After years spent trying to deny her powers and her dark urges to push them to their limits, Queen Rielle is done pretending. Rejected by the man she loves, feared by the country she swore to protect, Rielle instead turns to Corien–the dark fallen angel who has always promised her glory and destruction in the same breath.
A thousand years in the future Eliana is still trying to understand how her plan to stop Rielle before she breaks the world went so very wrong. Separated from her brother, betrayed by the man she thought she could love, Eliana arrives at the Empire’s capital broken. But that doesn’t stop Corien from trying to break her more and unearth the secrets of how he can use Eliana to reunite with Rielle in the past.
The world has always been quick to tell Rielle and Eliana what kind of woman they should be. With the fate of the world balancing on a knife’s edge, both Rielle and Eliana will have to take their fates–and the fate of all of Avitas–into their own hands in Lightbringer (2020) by Claire Legrand.
Lightbringer is the final book in Legrand’s Empirium trilogy which begins with Furyborn and Kingsbane. Legrand has said before that this is the series of her heart, the reason she began writing, and a massive undertaking. Seeing the end of it, particularly this ending, is bittersweet to say the least.
Lightbringer picks up shortly after the conclusion of Kingsbane although most of the plot relies on world building and plot previously established in the first book in the trilogy.
Epigraphs, shifting points of view, and the story’s two timelines play out on an epic scale as this novel builds to conclusion that feels both explosive and inevitable.
Like the other books in this series, Lightbringer is a long one (nearly 600 pages as a hardcover). Unfortunately in this volume many of the editorial choices shift focus away from characterization and plot in favor of repeated scenes of torture. Corien employs mental and physical violence against Eliana to understand how she could travel to the past. Meanwhile Rielle’s storyline is steeped in blood and gore as Rielle learns more about Corien’s experiments to build monsters to fight his war and vessels for incorporeal angels.
While this book has all of the pieces for a powerful conclusion, they never quite gel as well as they need to relative to the build up. Corien’s motivations are never entirely clear, Ludivine’s purpose in the story remains murky. Worse than all that, a lot of character viewpoints are relegated to epigraphs in favor of cutting down the book length. This choice highlights how badly Ilmaire needed to be a main character in this trilogy while I am still wondering why I had to read though countless chapters from Navi, Tal, or Jessamyn–all of whom feel largely tangential to the entire series.
Both the torture and violence throughout Lightbringer became repetitive enough that as a reader I began to feel inured to it. Instead of furthering the story, the torture took page time away from allowing the overarching narrative to unfold leaving much of that to happen in the final 150 pages of the book.
Lightbringer is a natural if not always satisfying conclusion to a truly distinct series. This installment redeemed a lot of the flaws in Kingsbane or at least made them understandable, particularly in regards to Rielle’s motivations. While the conclusion here feels inevitable, it remains bittersweet and leaves many of the characters and the entire world of Avitas forever changed. It’s clear that there are more stories to be told in Avitas and I hope Legrand will eventually be able to share them with readers.
Lightbringer ends strong remaining inclusive, sexy, and very smart making it a good read-a-like and antidote for Game of Thrones or other problematic fantasies written by white men for white men.
Possible Pairings: Realm Breaker by Victoria Aveyard, Frostblood by Elly Blake, Graceling by Kristin Cashore, The Star-Touched Queen by Roshani Chokshi, The Never Tilting World by Rin Chupeco, The Hunger Games by Suzanne Collins, Truthwitch by Susan Dennard, Reign the Earth by A. C. Gaughen, Forest of Souls by Lori M. Lee, Angel Mage by Garth Nix, Beasts Made of Night by Tochi Onyebuchi, Snow Like Ashes by Sara Raasch, The Midnight Lie by Marie Rutkoski, Strange the Dreamer by Laini Taylor, Realm of Ruins by Hannah West, The Girl King by Mimi Yu