January 2022 Reading Recap

Miss Print's Reading Recap

Planned to Read:

  1. December was such a mess, I didn’t make a plan for reading this month. Going with the flow!

Read:

  1. Small Favors by Erin A. Craig
  2. Vespertine by Margaret Rogerson
  3. Making Friends: Third Time’s a Charm by Kristen Gudsnuk
  4. Gallant by VE Schwab
  5. Comfort Me With Apples by Catherynne M. Valente
  6. Creativity: A Short and Cheerful Guide by John Cleese
  7. Botanical Curses and Poisons: The Shadow-Lives of Plants by Fez Iknwright
  8. Dreams Lie Beneath by Rebecca Ross
  9. Where the Drowned Girls Go by Seanan McGuire
  10. All These Bodies by Kendare Blake
  11. Shadow and Bone by Leigh Bardugo
  12. Siege and Storm by Leigh Bardugo
  13. Ruin and Rising by Leigh Bardugo
  14. Finding Audrey by Sophie Kinsella
  15. Tidesong by Wendy Xu
  16. Bounce Back by Misako Rocks!

You can also see what I read last month.

Week in Review: January 29

Blog Posts of The Week:

Tweet of the Week:

Instagram Post of the Week:

How My Week Went:

Back at work. Forever tired.

Cazadora: A Chick Lit Wednesday Review

Cazadora by Romina GarberManu thought that being a Septima means she finally belonged somewhere. She thought she could stop hiding the star-shaped pupils of her eyes. She thought she could stop hiding as an undocumented immigrant.

Instead, Manu is in more danger than ever. As a female werewolf, a lobizona, Manu’s existence puts the strict gender binaries undperpinning Septimus society into question. With a human mother and a Septima father, Manu shouldn’t even exist.

With so much riding on Manu’s identity, magical law enforcement known as the Cazadores want to control her. While the Coven, an underground resistance group, hope to use Manu as a rallying point.

Manu never wanted to be a symbol for anyone. All she wants is the chance to embrace every part of her identity. Surrounded by friends and hunted by the authorities, Manu will have to determine how much she’s willing to risk for the chance to be exactly herself in Cazadora (2021) by Romina Garber.

Find it on Bookshop.

Cazadora is the second book in Garber’s Wolves of No World series. The story picks up shortly after the conclusion of the first book, Lobizona, which readers will want to have fresh in their memories.

All characters are Latinx or Argentine with a range of skintones. This book also delves more into the LGBTQ+ community as readers are introduced to the Coven and other resistance members who push back against the strict laws that force Septimus into gender binaries.

Cazadora blows the Septimus world open as Garber moves beyond her Argentine folklore inspiration to explore a magical world not dissimilar from our own filled with political unrest, inadequate authority figures, and justice that does more in name than in fact. This fast-paced story delves deep into Septimus folklore and legalities as Manu struggles to make a place for herself in a world that continues to find her inconvenient if not downright dangerous.

With sweeping drama, action, and fierce loyalty between Manu and her friends, Cazadora is an apt conclusion to a powerful and timely duology. Readers can only hope Garber will return to Manu’s world and the other Septimus stories waiting to be told.

Possible Pairings: Labryinth Lost by Zoraida Cordova, Don’t Ask Me Where I’m From by Jennifer De Leon, Somewhere Between Bitter and Sweet by Laeken Zea Kemp, Sanctuary by Paola Mendoza, Shadowshaper by Daniel Jose Older, The Witch Boy by Molly Knox Ostertag, Infinity Son by Adam Silvera, Sia Martinez and the Moonlit Beginning of Everything by Rachel Gilliland Vasquez

Be sure to check out my interview with Romina Garber on the blog.

Author Interview: Romina Garber on Lobizona and Cazadora

Romina Garber author photoIn a series grounded in Argentine folklore, Romina Garber’s Wolves of No World series is a timely commentary on the danger of labels and what can happen when we let society decide who does and does not have the right to be called “legal.” I’m thrilled to have Romina here to answer a few questions about this series and what else she has in store for readers.

Miss Print: Can you tell me a bit about your path as a writer? How did you get to this point?

Romina Garber: I was born in Buenos Aires, and I immigrated to the U.S. with my family when I was five; but it was in fourth grade that I truly heard the English language for the first time. My teacher used to read to us from Shel Silverstein’s masterpiece Where the Sidewalk Ends, and I fell in love with words.

I wrote my first poem that year, “Si yo fuera la luz,” and my Spanish teacher liked it so much that she submitted it to a writing contest at the local county fair, and I won first place. I went on to write for my school paper in high school, and I later interned at the Miami Herald, where I pitched a column to bring in more teen readers. “College She Wrote” came out every Sunday and was even nationally syndicated—that’s how I developed my voice and discovered that teens are my favorite audience.

Miss Print: What was the inspiration for Lobizona?

Romina Garber: The inspiration behind the worldbuilding of Lobizona is a curious Argentine law that is still in effect today: ley de padrinazgo presidencial 20.843. It declares the President of Argentina godparent to the seventh consecutive son or daughter in a family. When I researched the history of this law, I came across a superstition that claims seventh daughters will be born brujas and seventh sons will be lobizones. I knew I wanted to write about it, but rather than a straightforward fantasy, I opted to explore the mythologies we weave with our words every day.

Lobizona is a treatise on labels and a warning of what happens when we take language too literally. It’s also the book teen-me needed: A YA fantasy about Latinx brujas and lobizones who speak my languages, share my cultures, and make me swoon.

I wrote the story as an exploration of the immigrant identity. Manu’s dual identity as a human and a werewolf is a threat to both her worlds, and rather than having two homes, she’s left with none. As an immigrant, this sense of homelessness is one I’ve struggled with my whole life.

Miss Print: Your latest books, Lobizona and Cazadora, comprise the Wolves of No World duology. When you started writing Manu’s story did you always know it would be a series? Do you have more stories planned in this world?

Romina Garber: Once I started writing Lobizona, I quickly realized I’d inadvertently outlined two books in one. The midpoint was in fact the ending! So in that sense, the series feels like a natural duology. I have since outlined a third book, but at the moment there are no publication plans. Yet there is a Wolves of No World short story coming out in the Reclaim the Stars anthology in February 2022!

Miss Print: Like Manu, you are an Argentine immigrant. Do you and your protagonist have anything else in common? (I won’t tell anyone if you’re a Septima, promise!) 

Romina Garber: Ha! I really connect with Manu because, even though I’ve been fortunate enough to have amazing friendships, I’m sort of existentially lonely. I can never quite figure out where I fit in. And in addition to English, Spanish, and Spanglish, Manu and I also share a literary language—we both use references to books we love to process the world.

Miss Print: Who was the hardest character to write in this series? Who was the easiest?

Romina Garber: Manu was easiest for the aforementioned reasons, and the hardest was probably Cata because she is so guarded that she proved a bit tough to get to know at the outset.

Miss Print: Do you have a favorite scene from this series–either a favorite to write or one you’re excited for readers to discover?

Romina Garber: I love the first time Manu sets foot on the Septibol field and shows off her skills for the school. It was such an empowering moment.

Miss Print: We’re living in a strange time with the pandemic as we all continue to wear masks, practice social distancing, and work together to stop the spread of Covid-19. How would Manu and her loved ones be handling the pandemic?

Romina Garber: I think Manu would sail through this pandemic because she’s been in quarantine her whole life! She’s probably better prepared for a pandemic than the rest of us!

Miss Print: What does a typical writing day look like for you? Has this changed in light of the pandemic?

Romina Garber: I typically wake up by 7:30am and go straight to my Nespresso to make myself an iced latte. Then I sit on the couch, ready to work, and proceed to pull up all my social media platforms. After about an hour, I finally open my WIP and get writing! Not much has changed since the pandemic, except that I don’t get to work from coffeeshops as much as before, which is something I sorely miss.

Miss Print: Can you tell me anything about what you’re currently working on?

Romina Garber: I am currently working on a new, dark YA that’s also for Wednesday Books—a gothic paranormal that I hope to be able to discuss in more detail soon . . .

Miss Print: Do you have any advice to offer aspiring authors?

Romina Garber: Never give up! In my 20s, I wrote five fantasy novels over the span of 8.5 years, and every single one of them was rejected—but if I’d given up after the fifth book, I never would have made it to ZODIAC! So if you’re feeling defeated by rejection, hang in there and hold on for your YES.


Thank you to Romina for taking the time to answer my questions. You can find out more about Romina and her books on her website: rominagarber.com

You can read my reviews of Lobizona and Cazadora here on the blog.

Week in Review: January 22

Blog Posts of The Week:

How My Week Went:

Trying to get back into the swing of things here.

Lobizona: A Chick Lit Wednesday Review

Lobizona by Romina GarberManuela “Manu” Azul has always been told that her father is part of an infamous criminal family in Argentina. She has always been told her strange eyes with their star-shaped pupils, could be fixed with a special surgery. She has always been told that hiding is the only way to stay safe.

None of these things are true.

Manu’s small world as an undocumented immigrant is blown apart when her mother is detained by ICE. After years of dodging raids and hiding with her mother in Miami, Manu doesn’t know what would be worse: leaving her mother in ICE detention or being caught herself.

Plagued by debilitating menstrual pains unless she takes medication provided by her mother and terrified that she’ll be separated from her mother forever, Manu knows she has to do something. But she isn’t sure how one girl can stand strong with so many obstacles in her way.

Manu’s quest to find her mother leads to surprising truths about her father, her strange eyes, and Manu’s powerful connection to a world she thought only existed in Argentine folklore in Lobizona (2020) by Romina Garber.

Find it on Bookshop.

Lobizona is the first book in Garber’s Wolves of No World series. She has also published the Zodiac series under the name Romina Russell. All characters are Latinx or Argentine with a range of skintones and other identities that are further explored throughout the series.

Garber expertly blends Argentine folklore surrounding witches, werewolves, and the powerful magic of so-called “Septimus” the seventh children of seventh children into a nuanced and enchanting urban fantasy. Complex magic and highly evocative settings draw readers immediately into a story where magical powers are no guarantee of belonging and secrets have power.

As Manu struggles to find a world willing to make space for her, Lobizona offers a scathing commentary on our own world where children are left in cages and the government can callously decide who does and does not belong or qualify as “legal”. Manu thoughtfully interrogates these concepts as she learns more about the world of the Septimos and her own tenuous place in it.

Lobizona is the action-packed start to a sophisticated, high concept series for genre and literary fans alike. Come for the timely look at current events, stay for the inventive folklore inspired fantasy.

Possible Pairings: Labryinth Lost by Zoraida Cordova, Don’t Ask Me Where I’m From by Jennifer De Leon, Somewhere Between Bitter and Sweet by Laeken Zea Kemp, Sanctuary by Paola Mendoza, Shadowshaper by Daniel Jose Older, The Witch Boy by Molly Knox Ostertag, Infinity Son by Adam Silvera, Sia Martinez and the Moonlit Beginning of Everything by Rachel Gilliland Vasquez

Be sure to check out my interview with Romina Garber on the blog.

Ferryman: A (WIRoB) Review

This piece originally appeared in the Washington Independent Review of Books:

Ferryman by Claire McFallWhen Scottish teenager Dylan boards a train from Glasgow to Aberdeen to meet her estranged father for the first time in years she is certain that the momentous trip will change everything. What she won’t realize until later is that instead of meeting her father she will never complete her journey–dying when her train crashes.

Except Dylan wakes up inside her train car, alone and in the dark after the crash, where “Her imagination filled in the blanks, packing the route through the carriage with upturned seats, luggage, broken glass from the windows, and squishy, slick things that were solidifying in her mind’s eye into limbs and torsos.” Outside of the wreckage there is no sign of  disaster recovery; all Dylan sees is a solitary, sandy-haired teenage boy watching her.

It’s clear that something is different about this cobalt eyed boy who does not “stand or even smile when he [sees] her looking at him” and “just continue[s] to stare.” The only two people in an isolated area, Dylan reluctantly agrees to follow Tristan across the unwelcoming landscape away from the wreckage. Along the way Dylan begins to realize that she is not trekking across the Scottish highlands with a startlingly attractive teenage boy–the kind who always “made her nervous” because “they seemed so cool and confident, and she always ended up getting tongue-tied and feeling like a total freak.”

Dylan is dead, traveling through the aptly named wasteland alongside Tristan, her personal ferryman.

As a ferryman Tristan “guide[s] souls across the wasteland and protect[s] them from the demons” keen to devour new and pure souls like Dylan’s. Along the way he also “break[s] the truth to them, then deliver[s] them to wherever they’re going.” Tristan has shepherded more souls than he can count across the wasteland, a task that has become increasingly transactional as his journeys blend together into goodbyes. “Each soul that waved goodbye at the end of the journey had taken a small piece of him with them, torn off a tiny piece of his heart. After a while, he had hardened.” As he reminds Dylan, everyone has to cross the wasteland which he describes as “Their own personal wilderness. It’s a place to discover the truth that you have died and come to terms with it.”

The wasteland is not a place to make friends or fall in love. But as they learn more about each other, and themselves, Dylan and Tristan realize they are not prepared to admit that reaching the end of their path will also mean their inevitable separation as Dylan goes where Tristan cannot follow in Ferryman (2021) by Claire McFall.

Find it on Bookshop.

First published in the UK in 2013 and nominated for the 2014 Carnegie Medal, McFall’s acclaimed debut novel Ferryman has made its way to the US with the rest of the trilogy, Trespassers and Outcasts, slated to follow. A movie adaptation is also in the works. All characters are cued as white in this series with world building loosely inspired by the ancient Greek myth of Charon.

With a heavy focus on the drudgery of walking through the wasteland, McFall is slow to unpack Dylan and Tristan’s mutual attraction although both characters find something they lack in the other.

In spite of himself Tristan appreciates Dylan’s unique perspective and unexpected kindnesses to him when “Most souls, when they discovered what had happened to them, were too absorbed in their own sorrow and self-pity to show much interest in this road between the real world and the end” much less in the ferryman guiding them through it. After countless years changing himself to appear to “look appealing” and trustworthy to each of his souls, Tristan is shocked to have the space to define himself as more than his role as a ferryman and whatever the souls in his charge choose to project onto him.

Dylan, meanwhile, is used to feeling the limits of her agency as a teenage girl who is constantly concerned with doing and saying the right thing. “She was the shy, serious student. Quiet, diligent, but not particularly clever. All of her successes had to be earned through hard work, which was easy when you had no friends.” But in Tristan Dylan finally finds the appreciation she had previously lacked with Tristan who sees Dylan as “a soul worth protecting. A soul worth caring about. A soul that he wanted to give a piece of himself to.”

Although Tristan initially acknowledges some of the unequal power dynamics at play between himself–an ageless, supernatural being–and Dylan–a seemingly ordinary girl despite the high caliber of her soul–this aspect of the plot is never fully explored. Tristan’s initial hesitation since “as her protector, he would be taking advantage of her vulnerability if he acted on his feelings” shifts quickly to a heartfelt confession and both struggling with their looming separation.

With their slog through the wasteland and unspoken longing taking up much of the plot, Ferryman is slow to build to its dramatic conclusion. The novel’s final act offers tantalizing glimpses of world building surrounding what comes beyond the wasteland and what it will mean for both Dylan and Tristan. Readers new to this series will be excited to see these aspects more fully explored in later installments.

Possible Pairings: Ice by Sarah Beth Durst, Twilight by Stephenie Meyer, You Are the Everything by Karen Rivers, Shiver by Maggie Stiefvater, A Well-Timed Enchantment by Vivian Vande Velde