel. The secondary characters are painted with sharp vignettes that remain closer to caricature than actual characterization.
The narrative voice never quite works with many different tones competing in one slim book. In addition to Becca’s first-person musings there are also third-person chapters about Amelia. In addition, Becca’s narrative often goes off on tangents about the hive mind of small towns and the “we” mentality that often develops as a result. These “we” passages feel lofty.
While this was an interesting story about cause and effect and the lingering impact of consequences it still feels more like a literary exercise than a mystery novel. Amelia Anne is Dead and Gone is, however, undoubtedly well-written and demonstrates that Rosenfield is an author to watch.