Ana is one of seven fantasists. Like the formerly extinct species that roam The Kingdom™’s parks, Ana is genetically engineered–partly biological and part machine. She and the other fantasists reign over the park as imagined princesses greeting visitors, performing, and helping park visitors’ dreams come true.
Fantasists can understand and identify emotions. But they aren’t supposed to experience them. Except Ana is fairly certain she feels something when she befriends Owen Chen, one of the park’s employees.
Ana isn’t the only thing malfunctioning in the park. Engineered animals keep dying, her sisters are scared. Then there are the nightmares. When Ana is accused of murdering Owen, she knows she is innocent. But it’s all too easy for the public to believe the worst.
The Kingdom is a sleek blend of mystery and sci-fi elements in a dystopian world where resources are limited and escapism is worth any price. Ana’s story unfolds in a non-linear narrative including Ana’s first person narration, trial transcripts, and interviews.
While the non-linear narrative lends an element of suspense to this story, it never builds tension instead making for slow pacing and the sense that Ana is deliberately withholding information.
Questions of sentience, humanity, and mercy are interrogated throughout the narrative as Ana and her sisters are dehumanized and subjugated as part of their lives as Fantasists. Gory scenes with animal deaths further emphasize the theme park’s grim inner workings.
The Kingdom is a stark story set in an eerily plausible world. Recommended for readers who like their speculative fiction, and their heroines, to have a little grit.
Possible Pairings: Grace and Fury by Tracy Banghart, Stronger, Faster, and More Beautiful by Arwen Elys Dayton, The Similars by Rebecca Hanover, The Grace Year by Kim Liggett, Girls of Paper and Fire by Natasha Ngan, Four Dead Queens by Astrid Scholte, Girls With Sharp Sticks by Suzanne Young