“Words are seeds, Casiopea. With words you embroider narratives, and the narratives breed myths, and there’s power in the myth. Yes, the things you name have power.”
Casiopea Tun’s quiet life in a small Mexican town is very far from the Jazz Age’s action and splendor. Her father taught her to love the stars. Sometimes, even without him, the stars are enough of a distraction from the drudgery of life in her grandfather’s house where she is more likely to be found cleaning than listening to jazz. Like her mother, she is used to suffering the petty digs of her family in silence. Their complaints that she is too dark, that she is a girl, can’t touch her. Not when she dreams of more.
Even her cousin Martín’s abuses are bearable because Casiopea refuses to believe this house will be her life forever. It can’t be in a world where there are stars and movies and automobiles.
Everything changes, as it sometimes does, in the blink of an eye when Casiopea opens a strange wooden box in her grandfather’s room. Instead of treasures or secrets, she finds bones and accidentally releases the spirit of Hun-Kamé, Lord of Xibalba, the Mayan god of death.
His kingdom has been stolen by his traitorous brother who left Hun-Kamé trapped in the box for years. Missing his one ear, one eye, one index finger, and the jade necklace that represents his power, Hun-Kamé cannot face his brother alone. With Casiopea’s help he can make himself whole and recover what was stolen from him. Tying herself to Hun-Kamé could be fatal for Casiopea if they fail. But success could bring her everything she has ever dreamed of.
Helping a god will bring Casiopea from the jungles of Yucatán to glittering Mexico City and beyond. Traveling with Hun-Kamé will also bring Casiopea closer to her truest self and to feelings she dare not name because the things you name always grow in power in Gods of Jade and Shadow (2019) by Silvia Moreno-Garcia.
Gods of Jade and Shadow is a quiet, character driven story with a close focus on Casiopea through the lens of an omniscient third person narrator. This degree of separation lends a timeless, inevitable quality to the book as it moves toward the final confrontation between Hun-Kamé and his brother.
Fantastical world building and subtle characterization breathe new life into the Mayan mythology that scaffolds this story of a girl striving for more and, finally, having a chance to grasp it. Subtle conversations and nonverbal interactions between Casiopea and Hun-Kamé underscore the changing relationship (and chemistry) between these singular characters.
Gods of Jade and Shadow is, in my humble opinion, a perfect book. Come for the adventure and engrossing plot, stay for the well-realized characters and bittersweet ending that will linger long after the story is finished.
Possible Pairings: Lovely War by Julie Berry, The City of Brass by S. A. Chakraborty, The Star-Touched Queen by Roshani Chokshi, American Gods by Neil Gaiman, Fire and Hemlock by Diana Wynne Jones, The Night Circus by Erin Morgenstern, An Enchantment of Ravens by Margaret Rogerson, The Invisible Life of Addie LaRue by V. E. Schwab, A Well-Timed Enchantment by Vivian Vande Velde