A Beginning At the End: A Review

A Beginning at the End by Mike ChenA global pandemic has changed the societal landscape and devastated the population. In the wake of the End of the World, while many people are waiting for life to return to normal, four people are trying to move forward as best they can.

Moira, a former pop star, used the initial outbreak as a chance to break away from her controlling father and start a new life. Six years later, Moira is living as normal a life as anyone can now. At least until her father begins a public campaign to try and find her.

While everyone else hides inside or behind surgical masks offering flimsy protection, Krista throws herself into the world planning events for people unwilling to risk the physical interactions themselves. But not many people are planning parties with the threat of a new outbreak looming and Krista is one cancelled event away from losing everything.

Rob survived. His wife didn’t. All Rob wants is to bring up his daughter, Sunny, as best he can. The only problem is new government regulations threaten to take Sunny away to place her in a more stable family environment.

In a world waiting to return to a normal that might never come Moira, Krista, Rob, and Sunny will need each other more than anything if they want to survive in A Beginning At the End (2020) by Mike Chen.

Find it on Bookshop.

Chen’s sophomore novel explores themes of connection and survival against a post-apocalyptic San Francisco setting with chapters alternating between Moira, Krista, and Rob’s perspectives.

Evocative descriptions and thorough world building make this story of a global pandemic eerily timely although a slow start fails to build the momentum needed for later plot points and twists.

A Beginning at the End is a character driven, post-apocalyptic novel that offers hope for the current situation we are in with the Covid-19 global pandemic. In short come for the post-apocalyptic landscape, stay for the feels.

Possible Pairings: All the Birds in the Sky by Charlie Jane Anders; Good Morning, Midnight by Lily Brooks-Dalton; The Salt Line by Sally Goddard-Jones; In Some Other World, Maybe by Shari Goldhagen; The Fireman by Joe Hill; The Fifth Season by N. K. Jemisin; Severance by Ling Ma; Station 11 by Emily St. John Mandel; The Light at the Bottom of the World by London Shah

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