Thousands of feet underwater, humanity tries to find a way forward on a planet that changed forever sixty-five years ago when the water levels started to rise and never stopped. Strange as it may be, it’s the only world Leyla McQueen has ever known.
When her father is accused of the worst possible crime and arrested with no chance to defend himself, Leyla knows she has to get him out. Even if her best chance to do that is trying to win the ultra competitive, ultra dangerous London Submersible Marathon.
When the race doesn’t go to plan, Leyla realizes her father’s arrest is tied to much bigger secrets in London. With no other options and no help in sight, Leyla has to leave the only home she has ever known and confront dangerous truths to save her father before it’s too late in The Light at the Bottom of the World (2019) by London Shah.
The Light at the Bottom of the World is Shah’s debut novel and the start of her Light the Abyss duology.
Leyla is a great narrator who has obvious affection for her small corner of this underwater world while acknowledging the devastation that led humanity to it. Despite a strong premise and evocative setting, the stakes of Leyla’s mission never translates to an actual sense of urgency even as she is caught in a race against time to save her father before she is detained by the authorities herself.
The story and its slang remains very grounded in modern cultural references and terminology even though the story is set decades in the future. The varied cast of secondary characters are unfortunately under-utilized for a lot of this plot-driven novel.
The Light at the Bottom of the World is a classic dystopian featuring a kickass Muslim girl, lots of submarines, lots of water, and lots of action. Recommended for readers seeking any or all of the above in their science fiction.
Possible Pairings: The Forgetting by Sharon Cameron, The Testing by Joelle Charbonneau, A Beginning at the End by Mike Chen, Matched by Ally Condie, Crown of Oblivion by Julie Eshbaugh, Shatter Me by Tahereh Mafi, Warcross by Marie Lu, Four Dead Queens by Astrid Scholte, The Program by Suzanne Young