Author Interview: Isabel Bandeira on Practically Ever After

Isabel Bandeira is the author of the Ever After series. She’s here today to talk about the third book in the series, Practically Ever After, super planner MC Grace, and wrapping her first trilogy. (Don’t worry, the books all read as standalones so no risk of spoilers for Bookishly Ever After here!)

Miss Print (MP): Practically Ever After is the final book in your Ever After series. Can you tell me a bit about the inspiration for and focus of Grace’s story?

Isabel Bandeira (IB): I know the primary focus for readers of my books is the romance, but all three books start from a premise where the romance is secondary to the character learning to embrace their strengths (and flaws) and use them to chart their own happily ever afters in every aspect of their lives. Like Phoebe and Em, Grace’s journey is about learning that she’s more than her lists and plans, that she is more than the labels she projects onto herself, and that perception is definitely *not* reality.

In the last two books, all we saw was the perfect facade she projected to the world– perfect clothes, perfect grades, glitterati status, upper middle class family, perfect girlfriend– and this was a chance to let readers see things from her point of view, flaws and all. The downside of starting the story with a “perfect” life and relationship, though, is that us evil writers (and life) need to shake things up to make things interesting. The last part of senior year in high school is hard– not because of classes or homework since most of that is winding down, but because it’s right on the edge of a turning point in your life: everything is about to change. I wanted to reflect the excitement, fear, and bittersweet nature of that experience in Grace’s story. Change makes us grow, and Grace learning to deal with her perfect plans falling apart was how I was going to help her grow through her story.

MP: Practically Ever After focuses on Grace and her girlfriend, Leia–a character we don’t see as much of in the other novels in the series. What were some of your favorite details to share about Leia as readers get the chance to properly meet her?

IB: Leia is sunshine. She’s Grace’s balance, the one person who can tone down the Queen of plans and perfection while also bringing out Grace’s inner dork. While Grace is about fitting in–salon-perfect blonde highlights and gliteratti-approved clothes, Leia’s unnatural hair colors shift through the story (and the prequel story) and she spends most of the book in her school uniform or grubby gardening clothes. Like Grace, she’s smart, but unlike Grace, she doesn’t show it off. One thing readers may notice both in earlier books and the beginning of Practically is that she’s skilled at stepping aside to let others shine and is too good at making allowances for others, so a big part of her journey in PEA is to learn to stand up for herself.

A Leia primer: unlike the rest of the group, she goes to a private school on the outskirts of Lambertfield. She loves working with kids and wants to be a teacher, she loves to garden, and just barely tolerates her mom’s love of antiques. She and Grace met through model UN (and, back then, she had long red hair that made her look like Ariel from The Little Mermaid) and she’s the type of person who will drop everything to help you out.

MP: What was it like writing the final book in a series? Did you know where you wanted all of the characters to end up when you started writing this series? Did anything change between then and now?

IB: Yes, I had to provide synopses for all 3 books as a part of my contract with Spencer Hill Press, so I knew where the books and characters were going to go from the very beginning. What changed in the actual books from my synopses were mostly details, such as side characters, character names, or certain aspects of execution, like timing and adding shadows and color to really flesh out the story. I was going through a few changes in my life at the time of drafting and revising the book, so some of my own personal stresses at the time– including being in my own period of career change–helped me to better empathize with Grace’s situation and better capture the feelings I had wanted to convey.

MP: We’ve talked in previous interviews about how you balance your career as a mechanical engineer with being an author and other creative pursuits–a balance that Grace herself is trying to find as she decides what comes after high school. What was it like tapping into your own experiences for this story? What’s one thing you wish you could tell yourself when you were in Grace’s shoes?

IB: It was wonderful being able to show Grace falling in love with engineering, like I did the first time I realized it was more than just engines and boring machines, and showing her deep in the spark of a new idea. It was also wonderful to dance again (vicariously) through Grace, since I had to give up ballet and contemporary because of problems with my feet and legs. Those moments where she was one with a design or with the music were magical to write. There’s this false perception in society that STEM and arts don’t intersect and I wanted a character who loved both because I want other girls who love science and art, math and dance to know that we exist and thrive and are needed.

For Grace: I’d tell past me and her that you can be practical and still find your own niche in the world. I had always seen Mechanical Engineering from the limited lens of what I knew– either machines or power/thermodynamics, like what my dad did for a living. What I didn’t see was how my love of art and design and creativity could fit into that space and how the human body is the most amazing machine ever. I’d tell her that we contain multitudes and those multitudes are what make us strong and unique. Instead of sacrificing what makes us special, we can learn how to combine them into the right future career for ourselves. And I’d tell her that sometimes the best things happen when life decides to veer you (slightly) off your plans.

MP: Can you tell me anything about your next project? What’s the first thing you did when you finished work on Practically Ever After?

IB: I rested and slept! The last few rounds of revision took a lot out of me and I needed a break from writing to recharge my mental batteries. 2017-2019 involved a ton of career changes (engineering-wise) and family illnesses. Combined with the stresses of writing, revision, and promo, I had to spend some time after I turned in my manuscript not trying to do or be *everything*, and that included writing. I am currently in the middle of a YA contemporary set in Portugal and pulling from my experiences as a third culture kid (hyphen-Americans, first gens… whatever we’re called this month…). I love it, but I’ve taken this time to pause, step back, and let my body and brain recover.

It’s so easy to get caught up in this whirl of book/writer social media where you feel like you’re not a good writer if you don’t have a book deal or you aren’t always writing or having a book or two or three out a year or promoting or engaging with readers or spending every weekend signing at a table in a Barnes and Noble or flying out to book festivals or… or… or… And it’s easy to think you’re never good enough, not enough sales or readers or likes on the latest tweet/insta post, not part of the right clique of authors, not loud enough on social media, not good enough to be invited to panels or maybe invited to the wrong ones or invited to too many and you don’t want to miss out, and the moment you get a really nice review, someone is out there to remind you that you suck or you don’t write “real books” because they’re for kids or have people kissing or are happy or are commercial. And even with your publisher and readers and friends are awesome, it happens. So, sometimes we need to step back, breathe, and remember why we started: because we love books.

I’ve learned that my best work comes when I write out of joy and for myself. I took this time between finishing PEA and now to examine my motivations and just fall in love with writing for the sake of writing. I broke ties with my former agent who represented the Ever After novels mid last year and I have a few books sitting and ready to query, but I’m waiting to finish the Portugal one first. I’m really excited about this one because it’s close to my heart, so wish me luck!

Thanks again to Isabel for taking the time to answer my questions!

You can see more about Isabel and her books on her website.

You can also check out my review of Practically Ever After.

Author Interview: Emma Steinkellner on The Okay Witch

Author Interview: Siobhan Vivian on Stay Sweet

Author Interview: Isabel Bandeira on Dramatically Ever After

Isabel Bandeira is the author of the Ever After series. She’s here today to talk about the second book in the series, Dramatically Ever After, and her new heroine, Em. (Don’t worry, the books all read as standalones so no risk of spoilers for Bookishly Ever After here!)

Miss Print (MP): Dramatically Ever After is the second book in your series. Can you tell me a bit about its inspiration? What was it like returning to a world and cast of characters you already knew while also writing a new story?

Isabel Bandeira (IB): Em’s story was written immediately after I finished Bookishly Ever After. Her voice is incredibly dominant, so Em kept demanding her own story and wouldn’t leave me alone until I wrote it. If Bookishly hadn’t sold or if it had only been a one book deal, I was ready to switch Dramatically Ever After to a standalone and to query it separately. Em’s character and personality are so strong, she actually had a habit of taking over the other stories, and, when writing the other books in the series, I had to be very careful to let Em be a part of the story without trying to take over the leading role.

Coming back to Lambertfield and the world of PCHS was seamless because I was still in the Ever After world, but I had the fun job of flipping that world around to a new viewpoint. Every single one of us looks at the world and others with our own, unique perspectives colored by our personalities, backgrounds, and beliefs. How Em sees herself, for example, is different from Phoebe’s perception of her or Grace’s, or even the readers’. As writers, the line we have to walk, especially in the first person, is to portray that mental image of self while also showing in actions and others’ reactions a more neutral point of view. Em is a little bit of an unreliable narrator, so it was fun slipping in details readers could see that would, at times, contradict her perceptions. Companion novels or novels with multiple points of view are really nice ways for us, as writers, to learn to be more empathetic because we have to learn to see the same people and places through different lenses.

MP: One of the things I loved about Dramatically Ever After is how different Em is from her best friend Phoebe. We’ve talked before about Phoebe having a lot in common with your teen self as she embraces her inner geek and her love of books (and knitting). What was it like getting inside a new character’s head for this story?

IB: A lot of me went into Em’s character, too (that being said, I maintain that the character most like me in the series is Phoebe’s big sister, Trixie)! Like her, I’m a huge history dork, love speech writing, and was actually in a (similar concept but there are major structural differences) speech competition when I was a teen, representing my state on the national level and going around Washington, DC with over 50 other teens (all the states plus territories and regions for military families stationed overseas). But… I’m definitely not as outgoing as Em, as bubbly, or as quick to forgive. And she says all the things I don’t have the guts to say, which makes her so much fun to write.

And then there are the external pressures coming from her family. Even though only Em’s dad is an immigrant, compared to both of my parents, she still feels a lot of the things kids of immigrants, like me, feel. That quip about the Greek scholarship? Been there, done that, got badly mistreated by a Portuguese-American scholarship’s organizing committee. The pressure to go to college, be the best student, get the best scholarships, get a logical good-paying job… all of that got wrapped into Em and the worries that helped drive her motivations.

Voice is really important, and it’s more than words and actions. It’s in the details and things like mental comparators the character uses—while Phoebe’s descriptors revolved around things familiar to her in the forms of yarn, books, and archery: “It was soft, like a quivut and cashmere mix,” Em’s mental dialogue reflected her love of Hollywood and history: “She looked like a cross between Rita Hayworth and Katherine Hepburn” and using 17th-century stays as a descriptor for feeling constricted. It’s even conveyed in the use of color—Phoebe, for example, wears and mentions a lot of soft teals and blues and greys, while Em’s world is all about vibrant colors, especially yellow.

MP: Dramatically Ever After takes Em away from her beloved home state to compete in a speech competition in Boston. How did you decide which locations to have Em visit during the competition?

IB: I chose Boston because it’s such a great city and the perfect place to showcase Em’s love of history. As a history dork, I was easily able to pull on my own wonder and awe from my first visit there years ago to build on Em’s reactions to this world.

The grounds outside the colonial dinner site were modeled after one of my favorite historical sites—Phillipsburg Manor in Sleepy Hollow, NY. You really do feel like you’ve stepped back in time in that place, and I wanted Em to have that space as a backdrop to one of the conversations where she first begins revealing bits of her real, unfiltered self to Kris.

And the MFA: I had to write the MFA into DEA primarily because of the statue of Guanyin. Everyone has points in their lives when they feel hopeless or as if no one could ever understand what they’re going through. That was what I was feeling the first time I walked into that wing of the MFA and saw Guanyin’s statue. I remember looking up and coming to a complete stop the moment I saw that face projecting so much compassion and kindness, and I remember crying and taking comfort from this over two-thousand-year-old statue. Em needed a moment like that, too, and I made sure to work this amazing work of art into Em’s story.

MP: Can you tell me anything about your next project? What can readers expect in Practically Ever After?

IB: PEA was probably the hardest book of the three to write—how do you take a “perfect” couple, the couple all the other characters in the last two books look up to, and break them up? I love writing Grace and Leia together, and it was not easy to throw challenges their way. But every relationship hits bumps, even perfectly practical ones!

Readers can expect practicality, flawless use of planners and lists, science and engineering, dance, cheer, prom, and lots of the same friendship dynamics we’ve seen in the last two books. I really enjoyed diving into Grace’s discovery of her love of engineering, her rediscovery of her love of dance, that that bittersweet space in time of being on the edge of change. I hope readers enjoy it, too!

Thank you so much for reading Dramatically Ever After and for the interview!!! <3

Thanks again to Isabel for taking the time to answer my questions!

You can see more about Isabel and her books on her website.

You can also check out my review of Dramatically Ever After.

Author Interview: Sarah Beth Durst on The Queen of Sorrow

Sarah Beth Durst author photoSarah Beth Durst is one of my favorite authors and one of the busiest. Last year she published her latest standalone middle grade The Stone Girl’s Story and Fire and Heist a new standalone YA featuring were-dragons. She also wrapped up her first trilogy written for adults with The Queen of Sorrow. Today Sarah is to talk with me a bit more about the series.

Miss Print (MP): The Queen of Sorrow concludes the arc of your Queens of Renthia trilogy. Did the framework for this story and its focus shift between when you first started drafting the series and when you began writing this installment?

Sarah Beth Durst (SBD): There’s an episode of the Flash where Captain Cold explains the Four Rules of Planning: “Make the plan, execute the plan, expect the plan to go off the rails, throw away the plan.”  And that describes my writing process.

Before I began writing The Queens of Renthia trilogy, I planned out all three novels.  But then when I sank into the actual stories…

You have to trust your instincts when you write.  Trust your characters.  Trust your story.  In some cases, this takes you down a path that follows a nice, neat outline, but sometimes the best discoveries happen when you veer off that path.  So I try to allow myself the flexibility to veer.

For example, the character of Garnah, the sociopathic poison-maker, didn’t exist when I first outlined the trilogy.  She popped up while I was writing, and I fell so in love with her that she became an important character.

MP: The Queen of Sorrow shows readers several new parts of Renthia including quick snapshots of the other queens in neighboring kingdoms. How did you decide what scenes to use to show readers these new areas? Which are you most excited for readers to discover?

SBD: Renthia is a world filled with bloodthirsty nature spirits who want to kill all humans.  (Not exactly a very safe tourist destination.)  It’s also a world of extreme beauty, thanks to those out-of-control spirits: towering Lothlorien-like trees, mountains that pierce the sky, endless glaciers…  In THE QUEEN OF SORROW, we’re mostly in the forests of Aratay and the mountains of Semo.  But I also had the chance to show glimpses of the other countries.  They’re brief scenes, but I spent a ton of time daydreaming about what those other places were like, who their queens were, and how they survived.

In particular, I can’t wait for readers to see Belene, a string of islands built on the bones of long-dead leviathans.  It’s the setting for my next book, THE DEEPEST BLUE, a standalone epic fantasy set in the world of Renthia.

MP: For the past few years you have had several fantastic books out each year (which I love because it’s more books for me to recommend to my readers!) across a variety of ages and fantasy sub-genres. How do you balance working on two projects so close together? What does a typical writing day look like for you?

SBD: I tend to sink into a world when I write, so I prefer to work on one project at a time.  Typically, I’ll spend a couple months working on my next book for adults, hand it off to my editor, and then transition to working on my next book for kids, hand it off to that editor, and so on.

On days where I have to think about two worlds at once, I eat a lot of chocolate.

I do try to write every day.  I know this doesn’t work for every writer, but for me, it helps maintain momentum.  And quite simply, it makes me happy!

Depending on what stage of writing/revision I’m at, I often set daily goals (a scene, a chapter, etc.), but I don’t have set hours that I write– I just try to write as much as possible between all the little things in life that need taking care of.

MP: Working from the last question, this year you’ll be publishing The Deepest Blue–another adult fantasy novel set in Renthia, this time in the island kingdom of Baleen. When did you realize that you had more stories to tell in Renthia? How will this story be similar to (or defer from) your other books set in this world?

SBD: While I was writing book one of The Queens of Renthia, THE QUEEN OF BLOOD, I sketched out a map: trees, mountains, fields, glaciers, a few islands to the south… and I immediately started wondering about them.  So when the chance came along to write a brand-new story set in another part of Renthia, I jumped on it.

THE DEEPEST BLUE is about Mayara, one of Belene’s fearless oyster divers, who is about to marry the love of her life when an unnatural storm hits her island.  To save her family, Mayara reveals that she has the power to control spirits — and when the storm ends, the queen’s soldiers come for her and send her, along with other women of power, to an island filled with bloodthirsty spirits.  Whoever survives will be named heirs to the queen.

So, new story, new characters, new land.  And a lot of sea monsters!

MP: Can you tell me anything about your next projects? What can readers look forward to from you in 2019?

SBD: THE DEEPEST BLUE comes out from Harper Voyager on March 19th.  And my next book for kids, SPARK, comes out from Clarion Books / HMH on May 14th.  It’s about a girl and her storm beast (a.k.a. a lightning dragon) and how even the quietest voice can change the world.  I’m ridiculously excited about both books and can’t wait for readers to meet Mayara (my oyster diver) and Mina (my storm guardian)!

Thanks so much for interviewing me!

Thanks to Sarah for taking the time to answer my questions!

For more information about Sarah and her books you can also visit her website.

You can also read my review of The Queen of Sorrow here on the blog.

Author Interview: Jeff Zentner on Rayne and Delilah’s Midnite Matinee

Jeff Zentner author photoJeff Zentner’s new novel Rayne and Delilah’s Midnite Matinee is  a story about big dreams, big chances, and the mediocre results we sometimes end up with as a result. It is also a laugh-out-loud funny ode to friendship, creativity, and horror movies. This book totally snuck up on me and is fast becoming one of my favorite novels of the year. I’m very excited to have Jeff back today answering some of my questions.

Miss Print (MP): What was the inspiration for Rayne and Delilah’s Midnite Matinee?

Jeff Zentner: One night, three years ago, I came home on a Saturday night and turned on the TV and started channel surfing. I never do this because I have a Netflix queue a mile long. I came to the Nashville public access station and it was playing a low budget horror movie. This was very strange. I kept watching, fascinated. The movie then cut to these two young women dressed in horror garb, named Marlena Midnite and Robyn Graves. They were the hosts of a syndicated public access show out of Davenport, Iowa called Midnite Mausoleum. I was fascinated. It was so goofy and fun and sweet. It got me thinking about who hosts these kinds of shows. I immediately started thinking up an idea about two young women who host their own public access creature feature.

MP: This novel alternates between Josie and Delia’s narrations. Who was your favorite character to write? Who was the hardest?

JZ: I loved them equally. I loved writing Josie’s sense of humor, because it’s closest to my own. And I loved writing Delia’s sense of poetry about the world, because it’s closest to my own. I loved writing the relationship between Delia and her mother and the relationship between Josie and Lawson.

MP: Rayne and Delilah’s Midnite Matinee is your third novel. It’s one of the funniest books I’ve read and a bit of a departure from your previous novels which were much heavier stories. Did this shift in tone require a shift in your writing process? How did you go about channeling the quirkiness and humor to tell this story?

JZ: It did require a shift. I love very lyrical, poetic writing. But that sort of writing often comes at the cost of humor, so there wasn’t as much room for this kind of writing as in past books. As for channeling the humor, I love to joke around. It was just a matter of storing up humorous observations and insights and putting them in Josie and Delia’s mouths.

MP: How do you fit writing into your daily routine between working full time and other obligations? What does a typical writing day (or writing session) look like for you? Where are your favorite places to write?

JZ: I have a pretty intense and demanding day job, so I really have to fit writing into the cracks. I do 80 percent or so of my drafting on my iPhone with my right thumb on the bus to and from work. It’s not my favorite place to write, but it’s where I do most of my writing. My favorite place to write is my writing studio at home. I have a room devoted to it that’s full of favorite books, letters I’ve gotten from fans, scented candles, cool vintage bookshelves and typewriters, and my vintage pulp paperback collection. It smells like heaven. It’s so cozy and wonderful. I’ve never before lived in a house with a room devoted solely to work and creativity and it’s wonderful.

MP: So far, all of your novels exist in the same world with a few references (and even characters) traveling between books. Can you tell me anything about your next project? Can readers expect more connections between your novels?

JZ: My fourth novel is about two young people from small town East Tennessee who get scholarships to an elite northeastern prep school. As readers may (or may not) recall, Nana Betsy from Goodbye Days is from East Tennessee, and it turns out that my main character in this fourth book is her grandnephew. She has a small, but pivotal role in the new book. Also, if it survives the edit, there’s another really fun cameo from an important figure in the Zentnerverse!

Thanks again to Jeff for taking the time to answer my questions.

You can see more about Jeff and his books on his website.

You can also check out my review of Rayne and Delilah’s Midnite Matinee.

Author Interview: Tiffany Schmidt on Bookish Boyfriends: A Date With Darcy

Tiffany Schmidt author photoBookish Boyfriends is filled with books, humor, and romance all framed around retellings of classic novels. The first installment, A Date With Darcy, follows Merrilee as she starts her sophomore year at Reginald R. Hero High School and discovers that, much to her surprise, the boys at this school might actually be better than her book boyfriends.

I really enjoyed this one and The Boy Next Story is one of my most anticipated sequels coming out in 2019. Today Tiffany Schmidt is here to answer some questions about her new series.

Miss Print (MP): Bookish Boyfriends: A Date With Darcy is the first book in your ongoing series. What was the inspiration for the series in general? What was the inspiration for this specific installment?

Tiffany Schmidt (TS): I’ve always been bookish. Even before I could sound out words and read to myself, I’d lug books to my parents and older sister and beg them to read to me. I’ve always wanted to live in the worlds between covers: the Hundred Acres Woods and Narnia and Hogwarts and Uriel and Klickitat Street. The idea for the Bookish Boyfriends series came from that love of stories and my desire to write myself into them. For A Date with Darcy, I specifically wanted to play around with my mis-reading of Romeo & Juliet as a romance when I was young, and also my deep, deep love of all things Austen and Pride and Prejudice. (Mr. Darcy fangirl forever!)

MP: This series blends contemporary romance with loose retellings of classic stories. A Date With Darcy features elements from Romeo and Juliet as well as Pride and Prejudice while The Boy Next Story promises hints of Little Women. How did you decide which stories to draw from for inspiration?

TS: The mentor texts for each of the Bookish Boyfriends novels was a book that was significant for me during my teenage reading years. As a misguided, quixotic middle schooler, I thought Romeo was dreamy. A year later I met my one true love in Mr. Darcy. And Little Women is a book I’ve returned to so many times over the years—seeing my own sister and myself in the March girls. There are so many books that impacted my life as a reader, and it’s such a joy to play with them within the Bookish Boyfriends world.

MP: Merrilee’s English teacher promises to help students find their story and guides Merrilee in particular to a book with life changing consequences. If you had to pick one book that had that kind of impact on you, which would it be?

TS: One book? Man, you’re asking the tough questions—and since there are MANY books that have impacted me, I’m pretty sure I give a different answer to this question each time I’m asked. Today I’m choosing Superfudge by Judy Blume as well as the Ramona Quimby, Age 8 by Beverly Cleary. I read these in second grade and so identified with young Farley Drexel Hatcher and Ramona Geraldine Quimby and their ability to accidentally get into trouble. The difference between their intentions and the outcomes of their actions resonated so strongly—and it still does. My eight year old twins are reading these books now, and it’s amazing to me how it’s been decades since I read them and I still remember them so vividly. I keep accidentally spoiling things for them. Whoops!

MP: Congratulations on signing on to write more books in this series! Did you always know that you wanted this world to expand to follow multiple characters? How much did you know about the world and the story (or stories) that you wanted to tell when you first started drafting?

TS: I had always hoped to write more Bookish Boyfriends novels, so I’d optimistically planned for it and typed with crossed-fingers. It was never a guarantee, so I am feeling grateful and blessed for the chance to share books three (Eliza’s story- aka, Talk Nerdy to Me) and four (Huck’s story aka Get a Clue). Eliza especially was a character who has demanded her own story from the very first page of book one, so it’s been percolating in my mind for quite a while. Even now, while I’m drafting book four, I’m keeping lists and notes about potential extensions and plots for more characters. I can’t imagine that I’ll ever get sick of writing these books, so as long as they find a readership, I’ll happily keep going

MP: Do you have a favorite character to write in Bookish Boyfriends? Is there any character you are particularly excited for readers to meet?

TS: I’m not going to lie, I had worried that no narrator would top Merrilee because she’s so effervescent and fun to write. But then I started Rory’s story and fell deeply in love with her little sister voice. Rory’s friend Huck was a bit of a surprise. While he has a tiny cameo in book 1 (props if you’ve spotted it!) readers truly meet him early in book two. He was a character that was instantly strong and clear in my head and who would’ve taken over if I hadn’t reined him in. Huck’s become the narrator of book four, Get a Clue, which I’ve only just begun drafting. I’ve got high hopes that he’ll be a reader favorite, because he’s certainly one of mine.

MP: Can you tell me anything about your next project? What can readers expect in The Boy Next Story?

TS: The Boy Next Story is about sisters and first loves and finding your own identity outside of others’ expectations or the roles you’ve been assigned within family dynamics. It’s about unrequited love, and art class, and yoga, and Harry Potter, and kombucha, and fresh starts, and math class. And what happens when you outgrow your first crush, but maybe don’t outgrow the boy. And Little Women.

Thanks again to Tiffany for a great interview.

You can see more about Tiffany and her books on her website.

You can also read my review of Bookish Boyfriends: A Date With Darcy here on the blog.