Eleven years ago magic disappeared. Maji throughout Orïsha were brutally killed, their magic torn away before it could save them. Zélie Adebola remembers the night of the Raid when her mother was murdered and her father broken.
Now the children of the maji, Divîners, and the magicless Kosidán now live at the mercy of King Saran who has Orïsha unrecognizable as the wondrous land it once was.
It’s been a long time since Zélie‘s people had any reason to hope. But after a chance encounter in the marketplace, Zélie crosses paths with Amari–a princess and now a fugitive. Amari has stolen a that could bring magic back. But only if Zélie and her brother Tzain can help Amari outwit their pursuers led by Amari’s brother the crown prince and retrieve the other items needed for a ritual to correct the damage of the Raid eleven years ago in Children of Blood and Bone (2018) by Tomi Adeyemi.
Children of Blood and Bone is Adeyemi’s debut novel. This fantasy is inspired by Nigerian culture and is the blockbuster start to a high fantasy trilogy.
Readers need more books inspired by African cultures, readers need more books with characters of color in leading roles. Children of Blood and Bone is a huge leap in both areas and helping to the lay the groundwork for more to come. I loved a lot of the characters, I loved the rich settings, and I loved the fast-pacing for the first half of the story.
I was less impressed with some of the plotting and world building–both of which often came across as slapdash.
Children of Blood and Bone fits nicely into what I typically refer to as “fantasy lite”–a subgenre where stories take place in a fantasy setting with high action, some romance, and lots of adventure. These stories sometimes lack a cohesive internal logic particularly when it comes to world building and magic systems. Every time Zélie runs into a problem that her magic can’t solve, the rules change so that she suddenly can. Similarly when circumstances conspire to stop Zélie and Amari in their tracks a deux ex machina appears to help them along.
The dialogue in this novel is snappy and fun but often anachronistic. Interestingly, the novel includes first person narration chapters from Zélie, Amari, and Inan–the crown prince determined to destroy magic even as he fights his growing attraction to Zélie.
Character motivations, particularly in the final act, become muddled as Zélie and readers have to decide once and for all who can be called an ally and who is truly an enemy. Adeyemi populates this story with a vibrant cast of characters in everything from skin tone and body type to personality.
Children of Blood and Bone is an engrossing if overly long fantasy. Excellent characters and action balance out a sloppy ending and underdeveloped world building. Recommended for fantasy readers looking for their next splashy adventure.
Possible Pairings: Roar by Cora Carmack, Truthwitch by Susan Dennard, The Smoke Thieves by Sally Green, For a Muse of Fire by Heidi Heilig, Throne of Glass by Sarah J. Maas, Beasts Made of Night by Tochi Onyebuchi, Ash Princess by Laura Sebastian, Strange the Dreamer by Laini Taylor, Song of the Current by Sarah Tolcser