Witchlanders: A Review

cover art for Witchlanders by Lena CoakleyMagic is a powerful thing in the Witchlands. The magic and the lands themselves are protected by witches who are mysterious and dangerous, creatures with little time for villages like Ryder’s.

That is if the witches are even real, which Ryder still doubts. After all, he has seen no evidence of them save the relics from her mother’s time as a witch and her addiction to the flowers that she insists will call the witches to her.

When the witches do finally show up to answer his mother’s call Ryder is forced to reconsider everything he thought he believed about the witches, the Witchlands, and his own role in the prophecies his mother has been seeing in Witchlanders (2011) by Lena Coakley.

Witchlanders is classic high fantasy with a unique magic system and detailed world building. It’s also an excellent standalone in a genre that is often over-saturated with trilogies or longer series.

The story follows two boys on opposite sides of a years-long war as they try to understand their growing magic and the bond that seems to be drawing them inexorably together. Chapters alternate between their points of view as they are drawn across the Witchlands to confronting shocking revelations about their pasts, their futures, and their own connections.

While Coakley’s world is fascinating, her characters often suffer in comparison with a lack of dimension. Witchlanders is decidedly free of romance but remains a solid testament to the power of friendship as its own kind of magic.

Possible Pairings: Sorrow’s Knot by Erin Bow, The Demon King by Cinda Williams Chima, The Last Namsara by Kristen Ciccarelli, Truthwitch by Susan Dennard, Black Wings Beating by Alex London, The Floating Islands by Rachel Neumeier

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