Grace is the new girl in town. The quiet daughter of a newly-minted radical liberal pastor who is so focused on building up her new church that she doesn’t have much time for Grace.
Rosina is a queer latina punk rocker. But she doesn’t have a band. And she isn’t out. Because most of her time is spent working in her family’s restaurant, taking care of her cousins, and avoiding her conservative Mexican immigrant relatives.
Erin knows everything there is to know about marine biology and Star Trek: The Next Generation. Both things help her add routine to her life–something Erin needs to cope with her autism. But even routine can’t help Erin forget what happened before or answer the question of whether or not she’s an android.
Grace is outraged by the lack of sympathy and subsequent fallout for Lucy Moynihan–a local girl who accused three popular guys at school of gang rape only to be run out of town. Soon, Grace draws Rosina and Erin into her efforts to get justice for Lucy and for so many other girls.
It starts with just the three of them but soon they are everywhere because they are everygirl. They are The Nowhere Girls (2017) by Amy Reed.
There’s a lot to love in Reed’s latest standalone novel. This ambitious story is a scathing indictment of misogyny and rape culture as well as an empowering introduction to feminism for teen readers. Written in close third person the novel alternates viewpoints between Grace, Rosina, and Erin for most of the novel. The Nowhere Girls also showcases brief chapters (entitled “Us”) following other girls in town as they navigate first-time sex, negotiate physical intimacy with romantic partners, gender identity, and more.
Reed makes a lot of headway toward erasing the separation and exclusion of the primarily white feminism of the 1960s (and 1990s) with these “us” chapters as well as situating Rosina at the center of the start of the Nowhere Girls movement. This step is a really important one, and something I was glad to see. However a coworker pointed out that despite these inroads, a lot of The Nowhere Girls remains focused on white feminism with many of the brown girls in the story only being seen as saying this isn’t feminism meant to include them. That’s a problem and one I wish had more of a conclusion by the end of the novel.
It also points to one of the main problems with The Nowhere Girls which is that there isn’t always a payoff for much of the novel’s potential. The “us” chapters introduce a transgender character who wonders if she would be welcome in the Nowhere Girls with open arms. Unfortunately there is no answer to that in the text anymore than there is for the girls of color besides Rosina. Another girl contends with being labeled a slut by her peers and most of the town but her arc is cut abruptly short and leaves her, sadly and predictably, in mean girl territory instead of reaching for something bigger. I’d like to think these girls all have outcomes where they are able to embrace their own agency and feminism. But because The Nowhere Girls takes on so much there isn’t time to spell everything out on the page.
Then there’s Erin. I’m very happy to see more neuro-atypical characters getting major page time but there are questions as to whether a neurotypical author can (or should) delve into that interiority for a character. I don’t have an answer to that. What I can say is that Erin begins the novel by describing herself as having Asperger’s Syndrome–a term that is no longer used as a standard diagnosis–and generally not accepting her autism in a healthy way. There is growth with this and by the end of the novel Erin is referring to herself as autistic rather than an “Aspy” but it’s not given quite enough time to have a satisfying conclusion.
The Nowhere Girls is an ambitious, gritty novel that pulls no punches as it addresses complicated issues of rape culture and misogyny as well as solidarity and feminism. The Nowhere Girls is a novel full of potential and a powerful conversation starter. Recommended.
Possible Pairings: Unclaimed Baggage by Jen Doll, In a Perfect World by Trish Doller, The Careful Undressing of Love by Corey Ann Haydu, Here We Are: Feminism for the Real World edited by Kelly Jensen, The Last Time We Were Us by Leah Konen, Wonder Women: 25 Innovators, Inventors, and Trailblazers Who Changed History by Sam Maggs, Saving Francesca by Melina Marchetta, Moxie by Jennifer Mathieu, Wild Swans by Jessica Spotswood, All the Rage by Courtney Summers