The little thief steals gold, but the great one steals kingdoms; and only one goes to the gallows.
For Vanja Schmidt, nothing has ever been free–not even the love of her godmothers Death and Fortune. After years struggling to avoid trapping herself in service to either of the godmothers who refuse to claim her as their own, Vanja has almost earned enough to buy her freedom. By earn, she means stolen.
Vanja has left an impressive trail of damage in her wake ranging from stolen jewels to, most recently, a stolen life. Being Princess Gisele’s trusted maid should have kept Vanja safe. It didn’t. So Vanja finds her own way to safety by stealing Gisele’s enchanted pearls and using them to impersonate the princess. Gisele is left penniless and alone. But that is a small price to pay for Vanja to be safe and free–one she’d pay again twice over.
When Vanja is so close to freedom she can taste it, all of her lies threaten to bury her.
Vanja angers the wrong god and incurs a very dangerous curse on what should have been her last heist. Now Vanja will become exactly what she always wanted unless she can break the curse. It starts with a ruby on her cheek that could pay her entire way if only she could pry it loose. She can’t, of course. And neither can anyone else who covets it. That isn’t Vanja’s biggest problem.
If Vanja is unable to make amends for her past misdeeds in two weeks, the jewels will spread and kill her. Even if she survives that, Gisele’s fiancé has pushed up their wedding. Meaning Vanja might find herself married to a brute of a prince who seems intent on making sure his bride never makes it past the honeymoon.
Worse, someone has finally caught onto Vanja’s schemes. And he might be the one person too smart for Vanja to outwit.
After years of cons and heists, Vanja is intimately familiar with the trinity of want. She knows how dangerous it is to be loved, or wanted, or used by the wrong people. She is less certain of how to find the right people to help her–let alone convince them to trust her–to steal back her life in Little Thieves (2021) by Margaret Owen.
Little Thieves is an inventive retelling of the German fairytale “The Goose Girl.” It is also the first book in a duology. The story is narrated by Vanja with section headings grouped under different fairy tales Vanja shares with readers–each tale includes an illustration done by the author. Vanja is among several characters cued as white although the world Owen conjures strays from the stereotypical Germanic setting of many fairy tales to make space for characters who are BIPOC and from span the LGBTQ+ spectrum.
Owen breathes new life into this familiar tale by reframing the story to follow the supposed villain. Flashbacks in the form of fairytales illuminate the deeds and misdeeds that led Vanja to steal Gisele’s pearls. They also offer hints of how Vanja can make her way back from it and break the curse. Young sleuth Emeric Conrad is an apt foil to Vanja’s schemes and ably keeps pace with her throughout this clever tale.
After years of getting by on her wits and what she could steal with her own two hands, Vanja is slowly forced to admit that she might not be able to do everything alone. As she finds new allies–reluctant and otherwise–she slowly builds out a support system and confronts the role her own tendency for self-destruction played in her checkered past. Owen skillfully demonstrates Vanja’s growth throughout the novel as she moves from a girl willing to pry a ruby off her own face (if only she could) to one who might have to sacrifice everything to save the people she’s hesitantly begun to care about.
Little Thieves is a sleek page-turner that seamlessly blends classic fairytale elements with a high stakes con, sardonic humor, and flawed characters you can’t help but adore. Come for the imaginative world building and a truly distinct retelling, stay for the gasp-worthy twists, found family, and slow burn romance. Highly recommended.
Possible Pairings: Six of Crows by Leigh Bardugo, Three Dark Crowns by Kendare Blake, The Gilded Wolves by Roshani Chokshi, Into the Crooked Place by Alexandra Christo, The Goose Girl by Shannon Hale, The Orphan Queen by Jodi Meadows, Vespertine by Margaret Rogerson, Bravely by Maggie Stiefvater
*An advance copy of this title was provided by the publisher for review consideration*